You are currently browsing the category archive for the ‘★★’ category.

Director: Dave Fleischer
Release Date: January 27, 1939
Stars: Betty Boop, Pudgy
Rating:  ★★

My Friend the Monkey © Max FleischerBelow Betty Boop’s window there’s an Italian organ grinder with a monkey.

Betty invites the monkey inside to play with Pudgy. But the mischievous little animal immediately aims for her food, and Pudgy has a hard time trying to chase the intruder out of the house. When Pudgy finally succeeds, the monkey returns in Betty’s arms, as she has just bought him from the organ grinder.

‘My Friend The Monkey’ is the closest the Betty Boop series ever came near becoming a chase cartoon, a new genre that was emerging at the time. However, the cartoon is far from a gag rich chase cartoon, being more tiresome than funny. Even the pay off scene is anything but a surprise, as we could watch Betty negotiating with the organ grinder throughout the picture.

The animation of the monkey dancing was reused from Pudgy swinging in ‘The Swing School‘, even using the same music, but now in barrel organ form.

Watch ‘My Friend the Monkey’ yourself and tell me what you think:


This is Betty Boop cartoon No. 79
To the previous Betty Boop cartoon: Pudgy in Thrills and Chills
To the next Betty Boop cartoon: So Does an Automobile

‘Pudgy in Thrills and Chills’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’


Director: Dave Fleischer
Release Date: December 23, 1938
Stars: Betty Boop, Pudgy
Rating:  ★★

Pudgy in Thrills and Chills © Max FleischerIn ‘Pudgy in Thrills and Chills’ Betty and Pudgy board on a mountain train for winter sport.

Betty wears a rather sexy winter outfit and goes skating on the frozen lake, in a rotoscoped action to the music of a nice waltz version of ‘Jingle Bells’. Meanwhile a dumb skier wants to kiss her.

However, in the cartoon world, skating often takes place near a waterfall (see also the Popeye cartoon ‘Seasin’s Greetinks!‘ (1933) and the Mickey Mouse short ‘On Ice‘ from 1935), and ‘Pudgy in Thrills and Chills’ is no exception. Thus soon Pudgy and Betty fall off the waterfall, only to be saved by the dumb skier. He returns both Betty and Pudgy into safety, and finally earns the desired kiss… from Pudgy.

There are actually remarkably few thrills and chills in this slow cartoon, as most screen time goes to Betty Boop skating, the antics of the dumb skier, and some boring actions by Pudgy. Most remarkable is the very convincing scene of Betty Boop and Pudgy playing tic-tac-toe on a steamy train window.

Watch ‘Pudgy in Thrills and Chills’ yourself and tell me what you think:


This is Betty Boop cartoon No. 78
To the previous Betty Boop cartoon: On with the New
To the next Betty Boop cartoon: My Friend the Monkey

‘Pudgy in Thrills and Chills’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’

Director: Jack King
Release Date: November 4, 1938
Stars: Donald Duck, Huey, Dewey and Louie
Rating: ★★

Donald's Golf Game © Walt Disney‘Donald’s Golf Game’ is the third film featuring Donald and the nephews.

Donald’s in for a game of golf, and it’s clear he only uses his nephews to be caddies, without granting them anything. Naturally, the nephews take matters in their own hand, with ‘Goofy Golf Clubs’: one changes into a net, another into an umbrella, and a third one into a boomerang. Soon Donald is stuck in a rubber band, while the three brats are playing the field.

‘Donald’s Golf Game’ is a genuine gag cartoon, but once again Jack King’s timing is ridiculously slow, spoiling otherwise fine gags. In the family’s fourth outing, ‘The Hockey Champ‘ (1939), this problem was finally over. Al Taliaferro would set the stage before the film, letting Donald Duck play golf in his daily comic strip from October 24 to November 5.

Watch ‘Donald’s Golf Game’ yourself and tell me what you think:

This is Donald Duck cartoon no. 6
To the previous Donald Duck cartoon: Good Scouts
To the next Donald Duck cartoon: Donald’s Lucky Day

‘Donald’s Golf Game’ is available on the DVD set ‘The Chronological Donald Volume 1’

Director: Ben Sharpsteen
Release Date: July 29, 1938
Stars: Donald Duck, Goofy, cameos by Mickey Mouse, Minnie Mouse, Horace Horsecollar and Clarabelle Cow
Rating: ★★

The Fox Hunt (1938) © Walt Disney‘The Fox Hunt’ is the second entry in the Donald & Goofy mini-series. In fact, Mickey, Minnie, Horace Horsecollar and Clarabella Cluck are also present, but only shortly, and first only as shadows.

Donald gets most of the screen time, devoted to his antics with five unruly bloodhounds and a sly fox. Goofy gets only one scene, in which his horse refuses to jump. This part shows a novelty: when we watch Goofy and his horse being under water, we’re watching a new technique involving distortion glasses to make the water more convincing. This technique would become very important in the elaborate ocean scenes in Disney’s second feature film ‘Pinocchio’ (1940), for which these few seconds are only the try-out.

‘The Fox Hunt’ clearly borrows from the early Silly Symhony of the same name. The Donald and Goofy version copies the shot with the hunters being shadows in the distance, and the end gag with the skunk. The Donald and Goofy cartoons were not among Disney’s best, and ‘The Fox Hunt’, too, is only average.

‘The Fox Hunt’ was the last short directed by Ben Sharpsteen, and like Jack King, he favors an all too relaxed timing in this short, hampering the comedy. Sharpsteen had already been a sequence director for ‘Snow White and the Seven Dwarfs’ (1937), and for ‘Pinocchio’ he was promoted to supervising director. From now on he would work on feature films, solely, until the early 1950s, when he moved on to True-Life adventures.

Carl Barks, who was a story man at the time this short was made, revisited the fox hunting theme in his 1948 comic ‘Foxy Relations’, which is much funnier than this film.

Watch ‘The Fox Hunt’ yourself and tell me what you think:

‘The Fox Hunt’ is available on the DVD set ‘The Chronological Donald Volume 1’

Director: Dave Fleischer
Release Date: September 29, 1938
Rating:  ★★

The Fresh Vegetable Mystery © Max FleischerAlright, that’s something we had never seen before: anthropomorphized vegetables…

It’s night in a kitchen, and all vegetables are sound asleep, when an evil cloaked figure arrives and kidnaps mother carrot and her kids. The entire potato police force comes into action, but like in the Silly Symphony ‘Who Killed Cock Robin?‘ (1935) the police force only manages to arrest a bunch of innocents from a bar.

Most of the ‘humor’ origins in the typical tortures the police men apply to their victims to make them talk: a cob is made into popcorn, an orange squeezed out, a ‘hard-boiled’ egg fried. In fact, it’s rather painful to watch these scenes. In the end the villain turns out to be four mice, who are caught in a mouse trap, and immediately to start a fight among themselves.

‘The Fresh Vegetable Mystery’ makes little sense, and can hardly be called funny, but the cartoon is alleviated by its original setting (which anticipates ‘Sausage Party’ from 2016), making it stand out among more generic Color Classics.

Watch ‘The Fresh Vegetable Mystery’ yourself and tell me what you think:

‘The Fresh Vegetable Mystery’ is available on the DVD-set ‘Somewhere in Dreamland – Max Fleischer’s Color Classics: The Definitive Collection’

Director: Friz Freleng
Release Date: April 16, 1938
Stars: The Captain and the Kids
Rating: ★★

Poultry Pirates © MGMIn 1937 MGM decided to start its very own studio, after having distributed cartoons by Ub Iwerks (1930-1934) and Harman-Ising. They put Fred Quimby, a producer famous for having neither animation experience nor any sense of humor, in charge.

Quimby hired virtually Harman & Ising’s complete staff away. He also hired some talent from other studios, most notably Jack Zander and Joe Barbera, who would later work on Tom & Jerry, and Friz Freleng. Quimby lured Freleng away from Leon Schlesinger by flattery and by offering him a much larger salary. Freleng stayed less than a year at MGM before happily returning to Warner Bros.

Freleng’s talents were wasted on ‘The Captain and the Kids’, a series based on the classic comic strip of the same name by Rudolph Dirks. MGM had bought the rights to this comic strip, and insisted to make a series out of them. The strip had been around since 1897 (first as ‘The Katzenjammer Kids’), and really felt as coming from another era. Amidst the days of Donald Duck, Daffy Duck and Popeye, these characters were hopelessly old-fashioned, and Freleng struggled to create any fun with them. Consequently, none of the Captain and the Kids cartoons have become classics.

Nevertheless, Freleng’s films were still better than that of other people directing the ill-conceived series, which was, in the end, a failure. In total, Freleng directed six Captain and the Kids cartoons, and one stand-alone cartoon called ‘The Bookworm’, before returning to the greener pastures of the Leon Schlesinger studio.

Of Freleng’s Captain and the Kids cartoons, ‘Poultry Pirates’ is the first. It stars the captain, only, who tries to keep a bunch of chickens and ducks out of his vegetable garden, to no avail. At one point he has to fight a six feet tall rooster, but that happens to be part of a dream.

There’s very little to enjoy in ‘Poultry Pirates’. The animators do no attempts to lip synch, neither the captain nor the chicks gain and sympathy, the story drags on, and the result is frustratingly unfunny.

Watch ‘Poultry Pirates’ yourself and tell me what you think:

‘Poultry Pirates’ is available on the DVD-set ‘Looney Tunes Golden Collection Volume Six’

Director: Frank Tashlin
Release Date: May 14, 1938
Rating: ★★

Now That Summer Is Gone © Warner Bros.While Tex Avery and Bob Clampett were experimenting with a cartoon style totally different from Disney, Frank Tashlin made some Merrie Melodies that were still surprisingly Silly Symphonies-like.

‘Now That Summer Is Gone’ is one of the most conspicuous of them all, opening with autumn images of numerous squirrels collecting nuts for the winter. The industrious ways in which the squirrels collect nuts hark all the way back to early Silly Symphonies like ‘Autumn‘ (1930), ‘The Busy Beavers‘ (1931) and ‘Father Noah’s Ark‘ (1933). In any case these opening sequences feature complex scenes and lush production values.

This setting gives way to a story about a young squirrel who’s addicted to gambling. When his father orders him to collect nuts at the ‘First Nutional Bank’ he loses it all to a mustached stranger. In the end, it turns out to be the father himself, who gives the lying little brat a big spanking.

This humorless and cloying morality tale places ‘Now That Summer Is Gone’ deeply in the second half of the 1930s. Nevertheless, it’s still enjoyable to watch Tashlin’s experimental cinematography at play.

Watch ‘Now That Summer Is Gone’ yourself and tell me what you think:

‘Now That Summer Is Gone’ is available on the DVD-set ‘Looney Tunes Golden Collection: Volume 4’

Director: Frank Tashlin
Release Date: August 27, 1938
Stars: Porky Pig
Rating: ★★

Wholly Smoke © Warner Bros.In ‘Wholly Smoke’ Porky Pig is still clearly a little boy.

We see his ma, and we watch him walking to Sunday school. On his way to school Porky encounters a street urchin smoking a cigar. The rascal challenges Porky to smoke like him, but, of course, Porky only gets sick, and in a state of delirium he walks into a tobacco shop.

There a ghostly figure called Nick O’Teen starts a song on the tune of ‘Mysterious Mose‘, which tells us that children shouldn’t smoke. This part of the cartoon is much in the vain of Warner Bros. typical books-come-to-life cartoons (e.g. the contemporary ‘Have You Got any Castles?‘), and features caricatures of the three Stooges, Bing Crosby, Rudy Vallee and Cab Calloway. In the end of this morality tale, Porky rushes back to Sunday school.

‘Wholly Smoke’ is a clear showcase of Tashlin’s excellent direction skills, with its interesting camera angles, speedy cuts, and special effects when Porky gets sick. Nevertheless, the short’s obvious moral, its saccharine ending, and the lack of gags makes it one of the more boring Warner Bros. cartoons, even though one couldn’t agree more with the short’s message.

Watch the colorized version of ‘Wholly Smoke’ yourself and tell me what you think:

This is Porky Pig cartoon no. 45
To the previous Porky Pig cartoon: Porky and Daffy
To the next Porky Pig cartoon: Porky in Wackyland

‘Wholly Smoke’ is available on the DVD-sets ‘Looney Tunes Golden Collection Volume Five’ and ‘Porky Pig 101’

Director: Dave Fleischer
Release Date: October 29, 1937
Rating: ★★

Educated Fish © Max FleischerIn many Color Classics the opening sequence is the most interesting part, mostly because of the spectacular 3D effects of Fleischer’s tabletop backgrounds.

‘Educated Fish’ doesn’t employ the tabletop, but even in this short the opening scene is the most interesting part of the cartoon, with its convincing animation of rolling waves. The rest is a childish and tiresome cartoon about a small fish called Tommy who plays hooky and gets caught by a fisherman. In the end he clearly has learned his lesson.

True, there are a handful of nice gags, like the teacher eating the worm in the apple instead of the apple itself. And the sexy worm, with her Mae West-like voice, is nice to watch, but these factors cannot rescue a cartoon that almost collapses under its self-importance and lack of humor. Nevertheless, this cartoon was nominated for an Academy Award (which it understandably lost to Disney’s tour de force ‘The Old Mill‘), and thus, Tommy would return in ‘Small Fry’ (1939), which is even worse.

Watch ‘Educated Fish’ yourself and tell me what you think:

‘Educated Fish’ is available on the DVD-set ‘Somewhere in Dreamland – Max Fleischer’s Color Classics: The Definitive Collection’

Director: Dave Fleischer
Release Date: May 27, 1938
Stars: Betty Boop, Pudgy
Rating: ★★

The Swing School © Max Fleischer‘The Swing School’ marks a return of Betty Boop to the animal world she came from in the early 1930s.

In this cartoon she runs a swing school for anthromorpic kid animals, including an elephant, a hippo, a giraffe, and Pudgy. Pudgy, like Pluto, had been only a half anthropomorphized dog and wasn’t able to speak. So in this cartoon, in which he’s more treated as a little kid than as a dog, all these animals are devoid of speech. However, they can sing and play the piano.

Unfortunately, Pudgy is not doing well at all, singing Betty Boop’s trite Lalala song way out of tune. So Betty makes him sit in the dunce’s corner. But when a female dachshund takes pity on the pup, and kisses him, Pudgy suddenly bursts into some serious scatting, making the whole class swing.

‘The Swing School’ surfs on the swing craze, which was in full swing (pardon the pun) by 1938. Although the catchy scatting part is a warm welcome back to Betty Boop’s early jazz days, most of the cartoon is terribly slow and extremely childish, and so tiresome that it comes close to the point of being unwatchable. In no sense the cartoon comes close to the Fleischers’ greatest swing cartoons, like ‘Swing, You Sinners!‘ (1930) or ‘Minnie the Moocher‘ (1932).

Only two weeks later, Warner Bros. would release ‘Katnip Kollege‘ covering the same subject, but with much, much more spirit.

Watch ‘The Swing School’ yourself and tell me what you think:

This is Betty Boop cartoon No. 74
To the previous Betty Boop cartoon: Out of the Inkwell
To the next Betty Boop cartoon: Pudgy the Watchman

‘Out of the Inkwell’ is available on the Blu-Ray ‘Betty Boop: The Essential Collection, Vol. 4’ and the French DVD Box Set ‘Betty Boop Coffret Collector’

Director: Dave Fleischer
Release Date: January 28, 1938
Stars: Betty Boop, Pudgy
Rating: ★★

Riding the Rails © Max FleischerIn ‘Riding the Rails’ Pudgy, Betty Boop’s cute puppy, follows Betty on her way to work.

He loses her on the subway, where he causes havoc. When he’s being chased by a rather poorly designed and ditto animated conductor he lands on the rails, where he’s almost killed. He hurries off home, and straight back into his bed.

Betty’s ride on the subway recalls a similar bus ride in ‘Judge for a Day’ (1935), and is most enjoyable in its depiction of subway annoyances. However, most of the cartoon deals with Pudgy’s terror, and plays on melodrama, not laughs. This makes ‘Riding the Rails’ a sympathetic, yet rather forgettable cartoon.

Watch ‘Riding the Rails’ yourself and tell me what you think:

This is Betty Boop cartoon No. 71
To the previous Betty Boop cartoon: Zula Hula
To the next Betty Boop cartoon: Be Up To Date

‘Riding the Rails’ is available on the Blu-Ray Betty Boop: The Essential Collection Vol. 3 and on the French DVD Box Set ‘Betty Boop Coffret Collector’

Director: Jack King
Release Date: February 11, 1938
Rating: ★★

Self Control © Walt DisneyIn ‘Self Control’ Donald Duck is relaxing in a hammock in his garden, listening to the radio.

On the radio some professor advises to keep your temper, an advice Donald Duck takes wholeheartedly. Unfortunately, when he tries to rest, this becomes very difficult, as he’s hindered by a fly, a caterpillar, a chicken and an obnoxious woodpecker. The cartoon ends with Donald Duck battering the radio to pieces.

‘Self Control’ is the first Donald Duck cartoon with the Duck as the average citizen battling everyday annoyances, a role he would play with gusto during the 1940s. Unfortunately, in ‘Self Control’ his annoyances are a little too outlandish to be really familiar.

Moreover, the cartoon suffers from a terrible slowness, rendering a surprisingly boring cartoon. It seems the studio was still struggling with the character in a solo outfit. Indeed, when coupled to strong adversaries, like his nephews in ‘Donald’s Nephews‘ from two months later, the result was much more explosive. The woodpecker would return in ‘Donald’s Camera’ (1941).

Watch ‘Self Control’ yourself and tell me what you think:

This is Donald Duck cartoon No. 2
To the previous Donald Duck cartoon: Donald’s Ostrich
To the next Donald Duck cartoon: Donald’s Better Self

‘Self Control’ is available on the DVD-set ‘The Chronological Donald Volume 1’

Director: Tom Palmer
Release Date: September 9, 1933
Rating: ★★

Buddy's Day Out © Warner Bros.Early 1933 Hugh Harman demanded more money for their cartoons, but Leon Schlesinger refused it. This led to a break between the two, and Harman & Ising quit in June 1933.

This event left Schlesinger with a contract with Warner Bros. to deliver cartoons, but without a studio to make them. Moreover, he was without a cartoon star, as Harman & Ising had taken Bosko with them. Schlesinger quickly set up a studio of his own, at the old Warner Bros. lot at Sunset BLvd. He quickly signed several people to man his brand new studio, including Jack King from Disney, and Bob Clampett from Harman & Ising.

However, somehow he first trusted his new studio into the hands of a guy called Tom Palmer, tipped by his sound engineer, Bernard Brown. Palmer and his associate quickly came up with a brand new star called Buddy, whom Bob Clampett described as “Bosko in whiteface”. This is not entirely true, however, for where Bosko was devoid of personality, he was at least cheerful, and nicely drawn. Buddy, on the other hand, had an ugly design, and was bland as hell.

In ‘Buddy’s Day Out’, Buddy’s first film, even his makers were not sure what to make of him. He’s obviously drawn like a boy, but he drives a car, and has an all too clearly erotic relationship with his girlfriend Cookie. Added to these ‘stars’ are a little baby brother called Elmer and a dog called Happy, which is almost a copy of Terry from Disney’s ‘Just Dogs‘ (1932). As you may notice Buddy, Cookie and even Elmer follow a trend that had existed since the dawn of the sound era of creating a star and giving him a girlfriend. Obnoxious baby brothers are nothing new either, and appear in e.g. Fleischer’s ‘Let Me Call You Sweetheart‘ (1932), Van Beuren’s ‘In the Park‘ (1932), and in Columbia’s complete Scrappy series.

In their very first adventure the quartet go on a picnic, but problems soon start when Elmer runs away with the car. This part is absolutely action rich, but the complete cartoon lacks anything that resembles a gag. Palmer was not much of a gag man, let alone a director, and after ‘Buddy’s Day Out’ he directed only one more cartoon (‘I’ve Got To Sing A Torch Song‘) before Schlesinger fired him.

‘Buddy’s Day Out’ thus was the first cartoon of Leon Schlesinger’s very own studio, and it shows. Compared to the Harman & Ising Looney Tunes and Merrie Melodies, ‘Buddy’s Day Out’ is clearly of a lesser quality. Especially the thin lining of the characters is subpar, as is the rather erratic animation on them. That said, the animation on ‘Buddy’s Day Out’ is still far better than practically any animation at Paul Terry or Van Beuren, and the short at least showcases a nicely animated train. However, the cliched blandness of Buddy and friends, and the lack of anything resembling humor make ‘Buddy’s Day Out’ a far from promising start for Schlesinger’s new star.

Nevertheless, Buddy was a child of his time, for in 1933/1934 cartoons moved away from the world of sex, booze and horror to a more childish world of fairy tales, nursery rhymes etc. It was Disney who had made the first move, but also Iwerks and Van Beuren had already drifted into that direction. Thus at Warner Bros. the supposedly black, somehow mature Bosko was replaced by the white, somewhat childish Buddy. The Hays code sealed the trend by banning sex, drugs etc. By 1934 cinema had entered its most infantile stage. And it was Buddy who would be Warner Brother’s epitome of this low point in early cartoon history, which would last until the end of 1935, when a guy called Tex Avery came along…

Watch ‘Buddy’s Day Out’ yourself and tell me what you think:

‘Buddy’s Day Out’ is available on the DVD-set ‘Looney Tunes Golden Collection Volume Six’

Director: Mannie Davis
Release Date: August 11, 1933
Stars: Cubby the Bear
Rating: ★★

The Nut Factory © Van BeurenIn ‘The Nut Factory’ Cubby Bear is a Sherlock Holmes-like detective, with the little cat from ‘Fresh Ham‘ as his Watson.

Our hero soon gets a call to solve a mystery of stolen false teeth. After a completely unnecessary diversion in a ghost house, Cubby discovers the false teeth in a hollow tree, in which squirrels use them to crack nuts. The ghost house sequence feels almost obligatory, placing the cartoon in a long series of pre-code horror cartoons.

‘The Nut Factory’ is a terribly animated and erratic cartoon, and Cubby is as lifeless and bland as ever, but the cartoon shows two gags that foreshadow Tex Avery: when an old lady phones Cubby, she crosses the split screen, and later Cubby opens multiple doors in one door post, a gag that first appeared in the Mickey Mouse cartoon ‘The Mad Doctor‘ from earlier that year.

Watch ‘The Nut Factory’ yourself and tell me what you think:

‘The Nut Factory’ is available on the Blu-Ray ‘The Complete Animated Adventures of Cubby Bear’ and on the DVD ‘The Complete Adventures of Cubby Bear’

Director: Bernard Brown
Release Date: January 27, 1934
Rating: ★★

Pettin' in the Park © Warner Bros.Mid-1933 Harman and Ising had quit with Leon Schlesinger after a dispute over money, leaving Schlesinger without a studio.

So Schlesinger quickly set up one at Sunset Boulevard, initially with help from sound engineer Bernard Brown and his friends. Brown even himself directed two cartoons during the studio’s chaotic starting months, of which ‘Pettin’ in the Park’ is the first.

Brown was no animator himself, and judging from this cartoon he was not much of a director, either: ‘Pettin’ in the Park’ just makes no sense. The first half is just an illustration of the song from the Warner Bros. musical ‘Gold Diggers from 1933’, featuring the familiar theme of a cop courting a babysitter (see also Fleischer’s ‘Let Me Call You Sweetheart‘ and Van Beuren’s ‘In the Park‘ (1933). The second half suddenly reports a diving contest and a swimming race between birds. Bridging the action is a cheeky little penguin – what he does in a park no-one will ever know.

There’s a surprising lack of continuity and consistency rarely seen outside the Van Beuren studio output, and the cartoon is of an appalling low quality, especially when compared to the earlier Harman and Ising output. Even worse, few of the gags come off, and none is anything near funny.

Nevertheless, even a terrible film like ‘Pettin’ in the Park’ shows that the typical Warner Bros. animation style, developed at Harman & Ising, had not been lost. It certainly helped that Schlesinger had managed to hire away some crew from his former associates. Bob Clampett, for example, who gets his first billing as an animator here. Clampett and Jack King (hired away from Disney) are clearly trying to put some pepper into the hopeless scenes. Thus despite its story atrocities, even ‘Pettin’in the Park’ displays Warner Bros. own distinct animation style, which, in 1933 was second to Disney only in quality.

Watch ‘Pettin’ in the Park’ yourself and tell me what you think:

‘Pettin’ in the Park’ is available on the DVD-set ‘The Busby Berkeley Collection’

Director: James Tyer
Release Date: October 27, 1933
Stars: The Little King
Rating: ★★

Marching Along © Van BeurenOf all animation films dealing with the Great Depression, the Oswald cartoon ‘Confidence‘ and the Little King short ‘Marching Along’ are the most obvious ones.

‘Marching Along’ opens with the kingdom of the Little King in dire straits. The song describes its miserable state, which we can watch with our own eyes: everybody’s broke, roads and buildings are broken and even the Little King himself is robbed of his furniture and clothes, because he can’t pay his debts.

Then the queen announces the N.R.A., lifting everybody’s spirit. Soon everything works again (composer Gene Rodemich quotes Jack Hylton’s optimistic 1930 hit song ‘Happy Days are here Again’ during this section), and the cartoon closes with the Little King bombarding an angry mob with food.

The N.R.A. stands for National Recovery Act, an important part of fresh president Franklin D. Roosevelt’s New Deal. It was raised to stop a competitive race to the bottom, and negotiated with the industry to have minimum prizes, minimum wages and maximum weekly working hours. Unfortunately it also endorsed monopolies and cartels, and it was poorly administrated.

The National Recovery Act lasted until 1935, when it was declared unconstitutional by the Supreme Court. By 1935 it had achieved little of its promises, and it’s generally viewed as a failure, making its high praise in ‘Marching Along’ extra sour in hindsight.

‘Marching Along’ is even more removed from Otto Soglow’s source material than its predecessor ‘The Fatal Note‘ was. The designs are a mixed bag, sometimes copying Soglow’s style, at other times being genuinely Van Beuren. The Little King himself has only a small part in the story, which is slow and tiring, and in fact only interesting because of its historical value.

Watch ‘Marching Along’ yourself and tell me what you think:

‘Marching Along’ is available on the DVD ‘The Complete Animated Adventures of Otto Soglow’s The Little King’

Director: Mannie Davis
Release Date: May 18, 1933
Stars: Cubby the Bear, Honey
Rating: ★★

Barking Dogs © Van Beuren‘Barking Dogs’ is one of those 1930’s cartoons with a clear Great Depression theme.

The short opens with Honey worrying as she will be displaced because she didn’t pay her mortgage (a story idea anticipating Disney’s ‘Moving Day‘ by three years). Cubby comes along, and offers her to help. His help is hardly convincing, as he immediately runs off in a feeble attempt to pawn his pocket knife. Meanwhile, the evil land owner, A. Wolf, comes along to take all Honey’s furniture away, and incidentally, her house, too. Meanwhile, two metal dogs (?!) warn Cubby who returns to the scene, finding Honey crying on the doorstep. “It’s too late” she sobs, at which he replies “Nothing is too late for Cubby!”, and together they ride the two metal dogs to A. Wolf’s house. Strangely, it’s the two dogs who fight and dispose of the evil land owner, leaving Cubby as a completely idle bystander.

The complete cartoon makes little sense and is difficult to enjoy as none of the animation is interesting or any of the gags funny. But once again, Gene Rodemich’s score is delightful and on a complete different level than all other aspects of the cartoon. The two metal dogs are elegantly designed and much more appealing than Cubby and his girlfriend.

Watch ‘Barking Dogs’ yourself and tell me what you think:

‘Barking Dogs’ is available on the DVD ‘The Complete Adventures of Cubby Bear’ and the Blu-Ray ‘The Complete Animated Adventures of Cubby Bear’

Director: Mannie Davis
Release Date: April 28, 1933
Stars: Cubby the Bear, Honey
Rating: ★★

Bubbles and Troubles © Van BeurenCubby the Bear’s fourth cartoon, ‘Bubbles and Troubles’, has quite a bizarre story.

The short starts when Cubby starts blowing bubbles with Honey’s soap water. He accidentally blows himself up, and takes the air immediately. He’s shot out of the air by a bunch of pirates, and he falls to the ground. While he’s unconsciousness, the mean pirates kidnap Honey and take her to their ship. The absurdity of the Van Beuren studio’s story-telling style is perfectly illustrated by a scene in which the captain grabs some money, saying ‘money’, than grabbing some more, saying ‘more money!’. When Buddy awakes, he places himself inside a bubble and takes flight to the pirate ship, where he disposes of all the pirates all too easily.

In ‘Bubbles and Troubles’ Cubby approaches Mickey’s character as much as apparently possible, and the short could have been a great adventure cartoon if it were better told and less loony. It’s highly recommended nevertheless, not so much to watch, but to listen to, for Gene Rodemich’s score is no less than wonderful.

Watch ‘Bubbles and Troubles’ yourself and tell me what you think:

‘Bubbles and Troubles’ is available on the DVD ‘The Complete Adventures of Cubby Bear’ and the Blu-Ray ‘The Complete Animated Adventures of Cubby Bear’

Directors: George Stallings & George Rufle
Release Date:
 March 31, 1933
Stars: Tom and Jerry
Rating: ★★

Happy Hoboes © Van BeurenTom and Jerry are bums living in a slum. When they have to leave, they ride a train as hoboes, with their home and all.

When it starts snowing (in a scene which has to be seen to be believed) the train gets lost and ends in a wood, where a lumberjack is fed on roast chicken by a stereotyped Chinese cook with rather original cooking methods.

Apart from Gene Rodemich’s excellent musical score, there’s little to enjoy in ‘Happy Hoboes’, with its silent era animation, stream-of-consciousness-like string of events, and lack of gags. However, the snowing scene, in which two clouds transform into two winged women having a cushion fight, is so curious and so original, it’s definitely worth watching, even if the rest of the cartoon is not.

Watch ‘Happy Hoboes’ yourself and tell me what you think:

This is Tom & Jerry cartoon No. 21
To the previous Tom & Jerry cartoon: The Magic Mummy
To the next Tom & Jerry cartoon: Puzzled Pals

‘Happy Hoboes’ is available on the DVD ‘The Complete Animated Adventures of Van Beuren Studio’s Tom and Jerry’

Directors: John Foster & George Rufle
Release Date:
 January 6, 1933
Stars: Tom and Jerry
Rating: ★★

Tight Rope Tricks © Van BeurenTight Rope Tricks’ is a pretty plotless film in which Tom and Jerry visit a circus. They even perform themselves, dressed as acrobats.

The short consists mostly of unrelated gags, but the finale gives the short a nice twist, reusing a lion and an elephant from earlier gags. Also featured is a girl singing with a very Betty Boop-like voice on the tightrope. According to Tralfaz this voice was done by Margie Hines, who had previously voiced Betty Boop. In the end we watch Tom and Jerry flooding the lions, and escaping on the elephant, with the girl on their side.

As always in Van Beuren’s Tom and Jerry films, the animation is terrible: part is still a relic from the silent era (it doesn’t help that some animation is recycled from cartoons from 1930), and all animation is completely devoid of weight. The designs, too, are unappealing and inconsistent. Especially the animal designs are downright poor. Tom and Jerry were anything but on a winning streak.

Watch ‘Tight Rope Tricks’ yourself and tell me what you think:

This is Tom & Jerry cartoon No. 19
To the previous Tom & Jerry cartoon: Pencil Mania
To the next Tom & Jerry cartoon: The Magic Mummy

‘Tight Rope Tricks’ is available on the DVD ‘The Complete Animated Adventures of Van Beuren Studio’s Tom and Jerry’

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 840 other followers

Bookmark and Share

Follow TheGrob on Twitter