Director: Hayao Miyazaki
Release Date: July 20, 2001
Rating: ★★★★★ ♕
After several very fine films, like ‘My Neighbor Totoro‘ (1988) and ‘Princess Mononoke’ (1997), Miyazaki tops himself with his masterpiece ‘Spirited Away’. This film single-handedly places him among the greatest masters of animation of all time.
The film depicts a strange and inexplicable, yet surprisingly complete fantasy world, with a conviction and originality that has rarely been seen since Lewis Carroll’s ‘Alice in Wonderland’. At the same time, unlike several of Miyazaki’s earlier films, one feels that ‘Spirited away’ could only have been made in Japan. Its setting of a public bath, with its numerous gods and demi-gods, is totally Japanese.
Yet, its story about coming of age is universal as is its appeal. The little girl Chihiro (or Sen, as she’s called during most of the film) is the greatest of Miyazaki’s heroines. Like Kiki in ‘Kiki’s Delivery Service’ (1989), she matures during the film, but the fears and terrors she has to conquer are far more alarming than Kiki’s, and her growth is way more convincing. Not only has she to prove herself, she has to regain her name, and most importantly, she has to rescue her parents, who have been transformed into pigs in a particularly horrifying scene. At one scene we see her stricken with traumatic stress. In another we watch her breaking down. Despite some exaggerations (a flood of tears, for example), these scenes are so surprisingly real, they startle the viewer who’s used to the formalized emotions of many commercial animation films, whether Japanese or Western.
However, the character animation of Chihiro is outstanding throughout the film: she is a true girl and not an adult in disguise, and her emotions feel genuine and seem deeply rooted in observation of real human behavior. We identify immediately with her, and she’s strong enough a character to make her extraordinary journey in that strange, mysterious and dreamlike world believable.
Typical for Miyazaki, even in this hostile world our young heroine is not without friends, and even the most unpleasant characters (Yubaba and Without Face) are not without their weaknesses or positive character traits. On the other hand, even the good can look fearsome and unpleasant, as Yaku does in his dragon form. Also typical for Miyazaki is his depiction of children at work (see ‘Laputa – Castle in the Sky‘ (1986) and ‘Kiki’s Delivery Service’). On the other hand, his recurring theme of man versus nature is less apparent in this film, although it does appear in the form of a polluted river god.
In all, ‘Spirited Away’ is a rich film of pure delight and will enchant everyone everywhere in the world.
Watch the trailer for ‘Spirited Away’ yourself and tell me what you think: