You are currently browsing the category archive for the ‘★★½’ category.
Director: Faith Hubley
Release Date: 1991
Rating: ★★½
Review:
According to the titles this film is inspired by ‘upside down poetry’ by 15th century Indian poet Kabir.
The film shows several ‘upside down’ situations, all introduced by a voice over, like ‘a sheep eats a wolf’, ‘a corpse eats death’, and ‘a fish jumps out of the ocean’. Most interesting is ‘an elephant is tied to an ant’s leg’, which features remarkably classic animation on the elephant, a standout between the circular and flat animation that dominates Hubley’s films.
As always, ‘Upside down’ features Hubley’s gorgeous Miró-like ritualistic designs, but the film is hampered by the trite voice over titles, and Don Christensen’s rather disjointed score. Moreover, the stream-of-consciousness-like scenes are little more than illustrations of the poet’s ideas, and there’s no story whatsoever.
‘Upside Down’ is available on the DVD ‘The Hubley Collection Volume 1’
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Director: Émile Cohl
Release Date: 1911
Rating: ★★½
Review:
‘Les exploits de Feu Follet’ is the first of only two surviving films Émile Cohl made for French film company Eclipse, the other being ‘Les métamorphoses comiques’.
With this film Cohl returned to the looks of his first films ‘Fantasmagorie‘ (1908) and ‘Le cauchemar de Fantoche‘ (1908): the film is shot in white on black and features a stickman. This stickman flies with a balloon to the moon and falls down into the ocean, where he is swallowed by a whale. Curiously, the whale, moon, and an eagle are drawn much more classically than the stickman, making ‘Les exploits de Feu Follet’ less consistent in its looks than either ‘Fantasmagorie’ or ‘Le cauchemar de Fantoche’.
Cohl’s timing is very sloppy in this film, and unfortunately there’s is little metamorphosis, with Cohl relying much on cut-out shortcuts. There’s practically no story, only a string of events. So, this film is not among Cohl’s best.
Watch ‘Les exploits de Feu Follet’ yourself and tell me what you think:
‘Les exploits de Feu Follet’ is available on the DVDs ‘Émile Cohl – L’agitateur aux mille images’
Director: Émile Cohl
Release Date: 1910
Rating: ★★½
Review:
In this film several objects make paintings on an empty canvas, which all turn into photos and films.
Cohl suggests the act of painting by several means, for example by taking away layers op paper snippers or taking away sand to reveal a picture beneath. There’s no story, and in a way this pure animation film is still in the tradition of the trick film, in which the viewer is more concerned with how the trick is done than the actual images themselves. Thus, the film is most interesting because of the nice footage of Paris anno 1910.
Watch ‘Les beaux-arts mystérieux’ yourself and tell me what you think:
‘Les beaux-arts mystérieux’ is available on the DVDs ‘Émile Cohl – L’agitateur aux mille images’
Director: Émile Cohl
Release Date: May 21, 1910
Rating: ★★★
Review:
In this film the waiter of a cafe falls asleep during work, and dreams of glasses, bottles, wine, beer and absint all haunting him.
As may be expected in an Émile Cohl film the dream sequence is done in animation, in a quite remarkable blend of cut-out and pen animation. Cohl uses his trademark metamorphosis technique and imagination to make all kinds of associations with alcohol, in a rather directionless sequence. But as this is supposed to be a dream, this stream-of-consciousness-like approach works pretty well.
In the end, the waiter is awoken by four card-playing guests, who spray spray water on the hapless victim.
Watch ‘Le songe du garçon de café’ yourself and tell me what you think:
‘Le songe du garçon de café’ is available on the DVDs ‘Émile Cohl – L’agitateur aux mille images’
Director: Émile Cohl
Release Date: 1909
Rating: ★★½
Review:
‘Affaires de coeur’ is a film about love using hearts as a common thread.
Even the frame in which all action takes place is heart-shaped. In this film Cohl uses every animation technique known at the time to tell a rather abstract story of love. We watch hearts filling cards, cards playing badminton, and a male heart courting and eventually marrying a female heart, and even dueling a rival heart with a mustache.
Despite the clear theme, the film is one of Cohl’s less successful efforts. There’s an aimlessness in this film, which only halfway forms some sort of story. Moreover, none of the animation is particularly noteworthy, even though the hearts in love have some charm.
Watch ‘Affaires de coeur’ yourself and tell me what you think:
‘Affaires de coeur’ is available on the DVDs ‘Émile Cohl – L’agitateur aux mille images’
Director: Émile Cohl
Release Date: 1909
Rating: ★★½
Review:
‘Les chapeaux des belles dames’ is one of Émile Cohl’s tableau films.
Whereas Cohl’s other tableau films from 1909, like ‘L’éventail animé‘ and ‘Les couronnes‘ consisted of elaborate tableaux vivants, ‘Les chapeaux des belles dames’ is much simpler. The film only shows several ladies wearing hats from different ages. Within a vignette we watch the bustes of the ladies circling around, showing the hats from all sides. Thus we watch hats from 1400 to 1825, with emphasis on the 15th and 18th century (strangely enough the 17th century is skipped altogether).
The whole film may be insightful, the short is remarkably static, and only entertaining because of the sometimes extraordinary hats. It doesn’t help that the surviving copy is badly damaged, rendering some of the images more or less invisible.
Watch ‘Les chapeaux des belles dames’ yourself and tell me what you think:
‘Les chapeaux des belles dames’ is available on the DVDs ‘Émile Cohl – L’agitateur aux mille images’
Director: Émile Cohl
Release Date: 1907-1909
Rating: ★★½
Review:
Somewhere before or after his groundbreaking ‘Fantasmagorie’ Cohl explored the older animation technique of stop motion. ‘Japon de faintasie’ is an ultrashort venture into this technique, and the only reason of its existence seems to be the exploration of its possibilities.
Despite its short length of a mere one minute, the film consists of three clear sections: two Japanese figurines moving, a bee moving, and a face changing into a mask that sprouts mice. The film feels like a study, and is not as sophisticated as Cohl’s stop motion films from 1908, like ‘Le cerceau magique‘ or ‘Les frères Boutdebois‘, which points to an early production date.
Watch ‘Japon de fantaisie’ yourself and tell me what you think:
‘Japon de fantaisie’ is available on the DVDs ‘Émile Cohl – L’agitateur aux mille images’
Director: J. Stuart Blackton
Release Date: July 15, 1907
Rating: ★★½
Review:
‘Lightning Sketches’ is the third surviving film by J. Stuart Blackton in which he used drawn animation.
Unfortunately the film has less in common with his ground-breaking film ‘Humorous Phases of Funny Faces‘ (1906), and much more with his first trick film ‘The Enchanted Drawing’ from 1900: Once again Blackton himself appears on screen, and not only his hand. As in the earliest film, he now draws with a brush on paper, replacing the chalk and chalkboard.
Compared to ‘Humorous Phases of Funny Faces’ ‘Lightning Sketches’ is by all means the lesser product: there is less animation or movement (the best is of a bottle of champagne and a bottle of soda water filling a glass). Worse, Blackton’s first gag involves a stereotype ‘coon’ and Jew, but no animation at all.
In no sense ‘Lightning Sketches’ did propel the medium of animation forward, and it was up to others pioneers, like Émile Cohl, Winsor McCay and J.R. Bray to advance upon the new technique.
Watch ‘Lightning Sketches’ yourself and tell me what you think:
‘Lightning Sketches’ is available on the DVD/Blu-Ray ‘Cartoon Roots’
Directors: The Blackheart Gang
Release Date: March 2006
Rating: ★★½
Review:
‘The Tale of How’ is a tale about birds trapped on an island by a large sea monster, but rescued by a mouse.
In this short the Blackheart Gang has used a mix of 2D and 3D computer techniques to make a film that is baroque in its complexity of images and intricate designs. The combination of weird surrealism and quasi-medieval ornamentation give the film its unique atmosphere. Unfortunately, the film’s story is less compelling than the images: the tale is sung in an all too uninteresting quasi-operatic style and very hard to follow, indeed.
Watch ‘The Tale of How’ yourself and tell me what you think:
‘The Tale of How’ is available on the French DVD box set ‘Annecy – Le coffret du 50e anniversaire’
Director: Chuck Jones
Release Date: May 9, 1942
Rating: ★★½
Review:
In 1942 Chuck Jones found his own voice as a director. Gone were the Disneyesque characters and settings. Instead, Jones put forward his own recognizable character designs, a very original animation approach based on strong poses, and an unprecedented emphasis on facial expressions.
Gone, too, were the cute, childish subjects, now replaced by wild, mature and gag rich stories. Suddenly Jones became one of the most recognizable directors in the field, equaled only by Bob Clampett. The most obvious example of this change is ‘The Dover Boys‘ from September 1942, but the new style is already very present in the Conrad Cat cartoons from January/February (‘The Bird Came C.O.D.’, ‘Conrad the Sailor‘ and ‘Porky’s Cafe’ ).
‘The Draft Horse’, from May, is also a nice example of Jones’s new self-assurance. The short features a plow horse who, after reading a billboard saying ‘Horses wanted for US Army’ plows all the way to the next army training camp to get himself enlisted. His race is depicted marvelously: we don’t see the horse himself, but we watch several images of the countryside wrecked by his plow, accompanied by a frantic rendering of Gioacchino Rossini’s William Tell overture.
Besides an example of Jones’s new style, ‘The Draft Horse’ was also the first Warner Bros. cartoon penned by Tedd Pierce, after his return from his move to the Max Fleischer studios. Highlight of the cartoon is the horse acting out a complete war scene for the eyes of a bewildered colonel. This scene, animated by Ken Harris, can match the much praised scene from ‘Brave Little Tailor’ (1938, animated by Frank Thomas), in which Mickey Mouse tells his story of how he beat seven [flies] in one blow. In this scene the horse looks like a forerunner of Charlie Dog, who does an equally hilarious performance in ‘Often an Orphan‘ (1949).
Unfortunately, the rest of the cartoon doesn’t live up to the high standards set here. Tedd Pierce’s story is too loosely jointed to engage the viewer, falling back on spot gags. Soon the horse ends in a war exercise, and he flees home with equal speed. In the end we watch him knitting V-sweaters as part of the ‘Bundles for Blue Jackets’ program, in which local ladies knitted sweaters for navy men.
‘The Draft Horse’ mocks the over-zealous response after the United States had entered World War II. At the same time, it shows that every citizen can do his part, even when he is not in the army itself. The horse is designed interestingly, remaining halfway anthropomorphization. For example, he retains his hoofs, and remains on all fours half of the time.
Watch ‘The Draft Horse’ yourself and tell me what you think:
‘The Draft Horse’ is available on the DVD-set ‘Looney Tunes Golden Collection Volume Six’
Director: Bob Clampett
Release Date: July 5, 1941
Stars: Porky Pig
Rating: ★★½
Review:
On September 26 1940 the Selective Training and Service Act came into effect. This was the first peace time conscription in the history of the United States.
By 1941 the draft was in full effect, as is reflected by cartoons like ‘Hysterical Highspots in American History‘, ‘Meet John Doughboy’, ‘Rookie Revue’ and ‘The Boogie Woogie Bugle Boy of Company B‘. Of the real draftee cartoons ‘Meet John Doughboy’ is probably the first. The short stars Porky Pig, who can boast to be the first major cartoon star to join the army. In November Porky was followed by Barney Bear (‘The Rookie Bear’) and Popeye (‘The Mighty Navy‘), while other stars only joined the war effort after the attack on Pearl Harbor, December 7, 1941.
Unfortunately, ‘Meet John Doughboy’ is not about Porky’s tribulations as a draftee. Instead Porky introduces a movie newsreel “chock full of military secrets, so if there are any Fifth Columnists in the audience, please leave the theater right now.”. This is immediately the best gag of the short, which is a rather trite spot gag cartoon.
‘Meet John Doughboy’ is mostly of historical interest. The film features some stark images of weaponry, in beautiful black and white contrasts. The cartoon even depicts a possible invasion by air, luckily easily dispelled by the Statue of Liberty with some use of inspect spray. Otherwise, it remains a rather uninteresting spot gag cartoon. Three months later, Friz Freleng made a color cartoon covering similar grounds in the even less funnier ‘Rookie Revue‘.
Watch ‘Meet John Doughboy’ yourself and tell me what you think:
This is Porky Pig cartoon no. 88
To the previous Porky Pig cartoon: Porky’s Prize Pony
To the next Porky Pig cartoon: We, the Animals, Squeak
‘Meet John Doughboy’ is available on the DVD-sets ‘Looney Tunes Golden Collection Volume Six’ and ‘Porky Pig 101’
Director: Jack King
Release Date: December 5, 1941
Stars: Donald Duck
Rating: ★★
Review:
‘Chef Donald’ opens with Donald gluing some recipes in a book.
This sets the stage for the single premise in this cartoon: when following a recipe for waffles on the radio Donald accidentally puts in some rubber cement (glue) into his mix instead of baking powder. This leads to remarkably stubborn dough, and the rest of the cartoon is filled with Donald trying to deal with it.
‘Chef Donald’ is full of surprising gags, like an iron ironing Donald’s chef hat by accident, and a large crack splitting his complete house. The most bizarre gag is when the dough takes the air like a helicopter. The animation on Donald himself is wonderful and absolutely inspired, but because the short milks the glue-gag until the end the end result is less than satisfying.
Watch ‘Chef Donald’ yourself and tell me what you think:
This is Donald Duck cartoon No. 29
To the previous Donald Duck cartoon: Donald’s Camera
To the next Donald Duck cartoon: The Village Smithy
‘Chef Donald’ is available on the DVD-set ‘The Chronological Donald Volume 1’
Director: Dick Lundy
Release Date: May 9, 1941
Stars: Donald Duck
Rating: ★★½
Review:
In ‘A Good Time for a Dime’ Donald Duck enters a penny arcade.
Here he watches an erotic film called ‘the dance of the seven veils’ on a mutoscope, then he tries to retrieve items from a crane game machine (only to sneeze them all back into the machine), and he rides a toy airplane, which goes haywire, rendering him sick.
‘A Good Time for a Dime’ is Dick Lundy’s third Donald Duck cartoon as a director. The short is hampered by his poor timing and emphasis on prolonged situation gags, so typical of the mid-1930s. The scenes at the crane game machine and in the plane feel endless, with the plane scene losing all connections to reality, thus rendering it less funny. After all, Donald was at his best when experiencing every day annoyances.
The best gag of the short is that of Donald’s pupils falling down his eyes like marbles. There’s also a wonderful scene in which we watch the plane dive and soar from Donald’s own perspective, but these scenes cannot rescue this rather mediocre entry in the Donald Duck canon.
Watch ‘A Good Time for a Dime’ yourself and tell me what you think:
This is Donald Duck cartoon No. 24
To the previous Donald Duck cartoon: Golden Eggs
To the next Donald Duck cartoon: Early to Bed
‘A Good Time for a Dime’ is available on the DVD-set ‘The Chronological Donald Volume 1’
Director: Dave Fleischer
Release Date: April 11, 1941
Stars: Gabby
Rating: ★★½
Review:
The title ‘Swing Cleaning’ promises a cartoon full of big band music.
None of that. Instead, we have a Gabby cartoon, in which our read-headed hero volunteers to take control of the palace’s spring cleaning. Gabby soon meddles with everyone and everything, and manages to destroy a great deal, twice. In the end the other palace dwellers give him their tokens of gratitude, and clobber him with their brooms.
Compared to ‘Two for the Zoo‘ ‘Swing Cleaning’ is a much better cartoon, with its focus on Gabby’s destructive meddling. However, the short loses some screen time to unrelated gags, and one doesn’t feel for either Gabby or the other palace dwellers. In the end. Swing Cleaning’ remains a mediocre cartoon, still much rooted in the sugary 1930s era, and feeling dated when compared to contemporary cartoons from other studios.
Watch ‘Swing Cleaning’ yourself and tell me what you think:
‘Swing Cleaning’ is available on the Thunderbean DVD/Blu-Ray ‘Fleischer Classics featuring Gulliver’s Travels’
Director: Bob Clampett
Release Date: October 12, 1940
Stars: Porky Pig
Rating: ★★½
Review:
In ‘Prehistoric Porky’ Porky Pig follows the footsteps of Daffy Duck, who had started a prehistoric cartoon in ‘Daffy Duck and the Dinosaur‘.
Set rather extravagantly ‘one billion, trillion years b.c. (a long time ago)’ the short opens beautifully with several moving silhouettes of dinosaurs. Soon we cut to caveman Porky, who has a pet Brontosaur (erroneously with visible ears) called ‘Rover’. Porky reads in ‘Expire – the magazine for cavemen’, and discovers that his own bearskin is outdated. So he goes out to hunt for one. Unfortunately, he encounters a vicious sabertooth tiger…
Like almost all films set in the prehistory, ‘Prehistoric Porky’ cheerfully mixes all kinds of prehistoric periods together. Unfortunately, the short is rather low on gags, and has a trite ending. Moreover, most dinosaurs look like fantasy dragons, instead of the real thing. Yet, the sabertooth tiger is well animated, and it’s interesting to see Porky in a quasi-urban caveman setting, making the cartoon one of the forerunners of ‘The Flintstones’.
Watch ‘Prehistoric Porky’ yourself and tell me what you think:
This is Porky Pig cartoon no. 78
To the previous Porky Pig cartoon: Calling Dr. Porky
To the next Porky Pig cartoon: The Sour Puss
‘Prehistoric Porky’ is available on the DVD sets ‘Looney Tunes Golden Collection Volume 5’ and ‘Porky Pig 101’
Director: Chuck Jones
Release Date: June 8, 1940
Rating: ★★½
Review:
Many of Chuck Jones’s early cartoons of 1938-1941 have a Disney-like character, but ‘Tom Thumb in Trouble’ arguably tops them all in Disney overtones.
The short stars a particularly small Tom Thumb, being indeed the size of his father’s thumb. When the father goes to work and leaves Tom alone to do the dishes, Tom Thumb almost drowns, but he is rescued by a little yellow bird. Unfortunately, his father blames the bird, and Tom Thumb walks away into the woods because of that. In the end all are reunited.
There’s absolutely nothing funny about this sentimental and cloying tale, and one wonders what Jones was thinking. This cartoon would have fit the years 1934-1936, not 1940. The animation, however, is stunning, with the very realistic father being an animation highlight within Warner Bros.’ 1940 output, topping even the realistic humans in ‘Old Glory‘, as he appears to have been animated with more confidence and ease. The staging, too, is nothing but impressive, with its strikingly original and dramatic angles, often turning the father into a towering figure.
But the short owes nothing to the output of Jones’s colleagues, and the only aspect that makes it typically Warner Bros. is Carl Stalling’s music, which makes clever use of classical music, with Richard Wagner’s Ride of the Valkyries during Tom Thumb’s flight into the winter woods as a particular highlight.
Watch ‘Tom Thumb in Trouble’ yourself and tell me what you think:
‘Tom Thumb in Trouble’ is available on the DVD set ‘Looney Tunes Golden Collection Volume 5’
Director: Tex Avery
Release Date: May 25, 1940
Rating: ★★½
Review:
‘A Gander at Mother Goose’ is one of Tex Avery’s numerous spot gag cartoons. This time he sets his teeth in nursery rhymes, providing trite gags on e.g. Humpty Dumpty, Jack and Jill, and Little Miss Muffet.
Unfortunately, Avery’s spot gag cartoons rarely belong to his best work, and ‘A Gander at Mother Goose’ is no exception. Most surprising are his takes on two tales that have been made famous by Walt Disney: The Three Little Pigs (1933) and Little Hiawatha (1938). Not that his gags are funny, however. Best may be the first gag in which Miss Mary does a Katherine Hepburn imitation.
Friz Freleng directed an all too similar cartoon two years later called ‘Foney Fables‘ (1942), which is even less funny.
Watch ‘A Gander at Mother Goose’ yourself and tell me what you think:
‘A Gander at Mother Goose’ is available on the DVD set ‘Looney Tunes Golden Collection Volume 5’
Director: Jack King
Release Date: September 20, 1940
Stars: Donald Duck, Pluto
Rating: ★★½
Review:
Window Cleaners is the fifth of six cartoons co-starring Donald Duck and Pluto. Unlike the other films starring the duo, this is pretty much Donald’s film, with Pluto sleeping most of the time.
Donald has a job cleaning windows on a ridiculously high building and using the lazy mutt as his helper. This accounts for some spectacular background art emphasizing the dizzying heights Donald is working on.
The film is less gag rich than its contemporaries, however, being split into two long and distinct routines: in the first Donald tries to wake Pluto, to no avail. Highlight of this part is his attempt to yell into the drainpipe. This scene accounts for some spectacular body deformations on our beloved duck.
In the second routine Donald bullies a bee, which takes revenge immediately. This bee is the direct ancestor of the bee Jack Hannah introduced in ‘Inferior Decorator’ (1948) and one can say that all Hannah’s bee films follow the routine from this particular cartoon.
Watch ‘Window Cleaners’ yourself and tell me what you think:
This is Donald Duck cartoon No. 20
To the previous Donald Duck cartoon: Donald’s Vacation
To the next Donald Duck cartoon: Fire Chief
‘Window Cleaners’ is available on the DVD set ‘The Chronological Donald Volume 1’
Director: Dave Fleischer
Release Date: October 18, 1940
Stars: Popeye, Poopdeck Pappy
Rating: ★★½
Review:
In ‘My Pop, My Pop’ Popeye builds a boat. Poopdeck Pappy comes along and insists on helping him, but in the end, it’s Popeye who does all the work.
Although Poopdeck Pappy had already been introduced in the Fleischer Popeye series in 1938, in ‘Goonland‘, he was shelved for two years. With ‘My Pop, My Pop’ he reentered the Popeye universe: having his own theme song, a Scottish voice, and being remarkably weak and lazy. These character traits don’t match the character in E.C. Segar’s comic strip or in ‘Goonland’, and were not repeated in his next cartoon, ‘With Poopdeck Pappy‘.
Indeed, they’re not even very funny in this cartoon, with Poopdeck Pappy remaining a rather bland character. Moreover, the whole short is rather slow moving and too rich in unfunny dialogue. The best gags are Popeye’s original ways of boat building.
Luckily, Poopdeck Pappy’s most of next cartoons would be much better.
Watch ‘My Pop, My Pop’ yourself and tell me what you think:
This Popeye film No. 88
To the previous Popeye film: Popeye Meets William Tell
To the next Popeye film: With Poopdeck Pappy
‘My Pop, My Pop’ is available on the DVD set ‘Popeye the Sailor Volume Two’
Director: Dave Fleischer
Release Date: August 23, 1940
Stars: Hunky & Spunky
Rating: ★★½
Review:
‘You Can’t Shoe a Horsefly’ opens with a tired Hunky & Spunky laying themselves down to sleep.
Unfortunately, Spunky is soon troubled by a horsefly, who looks like a miniature winged horse and who sings the title song. The antagonism between Spunky and the horsefly, which even leads to a chase scene makes ‘You Can’t Shoe a Horsefly’ the most modern of the Hunky & Spunky cartoons, and the only one fitting the then emerging chase cartoon era. However, it’s still Hunky who has to come to the rescue, killing the horsefly and all his friends in one stroke.
Composer Sammy Timberg nicely intertwines the lullaby ‘Go to Sleep My Baby’ (which I know best as sung by Oliver Hardy in ‘Brats’ from 1930), into the soundtrack when the two donkeys are trying to sleep.
Watch ‘You Can’t Shoe a Horsefly’ yourself and tell me what you think:
‘You Can’t Shoe a Horsefly’ is available on the DVD set ‘Somewhere in Dreamland – Max Fleischer’s Color Classics: The Definitive Collection’
