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Director: unknown
Release Date: September 29, 1933
Stars: The Little King
Rating: ★★½
Review:
After two films featuring Sentinel Louey, the Van Beuren studio turned to Otto Soglow’s greatest creation: The Little King.
It was clearly the studio’s intention to cash in on this charming character. But unlike the two Sentinel Louey cartoons, which copied Soglow’s silent comedy style very well, ‘The Fatal Note’ is much less faithful to the source material. For example, it starts with an elaborate song, not unlike Walt Disney’s ‘Father Noah’s Ark’ from earlier that year.
Apart from the Little King it also stars a cloaked terrorist, whose design has nothing to do with Soglow’s style, but which is the Van Beuren studio’s most ambitious attempt at human design, yet – another example of the studio’s attempts to keep up with Disney in human design. The terrorist introduces himself in song, but the rest of the cartoon is done in silent comedy.
The villain tries to kill the Little King, e.g. with a bomb inside a piano, a gag that gives the film its title. Eightteen years later Friz Freleng would use the same gag for the Bugs Bunny film ‘Ballot Box Bunny’ (1951), but with much, much funnier results. In ‘The Fatal Note’ the gag is just one of the terrorist’s numerous attempts to kill the king, which involves numerous bombs, anyway. The chase partly takes place on a spectacularly animated spiral staircase, which must have been the animators’ pride scene, as it is used no less than three times in the cartoon.
Because it lacks the charm of the source material, it is difficult to call ‘The Fatal Note’ a success, but it’s a great testimony of the studio’s ambitions even before Disney-alumnus Burt Gillett came along.
Watch ‘The Fatal Note’ yourself and tell me what you think:
‘The Fatal Note’ is available on the DVD ‘The Complete Animated Adventures of Otto Soglow’s The Little King’
Director: Bill Nolan
Release Date: October 10, 1932
Stars: Oswald, Honey, Peg Leg Pete
Rating: ★★
Review:
‘Carnival Capers’ takes place at the beach and at a carnival.
We watch Oswald and Honey trying to enjoy themselves, but being bullied by Peg Leg Pete. Oswald finally disposes of Pete, with help of a fence, a lobster, a cat, a dog and a goat.
‘Carnival Capers’ looks pretty old-fashioned by 1932 standards. It recalls the Mickey Mouse cartoon ‘The Karnival Kid‘ (1929) in its setting, and the silent Oswald cartoons with its love triangle. At one point Pete is cut into two – a familiar gag in the 1920s, but by 1932 a rare one, as by then cartoon characters had gained more consistency. Overall, the animation and the vocalizations are rather erratic.
A young Tex Avery worked on this cartoon, and perhaps he came up with the gag of a phlegmatic dog making milkshakes with help of a shimmy dancer, which is arguably the best gag in the whole cartoon.
Watch ‘Carnival Capers’ yourself and tell me what you think:
‘Carnival Capers’ is available on the DVD ‘The Woody Woodpecker and Friends Classic Cartoon Collection Volume 2’
Director: Mannie Davis
Release Date: February 10, 1933
Stars: Cubby the Bear
Rating: ★★½
Review:
In 1933 the Van Beuren studio was struggling. Their Tom & Jerry series failed to match the successes of Walt Disney’s Mickey Mouse or the Fleischers’ ‘Betty Boop’, which is not really surprising, as the duo was as bland as possible, and their cartoons highly inconsistent. So, Van Beuren invited about eight of his animators to dinner and told them to come up with some new ideas. Mannie Davis sketched a new character called Cubby the Bear, and this character was to be the studio’s new star.
Being vaguely Mickey Mouse-like Cubby was a hero character, saving his girlfriend in many melodramatic situations. Unfortunately, Cubby was as bland as Tom & Jerry had been, and he did not even last two years. Many people would attribute Cubby’s misfortune to a lack of character, but this cannot be true: the character of the much more successful Betty Boop didn’t go beyond ‘sexy girl’, and even top star Mickey’s character could be summarized as ‘optimistic’. Other stars of the time, like Bosko and Flip the Frog, were as generic as possible. In fact, the first real characters to hit the animated screen were Popeye (later in 1933) and Donald Duck (1934).
No, Cubby’s main problem was that he was so terribly animated. Whereas we could easily follow the emotions of say Oswald, Bimbo, Flip or Mickey, Cubby is almost expressionless in this cartoon, his wide eyes staring into nothingness most of the time, as if he weren’t alive at all. Moreover, the animators often forgot to give him a motivation. This becomes clear when one compares the opening scene of Cubby’s debut film ‘Opening Night’ to a similar one in the much older, yet much better animated Oswald cartoon ‘Bright Lights‘ (1928). In the Oswald cartoon we clearly watch Oswald being in love with Mlle. Zulu, who performs at the theater. So when we watch Oswald trying to get in, we immediately understand why. Moreover, we can watch his emotions while doing so. Not so in ‘Opening Night’: in a very similar scene Cubby is given no motivation whatsoever. Even worse, we watch him from the back, which shuts us from his emotions. Mistakes like these are all over the Cubby the Bear cartoons, and that’s the main reason why he is forgotten, while his contemporaries Mickey, Betty and to an extent even Bosko and Flip have lived on.
‘Opening Night’ was made for the occasion of the opening of the RKO Roxy theater, which opened on December 29, 1932. Like subsequent Cubby the Bear cartoons, ‘Opening Night’ is still part of the Aesop Fables series, but Cubby is introduced immediately on the title card. The cartoon starts with Santa Claus spraying some dust which forms the letters ROXY. Then we get the scene in which Cubby tries to get into the theater. When he finally manages to do so, he ends up at the conductor stand, where he conducts the orchestra in an opera scene.
There’s quite some strangeness going on in this cartoon, especially in a couple of bizarre gags featuring audience seats. Later, during a fighting scene the Romeo-like opera character beheads(!) his opponent. Composer Gene Rodemich, as often, is Van Beuren’s only inspired employee, making a great score out of Italian opera snippets.
Watch ‘Opening Night’ yourself and tell me what you think:
‘Opening Night’ is available on the DVD ‘The Complete Adventures of Cubby Bear’ and the Blu-Ray ‘The Complete Animated Adventures of Cubby Bear’
Director: Dave Fleischer
Release Date: April 7, 1933
Stars: Arthur Jarrett, Betty Boop
Rating: ★★½
Review:
‘Popular Melodies’ is a Screen Song devoted to singer Arthur Jarrett, a crooner who is all but forgotten today. Surprisingly enough, the so-called popular tunes he sings aren’t well-known either, except for Betty’s theme song with which the cartoon ends.
The animation part of this cartoon features a painter who tries to paint with a number of noisy children playing around. When his painting is ruined by one of the brats, he decides to drive to the countryside, but the children join them. There he paints a walking tree and a moving rock, which transforms into singer Arthur Jarrett. Jarrett sings a three songs. During the second song he draws a picture of Betty, who joins him in her own theme song.
Then we cut back to the painter and the children. Oddly, the song is not continued, only its instrumental music. This scene is remarkably because of its animation of figures in white on black, unseen since Emile Cohl’s films. These figures soon flee the painter’s canvas, resulting in a rather scary finale, with the spooky shapes walking and dancing through the countryside. Stange enough, the cartoon ends with a devil wishing the children “pleasant dreams, and good night”. Because of this finale ‘Popular Melodies’ is one of the most interesting of all Screen Songs, even if its star and his first two songs are utterly forgettable. It was also the last of six Screen Songs to feature Betty Boop.
Watch ‘Popular Melodies’ yourself and tell me what you think:
‘Popular Melodies’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’
Director: Dave Fleischer
Release Date: January 16, 1933
Stars: Betty Boop, Bimbo, Koko
Rating: ★★½
Review:
Betty, Bimbo and Koko are joining a car race. Betty Boop is late, because she has a cold, and when she arrives she sings a song about it. In the end she wins the car race by sneezing.
Although ‘Betty Boop’s Ker-Choo’ belongs to Betty Boop’s golden era, it’s unfortunately one of Betty’s more boring cartoons. In fact, the best gags are the silly ones with which the cartoon starts. Because she wears a driver’s costume, Betty is also less sexy than usual, and somehow it seems this cartoon that points to the design used one year later, when Betty Boop fell victim of the stricter Hays code.
Watch ‘Betty Boop’s Ker-Choo’ yourself and tell me what you think:
This is Betty Boop cartoon No. 9
To the previous Betty Boop cartoon: Betty Boop’s Museum
To the next Betty Boop cartoon: Betty Boop’s Crazy Inventions
‘Betty Boop’s Ker-Choo’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’
Director: Hugh Harman
Release Date: April 10, 1933
Stars: Bosko, Honey
Rating: ★★½
Review:
‘Bosko in Person’ is to Bosko what ‘Just Mickey‘ (1930) was to Mickey: a cartoon devoted solely to the star performing on stage.
Where Mickey was completely alone, Bosko gets help from Honey in an extraordinary song-and-dance extravaganza, including Bosko playing the piano, Honey dancing, Bosko tap-dancing, Bosko’s glove(!) reciting ‘Mary had a Little Lamb’, Honey singing a blues and doing a Greta Garbo imitation, and Bosko imitating both Maurice Chevalier and Jimmy Durante. The cartoon ends with a celebration of the end of the prohibition, which after 13 years ended in effect when on March 22, low alcohol beer and wine were legalized again.
Unfortunately, ‘Bosko in person’ is over-the-top, trying much too hard to make Bosko an appealing personality, which he isn’t. Indeed, when turning into Maurice Chevalier and Jimmy Durante he loses himself completely. Moreover, the cartoon is stuffed with repetition as some gags appear not once, but twice. The result is tiresome and desperately unfunny. In the end, the short is only noteworthy because of the caricatures of Hollywood stars.
Watch ‘Bosko in Person’ yourself and tell me what you think:
‘Bosko in Person’ is available on the DVD ‘Looney Tunes Golden Collection: Volume Six’
Director: Dave Fleischer
Release Date: September 9, 1932
Stars: Betty Boop, Irène Bordoni
Rating: ★★½
Review:
In the opening scenes of this Screen Song we watch Betty Boop working at a cabaret nightclub as a tobacco seller.
Betty introduces singer Irène Bordoni who sings the title song, first in French, then in English. At the second chorus the live action audience takes over, and during the third chorus we watch a very short animated sequence about a womanizing cat. The cabaret scene has a jazzy score based on Cab Calloway’s ‘The Scat Song’ from earlier that year, after which Bordoni’s sentimental 1928 song rather pales. Thus, after the opening scenes the cartoon unfortunately plunges into dullness.
Watch ‘Just a Gigolo’ yourself and tell me what you think:
‘Just a Gigolo’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’
Director: Wilfred Jackson
Release Date: June 8, 1932
Stars: Mickey Mouse, Minnie Mouse, Pluto
Rating: ★★½
Review:
In this film Mickey and Minnie are farmers, which makes the film a little like a remake of ‘The Plow Boy‘ (1929).
First we watch Mickey planting seeds with help from Pluto, and Minnie milking a cow. Then Mickey decides to scare Minnie by stepping inside the scarecrow. A string of gags leads to Mickey playing the bagpipes on three geese. This starts a musical number, which is almost Silly Symphony-like in its directionless musical fun at the barnyard. We watch cows, lamb, ducks, pigeons, turkeys and chickens moving and dancing to the tune of Turkey in the Straw.
But then we cut to several chickens laying multitudes of eggs, except for poor Fanny. At this point suddenly a story develops, with Fanny laying an enormous egg, which attracts a lot of attention from her fellow chickens, the other animals, and finally, Mickey. Mickey rushes to bring his camera to make a picture of it, but unfortunately, he uses too much flash light powder, and everything explodes. This final gag was also used by Floyd Gottfredson in the Mickey Mouse comic strip, published on March 13, 1932.
‘The Musical Farmer’ is one of the weaker Mickey Mouse films of 1932. Like e.g. ‘Mickey Cuts Up‘ and ‘The Grocery Boy‘ it’s uses the part-musical-number-part-frantic-finale-formula, but by mid-1932 shots of dancing animals had become a bit tiring and old-fashioned. Moreover, Fanny’s story feels a little out of place, and I suspect that part of this film was intentionally designed as a Silly Symphony, which apparently never really took off.
Watch ‘Musical Farmer’ yourself and tell me what you think:
This is Mickey Mouse cartoon No. 42
To the previous Mickey Mouse cartoon: Mickey’s Revue
To the next Mickey Mouse cartoon: Mickey in Arabia
‘Musical Farmer’ is available on the DVD ‘Walt Disney Treasures: Mickey Mouse in Black and White Volume Two’
Director: Dave Fleischer
Release Date: August 5, 1932
Stars: Betty Boop, Rudy Vallee
Rating: ★★½
Review:
‘Rudy Vallee Melodies’ is a Screen Song with Rudy Vallee singing no less than three different songs: the sentimental ballads ‘Deep Night’ and ‘A Little Kiss Each Morning’, and the lively college song ‘Stein Song’.
This Screen Song is interesting for its particularly long cartoon introduction: there’s a party at Betty Boop’s large mansion, where she serves punch to her guests. There’s a bunny who plays the piano by ear (literally). He plays ‘Silver Threads Among the Gold’ on the piano, but when Betty proposes to accompany someone on the piano, none of her guests dares to sing. Not even Perceval, a clear homosexual stereotype, who says ‘count me out’, before being knocked down and counted out, literally.
Luckily for Betty Boop, Rudy Vallee helps her out from the sheet music. He performs his three songs, with images of a river, loving couples and a football match, respectively. After these songs, Betty and the gang thank him, and all the guests leave. The cartoon ends with Vallee singing ‘Goodnight Sweetheart’ to Betty in her bedroom.
Because of its long intro, ‘Rudy Vallee Melodies’ almost feels like a Betty Boop cartoon, and indeed it was later colored and released as such, without the Rudy Vallee parts.
Watch ‘Rudy Vallee Melodies’ yourself and tell me what you think:
‘Rudy Vallee Melodies’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’
Director: Dave Fleischer
Release Date: April 29, 1932
Stars: Betty Boop, Bimbo, Koko the Clown
Rating: ★★½
Review:
‘A Hunting We Will Go’ is one of the lesser inspired Talkartoons.
In fact, the short’s greatest gag is in its opening scene, when the sun inhales smokes from a log cabin, which makes it sneeze.
We then cut to the inside of the log cabin, where we watch Betty Boop singing the 1925 hit song ‘Then I’ll Be Happy’. As she sings she’ll be happy with a fur coat, Koko and Bimbo immediately set off to go hunting animals. Koko first encounters the worst drawn deer to be found on the animated screen. Unfortunately, the deer shoots back. Then Koko helps a leopard (not quite indigenous to North America) to its spots.
Bimbo, meanwhile, meets a pack of ferocious lions (sure, why not?) and a huge bear. Despite their mishaps, they both return with many furs, but Betty returns them to the former owners, who are staying in line outside, shivering with cold…
When compared to contemporary Talkartoons ‘Chess Nuts‘ and ‘Minnie the Moocher‘ ‘A Hunting We Will Go’ is a disappointing entry. It’s rather low on gags, and its surreal aspects are sparse. It’s not as weak as ‘The Robot‘ or ‘Admission Free‘, but still far from a classic.
Watch ‘A Hunting We Will Go’ yourself and tell me what you think:
This is Talkartoon No. 38
To the previous Talkartoon: Chess Nuts
To the next Talkartoon: Hide and Seek
‘A Hunting We Will Go’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’
Director: Dave Fleischer
Release Date: March 25, 1932
Stars: Betty Boop, Bimbo
Rating: ★★½
Review:
In ‘Crazy Town’ Betty Boop and Bimbo take a streetcar to Crazy Town, where everything is the other way round.
Unfortunately, this great idea doesn’t really lead to a funny cartoon. We’re watching e.g. fish in the sky and birds in the water, an elephant with a real trunk and a fish fishing for a person. In a lengthy sequence Bimbo is a barber adding hair to his customers. None of these scenes even raise a chuckle. In fact, the cartoon’s only interesting part is it’s opening, because the story unfolds like a real book.
It’s weird to realize that as soon as the Fleischers deliberately tried to show a surreal world, they failed, while their ‘normal’ shorts were full of mesmerizing surrealism (e.g. the earlier ‘Mask-a-raid‘ and ‘Chess Nuts‘ or ‘Betty Boop’s Bamboo Isle‘ from later that year). The theme song of this cartoon is the 1931 hit ‘Foolish Facts’.
Watch ‘Crazy Town’ yourself and tell me what you think:
This is Talkartoon No. 35
To the previous Talkartoon: S.O.S.
To the next Talkartoon: The Dancing Fool
‘Crazy Town’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’
Directors: John Foster & George Stallings
Release Date: February 27, 1932
Stars: Tom and Jerry
Rating: ★★½
Review:
In ‘Rabid Hunters’ Tom and Jerry are hunters, who try to catch a rabbit with their semi-anthropomorphized dog and horse.
The rabbit appears to be an early forerunner of Bugs Bunny, outwitting all four characters to a jazzy upbeat score. This soundtrack, by Gene Rodemich, is the absolute highlight of this otherwise erratic, boring and terribly poorly animated short. Also noteworthy is a hallucinatory scene at a tree branch that has to be seen to be believed. Like the Silly Symphony ‘The Fox Hunt‘ from a year earlier, the cartoon ends with a skunk.
Watch ‘Rabid Hunters’ yourself and tell me what you think:
This is Tom & Jerry cartoon No. 7
To the previous Tom & Jerry cartoon: Rocketeers
To the next Tom & Jerry cartoon: In the Bag
‘Rabid Hunters’ is available on the DVD ‘The Complete Animated Adventures of Van Beuren Studio’s Tom and Jerry’
Directors: John Foster & George Rufle
Release Date: January 30, 1932
Stars: Tom and Jerry
Rating: ★★½
Review:
While Van Beuren’s Aesop’s Fables gained some quality, the Tom and Jerry series remained downright poor in terms of storytelling, staging and animation.
For example, the opening scenes of ‘Rocketeers’ are so deeply drenched in the 1920’s comic tradition that the scene’s silent acting feels terribly old-fashioned. In it, Tom and Jerry are members of the Royal Experimental Society, firing themselves to the moon in an over-sized sky-rocket. Then the cartoon takes quite an unexpected turn: instead of flying to the moon, the rocket plummets immediately and falls into the ocean, reaching the sea floor, where Tom and Jerry encounter some sea monsters and some skeletons (looking back to the Waffles and Don cartoon ‘The Haunted Ship‘ from 1930). But just when one starts to prepare for yet another horror-inspired cartoon, the duo hits on some sexy mermaids. Tom & Jerry perform a song, while the mermaids dance.
The designs of the mermaids are halfway those of Fleischer’s ‘Barnacle Bill‘ (1930) and Disney’s later ‘King Neptune‘ from September 1932. Their stylized, pretty human designs contrast greatly with Tom & Jerry’s own primitive features, and are without doubt the highlight of the cartoon.
Tom and Jerry would fly a rocket again in their last cartoon ‘The Phantom Rocket‘ (1933), which also plummets into the sea.
Watch ‘Rocketeers’ yourself and tell me what you think:
This is Tom & Jerry cartoon No. 6
To the previous Tom & Jerry cartoon: A Swiss Trick
To the next Tom & Jerry cartoon: Rabid Hunters
‘Rocketeers’ is available on the DVD ‘The Complete Animated Adventures of Van Beuren Studio’s Tom and Jerry’
Director: Burt Gillett
Release Date: January 21, 1932
Stars: Mickey Mouse, Pluto
Rating: ★★½
Review:
In ‘The Duck Hunt’ Mickey and Pluto are hunting ducks.
Their attempts are quite circumstantial and fail due to the inferior quality of Mickey’s gun. When the ducks discover that the female duck is only Pluto in disguise, they take revenge by taking Pluto by the ears and drag him and Mickey, who has gripped Pluto’s tail, into the air.
‘The Duck Hunt’ is a gag cartoon similar to ‘The Moose Hunt‘. Unfortunately it isn’t very funny. A lot of screen time is devoted to Mickey and Pluto marching to civil war tunes, and Pluto’s and Mickey’s flight through the air fails to become the intended great finale, because of a lack of great gags, although I liked the gag of Pluto’s flees leaving his fall by parachuting from his behind.
‘The Duck Hunt’ shows that not every Disney cartoon was a winner, despite the studio’s obvious efforts.
Watch ‘The Duck Hunt’ yourself and tell me what you think:
This is Mickey Mouse cartoon No. 37
To the previous Mickey Mouse cartoon: Mickey’s Orphans
To the next Mickey Mouse cartoon: The Grocery Boy
‘Blue Rhythm’ is available on the DVD ‘Walt Disney Treasures: Mickey Mouse in black and white’
Directors: Hugh Harman & Rudolf Ising
Release Date: October 1930
Stars: Bosko
Rating: ★★½
Review:
‘Congo Jazz’, Bosko’s second official cartoon, is Harman and Ising’s answer to Disney’s ‘Jungle Rhythm‘ (1929).
Like Disney’s cartoon, it hasn’t aged very well. The cartoon opens with Bosko wearing a pith helmet and exploring a supposedly African jungle. When confronted by a tiger (a species not endemic to Africa), Bosko immediately loses the pith helmet.
He appeases the tiger with music, and then kicks it over a cliff. Then he has to sooth a large ape, which he does by giving it some chewing gum. Together they play some plucking string music with their gums, while a few monkeys dance. Soon, other animals join in, e.g. a kangaroo, another rather un-African animal. Bosko directs all the animals into an upbeat tune.
The cartoon is low on gags and feels endless, especially during the musical part. The most extraordinary scene is that of a palm tree shimmying to Bosko’s music as if it were a woman. The animation of Bosko is still very rooted in the Oswald-era: Bosko’s body is very flexible, and almost mechanical.
Watch ‘Congo Jazz’ yourself and tell me what you think:
‘Congo Jazz’ is available on the DVD ‘Looney Tunes Golden Collection Volume Six’
Director: Dave Fleischer
Release Date: October 10, 1931
Stars: Betty Boop, Bimbo
Rating: ★★½
Review:
Betty Boop, who lives in an apartment across the street, invites Bimbo over, but he can’t come, because he has to attend his little baby brother Aloysius.
Nevertheless, he does abandon the mischievous little brat and goes to Betty’s house to skip rope. However, Aloysius sucks them back into his own house, using a particularly powerful vacuum cleaner.
Aloysius is seen smoking a cigar and reading the paper, not unlike Baby Herman in ‘Who Framed Roger Rabbit?‘ (1987). The cartoon establishes Bimbo and Betty as lovers, but it doesn’t make much sense, and its gags feel random and misguided.
‘Minding the Baby’ was the last cartoon featuring Betty with dog ears. in her next cartoon ‘Mask-A-Raid‘ she became fully human.
Watch ‘Minding the Baby’ yourself and tell me what you think:
This is Talkartoon No. 25
To the previous Talkartoon: Bimbo’s Express
To the next Talkartoon: In the Shade of the Old Apple Sauce
‘Minding the Baby’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’
Director: Burt Gillett
Release Date: January 23, 1931
Rating: ★★½
Review:
Following Van Beuren’s ‘A Romeo Robin‘ (1930) Disney devoted a whole Silly Symphony on birds.
The short follows the half-story formula introduced in ‘Playful Pan‘ with the first part consisting of more rhythmical movement to music than real dancing. The film starts with quite uninspired and tiresome gags about several birds moving randomly to music (opening with swans and a peacock moving to Jacques Offenbach’s barcarolle), but after 5’10 these give way to a small story about a baby chick who is taken away by an eagle but saved by a group of small birds.
The birds are drawn cartoony and not at all naturalistic. But such naturalism eventually would occur in Disney’s films, within only a couple of years, with ‘Birds in the Spring‘ being the prime example. It’s interesting to compare these two cartoons, which are only two years apart. The comparison makes ‘Birds of a Feather’ look primitive and dated, but even this cartoon knows one complex scene, in which the flock of small birds attacks the eagle. In this scene the movement of the circling birds is animated beautifully and quite convincingly, as well.
Watch ‘Birds of a Feather’ yourself and tell me what you think:
This is Silly Symphony No. 16
To the previous Silly Symphony: Playful Pan
To the next Silly Symphony: Mother Goose Melodies
‘Mother Goose Melodies’ is available on the DVD ‘Walt Disney Treasures: Silly Symphonies’
Director: Burt Gillett
Release Date: April 11, 1931
Rating: ★★½
Review:
‘Mother Goose Melodies’ is one of those Silly Symphonies showing the enormous strides the Walt Disney studio was taking to advance animation forward.
The cartoon easily outdoes all its contemporaries. The cartoon is extremely rich for its time, introducing us to countless characters, with only a few being stock models (the spider, some mice and some pigs). Some of the scenes are quite elaborate, like the finale, in which the book collapses and we watch all nursery rhyme figures dancing to the joyous music.
But the opening scene, which takes its time to introduce Old king Cole, is the most remarkable: it’s one long parade scene, looping the background, but otherwise remaining fresh by introducing new nursery rhyme characters all the time. Indeed, Walt Disney reused this device (and a lot of its animation) in the color cartoon ‘Parade of the Award Nominees‘ (1932), a special short for the fifth Academy Award ceremony, and in ‘The Standard Parade’ (1939), a commercial for Standard Oil.
Moreover, for the first time since ‘El Terrible Toreador‘ (1929) the studio takes its chances at the human form again. And although King Cole and his nursery rhyme friends are no ‘Snow White’, they’re a great deal more convincing than the humans in the earlier cartoon. The designs are more elaborate, and there’s much more sense of weight.
‘Mother Goose Melodies’ is also the very first Silly Symphony to feature singing characters, anticipating the operetta cartoons of 1932-1935. The short simply bursts with ideas, and is a cartoon of sheer joy. On the other hand, it’s just that: by taking the ‘song-and-dance routine’-concept to the max, this cartoon offers singing and dancing only. There is no story, there are no gags, and the short features a lot of repetitive animation. This makes ‘Mother Goose Melodies’ strangely awesome and a little boring at the same time. Nevertheless, the cartoon was so successful, Disney would revisit its theme two times, in the Silly Symphonies ‘Old King Cole‘ (1933) and ‘Mother Goose goes Hollywood’ (1938).
Watch ‘Mother Goose Melodies’ yourself and tell me what you think:
This is Silly Symphony No. 17
To the previous Silly Symphony: Birds of a Feather
To the next Silly Symphony: The China Plate
‘Mother Goose Melodies’ is available on the DVD ‘Walt Disney Treasures: Silly Symphonies’
Director: Dave Fleischer
Release Date: April 3, 1931
Stars: Bimbo, Betty Boop
Rating: ★★½
Review:
Bimbo is a train robber who holds up a train. Unfortunately for him, his stout wife, Betty Boop (called Nan McGrew in this cartoon), is also on this train.
She confronts him and in the end Bimbo unwillingly reunites with his wife, fleeing with her into the distance on the locomotive.
‘The Bum Bandit’ lacks the wild surrealism of earlier Talkartoons, like ‘Barnacle Bill‘ and ‘Mysterious Mose‘ (both 1930), and is thus less interesting to watch. The best scene is when Bimbo practices shooting, e.g. shooting a cow from the sky. There is also some nice and flexible animation on the riding train. Betty Boop has a distinctly different voice here, which was not repeated after this cartoon.
Watch ‘The Bum Bandit’ yourself and tell me what you think:
This is Talkartoon No. 18
To the previous Talkartoon: The Cow’s Husband
To the next Talkartoon: The Male Man
‘The Bum Bandit’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’
Director: Ub Iwerks
Release Date: December, 1930
Stars: Flip the Frog
Rating: ★★½
Review:
Although released after four other cartoons, ‘Puddle Pranks’ is Flip the Frog’s second cartoon. It was made before Pat Powers had sold the series, and it’s the last in which he’s portrayed as a real frog, small in size and acting in nature. Powers was dissatisfied with this version of Flip, and in the subsequent films he would, like Mickey Mouse, be boy-sized and living in towns.
‘Puddle Pranks’ starts with a very Mickey Mouse-like scene, in which Flip drops by his girlfriend’s house to take her for a ride in a grasshopper-chariot. Soon they’re followed by a pelican, which eats the grasshopper(!), and threatens to eat the two frogs. Flip disposes of the pelican, and the two go for a swim. But suddenly, the pelican is back, and they are only rescued because the pelican is eaten by a large fish.
‘Like ‘Fiddlesticks‘, Flip’s first cartoon, ‘Puddle Pranks’ is well animated and joyful, but low on gags and rather boring. The short is almost evenly paced, which makes it rather tiresome to watch.
Watch ‘Puddle Pranks’ yourself and tell me what you think:
This is Flip the Frog cartoon No. 2
To the previous Flip the Frog cartoon: Fiddlesticks
To the next Flip the Frog cartoon: Flying Fists
‘Puddle Pranks’ is available on the DVD ‘Cartoons That Time Forgot – The Ub Iwerks Collection Vol. 1’
