You are currently browsing the category archive for the ‘★★½’ category.
Director: Émile Cohl
Release Date: 1907-1909
Rating: ★★½
Review:
Somewhere before or after his groundbreaking ‘Fantasmagorie’ Cohl explored the older animation technique of stop motion. ‘Japon de faintasie’ is an ultrashort venture into this technique, and the only reason of its existence seems to be the exploration of its possibilities.
Despite its short length of a mere one minute, the film consists of three clear sections: two Japanese figurines moving, a bee moving, and a face changing into a mask that sprouts mice. The film feels like a study, and is not as sophisticated as Cohl’s stop motion films from 1908, like ‘Le cerceau magique‘ or ‘Les frères Boutdebois‘, which points to an early production date.
Watch ‘Japon de fantaisie’ yourself and tell me what you think:
‘Japon de fantaisie’ is available on the DVDs ‘Émile Cohl – L’agitateur aux mille images’
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Director: J. Stuart Blackton
Release Date: July 15, 1907
Rating: ★★½
Review:
‘Lightning Sketches’ is the third surviving film by J. Stuart Blackton in which he used drawn animation.
Unfortunately the film has less in common with his ground-breaking film ‘Humorous Phases of Funny Faces‘ (1906), and much more with his first trick film ‘The Enchanted Drawing’ from 1900: Once again Blackton himself appears on screen, and not only his hand. As in the earliest film, he now draws with a brush on paper, replacing the chalk and chalkboard.
Compared to ‘Humorous Phases of Funny Faces’ ‘Lightning Sketches’ is by all means the lesser product: there is less animation or movement (the best is of a bottle of champagne and a bottle of soda water filling a glass). Worse, Blackton’s first gag involves a stereotype ‘coon’ and Jew, but no animation at all.
In no sense ‘Lightning Sketches’ did propel the medium of animation forward, and it was up to others pioneers, like Émile Cohl, Winsor McCay and J.R. Bray to advance upon the new technique.
Watch ‘Lightning Sketches’ yourself and tell me what you think:
‘Lightning Sketches’ is available on the DVD/Blu-Ray ‘Cartoon Roots’
Directors: The Blackheart Gang
Release Date: March 2006
Rating: ★★½
Review:
‘The Tale of How’ is a tale about birds trapped on an island by a large sea monster, but rescued by a mouse.
In this short the Blackheart Gang has used a mix of 2D and 3D computer techniques to make a film that is baroque in its complexity of images and intricate designs. The combination of weird surrealism and quasi-medieval ornamentation give the film its unique atmosphere. Unfortunately, the film’s story is less compelling than the images: the tale is sung in an all too uninteresting quasi-operatic style and very hard to follow, indeed.
Watch ‘The Tale of How’ yourself and tell me what you think:
‘The Tale of How’ is available on the French DVD box set ‘Annecy – Le coffret du 50e anniversaire’
Director: Chuck Jones
Release Date: May 9, 1942
Rating: ★★½
Review:
In 1942 Chuck Jones found his own voice as a director. Gone were the Disneyesque characters and settings. Instead, Jones put forward his own recognizable character designs, a very original animation approach based on strong poses, and an unprecedented emphasis on facial expressions.
Gone, too, were the cute, childish subjects, now replaced by wild, mature and gag rich stories. Suddenly Jones became one of the most recognizable directors in the field, equaled only by Bob Clampett. The most obvious example of this change is ‘The Dover Boys‘ from September 1942, but the new style is already very present in the Conrad Cat cartoons from January/February (‘The Bird Came C.O.D.’, ‘Conrad the Sailor‘ and ‘Porky’s Cafe’ ).
‘The Draft Horse’, from May, is also a nice example of Jones’s new self-assurance. The short features a plow horse who, after reading a billboard saying ‘Horses wanted for US Army’ plows all the way to the next army training camp to get himself enlisted. His race is depicted marvelously: we don’t see the horse himself, but we watch several images of the countryside wrecked by his plow, accompanied by a frantic rendering of Gioacchino Rossini’s William Tell overture.
Besides an example of Jones’s new style, ‘The Draft Horse’ was also the first Warner Bros. cartoon penned by Tedd Pierce, after his return from his move to the Max Fleischer studios. Highlight of the cartoon is the horse acting out a complete war scene for the eyes of a bewildered colonel. This scene, animated by Ken Harris, can match the much praised scene from ‘Brave Little Tailor’ (1938, animated by Frank Thomas), in which Mickey Mouse tells his story of how he beat seven [flies] in one blow. In this scene the horse looks like a forerunner of Charlie Dog, who does an equally hilarious performance in ‘Often an Orphan‘ (1949).
Unfortunately, the rest of the cartoon doesn’t live up to the high standards set here. Tedd Pierce’s story is too loosely jointed to engage the viewer, falling back on spot gags. Soon the horse ends in a war exercise, and he flees home with equal speed. In the end we watch him knitting V-sweaters as part of the ‘Bundles for Blue Jackets’ program, in which local ladies knitted sweaters for navy men.
‘The Draft Horse’ mocks the over-zealous response after the United States had entered World War II. At the same time, it shows that every citizen can do his part, even when he is not in the army itself. The horse is designed interestingly, remaining halfway anthropomorphization. For example, he retains his hoofs, and remains on all fours half of the time.
Watch ‘The Draft Horse’ yourself and tell me what you think:
‘The Draft Horse’ is available on the DVD-set ‘Looney Tunes Golden Collection Volume Six’
Director: Bob Clampett
Release Date: July 5, 1941
Stars: Porky Pig
Rating: ★★½
Review:
On September 26 1940 the Selective Training and Service Act came into effect. This was the first peace time conscription in the history of the United States.
By 1941 the draft was in full effect, as is reflected by cartoons like ‘Hysterical Highspots in American History‘, ‘Meet John Doughboy’, ‘Rookie Revue’ and ‘The Boogie Woogie Bugle Boy of Company B‘. Of the real draftee cartoons ‘Meet John Doughboy’ is probably the first. The short stars Porky Pig, who can boast to be the first major cartoon star to join the army. In November Porky was followed by Barney Bear (‘The Rookie Bear’) and Popeye (‘The Mighty Navy‘), while other stars only joined the war effort after the attack on Pearl Harbor, December 7, 1941.
Unfortunately, ‘Meet John Doughboy’ is not about Porky’s tribulations as a draftee. Instead Porky introduces a movie newsreel “chock full of military secrets, so if there are any Fifth Columnists in the audience, please leave the theater right now.”. This is immediately the best gag of the short, which is a rather trite spot gag cartoon.
‘Meet John Doughboy’ is mostly of historical interest. The film features some stark images of weaponry, in beautiful black and white contrasts. The cartoon even depicts a possible invasion by air, luckily easily dispelled by the Statue of Liberty with some use of inspect spray. Otherwise, it remains a rather uninteresting spot gag cartoon. Three months later, Friz Freleng made a color cartoon covering similar grounds in the even less funnier ‘Rookie Revue‘.
Watch ‘Meet John Doughboy’ yourself and tell me what you think:
This is Porky Pig cartoon no. 88
To the previous Porky Pig cartoon: Porky’s Prize Pony
To the next Porky Pig cartoon: We, the Animals, Squeak
‘Meet John Doughboy’ is available on the DVD-sets ‘Looney Tunes Golden Collection Volume Six’ and ‘Porky Pig 101’
Director: Jack King
Release Date: December 5, 1941
Stars: Donald Duck
Rating: ★★
Review:
‘Chef Donald’ opens with Donald gluing some recipes in a book.
This sets the stage for the single premise in this cartoon: when following a recipe for waffles on the radio Donald accidentally puts in some rubber cement (glue) into his mix instead of baking powder. This leads to remarkably stubborn dough, and the rest of the cartoon is filled with Donald trying to deal with it.
‘Chef Donald’ is full of surprising gags, like an iron ironing Donald’s chef hat by accident, and a large crack splitting his complete house. The most bizarre gag is when the dough takes the air like a helicopter. The animation on Donald himself is wonderful and absolutely inspired, but because the short milks the glue-gag until the end the end result is less than satisfying.
Watch ‘Chef Donald’ yourself and tell me what you think:
This is Donald Duck cartoon No. 29
To the previous Donald Duck cartoon: Donald’s Camera
To the next Donald Duck cartoon: The Village Smithy
‘Chef Donald’ is available on the DVD-set ‘The Chronological Donald Volume 1’
Director: Dick Lundy
Release Date: May 9, 1941
Stars: Donald Duck
Rating: ★★½
Review:
In ‘A Good Time for a Dime’ Donald Duck enters a penny arcade.
Here he watches an erotic film called ‘the dance of the seven veils’ on a mutoscope, then he tries to retrieve items from a crane game machine (only to sneeze them all back into the machine), and he rides a toy airplane, which goes haywire, rendering him sick.
‘A Good Time for a Dime’ is Dick Lundy’s third Donald Duck cartoon as a director. The short is hampered by his poor timing and emphasis on prolonged situation gags, so typical of the mid-1930s. The scenes at the crane game machine and in the plane feel endless, with the plane scene losing all connections to reality, thus rendering it less funny. After all, Donald was at his best when experiencing every day annoyances.
The best gag of the short is that of Donald’s pupils falling down his eyes like marbles. There’s also a wonderful scene in which we watch the plane dive and soar from Donald’s own perspective, but these scenes cannot rescue this rather mediocre entry in the Donald Duck canon.
Watch ‘A Good Time for a Dime’ yourself and tell me what you think:
This is Donald Duck cartoon No. 24
To the previous Donald Duck cartoon: Golden Eggs
To the next Donald Duck cartoon: Early to Bed
‘A Good Time for a Dime’ is available on the DVD-set ‘The Chronological Donald Volume 1’
Director: Dave Fleischer
Release Date: April 11, 1941
Stars: Gabby
Rating: ★★½
Review:
The title ‘Swing Cleaning’ promises a cartoon full of big band music.
None of that. Instead, we have a Gabby cartoon, in which our read-headed hero volunteers to take control of the palace’s spring cleaning. Gabby soon meddles with everyone and everything, and manages to destroy a great deal, twice. In the end the other palace dwellers give him their tokens of gratitude, and clobber him with their brooms.
Compared to ‘Two for the Zoo‘ ‘Swing Cleaning’ is a much better cartoon, with its focus on Gabby’s destructive meddling. However, the short loses some screen time to unrelated gags, and one doesn’t feel for either Gabby or the other palace dwellers. In the end. Swing Cleaning’ remains a mediocre cartoon, still much rooted in the sugary 1930s era, and feeling dated when compared to contemporary cartoons from other studios.
Watch ‘Swing Cleaning’ yourself and tell me what you think:
‘Swing Cleaning’ is available on the Thunderbean DVD/Blu-Ray ‘Fleischer Classics featuring Gulliver’s Travels’
Director: Bob Clampett
Release Date: October 12, 1940
Stars: Porky Pig
Rating: ★★½
Review:
In ‘Prehistoric Porky’ Porky Pig follows the footsteps of Daffy Duck, who had started a prehistoric cartoon in ‘Daffy Duck and the Dinosaur‘.
Set rather extravagantly ‘one billion, trillion years b.c. (a long time ago)’ the short opens beautifully with several moving silhouettes of dinosaurs. Soon we cut to caveman Porky, who has a pet Brontosaur (erroneously with visible ears) called ‘Rover’. Porky reads in ‘Expire – the magazine for cavemen’, and discovers that his own bearskin is outdated. So he goes out to hunt for one. Unfortunately, he encounters a vicious sabertooth tiger…
Like almost all films set in the prehistory, ‘Prehistoric Porky’ cheerfully mixes all kinds of prehistoric periods together. Unfortunately, the short is rather low on gags, and has a trite ending. Moreover, most dinosaurs look like fantasy dragons, instead of the real thing. Yet, the sabertooth tiger is well animated, and it’s interesting to see Porky in a quasi-urban caveman setting, making the cartoon one of the forerunners of ‘The Flintstones’.
Watch ‘Prehistoric Porky’ yourself and tell me what you think:
This is Porky Pig cartoon no. 78
To the previous Porky Pig cartoon: Calling Dr. Porky
To the next Porky Pig cartoon: The Sour Puss
‘Prehistoric Porky’ is available on the DVD sets ‘Looney Tunes Golden Collection Volume 5’ and ‘Porky Pig 101’
Director: Chuck Jones
Release Date: June 8, 1940
Rating: ★★½
Review:
Many of Chuck Jones’s early cartoons of 1938-1941 have a Disney-like character, but ‘Tom Thumb in Trouble’ arguably tops them all in Disney overtones.
The short stars a particularly small Tom Thumb, being indeed the size of his father’s thumb. When the father goes to work and leaves Tom alone to do the dishes, Tom Thumb almost drowns, but he is rescued by a little yellow bird. Unfortunately, his father blames the bird, and Tom Thumb walks away into the woods because of that. In the end all are reunited.
There’s absolutely nothing funny about this sentimental and cloying tale, and one wonders what Jones was thinking. This cartoon would have fit the years 1934-1936, not 1940. The animation, however, is stunning, with the very realistic father being an animation highlight within Warner Bros.’ 1940 output, topping even the realistic humans in ‘Old Glory‘, as he appears to have been animated with more confidence and ease. The staging, too, is nothing but impressive, with its strikingly original and dramatic angles, often turning the father into a towering figure.
But the short owes nothing to the output of Jones’s colleagues, and the only aspect that makes it typically Warner Bros. is Carl Stalling’s music, which makes clever use of classical music, with Richard Wagner’s Ride of the Valkyries during Tom Thumb’s flight into the winter woods as a particular highlight.
Watch ‘Tom Thumb in Trouble’ yourself and tell me what you think:
‘Tom Thumb in Trouble’ is available on the DVD set ‘Looney Tunes Golden Collection Volume 5’
Director: Tex Avery
Release Date: May 25, 1940
Rating: ★★½
Review:
‘A Gander at Mother Goose’ is one of Tex Avery’s numerous spot gag cartoons. This time he sets his teeth in nursery rhymes, providing trite gags on e.g. Humpty Dumpty, Jack and Jill, and Little Miss Muffet.
Unfortunately, Avery’s spot gag cartoons rarely belong to his best work, and ‘A Gander at Mother Goose’ is no exception. Most surprising are his takes on two tales that have been made famous by Walt Disney: The Three Little Pigs (1933) and Little Hiawatha (1938). Not that his gags are funny, however. Best may be the first gag in which Miss Mary does a Katherine Hepburn imitation.
Friz Freleng directed an all too similar cartoon two years later called ‘Foney Fables‘ (1942), which is even less funny.
Watch ‘A Gander at Mother Goose’ yourself and tell me what you think:
‘A Gander at Mother Goose’ is available on the DVD set ‘Looney Tunes Golden Collection Volume 5’
Director: Jack King
Release Date: September 20, 1940
Stars: Donald Duck, Pluto
Rating: ★★½
Review:
Window Cleaners is the fifth of six cartoons co-starring Donald Duck and Pluto. Unlike the other films starring the duo, this is pretty much Donald’s film, with Pluto sleeping most of the time.
Donald has a job cleaning windows on a ridiculously high building and using the lazy mutt as his helper. This accounts for some spectacular background art emphasizing the dizzying heights Donald is working on.
The film is less gag rich than its contemporaries, however, being split into two long and distinct routines: in the first Donald tries to wake Pluto, to no avail. Highlight of this part is his attempt to yell into the drainpipe. This scene accounts for some spectacular body deformations on our beloved duck.
In the second routine Donald bullies a bee, which takes revenge immediately. This bee is the direct ancestor of the bee Jack Hannah introduced in ‘Inferior Decorator’ (1948) and one can say that all Hannah’s bee films follow the routine from this particular cartoon.
Watch ‘Window Cleaners’ yourself and tell me what you think:
This is Donald Duck cartoon No. 20
To the previous Donald Duck cartoon: Donald’s Vacation
To the next Donald Duck cartoon: Fire Chief
‘Window Cleaners’ is available on the DVD set ‘The Chronological Donald Volume 1’
Director: Dave Fleischer
Release Date: October 18, 1940
Stars: Popeye, Poopdeck Pappy
Rating: ★★½
Review:
In ‘My Pop, My Pop’ Popeye builds a boat. Poopdeck Pappy comes along and insists on helping him, but in the end, it’s Popeye who does all the work.
Although Poopdeck Pappy had already been introduced in the Fleischer Popeye series in 1938, in ‘Goonland‘, he was shelved for two years. With ‘My Pop, My Pop’ he reentered the Popeye universe: having his own theme song, a Scottish voice, and being remarkably weak and lazy. These character traits don’t match the character in E.C. Segar’s comic strip or in ‘Goonland’, and were not repeated in his next cartoon, ‘With Poopdeck Pappy‘.
Indeed, they’re not even very funny in this cartoon, with Poopdeck Pappy remaining a rather bland character. Moreover, the whole short is rather slow moving and too rich in unfunny dialogue. The best gags are Popeye’s original ways of boat building.
Luckily, Poopdeck Pappy’s most of next cartoons would be much better.
Watch ‘My Pop, My Pop’ yourself and tell me what you think:
This Popeye film No. 88
To the previous Popeye film: Popeye Meets William Tell
To the next Popeye film: With Poopdeck Pappy
‘My Pop, My Pop’ is available on the DVD set ‘Popeye the Sailor Volume Two’
Director: Dave Fleischer
Release Date: August 23, 1940
Stars: Hunky & Spunky
Rating: ★★½
Review:
‘You Can’t Shoe a Horsefly’ opens with a tired Hunky & Spunky laying themselves down to sleep.
Unfortunately, Spunky is soon troubled by a horsefly, who looks like a miniature winged horse and who sings the title song. The antagonism between Spunky and the horsefly, which even lead to a chase scene makes ‘You Can’t Shoe a Horsefly’ the most modern of the Hunky & Spunky cartoons, and the only one fitting the then emerging chase cartoon era. However, it’s still Hunky who has to come to the rescue, killing the horsefly and all his friends in one stroke.
Composer Sammy Timberg nicely intertwines the lullaby ‘Go to Sleep My Baby’ (which I know best as sung by Oliver Hardy in ‘Brats’ from 1930), into the soundtrack when the two donkeys are trying to sleep.
Watch ‘You Can’t Shoe a Horsefly’ yourself and tell me what you think:
‘You Can’t Shoe a Horsefly’ is available on the DVD set ‘Somewhere in Dreamland – Max Fleischer’s Color Classics: The Definitive Collection’
Director: Dave Fleischer
Release Date: May 17, 1940
Stars: Hunky & Spunky
Rating: ★★½
Review:
The last stage of the Fleischers’ Color Classics series was solely devoted to Hunky & Spunky, the donkey duo introduced in the eponymous cartoon from 1938.
When Betty Boop retired in 1939, the Fleischers were left without a star of their own (their biggest star Popeye was owned by King Features). Thus Hunky & Spunky, were promoted to be their top stars, together with Gabby from ‘Gulliver’s Travels‘ (1939) and the Stone Age characters, both introduced in 1940. None of these stars had any appeal, and they hardly stood a chance against contemporaries like Disney’s Donald Duck and Goofy, or Warner Bros.’ Porky Pig and Daffy. Nevertheless, Hunky and Spunky survived until 1941, starring seven cartoons in total.
In their fourth cartoon, ‘A Kick in Time’, Spunky is kidnapped and sold to an Italian rag collector, who irons the little burro. Spunky’s antics with the bit and irons are very reminiscent of Donald Duck’s problems with inanimate objects. However, as the bit and irons are clearly introduced as tools of torture, Spunky’s antics are painful to watch, not funny. Meanwhile Hunky seeks his/her son in the large city, and she saves his/her child in the nick of time from being crushed by an approaching streetcar.
There’s little to enjoy in ‘A Kick in Time’, but the cartoon is well animated by top animators Shamus Culhane and Al Eugster, and features quite elaborate human designs and realistic close ups of human hands. Moreover, the urban setting gives the cartoon a distinct character, absent in the other Hunky & Spunky cartoons.
Watch ‘A Kick in Time’ yourself and tell me what you think:
‘A Kick in Time’ is available on the DVD set ‘Somewhere in Dreamland – Max Fleischer’s Color Classics: The Definitive Collection’
Director: Sanae Yamamoto
Release Date: 1942
Rating: ★★½
Review:
‘The Animal Village in Trouble’ tells the tale of three families: the monkeys, the bears and the raccoon dogs.
The monkeys’ family is very large, and hard to feed. But when a storm breaks out, it’s the only family that manages to protect its home. Moreover, the monkeys save the other two families from drowning. Is this a message to the audience to produce more offspring in times of war?
This film is essentially silent, with a voice over. The designs are quite elegant, and more clearly Japanese than usual in pre-war/wartime anime. The animation is mostly fair, with the storm scene in particular being quite spectacular. Also interesting is the occurrence of metamorphosis, a rarity in prewar/wartime Japanese animation: one raccoon dog transforms itself into an alarm clock, while another changes into a bridge at one point.
Sanae Yamamoto (1898-1981) came into prominence as an animator in the 1920s. In the 1950s he would join the Tōei animation studio, where he became supervising animator until his retirement in 1967.
Watch ‘The Animal Village in Trouble’ yourself and tell me what you think:
https://www.senscritique.com/film/Doubutsu_Mura_no_Daisodou/21070972
‘The Animal Village in Trouble’ is available on the DVD-box set ‘Japanese Anime Classic Collection’
Director: Yoshitaro Kataoka
Release Date: 1942
Rating: ★★½
Review:
With ‘Sankichi the Monkey: The Air Combat’ we’re clearly in propaganda area. The film’s motto says it all: “Protect our sky! The best defense is offense!”.
In the film the monkeys (Japan) are attacked by an air squadron of bears (Soviet Union). The monkeys shoot the bears out of the sky by the dozen, and win the day. But the film warns the audience: ‘There still are other enemies. We must protect our sky!”.
The film’s message, as if Japan were threatened by other nations and had to be aggressive out of defense, is sickening. When the film was released, in 1942, Japan was already the cruel occupier of most of South East Asia, an aggressor on a scale only matched by Nazi Germany.
‘Sankichi the Monkey: The Air Combat’ is a silent film, and the animation is poor and old-fashioned. In fact, the film looks like as if it had been made in 1929, not 1942. At least the short sheds a light on how the military government sold its actions to the Japanese public: with lies and seeds of fear. And while in 1945 the Soviet Union did declare war on Japan (on August 9, after the U.S. had dropped the atomic bomb on Hiroshima and Japan was on the brink of collapse), the Soviet air attack never materialized.
Watch ‘Sankichi the Monkey: The Air Combat’ yourself and tell me what you think:
‘Sankichi the Monkey: The Air Combat’ is available on the DVD-box set ‘Japanese Anime Classic Collection’
Director: Bob Clampett
Release Date: April 27, 1940
Stars: Porky Pig
Rating: ★★½
Review:
Bob Clampett is one of the greatest ‘authors’ of the classic cartoon era, but not every cartoon he made was a winner. For example, ‘Porky’s Poor Fish’ is less than impressive.
‘Porky’s Poor Fish’ revisits a story idea that goes all the way back to the Silly Symphony ‘The Bird Store‘ (1932): a cat enters a pet store and when he catches one specimen, the other animals come to the rescue in a war-like reaction.
In Clampett’s film the bird store has changed in to a fish store, and the war scene involves a squadron of flying fish, a very silly hammerhead shark, and electric eels. There’s nothing special to the story, and the film’s charm and laughs lie exclusively in the abundance of puns, e.g. on holey mackerel and sole.
Watch ‘Porky’s Poor Fish’ yourself and tell me what you think:
This is Porky Pig cartoon no. 72
To the previous Porky Pig cartoon: Slap Happy Pappy
To the next Porky Pig cartoon: You Ought to Be in Pictures
‘Porky’s Poor Fish’ is available on the DVD sets ‘Looney Tunes Golden Collection Volume Four’ and ‘Porky Pig 101’.
Director: Paul Fennell?
Release Date: 1940
Stars: Gran’ Pop Monkey
Rating: ★★½
Review:
The Gran’ Pop Monkey cartoon were made during the aftermath of the Ub Iwerks studio (then called Cartoon Films, LTD), just before Iwerks sold the studio and went back to Disney himself.
The character Gran’ Pop Monkey was based on illustrations by British artist Lawson Wood (1878-1957), and in 1939 the studio announced it would make 24 cartoons with the character. However, only three are known today, which were all three released in 1940. In fact, as Yowp notices in his comment to Steve Stanchfield’s informative blog post on this cartoon, these three had already been finished by the end of 1938, so perhaps these were the only ones ever made. In any case, it remains unclear why the series was discontinued, but one thing is certain: they are far from classics.
All three Gran’ Pop Monkey cartoons were shot in Cinecolor, a 2-color system, lacking the vibrant color range of Technicolor, and although the animation is fair, the stories, the designs, voices and gags are not, and the three films make a tiresome watch. In fact, the most enjoyable part of these three cartoons is their excellent musical score.
The first, ‘Beauty Shoppe’ is arguably the best of the surviving trio. In this short Gran’ Pop Monkey is a barber, helped by his two grandsons (who look like macaques, while Gran’ Pop Monkey clearly is a chimpanzee). Business isn’t going well, however, in contrast to that of the beauty salon across the street (the film takes place in a jungle, but anyway). So, one of the grandson suggests to copy the salon’s formula. Soon, female animals rush into Gran’ Pop Monkey’s cabin-turned-beauty salon (including a colorful company of a badger, a penguin, a seal, a pig and a kangaroo). When a gangster-like gorilla demands they make his wife, a hippo, beautiful, things turn very bad for the trio, indeed. Curiously, ‘Beauty Shoppe’ starts with some dialogue in rhyme, which is discarded halfway.
Watch ‘Beauty Shoppe’ yourself and tell me what you think:
‘Beauty Shoppe’ is available on the DVD ‘Cultoons! Rare, Lost and Strange Cartoons! Volume 3: Monkeys, Monsters & More!’
Director: Burt Gillett
Release Date: August 28, 1939
Stars: Lil’ Eightball
Rating: ★★½
Review:
‘Silly Superstition’ is the second of three cartoon starring Lil’ Eightball, a heavy caricatured black boy with a deep southern voice (by Mel Blanc).
In ‘Silly Superstition’ Lil’ Eightball’s mama warns him that it’s Friday the 13th, and that he shouldn’t walk under a ladder or let a black cat cross his path. Lil’ Eightball dismisses these warnings as superstition, doing deliberately these things. The ladder walk rather unlikely makes a complete building collapse, while the black cat immediately introduces an escaped lion. Luckily, Lil’ Eightball’s puppy dog saves the day, chasing the lion back to the zoo.
‘Silly Superstition’ is pretty hard to watch today. The animation in this short is very uneven, being sometimes strikingly modern, yet at other times disappointingly old-fashioned. But more importantly, Lil’ Eightball is too severe a stereotype to enjoy. The boy looks particularly goofy in this cartoon, having a balloon head, a ridiculously small body and over-sized, rather clownish shoes, emphasizing his stupidity. Most of the ‘humor’ of the cartoon stems from the fact that despite his uneducated background, Lil’ Eightball manages to use big words.
As Christopher P. Lehman notices in ‘The Colored Cartoon’ it’s a sad fact that Lil’ Eightbal starts atypically self-assured and brave, but ends up as a stereotypical fearful negro boy. This ‘morale’ is dubious to say the least. Luckily, contemporary reviewers weren’t impressed either, and Lil’ Eightball vanished from the screen after only three cartoons.
Watch a colorized version of ‘Silly Superstition’ yourself and tell me what you think:
‘Silly Superstition’ is available on the DVD ‘Lantz Studio Treasures Starring Oswald’
