Director: Wolfgang Reitherman
Release Date: November 8, 1973
But by now the characters are portrayed as animals, a relic of an abandoned feature film project about Reynard the fox called ‘Chanticleer’. This great idea doesn’t lead to a great film, however. Despite the fine character designs, the strong voice cast and the often superb animation, Robin Hood must be placed among the weaker Disney features.
Many of the character designs are so reminiscent of those in ‘Jungle Book’, the film almost feels like a rip-off. There’s a bear, voiced by Phil Harris, the voice of Baloo, there’s a snake with the power of hypnosis and there are some funny vultures. The story evolves at a remarkably slow pace, with some sort of plot only setting in after 29 minutes. More than any earlier Disney feature ‘Robin Hood’ seems particularly aimed at children: both great drama and great comedy are absent and danger is never really felt. The great finale is anything but that, and King Richard serves as an off-stage Deus ex machina, putting an equally welcomed as unsatisfying end to the film.
The rather tinned music doesn’t help, either. Even worse, the film’s three forgettable songs are all presented within a twelve minutes period of the film (0’46-0’58), and the dance scene blatantly reuses complete dance animation sequences from ‘Snow White and the seven dwarfs’ (1937) and ‘Jungle Book’ (1967). All these aspects give the film a cheap feel. Its only real treat is King John. This is by all means a marvelous character, perfectly voiced by Peter Ustinov. Because of the film’s strong visuals (after all, it’s the only Robin Hood film starring foxes), the film fares better in memory than by actually watching it.
In all, Robin Hood is a sad feature, which makes painfully clear that in the seventies Disney’s glory days lay years behind. Indeed, it would take the studio another fifteen years to crawl out of the uncertain times the studio went through after Walt Disney’s death.
Watch an excerpt from ‘Robin Hood’ and tell me what you think: