You are currently browsing the category archive for the ‘★★’ category.

Director: Dave Fleischer
Release Date: October 29, 1937
Rating: ★★
Review:

Educated Fish © Max FleischerIn many Color Classics the opening sequence is the most interesting part, mostly because of the spectacular 3D effects of Fleischer’s tabletop backgrounds.

‘Educated Fish’ doesn’t employ the tabletop, but even in this short the opening scene is the most interesting part of the cartoon, with its convincing animation of rolling waves. The rest is a childish and tiresome cartoon about a small fish called Tommy who plays hooky and gets caught by a fisherman. In the end he clearly has learned his lesson.

True, there are a handful of nice gags, like the teacher eating the worm in the apple instead of the apple itself. And the sexy worm, with her Mae West-like voice, is nice to watch, but these factors cannot rescue a cartoon that almost collapses under its self-importance and lack of humor. Nevertheless, this cartoon was nominated for an Academy Award (which it understandably lost to Disney’s tour de force ‘The Old Mill‘), and thus, Tommy would return in ‘Small Fry’ (1939), which is even worse.

Watch ‘Educated Fish’ yourself and tell me what you think:

‘Educated Fish’ is available on the DVD-set ‘Somewhere in Dreamland – Max Fleischer’s Color Classics: The Definitive Collection’

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Director: Dave Fleischer
Release Date: May 27, 1938
Stars: Betty Boop, Pudgy
Rating: ★★
Review:

The Swing School © Max Fleischer‘The Swing School’ marks a return of Betty Boop to the animal world she came from in the early 1930s.

In this cartoon she runs a swing school for anthromorpic kid animals, including an elephant, a hippo, a giraffe, and Pudgy. Pudgy, like Pluto, had been only a half anthropomorphized dog and wasn’t able to speak. So in this cartoon, in which he’s more treated as a little kid than as a dog, all these animals are devoid of speech. However, they can sing and play the piano.

Unfortunately, Pudgy is not doing well at all, singing Betty Boop’s trite Lalala song way out of tune. So Betty makes him sit in the dunce’s corner. But when a female dachshund takes pity on the pup, and kisses him, Pudgy suddenly bursts into some serious scatting, making the whole class swing.

‘The Swing School’ surfs on the swing craze, which was in full swing (pardon the pun) by 1938. Although the catchy scatting part is a warm welcome back to Betty Boop’s early jazz days, most of the cartoon is terribly slow and extremely childish, and so tiresome that it comes close to the point of being unwatchable. In no sense the cartoon comes close to the Fleischers’ greatest swing cartoons, like ‘Swing, You Sinners!‘ (1930) or ‘Minnie the Moocher‘ (1932).

Only two weeks later, Warner Bros. would release ‘Katnip Kollege’ covering the same subject, but with much, much more spirit.

Watch ‘The Swing School’ yourself and tell me what you think:

This is Betty Boop cartoon No. 74
To the previous Betty Boop cartoon: Out of the Inkwell
To the next Betty Boop cartoon: Pudgy the Watchman

‘Out of the Inkwell’ is available on the Blu-Ray ‘Betty Boop: The Essential Collection, Vol. 4’ and the French DVD Box Set ‘Betty Boop Coffret Collector’

Director: Dave Fleischer
Release Date: January 28, 1938
Stars: Betty Boop, Pudgy
Rating: ★★
Review:

Riding the Rails © Max FleischerIn ‘Riding the Rails’ Pudgy, Betty Boop’s cute puppy, follows Betty on her way to work.

He loses her on the subway, where he causes havoc. When he’s being chased by a rather poorly designed and ditto animated conductor he lands on the rails, where he’s almost killed. He hurries off home, and straight back into his bed.

Betty’s ride on the subway recalls a similar bus ride in ‘Judge for a Day’ (1935), and is most enjoyable in its depiction of subway annoyances. However, most of the cartoon deals with Pudgy’s terror, and plays on melodrama, not laughs. This makes ‘Riding the Rails’ a sympathetic, yet rather forgettable cartoon.

Watch ‘Riding the Rails’ yourself and tell me what you think:

This is Betty Boop cartoon No. 71
To the previous Betty Boop cartoon: Zula Hula
To the next Betty Boop cartoon: Be Up To Date

‘Riding the Rails’ is available on the Blu-Ray Betty Boop: The Essential Collection Vol. 3 and on the French DVD Box Set ‘Betty Boop Coffret Collector’

Director: Jack King
Release Date: February 11, 1938
Rating: ★★
Review:

Self Control © Walt DisneyIn ‘Self Control’ Donald Duck is relaxing in a hammock in his garden, listening to the radio.

On the radio some professor advises to keep your temper, an advice Donald Duck takes wholeheartedly. Unfortunately, when he tries to rest, this becomes very difficult, as he’s hindered by a fly, a caterpillar, a chicken and an obnoxious woodpecker. The cartoon ends with Donald Duck battering the radio to pieces.

‘Self Control’ is the first Donald Duck cartoon with the Duck as the average citizen battling everyday annoyances, a role he would play with gusto during the 1940s. Unfortunately, in ‘Self Control’ his annoyances are a little too outlandish to be really familiar.

Moreover, the cartoon suffers from a terrible slowness, rendering a surprisingly boring cartoon. It seems the studio was still struggling with the character in a solo outfit. Indeed, when coupled to strong adversaries, like his nephews in ‘Donald’s Nephews‘ from two months later, the result was much more explosive. The woodpecker would return in ‘Donald’s Camera’ (1941).

Watch ‘Self Control’ yourself and tell me what you think:

This is Donald Duck cartoon No. 2
To the previous Donald Duck cartoon: Donald’s Ostrich
To the next Donald Duck cartoon: Donald’s Better Self

‘Self Control’ is available on the DVD-set ‘The Chronological Donald Volume 1’

Director: Tom Palmer
Release Date: September 9, 1933
Rating: ★★
Review:

Buddy's Day Out © Warner Bros.Early 1933 Hugh Harman demanded more money for their cartoons, but Leon Schlesinger refused it. This led to a break between the two, and Harman & Ising quit in June 1933.

This event left Schlesinger with a contract with Warner Bros. to deliver cartoons, but without a studio to make them. Moreover, he was without a cartoon star, as Harman & Ising had taken Bosko with them. Schlesinger quickly set up a studio of his own, at the old Warner Bros. lot at Sunset BLvd. He quickly signed several people to man his brand new studio, including Jack King from Disney, and Bob Clampett from Harman & Ising.

However, somehow he first trusted his new studio into the hands of a guy called Tom Palmer, tipped by his sound engineer, Bernard Brown. Palmer and his associate quickly came up with a brand new star called Buddy, whom Bob Clampett described as “Bosko in whiteface”. This is not entirely true, however, for where Bosko was devoid of personality, he was at least cheerful, and nicely drawn. Buddy, on the other hand, had an ugly design, and was bland as hell.

In ‘Buddy’s Day Out’, Buddy’s first film, even his makers were not sure what to make of him. He’s obviously drawn like a boy, but he drives a car, and has an all too clearly erotic relationship with his girlfriend Cookie. Added to these ‘stars’ are a little baby brother called Elmer and a dog called Happy, which is almost a copy of Terry from Disney’s ‘Just Dogs‘ (1932). As you may notice Buddy, Cookie and even Elmer follow a trend that had existed since the dawn of the sound era of creating a star and giving him a girlfriend. Obnoxious baby brothers are nothing new either, and appear in e.g. Fleischer’s ‘Let Me Call You Sweetheart‘ (1932), Van Beuren’s ‘In the Park‘ (1932), and in Columbia’s complete Scrappy series.

In their very first adventure the quartet go on a picnic, but problems soon start when Elmer runs away with the car. This part is absolutely action rich, but the complete cartoon lacks anything that resembles a gag. Palmer was not much of a gag man, let alone a director, and after ‘Buddy’s Day Out’ he directed only one more cartoon (‘I’ve Got To Sing A Torch Song‘) before Schlesinger fired him.

‘Buddy’s Day Out’ thus was the first cartoon of Leon Schlesinger’s very own studio, and it shows. Compared to the Harman & Ising Looney Tunes and Merrie Melodies, ‘Buddy’s Day Out’ is clearly of a lesser quality. Especially the thin lining of the characters is subpar, as is the rather erratic animation on them. That said, the animation on ‘Buddy’s Day Out’ is still far better than practically any animation at Paul Terry or Van Beuren, and the short at least showcases a nicely animated train. However, the cliched blandness of Buddy and friends, and the lack of anything resembling humor make ‘Buddy’s Day Out’ a far from promising start for Schlesinger’s new star.

Nevertheless, Buddy was a child of his time, for in 1933/1934 cartoons moved away from the world of sex, booze and horror to a more childish world of fairy tales, nursery rhymes etc. It was Disney who had made the first move, but also Iwerks and Van Beuren had already drifted into that direction. Thus at Warner Bros. the supposedly black, somehow mature Bosko was replaced by the white, somewhat childish Buddy. The Hays code sealed the trend by banning sex, drugs etc. By 1934 cinema had entered its most infantile stage. And it was Buddy who would be Warner Brother’s epitome of this low point in early cartoon history, which would last until the end of 1935, when a guy called Tex Avery came along…

Watch ‘Buddy’s Day Out’ yourself and tell me what you think:

‘Buddy’s Day Out’ is available on the DVD-set ‘Looney Tunes Golden Collection Volume Six’

Director: Mannie Davis
Release Date: August 11, 1933
Stars: Cubby the Bear
Rating: ★★
Review:

The Nut Factory © Van BeurenIn ‘The Nut Factory’ Cubby Bear is a Sherlock Holmes-like detective, with the little cat from ‘Fresh Ham‘ as his Watson.

Our hero soon gets a call to solve a mystery of stolen false teeth. After a completely unnecessary diversion in a ghost house, Cubby discovers the false teeth in a hollow tree, in which squirrels use them to crack nuts. The ghost house sequence feels almost obligatory, placing the cartoon in a long series of pre-code horror cartoons.

‘The Nut Factory’ is a terribly animated and erratic cartoon, and Cubby is as lifeless and bland as ever, but the cartoon shows two gags that foreshadow Tex Avery: when an old lady phones Cubby, she crosses the split screen, and later Cubby opens multiple doors in one door post, a gag that first appeared in the Mickey Mouse cartoon ‘The Mad Doctor‘ from earlier that year.

Watch ‘The Nut Factory’ yourself and tell me what you think:

‘The Nut Factory’ is available on the Blu-Ray ‘The Complete Animated Adventures of Cubby Bear’ and on the DVD ‘The Complete Adventures of Cubby Bear’

Director: Bernard Brown
Release Date: January 27, 1934
Rating: ★★
Review:

Pettin' in the Park © Warner Bros.Mid-1933 Harman and Ising had quit with Leon Schlesinger after a dispute over money, leaving Schlesinger without a studio.

So Schlesinger quickly set up one at Sunset Boulevard, initially with help from sound engineer Bernard Brown and his friends. Brown even himself directed two cartoons during the studio’s chaotic starting months, of which ‘Pettin’ in the Park’ is the first.

Brown was no animator himself, and judging from this cartoon he was not much of a director, either: ‘Pettin’ in the Park’ just makes no sense. The first half is just an illustration of the song from the Warner Bros. musical ‘Gold Diggers from 1933’, featuring the familiar theme of a cop courting a babysitter (see also Fleischer’s ‘Let Me Call You Sweetheart‘ and Van Beuren’s ‘In the Park‘ (1933). The second half suddenly reports a diving contest and a swimming race between birds. Bridging the action is a cheeky little penguin – what he does in a park no-one will ever know.

There’s a surprising lack of continuity and consistency rarely seen outside the Van Beuren studio output, and the cartoon is of an appalling low quality, especially when compared to the earlier Harman and Ising output. Even worse, few of the gags come off, and none is anything near funny.

Nevertheless, even a terrible film like ‘Pettin’ in the Park’ shows that the typical Warner Bros. animation style, developed at Harman & Ising, had not been lost. It certainly helped that Schlesinger had managed to hire away some crew from his former associates. Bob Clampett, for example, who gets his first billing as an animator here. Clampett and Jack King (hired away from Disney) are clearly trying to put some pepper into the hopeless scenes. Thus despite its story atrocities, even ‘Pettin’in the Park’ displays Warner Bros. own distinct animation style, which, in 1933 was second to Disney only in quality.

Watch ‘Pettin’ in the Park’ yourself and tell me what you think:

‘Pettin’ in the Park’ is available on the DVD-set ‘The Busby Berkeley Collection’

Director: James Tyer
Release Date: October 27, 1933
Stars: The Little King
Rating: ★★
Review:

Marching Along © Van BeurenOf all animation films dealing with the Great Depression, the Oswald cartoon ‘Confidence‘ and the Little King short ‘Marching Along’ are the most obvious ones.

‘Marching Along’ opens with the kingdom of the Little King in dire straits. The song describes its miserable state, which we can watch with our own eyes: everybody’s broke, roads and buildings are broken and even the Little King himself is robbed of his furniture and clothes, because he can’t pay his debts.

Then the queen announces the N.R.A., lifting everybody’s spirit. Soon everything works again (composer Gene Rodemich quotes Jack Hylton’s optimistic 1930 hit song ‘Happy Days are here Again’ during this section), and the cartoon closes with the Little King bombarding an angry mob with food.

The N.R.A. stands for National Recovery Act, an important part of fresh president Franklin D. Roosevelt’s New Deal. It was raised to stop a competitive race to the bottom, and negotiated with the industry to have minimum prizes, minimum wages and maximum weekly working hours. Unfortunately it also endorsed monopolies and cartels, and it was poorly administrated.

The National Recovery Act lasted until 1935, when it was declared unconstitutional by the Supreme Court. By 1935 it had achieved little of its promises, and it’s generally viewed as a failure, making its high praise in ‘Marching Along’ extra sour in hindsight.

‘Marching Along’ is even more removed from Otto Soglow’s source material than its predecessor ‘The Fatal Note‘ was. The designs are a mixed bag, sometimes copying Soglow’s style, at other times being genuinely Van Beuren. The Little King himself has only a small part in the story, which is slow and tiring, and in fact only interesting because of its historical value.

Watch ‘Marching Along’ yourself and tell me what you think:

‘Marching Along’ is available on the DVD ‘The Complete Animated Adventures of Otto Soglow’s The Little King’

Director: Mannie Davis
Release Date: May 18, 1933
Stars: Cubby the Bear, Honey
Rating: ★★
Review:

Barking Dogs © Van Beuren‘Barking Dogs’ is one of those 1930’s cartoons with a clear Great Depression theme.

The short opens with Honey worrying as she will be displaced because she didn’t pay her mortgage (a story idea anticipating Disney’s ‘Moving Day‘ by three years). Cubby comes along, and offers her to help. His help is hardly convincing, as he immediately runs off in a feeble attempt to pawn his pocket knife. Meanwhile, the evil land owner, A. Wolf, comes along to take all Honey’s furniture away, and incidentally, her house, too. Meanwhile, two metal dogs (?!) warn Cubby who returns to the scene, finding Honey crying on the doorstep. “It’s too late” she sobs, at which he replies “Nothing is too late for Cubby!”, and together they ride the two metal dogs to A. Wolf’s house. Strangely, it’s the two dogs who fight and dispose of the evil land owner, leaving Cubby as a completely idle bystander.

The complete cartoon makes little sense and is difficult to enjoy as none of the animation is interesting or any of the gags funny. But once again, Gene Rodemich’s score is delightful and on a complete different level than all other aspects of the cartoon. The two metal dogs are elegantly designed and much more appealing than Cubby and his girlfriend.

Watch ‘Barking Dogs’ yourself and tell me what you think:

‘Barking Dogs’ is available on the DVD ‘The Complete Adventures of Cubby Bear’ and the Blu-Ray ‘The Complete Animated Adventures of Cubby Bear’

Director: Mannie Davis
Release Date: April 28, 1933
Stars: Cubby the Bear, Honey
Rating: ★★
Review:

Bubbles and Troubles © Van BeurenCubby the Bear’s fourth cartoon, ‘Bubbles and Troubles’, has quite a bizarre story.

The short starts when Cubby starts blowing bubbles with Honey’s soap water. He accidentally blows himself up, and takes the air immediately. He’s shot out of the air by a bunch of pirates, and he falls to the ground. While he’s unconsciousness, the mean pirates kidnap Honey and take her to their ship. The absurdity of the Van Beuren studio’s story-telling style is perfectly illustrated by a scene in which the captain grabs some money, saying ‘money’, than grabbing some more, saying ‘more money!’. When Buddy awakes, he places himself inside a bubble and takes flight to the pirate ship, where he disposes of all the pirates all too easily.

In ‘Bubbles and Troubles’ Cubby approaches Mickey’s character as much as apparently possible, and the short could have been a great adventure cartoon if it were better told and less loony. It’s highly recommended nevertheless, not so much to watch, but to listen to, for Gene Rodemich’s score is no less than wonderful.

Watch ‘Bubbles and Troubles’ yourself and tell me what you think:

‘Bubbles and Troubles’ is available on the DVD ‘The Complete Adventures of Cubby Bear’ and the Blu-Ray ‘The Complete Animated Adventures of Cubby Bear’

Directors: George Stallings & George Rufle
Release Date:
 March 31, 1933
Stars: Tom and Jerry
Rating: ★★
Review:

Happy Hoboes © Van BeurenTom and Jerry are bums living in a slum. When they have to leave, they ride a train as hoboes, with their home and all.

When it starts snowing (in a scene which has to be seen to be believed) the train gets lost and ends in a wood, where a lumberjack is fed on roast chicken by a stereotyped Chinese cook with rather original cooking methods.

Apart from Gene Rodemich’s excellent musical score, there’s little to enjoy in ‘Happy Hoboes’, with its silent era animation, stream-of-consciousness-like string of events, and lack of gags. However, the snowing scene, in which two clouds transform into two winged women having a cushion fight, is so curious and so original, it’s definitely worth watching, even if the rest of the cartoon is not.

Watch ‘Happy Hoboes’ yourself and tell me what you think:

This is Tom & Jerry cartoon No. 21
To the previous Tom & Jerry cartoon: The Magic Mummy
To the next Tom & Jerry cartoon: Puzzled Pals

‘Happy Hoboes’ is available on the DVD ‘The Complete Animated Adventures of Van Beuren Studio’s Tom and Jerry’

Directors: John Foster & George Rufle
Release Date:
 January 6, 1933
Stars: Tom and Jerry
Rating: ★★
Review:

Tight Rope Tricks © Van BeurenTight Rope Tricks’ is a pretty plotless film in which Tom and Jerry visit a circus. They even perform themselves, dressed as acrobats.

The short consists mostly of unrelated gags, but the finale gives the short a nice twist, reusing a lion and an elephant from earlier gags. Also featured is a girl singing with a very Betty Boop-like voice on the tightrope. According to Tralfaz this voice was done by Margie Hines, who had previously voiced Betty Boop. In the end we watch Tom and Jerry flooding the lions, and escaping on the elephant, with the girl on their side.

As always in Van Beuren’s Tom and Jerry films, the animation is terrible: part is still a relic from the silent era (it doesn’t help that some animation is recycled from cartoons from 1930), and all animation is completely devoid of weight. The designs, too, are unappealing and inconsistent. Especially the animal designs are downright poor. Tom and Jerry were anything but on a winning streak.

Watch ‘Tight Rope Tricks’ yourself and tell me what you think:

This is Tom & Jerry cartoon No. 19
To the previous Tom & Jerry cartoon: Pencil Mania
To the next Tom & Jerry cartoon: The Magic Mummy

‘Tight Rope Tricks’ is available on the DVD ‘The Complete Animated Adventures of Van Beuren Studio’s Tom and Jerry’

Director: unknown
Release Date:
 October 29, 1932
Stars: Flip the Frog
Rating: ★★
Review:

The Music Lesson © Ub IwerksIn ‘The Music Lesson’ Flip returns to his schoolboy days from ‘School Days‘, and this short also stars the teacher and dog from the earlier cartoon.

‘The Music lesson’ starts with Flip having to stay inside for one hour to practice his piano lessons. But his human friends signal him from the outside to come outside and swim. Flip tries to sneak out three times, and he succeeds the third time, but at the pond he’s caught by both his piano teacher and a gamekeeper, and in the last scene he’s seen practicing his piano in jail, guarded by the two authority figures.

‘The Music Lesson’ is a genuine attempt at a continuity of gags, but the short is severely hampered by erratic animation and sloppy timing. None of the gags really comes off, and the finale is anything but that. It seems that by the end of 1932 Flip’s short-lived heydays were already over.

Watch ‘The Music Lesson’ yourself and tell me what you think:

This is Flip the Frog cartoon No. 29
To the previous Flip the Frog cartoon: Phoney Express
To the next Flip the Frog cartoon: Nurse Maid

‘The Music Lesson’ is available on the DVD ‘Cartoons That Time Forgot – The Ub Iwerks Collection Vol. 1’

Directors: John Foster & George Stallings
Release Date:
 October 7, 1932
Stars: Tom and Jerry
Rating: ★★
Review

A Spanish Twist © Van BeurenSomehow Tom and Jerry are shipwrecked and plagued by an evil octopus. Lucky for them they’re washed ashore in Spain, where they immediately go to a Spanish cafe.

At the cafe they encounter two female dancers, and an angry guy who orders them to take part in a bullfight. In the arena Tom and Jerry defeat a battalion of bulls with their bare hands. Then a telegraph arrives to tell them the 18th amendment has been lifted, and immediately Tom and Jerry head home again on their raft…

The 18th amendment, abolishing alcohol, was not lifted until December 5, 1933, more than one year after the release of ‘A Spanish Twist’ , making this cartoon strangely prophetic. Unfortunately, it’s hardly enjoyable otherwise. The Spanish dancers are extremely badly drawn, and the bullfight is anything from entertaining. In fact, ‘A Spanish Twist’ is arguably the worst bullfight cartoon before the equally dull Pink Panther cartoon ‘Toro Pink’ (1979).

Watch ‘A Spanish Twist’ yourself and tell me what you think:

This is Tom & Jerry cartoon No. 16
To the previous Tom & Jerry cartoon: Barnyard Bunk
To the next Tom & Jerry cartoon: Piano Tooners

‘A Spanish Twist’ is available on the DVD ‘The Complete Animated Adventures of Van Beuren Studio’s Tom and Jerry’

Directors: Mannie Davis & John Foster
Release Date:
 July 23, 1932
Rating: ★★
Review:

Chinese Jinks © Van Beuren‘Chinese Jinks’ tells of a Western sailor, who falls in love with a Chinese girl in an extremely stereotyped China. The girl is forced to marry a rich mandarin, but the sailor rescues her and flees with her on a dragon ship.

‘Chinese Jinks’ contains some elements that seem to be borrowed from Walt Disney’s ‘The China Plate‘ (1931), but Van Beuren’s short never reaches the Silly Symphony’s elegance. The cartoon suffers from erratic animation, sloppy timing, strange interludes and throwaway scenes, like the scene of four Chinese animals ironing and singing, which is reused in its entirety from ‘Laundry Blues‘ (1930).

Watch ‘Chinese Jinks’ yourself and tell me what you think:

‘Chinese Jinks’ is available on the DVD ‘Aesop’s Fables – Cartoon Classics from the Van Beuren Studio’

Directors: Yasuji Murata & Chuzo Aoji
Release Date: 1932
Rating:
★★
Review:

Sports Day at Animal Village © Yasuji Murata & Chuzo Aoji‘Sports Day at Animal Village’ is one of several sports cartoons Aoji and Murata made together (earlier examples are ‘Our Baseball Match’ and ‘Animal Sumo’ from 1931).

In this film we watch several sports events: monkeys turning, a judo match between a tiger and a lion, several polar bears and a hippo diving, a boxing match between a pig and a kangaroo, and finally, a tug-of-war between an elephant and numerous other animals.

There’s pretty little to enjoy in this lighthearted film, but it contains one nicely staged scene of a polar bear diving from a ridiculously high platform. However, the best animation is found in the tug-of-war scene, in which Murata manages to put a real sense of weight and muscle tension.

Watch ‘Sports Day at Animal Village’ yourself and tell me what you think:

‘Sports Day at Animal Village’ is available on the Japanese DVD Box Set ‘Japanese Anime Classic Collection’.

Director: Dave Fleischer
Release Date: April 8, 1932
Stars: Betty Boop, Bimbo, Koko the Clown
Rating: ★★
Review:

The Dancing Fool © Max FleischerIn ‘The Dancing Fool’ Bimbo and Koko are painters, who try to paint the outside of a large building in a lengthy and boring intro.

Then they go painting the words ‘Betty Boop’s dancing school’ on the window of that very school. Immediately they go inside themselves, where Betty’s teaching several animals how to dance. This leads to several shots of dancing animals.

This short contains no plot and only a few gags. Its highlight is a scene of strange birds, who dance through, above and under each other. The animators must have thought the same way, for these weird birds appear no less than three times on the screen.

Watch ‘The Dancing Fool’ yourself and tell me what you think:

This is Talkartoon No. 36
To the previous Talkartoon: Crazy Town
To the next Talkartoon: Chess Nuts

‘The Dancing Fool’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’

Director: unknown
Release Date:
 February 20, 1932
Stars: Flip the Frog
Rating: ★★
Review:

The Milkman © Ub IwerksIn ‘The Milkman’ Flip is both a farmer with a dairy farm and a milkman.

The cartoon features an extraordinary scene of Flip delivering milk, which uses an animated background, with an original curved perspective. Unfortunately, most of the screen time is devoted to Flip trying to deal with an annoying little brat he finds in a trashcan. The brat causes Flip quite some trouble, but at the end of the cartoon Flip and the brat become friends. Indeed, one month later we watch them together in the sentimental ‘What A Life‘.

The antics of Flip and the boy anticipate similar cartoons of ca. 1934-1938, when the Hays code had hit Hollywood hard, and most studios turned out remarkably childish, goody-goody cartoons. ‘The Milkman’ is an early example, playing on sentiments instead of laughs.

Watch ‘The Milkman’ yourself and tell me what you think:

This is Flip the Frog cartoon No. 17
To the previous Flip the Frog cartoon: Spooks
To the next Flip the Frog cartoon: Fire! Fire!

‘The Milkman’ is available on the DVD ‘Cartoons that Time Forgot – The Ub Iwerks Collection Vol. 2’

Director: Wilfred Jackson
Release Date:
 September 16, 1931
Rating: ★★
Review:

The Clock Store © Walt Disney‘The Clock Store’ was the last of the Silly Symphonies solely devoted to a dance routine.

This time, the traditional dance routine is performed by clocks and watches to Frank Churchill’s music. The cartoon ends with two alarm clocks fighting each other to pieces. Unfortunately, before this final scene there is no story, whatsoever, and by now the dance routine had become very tiresome, indeed.

Nevertheless, the short is beautifully made: the opening scene shows a lamplighter lighting the street lights to stunning effects. Furthermore, halfway the cartoon we watch two 18th century human figures dancing an elegant minuet. This short dance scene was the studio’s most realistic take on the human form, yet, and a spectacular sight for a 1931 cartoon.

Watch ‘The Clock Store’ yourself and tell me what you think:

This is Silly Symphony No. 22
To the previous Silly Symphony: Egyptian Melodies
To the next Silly Symphony: The Spider and the Fly

‘The Clock Store’ is available on the DVD ‘Walt Disney Treasures: More Silly Symphonies’

Director: Walter Lantz or Bill Nolan
Release Date: January 18, 1932
Stars: Oswald the Rabbit
Rating: ★★
Review:

Grandma's Pet © Walter LantzBy 1932 Oswald had changed into a cute little boy. And yet, in the opening scene of ‘Grandma’s Pet’ he’s shown reading the fairy tale of Little Red Riding Hood to his three nephews(?).

Soon Oswald falls asleep himself and he dreams that he’s inside the fairy tale himself. Apart from Oswald’s presence, the cartoon quite faithfully follows the fairy tale until the wolf kidnaps Little Red Riding Hood, and out of nowhere produces a magic wand, which changes the complete scenery several times. In the end, Oswald uses the magic wand to change the wolf into a roast.

‘Grandma’s Pet’ is one of the Lantz films in which Tex Avery is billed as an animator. It may have inspired his own mix-up fairy tale films, like ‘Little Red Walking Hood’ (1937) and ‘The Bear’s Tale’ (1940). It pales when compared to those latter cartoons, however, suffering from erratic animation and sloppy timing.

Watch ‘Grandma’s Pet’ yourself and tell me what you think:

‘Grandma’s Pet’ is available on the DVD ‘The Woody Woodpecker and Friends Classic Cartoon Collection’

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