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Directors: William Hanna & Joseph Barbera
Release Date: January 3, 1958
Stars: Tom & Jerry, Little Quacker
Rating: ★★★½
Review:
‘Happy Go Ducky’ starts with the Easter bunny delivering an Easter egg to Tom & Jerry.
The two fight over the egg, which soon breaks, hatching into Little Quacker, which immediately goes swimming in whatever fluid containing device he sees, being it Tom’s milk bowl, a fish tank, a water tank or a bath. Tom & Jerry try to get rid of the little duck, even putting it back into the egg shell and sending it back to the Easter bunny, but to no avail. In the end, the whole room is flooded, and Tom and Jerry have to watch Little Quacker swimming around with his four duckling friends from the local public park pond.
‘Happy Go Ducky’ is remarkable for lack of conflict between Tom and Jerry. As soon as Little Quacker enters the scene, the two work together to get the intruder out. This hampers the comedy, which remains mild and friendly. Part of the humor stems from Little Quacker exclaiming ‘Happy Easter!’ enthusiastically every time he has found a place to swim. The best gag however is when Tom tries to shut a shower door, which Little Quacker has filled to the max with water.
Watch ‘Happy Go Ducky’ yourself and tell me what you think:
This is Tom & Jerry cartoon No. 110
To the previous Tom & Jerry cartoon: Tom’s Photo Finish
To the next Tom & Jerry cartoon: Royal Cat Nap
‘Happy Go Ducky’ is available on the European DVD Box set ‘Tom and Jerry Collection’
Director: Michael Lah
Release Date: February 7, 1958
Stars: Droopy, the Wolf
Rating: ★★★½
Review:
In ‘Sheep Wrecked’ Droopy is a sheepherder, or more clearly, a sheep dog guarding his flock inside a fenced pasture against the laid-back Southern wolf character ( in his last screen appearance).
‘Sheep Wrecked’ arguably is the most inspired of Michael Lah’s six Droopy films. The animation is fine, and the gags plentiful. Among the wolf’s attempts are him dressing up like a stork and like Bo-Beep, a gag harking all the way back to the Silly Symphony ‘Three Little Wolves‘ (1936). Both Droopy and the wolf are in fine shape in this cartoon.
Unfortunately, the pace is rather slow, and the best features of this Cinemascope cartoon are Scott Bradley’s very inspired music and F. MonteAlegre’s beautiful backgrounds, with their minimal indications of settings on a bright orange canvas. Remarkably, this Homer Brightman-penned story involves a very slow guided missile, very similar to the one in the Woody Woodpecker cartoon ‘Misguided Missile‘. ‘Misguided Missile’ was penned by the very same writer, and only released eleven days earlier.
Watch ‘Sheep Wrecked’ yourself and tell me what you think:
‘Sheep Wrecked’ is available on the DVD-set ‘Tex Avery’s Droopy – The Complete Theatrical Collection’
Director: Paul J. Smith
Release Date: November 4, 1957
Stars: Woody Woodpecker, Windy & Breezy
Rating: ★★★½
Review:
In Yellowstone Park a father bear shows his son how to get free food from the park visitors.
Father bear gets cake from an old couple, looking particularly miserably, and food from some youngsters playing ‘rock-‘n-roll’ (the tune the bear plays is more rock ‘n roll in name than in sound). The next customer is Woody Woodpecker, who for once isn’t short of food himself.
After making the bear perform some tricks, Woody gives the bear a sandwich and a bottle of ketchup, but when the greedy bear wants more, a gag routine starts, with Woody placing some food on ‘Old Faithful’ (a geyser), and the bear falling for it, no less than five times. This sequence is surprisingly fast-paced, making the comedy, which are essentially variations on one theme, work.
The little bear’s function in the plot is only to address the audience once in a while with an admiring ‘that’s my pop’, no matter what calamity befalls his father. In this respect he resembles Sylvester jr, who had made his debut eight years earlier in ‘Pop ‘Im Pop!’ (1950).
The bear pair was later christened ‘Windy & Breezy’ and starred four cartoons of their own, starting with ‘Salmon Yeggs‘ (1958).
Watch ‘Fodder and Son’ yourself and tell me what you think:
‘Fodder and Son’ is available on the DVD-set ‘The Woody Woodpecker and Friends Classic Cartoon Collection Volume 2’
Directors: Stephen & Timothy Quay
Release Date: 1993
Rating: ★★★½
Review:
The fourth and last Stille Nacht film returns to the music of His Name Is Alive, and the rabbit and doll from the second film.
The most disturbing image is that of the girl doll somehow bleeding. In another scene a death-like man tries to steal the rabbit’s egg, using string. The rabbit saves his egg by cutting the string with his teeth, and hides the egg in a glass on the ceiling. This is the most story-like part of the film, which looks beautiful, but is drenched in mystery, just like the other three Stille Nacht films.
Watch ‘Stille Nacht IV: Can’t Go Wrong Without You’ yourself and tell me what you think:
‘Stille Nacht IV: Can’t Go Wrong Without You’ is available on the DVD-set ‘The Brothers Quay – The Short Films 1979-2003’
Director: Faith Hubley
Release Date: 1990
Rating: ★★★½
Review:
With Amazonia Faith Hubley returns to her favorite subject, mythology, telling three myths from this area.
The first is a creation myth in which the moon goddess creates life, but is envied by two other god-like creatures. Unfortunately, it’s far from clear what’s happening during this part.
Much clearer is the second part, which tells about a clever and hungry tortoise, who defeats a jaguar, a fox and a deer by outsmarting them, and then devouring them… This is a surprisingly funny sequence for a Faith Hubley film, whose style normally is more poetic than anything else.
The last myth is the only one to use a piece of dialogue: we hear Dizzy Gillespie say “One day, when there are no trees left, the heavens will fall and the people will be destroyed.” This part is clearly against deforestation, but also shows that nature will doubtless survive mankind.
Hubley’s magical animation style enhances the mythical atmosphere, as does Don Christensen’s music. The complete film is very beautiful and poetic.
‘Amazonia’ is available on the DVD ‘The Hubley Collection Volume 1’
Director: Milan Trenc
Release Date: 1990
Rating: ★★★½
Review:
When a spoiled, rich brat is about to smash his piggy bank to pieces with a large hammer, the piggy bank flees. While the boy and his family are looking for him, the piggy bank has a good time at the fair.
This is a rather lightweight film, based on a story by Milan Milšić. Trenc uses a lot of different designs in this film, with the piggy bank itself being the most conventional. Like many other Zagreb films from this later period, the film is hampered by limited animation and an ugly electronic score, this time by Davon Rocco.
Watch ‘The Big Time’ yourself and tell me what you think:
‘The Big Time’ is available on the DVD ‘The Best of Zagreb Film: Be Careful What You Wish For and The Classic Collection’
Director: Krešimir Zimonić
Release Date: 1988
Rating: ★★★½
Review:
‘Butterflies’ is a film from the Zagreb Film studio, when the once famous studio was already in its decline.
‘Butterflies’ is about a young woman who imagines the different lives she can lead with some very different men. This film uses strong, angular 1980s designs and colors by co-writer Magda Dulčić, and has a rather stream-of-consciousness-like structure, with a lot of metamorphosis and designs that verge on the abstract. The animation ranges from very limited to full, and from serious to cartoony. Unfortunately, Igor Savin’s ugly electronic score and Dulčić designs make the film feel dated, and more a product of its time than a timeless classic.
‘Butterflies’ is available on the DVD ‘The Best of Zagreb Film: Be Careful What You Wish For and The Classic Collection’
Director: Émile Cohl
Release Date: 1911
Rating: ★★★½
Review:
In this short comedy a man disapproves of the suitor of his daughter and consults a magician, who can extract a man’s history from a single hair.
The hair reveals that the suitor has spent some time in prison, so the man throws the suitor out, leaving it to the magician to ask the hand of the daughter. ”Le cheveu délateur’ is a rather silly film, full of broad comedy.
As may be expected, the hair section is done in animation. Unfortunately in this segment Cohl’s animation isn’t too interesting, showing mostly the suitor travelling, by train, by balloon, and by elephant. Cohl’s metamorphosis technique is only used sparingly, and never leads to strange associations like in his best films.
Watch ‘Le cheveu délateur’ yourself and tell me what you think:
‘Le cheveu délateur’ is available on the DVDs ‘Émile Cohl – L’agitateur aux mille images’
Director: Émile Cohl
Release Date: 1910
Rating: ★★★½
Review:
This short starts with a couple visiting a psychiatrist.
The woman exclaims that her husband is rather cuckoo, so the psychiatrist takes a look inside the husband’s head using a ‘cephaloscope’. As may be expected in an Émile Cohl film what the doctor sees is shown in animation: a series of weird images, tied by Émile Cohl’s trademark metamorphosis.
When the psychiatrist has seen enough, he drills a hole in the man’s skull and pulls out the crazy thoughts, which manifest themselves as more animation on a black screen, much in the vain of Cohl’s debut film ‘Fantasmagorie‘ (1908). Thus the man is saved and the film ends.
Cohl’s stream-of-consciousness way of animating works quite well for a film about craziness, and the framing story is amusing enough to keep the film interesting, even though it’s certainly not one of Cohl’s masterpieces.
Watch ‘Le retapeur de cervelles’ yourself and tell me what you think:
‘Le retapeur de cervelles’ is available on the DVDs ‘Émile Cohl – L’agitateur aux mille images’
Director: Émile Cohl
Release Date: 1910
Stars: Lucien Cazalis
Rating: ★★★
Review:
‘Jobard a tué sa belle-mère’ is not an animation film, but one of ten comedy shorts Émile Cohl directed in a collaboration with actor Lucien Cazalis for Pathé.
The ten films all feature the character Jobard, played by Cazalis. It’s a pity that ‘Jobard a tué sa belle-mère’ appears to be the only one to have survived in some quality, because the film shows Cohl’s skills as a live action comedy director. Indeed, the film is a prime example of early French comedy film.
In this episode Jobard scares his mother-in-law to death. Literally. Or so he thinks. So he sets out to buy a wreath, which he loses immediately at a cafe. So he buys a circular bread instead, which he accidentally replaces with a tire. In the end he ends with a cushion, accidentally stolen from the police office.
Lucien Cazalis, who plays Jobard is quite a good comedian, and the film clearly shows that French comedy had a huge influence on American slapstick comedy. It’s a pity Lucien Cazalis has been completely forgotten, today, for he clearly deserves more recognition.
Watch ‘Jobard a tué sa belle-mère’ yourself and tell me what you think:
‘Jobard a tué sa belle-mère’ is available on the DVDs ‘Émile Cohl – L’agitateur aux mille images’
Director: Émile Cohl
Release Date: June 18, 1910
Rating: ★★★½
Review:
‘Le tout petit Faust’ is a retelling of Johann Wolfgang von Goethe’s Faust II using puppet animation.
This is arguably Émile Cohl’s best pure stop-motion film. Although the short is still only comprehensible if you know Goethe’s famous story, it greatly profits from elaborate sets and beautiful background art. There’s even some primitive evocation of emotion during the love scenes between Faust and Margarete. The devilish Mephisto fails to become scary, however, being just a doll just like the other dolls, but in different clothes.
Watch ‘Le tout petit Faust ‘ yourself and tell me what you think:
‘Le tout petit Faust ‘ is available on the DVDs ‘Émile Cohl – L’agitateur aux mille images’
Director: Émile Cohl
Release Date: 1909
Rating: ★★★½
Review:
‘Les locataires d’à-côté’ is a short comic film about an old couple who decide to drill a hole in the wall to spy on their younger neighbors.
However, the hole is immediately discovered by the young victims, and the young man wonders how he can punish the nosy neighbors. How he does it remains utterly unclear, but as soon as one of the neighbors takes a peak to the hole, the young neighbors’ room disappears, and makes place for some animation, mostly stop-motion, but also some pen animation, in which Cohl shows some pretty grotesque images.
The best part is when he applies his famous technique of metamorphosis to paper-cut forms. This is essentially replacement animation in a form never tried before, and rarely after. In a sense, this piece of animation anticipates George Pal’s groundbreaking replacement animation of the 1930s. Moreover, throughout his film, Cohl employs the split-screen technique, an absolute novelty. These facts alone make ‘Les locataires d’à-côté’ a great example of the astonishing creativity Émile Cohl showed in his films of 1908-1911.
In the end the couple fetch the house-keeper, but all he sees is the ordinary room, and he leaves the neighbors, stating they are crazy. Indeed, they seem to become crazy, in the end, and it’s the young couple who has the last laugh.
Watch ‘Les locataires d’à-côté’ yourself and tell me what you think:
‘Les locataires d’à-côté’ is available on the DVDs ‘Émile Cohl – L’agitateur aux mille images’
Director: Émile Cohl
Release Date: August 25, 1909
Rating: ★★★½
Review:
‘Porcelaines tendres’ is a tableau vivant film, like ‘L’éventail animé‘ and ‘Les couronnes‘, with people now pretending to be porcelain figures in crockery items.
Like two earlier shorts the film has a vague chronological order, and is very stylized and beautiful. Nevertheless, the film is less gripping than the former two films, and its frame more conventional, being akin to frames used in other contemporary French films. As in all of Cohl’s tableau vivant films, no animation is involved.
Watch ‘Porcelaines tendres’ yourself and tell me what you think:
‘Porcelaines tendres’ is available on the DVDs ‘Émile Cohl – L’agitateur aux mille images’
Director: J. Stuart Blackton
Release Date: April 6, 1906
Rating: ★★★½
Review:
‘Humorous Phases of Funny Faces’ is arguably the first drawn animation film. Like Blackton’s first film, ‘The Enchanted Drawing’ from 1900, the short combines the tradition of live sketching with that of trick filming to a novelty effect. Made for Thomas A. Edison, the film is an important step forward, however, because, unlike ‘The Enchanted Drawing’ there now is animated movement.
The film starts with a live action hand drawing the face of a man on a chalkboard. Next to the man a woman is drawn, now without the hand. The two faces alter, and at one point the man grows a cigar and a top hat. This ‘scene’ ends when the man’s smoke covers the whole woman, and the hand erases the drawing.
Next come two other faces. Little is happening here, so soon we cut to an old man with an umbrella. This part shows a little arm movement, done with cut-out. Blackton used the cut-out technique more extensively in the last shot, that of a clown, toying with his hat, a hoop and a poodle. The film ends with the hand erasing again. The whole experience lasts less than three minutes.
Overall, the image is pretty static, and it’s clear that the whole film is made pure for the novelty of its tricks. Of course, ‘Humorous Phases of Funny Faces’ is historically important, yet, it’s difficult to call this first hand-drawn animation film (and probably the first one to use cut-out) an instant classic, as apart from the movement hardly anything is happening, and only the smoke gag comes somewhere near being funny. Moreover, Blackton’s arm can be seen a few times, which hampers the trick.
Watch ‘Humorous Phases of Funny Faces’ yourself and tell me what you think:
‘Humorous Phases of Funny Faces’ is available on the DVD ‘Before Walt’
Director: Milen Vitanov
Release Date: April, 2007
Rating: ★★★½
Review:
‘My Happy End’ is an enjoyable little children’s film about a dog being in love with its own tail, which in Vitanov’s film also has a mouth.
The most remarkable aspect of Vitanov’s film is its technique: Vitanov blends traditional pencil animation with 3D computer effects, making the dog look like a single piece op paper moving around in a paper world. This illusion is enhanced by using only grey-tones, giving ‘My Happy End’ a sketchy look.
Unfortunately, Vitanov’s cartoon style is less original, and his story rather stretches the imagination (I could hardly swallow the concept of both the humanized tail and the regeneration which takes place in the end). The result is an amiable, if unassuming little film.
Watch ‘My Happy End’ yourself and tell me what you think:
‘My Happy End’ is available on the Belgian DVD ‘Kleine helden & rare kwasten – 14 animatiefilms voor kinderen’
Director: Sergei Ryabov
Release Date: February 20, 2007
Rating: ★★★½
Review:
‘The Tiny Fish’ is a charming little children’s film with a winter setting.
We follow a little girl who encounters an evil fisherman catching a fish. Shocked by this event the girl stays at home, leaving it to other kids to play outside in the snow. She draws a picture of the fish and then dreams that she and the fish are attacked by a giant version of the fisherman, who grows bigger and bigger in size. With her paper fish the girl returns to the ice hole where the fish had been caught. She returns her paper fish to the water, which immediately comes to life.
‘The Tiny Fish’ is made with a virtuoso cut-out technique. The designs are soft and tender, if a little old-fashioned. The story is told without words, and with a great feel of atmosphere. The girl’s emotions are not shown all too explicitly, but one immediately feels with her. The magical transformation of the paper fish is in complete agreement with the child’s world of wonder.
Watch ‘The Tiny Fish’ yourself and tell me what you think:
‘The Tiny Fish’ is available on the Belgian DVD ‘Kleine helden & rare kwasten – 14 animatiefilms voor kinderen’
Director: Walter Lantz
Release Date: December 1, 1941
Stars: Woody Woodpecker
Rating: ★★★½
Review:
‘$21 a Day (Once a Month)’ is the first of the Swing Symphonies, a wartime cartoon series of fifteen based on swing music.
‘$21 a Day (Once a Month)’ reflects the war era perfectly, even though it appeared five days before the attack on Pearl Harbor. The cartoon celebrates the draft that had been installed in 1941. The short’s original twist, however, is that the title song (by Felix Bernard and Ray Klages) is sung by toy animals, toy dolls, toy soldiers etc.
The designs are a mixed bag, some harking back to the early 1930s. Some animals are clearly stuffed, while others look like any other cartoon animal. Unfortunately, this first Swing Symphony hardly really swings. Darrel Calker’s arrangement features a lot of close harmony, but no jazz solos. Only after five minutes some boogie-woogie piano kicks in. Woody Woodpecker has a cameo, making some marching toy soldiers walk differently.
‘$21 a Day (Once a Month)’ is a joyful cartoon, but there were much better Swing Symphonies to follow.
Watch ‘$21 a Day (Once a Month)’ yourself and tell me what you think:
‘$21 a Day (Once a Month)’ is available on the DVD set ‘The Woody Woodpecker and Friends Classic Cartoon Collection’
Director: George Pal
Release Date: March 27, 1942
Rating: ★★★½
Review:
‘Sky Princess’ tells the tale of a prince rescuing a princess from a witch, who holds her in a castle in the sky.
In the beginning the story is told by a voice over. But all too soon the prince arrives, serenading his love with a violin. The love between the two destroys the witch’s power, and a great deal of the cartoon is devoted to the couple dancing in the castle in the sky. This sequence reflects the MGM musicals of the era, and excels in lighting and staging. Yet, as nothing really is happening, it’s also a bit boring. In the end we watch the couple sail away on the prince’s sky ship.
‘Sky Princess’ is a lovely cartoon, full of pretty colors, and a feast for the eye. The score makes great use of Pyotr Ilyich Tchaikovsky’s Flower Waltz. What the short lacks in story, it covers with its beautiful looks and dreamlike atmosphere.
‘Sky Princess’ is available on the Blu-Ray ‘The Puppetoon Movie’
Director: George Pal
Release Date: June 27, 1941
Rating: ★★★½
Review:
Jim Darcy, the main protagonist in ‘Hoola Boola’, must be the most relaxed castaway in animated history.
In the opening scene we watch him sailing on a series of rafts from his stranded ship, relaxing in his chair, and listening to the radio. Almost immediately he hits an island, where his house builds itself. Soon he meets a native woman called Sarong-Sarong, and the two fall in love instantly. Then a canoe full of cannibals appear, capturing Jim. However, with help of some magic Sarong-Sarong rescues our hero, reuniting the two lovers.
‘Hoola Boola’ is a wonderful example of George Pal’s art, if not among his best films. One can marvel at the lovely decors, the bright colors, the cinematic staging and clever lighting. Yet, the facial expressions of the sailor and Sarong-Sarong are poor and primitive, and, of course, the story is drenched in cliches, with its castaway-meets-noble savage-and-cannibals story. Even Sarong-Sarong’s rescue is a cliche, with the black cannibals fleeing in terror, all too easily. On the other hand, Sarong-Sarong manages to summon five goblins out of nowhere to chase the cannibals away. I’d be scared of them, too…
‘Hoola Boola’ is available on the Blu-Ray ‘The Puppetoon Movie’
Director: Dave Fleischer
Release Date: September 19, 1941
Stars: Popeye, Olive Oyl
Rating: ★★★½
Review:
In ‘I’ll Never Crow Again’ Olive’s garden is invaded by some cheeky crows.
Olive phones Popeye to chase the crows away. Popeye’s attempts include placing a scarecrow, and pretending to be a scarecrow himself. All his attempts fail, however, much to hilarity of Olive. In the end, Popeye gets so angry at Olive, he turns her into a scarecrow, which surprisingly works in chasing the crows away.
The crows are over-sized and they are able to talk. The pesky animals turn Popeye into the straight man, and with that some of the comedy is lost. Also, to watch an angry Popeye laying hands on Olive is quite out of character, and this gag doesn’t really work either.
In his introduction shot we watch Popeye cutting his toenails, something we hadn’t seen a cartoon character doing since Betty Boop in ‘Bimbo’s Express‘ (1931). The theme song of this cartoon is ‘It’s a Hap-Hap-Happy Day’ from ‘Gulliver’s Travels‘ (1939), which is sung by both Olive Oyl and Popeye in the opening scenes.
Watch ‘I’ll Never Crow Again’ yourself and tell me what you think:
This Popeye film No. 99
To the previous Popeye film: Pest Pilot
To the next Popeye film: The Mighty Navy
‘I’ll Never Crow Again’ is available on the DVD set ‘Popeye the Sailor 1941-1943’
