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Directors: Frank Sherman & George Rufle
Release Date: July 31, 1933
Stars: Tom and Jerry
Rating: ★★★
Review:

The Phantom Rocket © Van Beuren‘The Phantom Rocket’ starts with a stereotype homosexual announcer announcing that Tom and Jerry will man a dangerous flight on a new rocket.

Unfortunately, an escaped convict climbs along. While the convict holds up Tom and Jerry inside the machine, the rocket goes haywire, creating havoc in the whole neighborhood, before diving into the sea. It finally crashes on top of a prison, and the cartoon ends with Tom and Jerry earning the reward.

With ‘The Phantom Rocket’ the Van Beuren studio joined the Walt Disney studio in its operetta phase. Following the Silly Symphony ‘Father Noah’s Ark‘ and the Mickey Mouse cartoon ‘The Mail Pilot‘ in particular, the short opens with several people singing an introduction song, including engineers, scientists, photographers and Tom and Jerry themselves. Gene Rodemich’s score is very lively throughout, and the gags come in fast and plenty.

Nevertheless ‘The Phantom Rocket’ was the merry duo’s very last cartoon. Since then they’ve gone into oblivion, and it’s true that only a few of their 26 cartoons are enjoyable enough to justify resurrection (to me ‘Wot a Night‘, ‘Pots and Pans‘, ‘Jolly Fish’ and ‘Pencil Mania‘ are the best candidates). The Van Beuren studio replaced Tom and Jerry with new, but equally unsuccessful stars like Cubby the Bear and The Little King.

Although the rocket itself is nicely animated, Tom and Jerry’s last stand suffers the same problems as their earlier outings: sloppy designs, erratic animation and a total lack of character. Nevertheless, it’s interesting to compare ‘The Phantom Rocket’ to the earlier ‘Rocketeers‘ (1932), which covers similar grounds. It shows that even this sloppy studio had grown with the years.

Watch ‘The Phantom Rocket’ yourself and tell me what you think:

‘The Phantom Rocket’ is available on the DVD ‘The Complete Animated Adventures of Van Beuren Studio’s Tom and Jerry’

Directors: Frank Sherman & George Rufle
Release Date: July 10, 1933
Stars: Tom and Jerry
Rating: ★★★
Review:

Doughnuts © Van Beuren‘Doughnuts’ takes place at a bakers’ convention.

Tom and Jerry are doughnut bakers, competing with a.o. two stereotypical Jewish matzos bakers, and two stereotypical gays, baking ‘pansy cakes’. Unfortunately, the public isn’t interested in any of them, and head right to the beer stand (since the end of March 1933, it was allowed to sell low alcohol beer again, after thirteen years of prohibition). Only when a drunken sailor accidentally enriches Tom and Jerry’s dough with his liquor, the crowd storms their stand, and in the end we watch the duo marching with the first prize.

‘Doughnuts’ is an interesting cartoon as it comments on the repeal of the prohibition. The cartoon is only moderately funny, but it’s enjoyable for its cheerful mood, helped by Gene Rodemich’s wonderful and lively score.

Watch ‘Doughnuts’ yourself and tell me what you think:

‘Doughnuts’ is available on the DVD ‘The Complete Animated Adventures of Van Beuren Studio’s Tom and Jerry’

Director: Burt Gillett
Release Date:
 November 19, 1932
Rating:★★★
Review:

Babes in the Woods © Walt Disney‘Babes in the woods’ is a free adaptation of the fairy tale of ‘Hansel and Gretel’.

In Disney’s version the two lost children encounter some merry dwarfs before they meet the witch. The witch takes them for a ride on her flying broom to her gingerbread house.

Once inside the witch’s abode the cartoon takes a nightmarish turn. in the dark and gloomy inside the witch reveals she turns little children in newts, rats, spiders and bats. We watch the with turn a cat into stone, which immediately falls down and brakes. Then she turns the boy into a spider. When she wants to turn the girl into a rat, she’s interrupted by the dwarfs, who have come to the rescue. While she’s fleeing for the squadrons of gnomes firing arrows at her, the girl discovers a potion to turn the spider and all other animals present in the witches house into children again. In the end the witch is turned into stone by falling into her own potion.

This re-telling of Grimm’s classic tale introduces some story ideas that made it into ‘Snow White and the Seven Dwarfs’ five years later: there’s a scary forest with trees looking like monsters and there are of course the witch and the dwarfs. Indeed, concept artist Albert Hurter was responsible for most of the looks of both this Silly Symphony as one of the chief designers for Disney’s first feature.

The storytelling is economical, with a lot happening in the mere seven minutes. As soon as the witch enters the scene, the action is relentless. The pretty scary scene inside the Witch’s house is particularly gripping. The short also contains a small dance routine, reminiscent of, but a great improvement on ‘The Merry Dwarfs‘ from 1929. The children’s designs of this particular film became stock designs in most studios in the rest of the 1930’s, in which more and more films would take a childish character, anyway.

With ‘Babes in the Woods’ embarked on a series of Silly Symphonies that were adaptations of familiar fairy tales and fables. Other examples are ‘Three Little Pigs‘ and ‘The Pied Piper‘ from 1933, ‘The Grasshopper and the Ants‘ from 1934 and ‘The Tortoise and the Hare’ from 1935.

‘Babes in the Woods’ is a stunning tour-de-force for 1932, but four days before its release Disney had started its first in-house art class, hosted by Don Graham. With these twice-weekly art classes Disney’s animators got better and better, and all subsequent Disney films clearly show that, with the Silly Symphonies in particular showing an enormous growth during the rest of the 1930’s.

One trivial remark: Hansel and Gretel are wearing traditional costumes typical for some Dutch fishing-villages. However, the landscape looks anything but Dutch (in fact, it looks pretty Mid-European). Talking about being lost!

Watch ‘Babes in the Woods’ yourself and tell me what you think:

This is Silly Symphony No. 32
To the previous Silly Symphony: Bugs in Love
To the next Silly Symphony: Santa’s Workshop

Director: Mannie Davis
Release Date: March 24, 1933
Stars: Cubby the Bear, Honey
Rating: ★★★
Review:

The Last Mail © Van BeurenThe Last Mail’ is the first Cubby the Bear cartoon to place him in a Mickey Mouse-like hero role.

It’s interesting to compare this cartoon to Mickey’s ‘The Mail Pilot‘, which was released two months later. It immediately becomes clear why Mickey has remained famous, while Cubby fell into oblivion. In all aspects Cubby’s cartoon is the lesser product: in design, in animation, and in storytelling. Nevertheless, it is one of Cubby’s most entertaining cartoons, as it features a straight-forward story, which is surprisingly consistent for the Van Beuren studio.

In ‘The Last Mail’ Cubby is a mailman riding a squirrel-led sleigh through a wintery landscape. In the village where he delivers the mail he dances with Honey to a jig. When he leaves again, Honey comes along, sneaking into Cubby’s mail bag. The two are held up by an evil raccoon, who kidnaps Honey. But Cubby saves her with help from an American Eagle.

Composer Gene Rodemich is in good shape here, weaving ‘Pop Goes the Weasel’ into the dancing scene (see also Mickey’s ‘The Shindig‘ from 1930) , and using ‘The Stars and Stripes Forever’ in the eagle scenes. ‘The Last Mail’ is the first Cubby the Bear cartoon in which director Mannie Davis is credited on the opening titles.

Watch ‘The Last Mail’ yourself and tell me what you think:

‘The Last Mail’ is available on the DVD ‘The Complete Adventures of Cubby Bear’ and the Blu-Ray ‘The Complete Animated Adventures of Cubby Bear’

Directors: Frank Sherman & George Stallings
Release Date:
 March 31, 1933
Stars: Tom and Jerry
Rating: ★★★
Review:

Puzzled Pals © Van Beuren‘Puzzled Pals’ opens with a stork trying to deliver his baby, but finding every home hostile to him.

The bird finally manages to drop the baby at Tom & Jerry’s doorstep. They take the baby in, but he turns out to be a tough brat, kicking everybody’s face in, and being a complete nuisance, while Tom and Jerry try to solve a jig-saw puzzle. At one point the brat gets hold of a giant vacuum cleaner, sucking almost everything in the house, including the clothes on Jerry’s tattoo, until Tom saves the day. In the end the stork incomprehensibly returns and takes the baby away.

Vacuum cleaners were still a luxury in the 1930’s, and this cartoon may contain the first animated gags on this domestic device.

Watch ‘Puzzled Pals’ yourself and tell me what you think:

‘Puzzled Pals’ is available on the DVD ‘The Complete Animated Adventures of Van Beuren Studio’s Tom and Jerry’

Director: Hugh Harman
Release Date:
 January 16, 1933
Stars: Bosko, Honey, Rudolf Ising
Rating: ★★★
Review:

Ride Him, Bosko © Warner Bros.This Looney Tune has a Western setting with Bosko starring as a singing cowboy, a new type of Hollywood star that has risen during the early 1930’s.

Bosko enters a saloon in Red Gulch, immediately starts a dance and goes on playing the piano. Meanwhile his girlfriend Honey rides a stagecoach, which is chased by three vicious bandits. This chase scene is simply stuffed with animation cycles. As Bosko is busy entertaining, it takes quite a while before Bosko rides off to rescue his sweetheart.

The complete cartoon is rich in action, but surprisingly low on gags (there’s one about a homosexual). It ends surprisingly however. Suddenly we cut back to three animators. Rudolph Ising asks “Say, how does Bosko save the girl?”, an animator replies: “I don’t know.”, and another: “Let’s go home”, leaving Bosko on his sheet of paper. This gag is pretty unconventional, but one cannot but feel a bit of laziness and disinterest in this scene, as if the animators didn’t care much for their own star themselves. Even so, Bosko would star in fourteen more Warner Brothers films, before Hugh Harman and Rudolph Ising took him with them to MGM.

Watch ‘Ride Him, Bosko!’ yourself and tell me what you think:

‘Ride Him, Bosko!’ is available on the DVD ‘Looney Tunes Golden Collection: Volume Six’

Directors: Harry Bailey & John Foster
Release Date:
 February 24, 1933
Rating: ★★★
Review:

Panicky Pup © Van Beuren‘Panicky Pup’ is one of those very Silly Symphony-like Aesop’s Fables.

It starts unremarkable enough, with several farm animals making music and dancing to it. At one point the cartoon starts to focus on a pup, but the short really gains momentum when the pup chases a cat into a well. Almost immediately, he’s struck by guilt and the complete surroundings turn into a nightmare haunting him. During this sequence the scenery changes frequently around him, as if the pup is transported through time and space, adding to the surreal atmosphere.

‘Panicky Pup’ mixes Disney and Fleischer influences (comparable cartoons are Disney’s ‘The Cat’s Out‘ (1931) and Fleischer’s ‘Swing You Sinners!‘ (1930)), like no other studio did, with surprising, if uneven results. The cartoon is the direct ancestor of other guilt cartoons like ‘Pluto’s Judgement Day‘ (1936), ‘Pudgy Picks a Fight‘ (1937) and ‘Donald’s Crime’ (1945), showing that Van Beuren had a much more interesting and forward-looking outlook than most reviewers grant the ill-fated studio.

Watch ‘Panicky Pup’ yourself and tell me what you think:

‘Panicky Pup’ is available on the DVD ‘Uncensored Animation from the Van Beuren Studio’

Directors: Harry Bailey & John Foster
Release Date:
 August 26, 1932
Rating: ★★★
Review:

Nursery Scandal © Van Beuren‘Nursery Scandal’ is Van Beuren’s direct answer to Walt Disney’s successful Silly Symphony ‘Mother Goose Melodies‘ (1931), if a rather dingy one.

It’s night and the moon personally awakes some gnomes, who in turn awake Mother Goose. Mother Goose courts a scarecrow, much to the chagrin of the goose and the other nursery rhyme characters. At one point four gnomes start to sing nursery rhymes in a swinging close harmony style, leading to a long song-and-dance sequence in which we watch several nursery rhyme characters dancing, much like ‘Mother Goose Melodies’, but way jazzier. Composer Gene Rodemich is in excellent form in this cartoon, providing a highly enjoyable score. Notice the seemingly naked and very human fairy on top of the nursery rhyme book somewhere in the middle of the cartoon.

Watch ‘Nursery Scandal’ yourself and tell me what you think:

‘Nursery Scandal’ is available on the DVD ‘Uncensored Animation from the Van Beuren Studio’

Director: Dave Fleischer
Release Date: November 25, 1932
Stars: Betty Boop, Bimbo, Koko the Clown, Louis Armstrong
Rating: ★★★
Review:

I'll Be Glad When You're Dead You Rascal You © Max FleischerThere are few classic cartoons that will give such a mixed feeling as ‘I’ll Be Glad When You’re Dead You Rascal You’.

There’s much to say for it: the short is one of the wonderful pre-code swing cartoons, featuring no less than the great Louis Armstrong, who appears here in person, not only in the introduction, but also as a floating head, in a remarkable blending of animation and live action.

Unfortunately, ‘I’ll Be Glad When You’re Dead You Rascal You’ is also one of those ignorant cartoons featuring severe caricatures of black people, in their most cliche form: cannibals. Even worse, in this cartoon a direct connection is made between the backward caricatures and the black performers, as one of the cannibals grows into Louis Armstrong’s singing head, and his drummer (probably Tubby Hall) is likened to another big-lipped cannibal. Thus this cartoon is as entertaining as it is offensive.

There’s not much of a story: Betty, Bimbo and Koko are on a safari in dark Africa. There they encounter a tribe of hungry cannibals, who kidnap Betty. Then we cut to Bimbo and Koko on their aimless search for Betty. Soon they’re followed by a cannibal who morphs into a giant floating native head, which turns into that of Louis Armstrong singing the title song. Bimbo and Koko manage to rescue Betty with help of a porcupine. The last shot is for Louis Armstrong and his band. The complete cartoon is rather nonsensical, but Armstrong’s hot jazz make it a great ride, if an uncomfortable one.

Watch ‘I’ll Be Glad When You’re Dead You Rascal You’ yourself and tell me what you think:

This is Betty Boop cartoon No. 7
To the previous Betty Boop cartoon: Betty Boop for President
To the next Betty Boop cartoon: Betty Boop’s Museum

‘I’ll Be Glad When You’re Dead You Rascal You’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’

Director: unknown
Release Date:
 November 26, 1932
Stars: Flip the Frog
Rating: ★★★
Review:

Nurse Maid © Ub Iwerks‘Nurse Maid’ is a typical cartoon from the Great Depression era, depicting small jobs and poverty.

The short starts very well with Flip as a newspaper boy facing a lot of bad luck destroying his trade. Broke, he sits down on the street to worry. Luckily a woman offers him a dollar if he minds her big-nosed baby. The rest of the cartoon is devoted to Flip’s troubles with the baby, which start immediately when the baby swallows the coin. Thus Flip conjures an unhealthy plan to retrieve it from the baby’s mouth with a fishing rod (!). While Flip sets out to get one, the baby swallows a potion which makes the little fellow strong…

Like ‘The Goal Rush‘, ‘Nurse Maid’ is as gag rich as it is unfunny. Luckily, Carl Stalling’s music is very inspired, following the action so closely that most of the tunes are reduced to snippets (for example, when during a chase a Scotchman is encountered, Stalling inserts a few bars of a Scottish tune before resuming the chase music). In fact, the cartoon is recommended for Stalling’s music only, which is a marvel to listen to.

Watch ‘Nurse Maid’ yourself and tell me what you think:

This is Flip the Frog cartoon No. 30
To the previous Flip the Frog cartoon: The Music Lesson
To the next Flip the Frog cartoon: Funny Face

‘Nurse Maid’ is available on the DVD ‘Cartoons That Time Forgot – The Ub Iwerks Collection Vol. 2’

Director: unknown
Release Date:
 October 3, 1932
Stars: Flip the Frog
Rating: ★★★
Review:

The Goal Rush © Ub Iwerks.jpg‘The Goal Rush’ was released only twelve days before the Mickey Mouse cartoon ‘Touchdown Mickey‘ and covers the same ground.

It’s interesting to compare both cartoons, because they’re both lively gag cartoons full of action. Unfortunately, Mickey’s cartoon is better designed, better drawn, better animated, better timed, and better told than Flip’s. So where ‘Touchdown Mickey’ is one of Mickey’s greatest films, and one of the best cartoons of 1932, ‘The Goal Rush’ never really comes off. The gags are often trite, the timing is terribly sloppy and the story meandering.

We watch a football game between Burp University (a bunch of bullies) and Nertz University (Flip and some nerds). Flip’s frog design becomes more and more problematical among the human characters, especially as his love interest is a human girl. The human characters now all have their typical Iwerks designs, except for a very Betty Boop-like farmer girl Flip unveils under a haystack while riding a pig.

There’s a lot going on in this cartoon, but it’s difficult to indicate a good gag. There’s at least a surprising one in which a bandleader shoots a clarinet player who plays off key. The best gag may be the football (pigskin) joining a pig family.

Watch ‘The Goal Rush’ yourself and tell me what you think:

This is Flip the Frog cartoon No. 27
To the previous Flip the Frog cartoon: Circus
To the next Flip the Frog cartoon: Phoney Express

‘The Goal Rush’ is available on the DVD ‘Cartoons That Time Forgot – The Ub Iwerks Collection Vol. 2’

Directors: Mannie Davis & John Foster
Release Date:
 August 12, 1932
Rating: ★★★
Review:

The Wild Goose Chase © Van Beuren‘The Wild Goose Chase’ is a disjointed cartoon, which starts with some loose scenes of frogs, flowers, and water lily fairies dancing in the rain.

Then we cut to a couple of cats, and when the rain stops a tree magically transfers them on a goose to bring them to a rainbow into the clouds to seek a pot of gold. Once they arrive at the clouds, the castle in the sky from ‘The Family Shoe‘ invites them inside, where they’re treated on several surreal scenes, strange creatures, spooks, skeletons and devils.

These scenes are alternately influenced by Disney and Fleischer, clearly the most distinct studios of the time. This hodgepodge of influences make ‘The Wild Goose Chase’ an uneven and directionless short, as if the studio didn’t know which way to go, let alone being able to find its own voice, which the Van Beuren studio actually never really did.

The cat couple was reused in the similar, but much more successful cartoon ‘Silvery Moon‘ (1933).

Watch ‘The Wild Goose Chase’ yourself and tell me what you think:

‘The Wild Goose Chase’ is available on the DVD ‘Aesop’s Fables – Cartoon Classics from the Van Beuren Studio’

 

Directors: John Foster & George Stallings
Release Date:
 June 4, 1932
Stars: Tom and Jerry
Rating: ★★★
Review

The Tuba Tooter © Van BeurenIn ‘The Tuba Tooter’ Schultz, a tuba player, returns to his homeland Germany, accompanied by his yodeling Dachshund Fritz.

This event is heralded by Tom & Jerry, which fills everyone and everything with joy, including inanimate objects like sausages and cheese(!). Have you ever seen cheese being enthusiastic? Here’s your chance! Soon the whole town is singing and dancing to Schultz’s oompah music, and yes, this includes the buildings themselves. But then the police arrives and arrests Schultz…

‘Tuba Tooter’ is a very joyous cartoon, but also rather empty and nonsensical. After all, Schultz’s arrival is actually the only event in the whole cartoon. The animation is erratic, and at times very poor. Worth of mention is a very risque, yet rather freaky scene of two young women dancing in their underwear.

Watch ‘The Tuba Tooter’ yourself and tell me what you think:

‘The Tuba Tooter’ is available on the DVD ‘The Complete Animated Adventures of Van Beuren Studio’s Tom and Jerry’

Director: Rudolf Ising
Release Date:
 May 14, 1932
Rating: ★★★
Review:

It's Got Me Again © Warner Bros.‘It’s Got Me Again!’ finds Harman and Ising at their most Disney-like. This Merrie Melodie is very similar to contemporary Silly Symphonies.

The short features a mouse entering a musical instrument shop at night. The music starts when the mouse accidentally starts the title song on a gramophone. This invites several other mice to join in. After four minutes of musical frolicking a mean cat appears who gets one mouse cornered, prompting the rodent to sing the title track. The other mice, however, come to the rescue and together they get rid of the cat.

The story of ‘It’s Got Me Again!’ is very similar to that of contemporary Disney shorts ‘The Spider and the Fly‘ or ‘The Bird Store‘, but the short’s premise is most akin to the Van Beuren short ‘Toy Time‘ from four months earlier. ‘It’s Got Me Again!’ is much more sophisticated than the Van Beuren short, though. The animation, by Friz Freleng and Tom McKimson, is excellent throughout, and second only to the Disney studio itself.

The mice are Mickey Mouse but in size, only, and the musical routine involves a French Apache dance, as can also be found in ‘Mickey’s Follies‘ (1929) and the later ‘Woodland Cafe‘ (1937). Harman & Ising’s mimicking paid off, as ‘It’s Got Me Again!’ was among the three very first animated shorts to get an Academy Award nomination. Yet, it’s no surprise it lost to Walt Disney’s landmark cartoon ‘Flowers and Trees‘.

Watch ‘It’s Got Me Again!’ yourself and tell me what you think:

‘It’s Got Me Again!’ is available on the Blu-Ray ‘Looney Tunes Platinum Collection: Volume 2’ and the DVD ‘Looney Tunes Golden Collection Volume Three’

Directors: Harry Bailey & John Foster
Release Date:
 June 28, 1932
Rating: ★★★
Review:

The Farmerette © Van BeurenIn ‘The Farmerette’ a sexy kitten applies as ‘farmerette’ at an ailing farm.

The farmer (a goat) asks her if she can get the farm on its feet. And indeed she can, because as soon as she starts singing ‘Some of These Days’, the farm animals start working, and the hens are laying eggs by the dozen, anticipating similar gags in the Warner Bros. cartoon ‘The Swooner Crooner’ (1944).

These scenes are accompanied by Gene Rodemich’s peppy jazz music, showing that he was one of the best cartoon composers of the era. Unfortunately, the embryonic story is soon abandoned, and we witness a donkey, a sheep, a dog and a cow performing a barbershop quartet song.

With ‘The Farmerette’ the Van Beuren studio apparently tried to copy Max Fleischer’s success with Betty Boop. The kitten sings with a voice very similar to that of Betty, and her main feature is her sexiness. Sadly, the cartoon is troubled by erratic animation and poor staging, so typical for the Van Beuren studio, and the kitten never approaches Betty Boop’s charm.

Watch ‘The farmerette’ yourself and tell me what you think:

‘The Farmerette’ is available on the DVD ‘Aesop’s Fables – Cartoon Classics from the Van Beuren Studio’

Directors: Harry Bailey, John Foster, Frank Moser & Jerry Shields
Release Date:
 June 2, 1929
Rating: ★★★
Review:

Polo Match © Van Beuren.jpgLong before ‘Mickey’s Polo Team’ (1936) or Walt Disney took on playing polo himself, the Van Beuren studio visited the game in the silent short ‘Polo Match’.

The cartoon stars a couple of mice, with the hero being indistinguishable from the others. The mouse plays a polo game with the others on mechanical horses, and most of the gags (even the final one) stem from the horses falling apart. Meanwhile the hero’s sweetheart is harassed and later kidnapped by a mean old cat. Our hero pursuits the cat and saves his sweetheart.

The cartoon is pretty fast and full of action, but none of the gags are interesting enough to keep the viewer’s attention. Nevertheless, the short was re-released in 1932 as ‘Happy Polo’, with an added soundtrack.

It’s pretty likely that the inspiration for the mechanical horses stems from the Oswald the Lucky Rabbit cartoon ‘Ozzie of the Mounted‘ (1928) in which Oswald rides a mechanical horse himself. In any case, mechanical horses were clearly much easier to animate than real ones, and one was reused in ‘Hot Tamale’ (1930).

Watch ‘Polo Match’ (or ‘Happy Polo’) yourself and tell me what you think:

‘Polo Match/Happy Polo’ is available on the DVD ‘Aesop’s Fables – Cartoon Classics from the Van Beuren Studio’

Director: Dave Fleischer
Release Date: August 26, 1932
Stars: Lilian Roth
Rating: ★★★
Review:

Down Among the Sugar Cane © Max FleischerIn this Screen Song Lillian Roth sings the entertaining and jazzy title song in a lively performance.

The animated introduction is not particularly interesting, and even a little boring. It focuses on an old man planting (candy) sugar canes, which is then visited by beavers and by a bee, who invites his queen for a walk among the canes. Enter Lillian Roth.

The animation re-enters at the second chorus, and this part is much more interesting to watch than the introduction: in this sequence the animation quite literally illustrates the lyrics, with enjoyable results. In this respect ‘Down Among the Sugar Cane’ is one of the more satisfying Screen Songs.

Watch ‘Down Among the Sugar Cane’ yourself and tell me what you think:

‘Down Among the Sugar Cane’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’

Director: Dave Fleischer
Release Date: July 1, 1932
Stars: Betty Boop, Bimbo, Koko the Clown
Rating: ★★★
Review:

The Betty Boop Limited © Max FleischerIn this short Betty and the gang are practicing a show on a train.

The show starts with Betty Boop singing a short song, followed by Bimbo who does some juggling, and Koko performing some rotoscoped tap dancing on Felix Arndt’s song Nola.

This short is unique in the Talkartoon canon for containing no less than two running gags: one is a tiny cat singing the old-fashioned song “Silver Threads Among the Gold” between the main acts, the other is a kangaroo who desperately tries to go to the toilet (or is he?).

The cartoon is lively, but pales when compared to other, more surreal entries of 1931-1933. It was the Fleischer’s last Talkartoon, and the first to carry Betty Boop’s name in the title. The character had become Fleischer’s main star, being second to Mickey Mouse only. Thus, in her next cartoon, ‘Stopping the Show‘, Betty Boop would star her own series, which would last until 1939.

Watch ‘The Betty Boop Limited’ yourself and tell me what you think:

This is the 41st and last Talkartoon
To the previous Talkartoon: Admission Free
To the first Betty Boop cartoon: Stopping the Show

‘The Betty Boop Limited’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’

Director: Dave Fleischer
Release Date: April 22, 1932
Stars: Les Reis, Artie Dunn, Betty Boop
Rating: ★★★
Review:

Oh! How I hate to Get up in the Morning © Max FleischerIn this Screen Song Les Reis and Artie Dunn, a.k.a. The Wandering Minstrels, make their screen debut to sing the World War I title song by Irving Berlin.

The cartoon sequence contains many military gags, while Betty Boop introduces the bouncing ball. The most interesting part of this mediocre cartoon is the morning scene, in which we watch trees, a cannon, and even fire and smoke waking up.

Betty Boop already had her picture featured in ‘Any Little Girl that’s a Nice Little Girl‘, and Kitty from Kansas City in the Screen Song of the same name could also have been her, but it’s this cartoon that marks Betty Boop’s first appearance in a Screen Song, underlining her popularity in 1932. She would appear in six more Screen Songs, the last being ‘Popular Melodies‘ from 1933.

Watch ‘Oh! How I hate to Get up in the Morning’ yourself and tell me what you think:

‘Oh! How I hate to Get up in the Morning’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’

Director: unknown
Release Date:
 March 26, 1932
Stars: Flip the Frog
Rating: ★★★
Review:

What a Life © Ub Iwerks‘What a Life’ is a genuine cartoon from the Great Depression era.

In the opening scene Flip and the little brat from ‘The Milkman‘ are poor musicians performing on the street to no avail. Being hungry, they pawn their instruments, only to lose their money to a swindler. Later they have to flee for a cop, and find food and shelter at a house, whose owner turns out to be the cop’s wife.

‘What A Life’ is a sentimental film, akin to the Laurel & Hardy film ‘Below Zero’ (1930), and ‘Mickey’s Good Deed‘ from later that year. Even more than ‘The Milkman’ it plays at sentiments more than laughs, and it looks ahead to the sentimentality that would dominate the years 1934-1938. Nevertheless, because it’s so typical of the darkest days of the Great Depression, it’s more interesting than most of those films. Moreover, it features a remarkably sexy and adulterous woman in the cop’s wife.

One of the spectators in the opening scene is a clear caricature of someone, but of whom?

Watch ‘What a Life’ yourself and tell me what you think:

This is Flip the Frog cartoon No. 19
To the previous Flip the Frog cartoon: Fire! Fire!
To the next Flip the Frog cartoon: Puppy Love

‘What a Life’ is available on the DVD ‘Cartoons that Time Forgot – The Ub Iwerks Collection Vol. 2’

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