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Director: Walt Disney
Release Date: July 31, 1929
Stars: Mickey Mouse, Minnie Mouse, Pete
Rating: ★★★★
Review:

The Karnival Kid © Walt Disney‘The Karnival Kid’ forms an important step in the use of sound in an animated cartoon.

We had already watched and heard Minnie singing “lalala” in ‘The Plow Boy’, and in ‘The Barnyard Battle’ a sergeant spoke a few words. But in ‘The Karnival Kid’ there’s suddenly a lot of singing: Pete sings, Mickey sings, and the complete second half of the cartoon is devoted to song.

‘The Karnival Kid’ shows that lip synchronization was far more difficult to master than synchronized sound itself. The animation of the mouth to form syllables was a totally new feat, and initially it was done all too literally. This leads to awkward facial expressions at times, with especially Mickey’s face distorting into a multitude of mouth gestures. This would be even worse in Mickey’s next cartoon, ‘Mickey’s Follies’.

At the same time, a lot of the characters’ action remains typical silent pantomime. For example, when Mickey offers Minnie a hot dog for free, this is acted out in complete silence.

‘The Karnival Kid’ is a wonderfully witty film. Mickey works as a hot dog seller at the fair, where Minnie is a shimmy dancer. The film is split in two parts: in the first Mickey sells living(!) hot dogs and gives one to Minnie. When the unlucky weenie is not very cooperative, Mickey spanks him! These hot dog gags are reused from the Oswald short ‘All Wet‘ (1927), but they still feel fresh, due to the added sound. Now we can hear the hot dogs barking and yelping. And so, after ‘The Karnival Kid’ these hot dog gags were reused a second time by Ub Iwerks in the Flip the Frog cartoon ‘Circus’ (1932).

The second part is introduced by a title card ‘later that night’, which melts before the scene starts. Here Mickey offers Minnie a serenade with the help of two cats who sing ‘Sweet Adeline’. The cartoon ends when Mickey is hit by a bed(!) which Pete has thrown at him.

As you may have noticed, ‘The Karnival Kid’ has very little story. It’s enjoyable because of the carnival atmosphere, the large number of gags, and the intoxicating singing.

Watch ‘The Karnival Kid’ yourself and tell me what you think:

This is Mickey Mouse cartoon No. 9
To the previous Mickey Mouse cartoon: The Barnyard Battle

To the next Mickey Mouse cartoon: Mickey’s Follies

Director: Burny Mattinson
Release date: December 16, 1983
Stars: Mickey Mouse, Scrooge McDuck, Donald Duck, Daisy Duck, Goofy, Jiminy Cricket, Pete, Willie the Giant
Rating: ★★★½
Review:

Mickey's Christmas Carol © Walt DisneyMickey’s Christmas Carol’ is one of countless cinema versions of Charles Dickens’s classic tale, this time using Disney characters.

Star of the film is Scrooge McDuck, which of course comes natural to the old miser as the character was actually named after Dickens’ main protagonist. Unlike the other characters Scrooge McDuck was mainly a comics hero, created by Carl Barks, and he had appeared on the screen only one time before, in the educational film ‘Scrooge McDuck and Money’ (1967). However, only four years later he would be animated extensively, in the highly successful televison series, Ducktales.

Most people however will remember ‘Mickey’s Christmas Carol’ as Mickey’s return to the screen for the first time since his retirement in 1953. But it also marks the return of Donald (as Scrooge’s nephew Fred) and Goofy (as his former partner Jacob Marley) to the screen after a 22 year absence. The film has an all-star cast in any case, reviving many other classic Disney stars, like Jiminy Cricket (as the ghost of Christmas Past), Daisy (as Scrooge’s former love interest) and Pete (as the ghost of Christmas future). Also featured is Willie the giant from ‘Fun and Fancy Free‘ (1948) as the ghost of Christmas present, and several characters from ‘The Wind in the Willows‘ (1949). Apart from these we can see glimpses of the Big Bad Wolf and the three little pigs, Clarabella Cow, Horace Horsecollar, Huey, Dewey and Louie, Minnie Mouse and some characters from ‘Robin Hood‘.

This all-star cast gives the film a nostalgic feel that fits the story. Indeed, with hindsight, one can see ‘Mickey’s Christmas Carol’ as an early example of the Renaissance that was about to happen, in which the classic cartoon style was revived after ca. twenty dark years.

‘Mickey’s Christmas Carol’ is no ‘Who Framed Roger Rabbit‘, however, and it only looks back, not forward. For example, the rather uninspired score is by Irwin Kostal, who had been composing for Disney since ‘Mary Poppins’ (1964). Moreover, the film’s design, using xerox cells and graphic backgrounds, is firmly rooted in the tradition of the 1960’s and 1970’s.

‘Mickey’s Christmas Carol’ is a nice and entertaining movie, but it would take another five years for the Renaissance hitting Disney in full glory, with inspired and innovative films as ‘Who Framed Roger Rabbit’ (1988) and ‘The Little Mermaid’ (1989).

Watch ‘Mickey’s Christmas Carol’ yourself and tell me what you think:

http://www.dailymotion.com/video/xmq7ql_1983-mickey-s-christmas-carol_shortfilms

This is Mickey Mouse cartoon No. 126
To the previous Mickey Mouse cartoon: The Simple Things
To the next Mickey Mouse cartoon: The Prince and the Pauper

Directors: Pinto Colvig, Walt Pfeiffer & Ed Penner
Release Date: April 17, 1937
Stars: Mickey Mouse, Donald Duck, Clarabella Cow, Clara Cluck, Goofy
Rating: ★★★½
Review:

Mickey's Amateurs © Walt DisneyMickey is only the straight man while hosting an amateur night at the theater.

We watch Donald trying to recite ‘Twinkle Twinkle Little Star’ while forgetting the words, Clarabella Cow and Clara Cluck performing an operatic song, and Goofy with an automatic one man band that goes haywire.

Donald surprises not only his but also the modern audience by drawing a tommy gun to shoot at the audience(!). However, it’s Goofy’s silly musical machine which draws the biggest laughs in a hilarious sequence, with particularly silly animation.

‘Mickey’s Amateurs’ ends with Donald getting caught in the closing end circle. Self-awareness gags like this were rare at Disney’s (another example is the burning title card in ‘Mickey’s Fire Brigade‘ from 1935), but would become standard repertoire at Warner Bros. and in Tex Avery’s cartoons at MGM.

Watch ‘Modern Inventions’ yourself and tell me what you think:

This is Mickey Mouse cartoon No. 94
To the previous Mickey Mouse cartoon: Moose Hunters
To the next Mickey Mouse cartoon: Modern Inventions

Director: Jack King
Release Date: May 29, 1937
Stars: Donald Duck
Rating: ★★★½
Review:

Modern_Inventions © Walt DisneyAfter a short stint at Warner Brothers, veteran animator Jack King makes his debut as a director at the Disney studio.

King would remain a director of Donald Duck films until his retirement in 1948, directing only three cartoons without the duck (‘Farmyard Symphony‘ from 1938, and the propaganda shorts ‘Out of the Frying Pan into the Firing Line‘ and ‘Defense against Invasion‘, from 1942 and 1943, respectively).

‘Modern Inventions’ is Donald’s first real solo outing, sharing screen time only with mechanical objects. He visits a ‘museum of modern marvels’ , where he has to deal with a mechanical robot butler (the running gag of the film), a package wrapper, a ‘robot nurse maid’ and an automatic barber chair. Like in ‘The Band Concert‘ Donald shows an ability to produce numerous objects out of nothing, this time hats. He even manages to change his army cap into a baby cap.

‘Modern Inventions’ was the last of three Donald Duck shorts under the Mickey Mouse flag. With his next cartoon, ‘Donald’s Ostrich‘ he would have a series of his own…

Watch ‘Modern Inventions’ yourself and tell me what you think:

http://www.youtube.com/watch?v=iwipkjdb31o

This is Mickey Mouse cartoon No. 95
To the previous Mickey Mouse cartoon: Mickey’s Amateurs
To the next Mickey Mouse cartoon: Hawaiian Holiday

Director: Ben Sharpsteen
Release Date: January 9, 1937
Stars: Donald Duck
Rating: ★★★★★
Review:

Don Donald © Walt DisneyAfter co-starring with Pluto in ‘Donald and Pluto‘ (1936), Donald really comes to his own in ‘Don Donald’. In this cartoon he only shares screen time with a new character, Donna Duck, a predecessor of Daisy with a temper that matches Donald’s own. 

In this film, we watch Donald in a Mexican setting featuring a surprisingly Krazy Kat-like palm in the background. He wears a large sombrero and tries to woo Donna, but his donkey spoils his efforts. Donald trades his donkey for a car (the small red car we would become so familiar with). The car makes a deep impression on Donna, and both go for a ride.

The animation of the car ride is a great showcase of animation of speed, while the hilarious sequence in which Donald tries to restart the motor again is a wonderful example of rubbery animation. The film ends marvelously, when Donna produces a unicycle out of her handbag and rides off into the distance. But the whole film is one of sheer delight and one of the classics of the 1930s.

Despite Mickey’s absence, ‘Don Donald’ is still part of the Mickey Mouse series. Only with ‘Donald’s Ostrich‘ from December 1937 Donald would get his own series.

Watch ‘Don Donald’ yourself and tell me what you think:

http://www.youtube.com/watch?v=l8iRblwvg00

This is Mickey Mouse cartoon No. 91
To the previous Mickey Mouse cartoon: The Worm Turns
To the next Mickey Mouse cartoon: Magician Mickey

Director: Ben Sharpsteen
Release Date: September 12, 1936
Stars: Donald Duck, Pluto
Rating: ★★½
Review:

Donald and Pluto © Walt DisneyWhile Donald is plumbing, Pluto accidentally swallows a magnet, attracting all kinds of metallic objects, like his dish, a pendulum, a watch and eventually Donald’s monkey-wrench.

This short features elaborate gags based on character animation, surely building to a grand finale. One can admire the inevitable ‘logic’ of the film, yet the result is only mildly funny, and neither one of Donald’s or Pluto’s best films.

Although advertised as a Mickey Mouse cartoon, in ‘Donald and Pluto’ Mickey Mouse is not present at all. On the contrary, for both Donald and Pluto this is their first cartoon without Mickey (if we disregard the Silly Symphonies ‘Just Dogs‘ from 1932 and ‘The Wise Little Hen‘  from 1934). After getting more and longer sequences of their own within the Mickey Mouse series, this step was inevitable.

Pluto had come a long way, sharing five years and 33 films with Mickey before standing on his own, but Donald received his independence already within two years, after only twelve films with Mickey.

Both Pluto and Donald would get their own series in 1937. They would appear together in five more films, all within Donald’s series: ‘Beach Picnic‘ (1939), ‘Donald’s Dog Laundry‘, ‘Put-Put Troubles‘, ‘Window Cleaners‘ (all 1940) and finally ‘The Eyes Have It’ (1945).

Watch ‘Donald and Pluto’ yourself and tell me what you think:

https://www.youtube.com/watch?v=e2WpB_CPjow

This is Mickey Mouse cartoon No. 88
To the previous Mickey Mouse cartoon: Mickey’s Circus
To the next Mickey Mouse cartoon: Mickey’s Elephant

Director: David Hand
Release Date: October 10, 1936
Stars: Mickey Mouse, Pluto
Rating: ★★½
Review:

Mickey's Elephant © Walt Disney‘Mickey’s Elephant’s opens with Mickey receiving a cute young elephant from the Rajah of Ghaboon as a playmate for Pluto. Unfortunately Pluto is not amused, and he thinks ‘Bobo’ is an intruder with intentions to replace him.

‘Mickey’s elephant’ is similar to ‘Mickey’s Pal Pluto‘ (1933) and to ‘Mickey’s Kangaroo‘ (1935), in which Pluto is also jealous of an intruder and which also feature his evil side. Like in ‘Mickey’s Pal Pluto’ Pluto’s evil consciousness has materialized into a little devilish persona, who talks with a strong New York accent and who persuades Pluto to fix Bobo using red pepper. Sneezing along Bobo blows is own new house down, but unfortunately Pluto’s too…

‘Mickey’s Elephant’ is a rare example of a Mickey Mouse film inspired by the Mickey Mouse comic strip. Most of the time the influence was reversed. But in this case Bobo the elephant had made his entrance in Floyd Gottfredson’s strip two years earlier. Bobo is a completely innocent character, and Pluto’s little devil notwithstanding, the cartoon is more cute than funny.

Watch ‘Mickey’s Elephant’ yourself and tell me what you think:

This is Mickey Mouse cartoon No. 89
To the previous Mickey Mouse cartoon: Donald and Pluto
To the next Mickey Mouse cartoon: The Worm Turns

Director: Ben Sharpsteen
Release Date: August 1, 1936
Stars: Donald Duck, Mickey Mouse, the Orphan Mice, the Little Seal
Rating: ★★½
Review:

Mickey's Circus © Walt DisneyIn ‘Mickey’s Circus’ we watch Mickey and Donald perform in a circus for a pack of orphan mice.

Most of the time goes to Donald and his trained seals. Only after six minutes Mickey joins in again, struggling with Donald on the slack-rope, while being troubled by the orphan mice.

‘Mickey’s Circus’ was the last cartoon to feature the Orphan Mice (apart from the remake of ‘Orphan’s Benefit from 1941), until their unexpected return in ‘Pluto’s party‘ from 1952. It’s also the first Disney short featuring a cute little seal. Similar seals would reappear in ‘Pluto’s Playmate‘ (1941), ‘Rescue Dog‘ (1947) and ‘Mickey and the Seal‘ (1948).

Watch ‘Mickey’s Circus’ yourself and tell me what you think:

http://www.youtube.com/watch?v=YZJc1C6n0ck

This is Mickey Mouse cartoon No. 87
To the previous Mickey Mouse cartoon: Alpine Climbers
To the next Mickey Mouse cartoon: Donald and Pluto

Director: Ben Sharpsteen
Release Date:
 June 20, 1936
Stars:
 Mickey Mouse, Donald Duck, Goofy, Pete
Rating:
  ★★★½
Review:

Moving Day © Walt DisneyBecause Mickey, Donald and Goofy can’t pay the rent, evil sheriff Pete will sell their furniture. The boys decide to move before that’s going to happen…

‘Moving Day’ is the this third of the classic trio cartoons featuring Mickey, Donald and Goofy. In this entry Mickey is hardly visible. Most of the cartoon is taken by his co-stars in two all too elaborate sequences: one featuring Goofy in a surreal struggle with a piano with a will of its own, and another featuring Donald’s trouble with a plunger and a fishbowl.

Despite the great animation, one gets the feeling that in this cartoon the artists were too much obsessed with character and less with gags, making this cartoon a bit slow and tiresome, when compared to the previous trio outings ‘Mickey’s Service Station’ and ‘Mickey’s Fire Brigade‘ from 1935. Luckily, in later trio shorts like ‘Moose Hunters’ or ‘Hawaiian Holiday’, the fast pace was found again.

‘Moving Day’ is the first cartoon to feature Pete in color. It was also the last of only three cartoons in which Art Babbitt animated Goofy. After he had done so much for the character in ‘Mickey’s Service Station’ and ‘On Ice‘, one can say that in ‘Moving Day’ he went a little too far in milking the goof’s scenes. Anyhow, Babbitt went over to feature films, but after these three shorts Goofy’s character was established well enough for others to take over with equally inspired results.

Watch ‘Mickey’s Fire Brigade’ yourself and tell me what you think:

http://www.youtube.com/watch?v=R8FzGOOQNDY

This is Mickey Mouse cartoon No. 85
To the previous Mickey Mouse cartoon: Mickey’s Rival
To the next Mickey Mouse cartoon: Alpine Climbers

Director: Charles Nichols
Release Date: April 18, 1953
Stars: Mickey Mouse, Pluto
Rating: ★★★½
Review:

The Simple Things © Walt Disney‘The Simple Things’ was to be Mickey’s and Pluto’s last theatrical cartoon (Pluto’s own series had stopped two years earlier).

Unfortunately it is a rather uninspired goodbye. The cartoon returns to the elongated situation comedy of the thirties. There are only two plots here, which hardly build up to a finale. First: Pluto’s encounters with a humanized clam and second, Mickey and Pluto’s fight with a hungry seagull. Both parts are executed routinely, without inspiration.

This makes ‘The Simple Things’ a sad ending to a career that started so phenomenally well, changing the course of animation, 25 years earlier. It would take Mickey another thirty years to return to the movie screen in ‘Mickey’s Christmas Carol‘ from 1983. Meanwhile, Mickey & Pluto director Charles Nichols would direct three Donald Duck cartoons, and one special, ‘The Saga of Windwagon Smith‘, before leaving Disney for Hanna-Barbera in 1962.

Watch ‘The Simple Things’ yourself and tell me what you think:

This is Mickey Mouse cartoon No. 125
To the previous Mickey Mouse cartoon: Pluto’s Christmas Tree
To the next Mickey Mouse cartoon: Mickey’s Christmas Carol

Director: Jack Hannah
Release Date: November 21, 1952
Stars: Mickey Mouse, Pluto, Chip ‘n Dale
Rating: ★★★★★
Review:

Pluto's Christmas Tree © Walt DisneyMickey chops Chip ‘n Dale’s tree down to use as a Christmas tree.

By doing so he accidentally brings the two little chipmunks home. Pluto soon discovers the duo, but Mickey only does so in the very end. The cartoon ends with a cameo of Goofy, Donald and Minnie singing Christmas carols in Mickey’s garden.

The cartoon’s overall atmosphere is cute, adorable and full of charm, making ‘Pluto’s Christmas Tree’ one of the most delightful Mickey Mouse cartoons from the post-war period. This short is the second of two Mickey Mouse cartoons directed by Jack Hannah, the other being ‘Squatter’s Rights’ from 1946. These are the only two cartoons to feature Mickey and Chip ‘n Dale. It’s also the third of Mickey’s four Christmas cartoons, the others being ‘Mickey’s Orphans‘ from 1931, ‘Mickey’s Good Deed‘ from 1932 and ‘Mickey’s Christmas Carol‘ from 1983.

Watch ‘Pluto’s Christmas Tree’ yourself and tell me what you think:

https://www.youtube.com/watch?v=dNndjpMRgtU

This is Mickey Mouse cartoon No. 124
To the previous Mickey Mouse cartoon: Pluto’s Party
To the next Mickey Mouse cartoon: The Simple Things

Director: Milt Schaffer
Release Date:
September 19, 1952
Stars:
 Mickey Mouse, Pluto, The Orphan Mice
Rating:
 ★
Review:

Pluto's Party © Walt DisneyMickey and Pluto celebrate Pluto’s birthday, which includes a huge pink birthday cake and the presence of several little mice.

In fact, this cartoon marks the unexpected return of the orphan mice, which we hadn’t seen on the screen since ‘Mickey’s Circus‘ from 1936. The little mice give Pluto a hard time and they eat all the cake. Luckily Mickey has saved a piece for our canine friend.

‘Pluto’s Party’ is the only Disney film directed by Pluto story man Milt Schaffer. Unfortunately it’s not a success. Mickey’s design is rather angular in this cartoon and the antics by the orphan mice are quite tiresome, not funny. In spite of the bright colors and the fast cutting, the overall mood is timid and listless. Only two Mickey Mouse cartoons would follow, and you can almost feel the series ending in this cartoon.

Watch ‘Pluto’s Party’ yourself and tell me what you think:

http://www.youtube.com/watch?v=Nz9u6hszUws

This is Mickey Mouse cartoon No. 123
To the previous Mickey Mouse cartoon: R’coon Dawg
To the next Mickey Mouse cartoon: Pluto’s Christmas Tree

Director: Charles Nichols
Release Date: August 10, 1951
Stars: Mickey Mouse, Pluto
Rating: ★★
Review:

R'coon Dawg © Walt DisneyThis cartoon starts with a Texan voice-over telling about raccoon hunting. Enter Mickey and Pluto who are exactly doing that.

Pluto’s pursuit is hindered, however, by the raccoon’s clever decoys and sidetracks. In his final trick the raccoon fools Mickey and Pluto by pretending having a baby, using Mickey’s coonskin cap.

Mickey has pretty little screen time in this cartoon, which is essentially Pluto’s. His visualisations of what he’s smelling are the highlights of this gentle if not very remarkable film.

Watch ‘R’Coon Dawg’ yourself and tell me what you think:

http://www.youtube.com/watch?v=7g1VYmrmhNo

This is Mickey Mouse cartoon No. 122
To the previous Mickey Mouse cartoon: Mickey and the Seal
To the next Mickey Mouse cartoon: Pluto’s Party

Director: Charles Nichols
Release Date: December 12, 1948
Stars: Mickey Mouse, Pluto, the little seal
Rating: ★★★½
Review:

Mickey and the Seal © Walt DisneyAfter visiting the seals at the zoo, Mickey accidentally brings a little seal home in his basket.

‘Mickey and the seal’ is the third cartoon to feature the little seal (the other two are ‘Pluto’s Playmate‘ from 1941 and ‘Rescue Dog‘ from 1947). And like the earlier entries featuring this cute animal, ‘Mickey and the Seal’ is charming, but not very funny.

Nevertheless, it contains a lovely scene of Mickey and the seal in bath, which is a prime example of great silent comedy. Its finale, too, arguably is the funniest of all postwar Mickey Mouse cartoons. The bath scene renders a shot of Mickey completely naked (except for his gloves).

Watch ‘Mickey and the Seal’ yourself and tell me what you think:

https://www.youtube.com/watch?v=TS8rW6kCTdc

This is Mickey Mouse cartoon No. 121
To the previous Mickey Mouse cartoon: Mickey Down Under
To the next Mickey Mouse cartoon: R’coon Dawg

Director: Charles Nichols
Release Date: March 19, 1948
Stars: Mickey Mouse, Pluto
Rating: ★
Review:

Mickey Down Under © Walt Disney‘Mickey Down Under’ features Mickey and Pluto in some Australian banana plantation.

Pluto has troubles with a boomerang, while Mickey encounters an ostrich. Even though the animation of Pluto is inspired, ‘Mickey Down Under’ is a boring cartoon, and one of the weakest entries in the Mickey Mouse series. Apart from the boomerang, the setting can hardly be called Australian. On the contrary, the cartoon depicts some flora and fauna not indigenous to Australia: toucans, bananas and ostriches. The title music is that of a Pluto cartoon.

Watch ‘Mickey Down Under’ yourself and tell me what you think:

This is Mickey Mouse cartoon No. 120
To the previous Mickey Mouse cartoon: Mickey’s Delayed Date
To the next Mickey Mouse cartoon: Mickey and the Seal

Director: Charles Nichols
Release Date: October 3, 1947
Stars: Mickey Mouse, Minnie Mouse, Pluto
Rating: ★★★★★
Review:

Mickey's Delayed Date © Walt DisneyFor the first time in five years (actually, since ‘Symphony Hour’) Mickey receives considerable screen time in his own cartoon, even though he has to share it once again with his dog, Pluto.

In the opening scene ‘Mickey’s Delayed Date’ we watch Mickey snoring at home, when the phone rings. It’s Minnie: she has been waiting an hour for him to come at a date with her for a dance. As soon as she has threatened him on the phone to break up if he doesn’t show up within fifteen minutes, Mickey rushes to the dance hall. Unfortunately he loses the tickets, which are brought by Pluto just in time.

Much screen time of ‘Mickey’s Delayed Date’ is devoted to Pluto in a rather long scene with a humanized tall hat. Nevertheless, it’s nice to watch Mickey in fine comic shape again, although he is less flexible here than in Riley Thomson’s shorts of the early forties. This short contains a shot of an almost naked Mickey (even without gloves).

‘Mickey’s Delayed Date’ was the first Mickey Mouse cartoon directed by Pluto-director Charles Nichols. He would direct five of the eight post-war Mickey Mouse cartoons.

Watch ‘Mickey’s Delayed Date’ yourself and tell me what you think:

https://www.youtube.com/watch?v=IgmLaVPHBG8

This is Mickey Mouse cartoon No. 119
To the previous Mickey Mouse cartoon: Squatter’s Rights
To the next Mickey Mouse cartoon: Mickey Down Under

Director: Jack Hannah
Release Date: June 7, 1946
Stars: Mickey Mouse, Pluto, Chip and Dale
Rating: ★★★½
Review:

Squatter's Rights © Walt Disney‘Squatter’s Rights’ is director Jack Hannah’s first of many cartoons starring Chip and Dale, who were introduced by Clyde Geronimi in ‘Private Pluto‘ in 1943. The two chipmunks are still interchangeable here. They would get real personalities in their next cartoon ‘Chip an’ Dale‘ (1947).

In this cartoon Chip and Dale live in a winter cottage, which is visited by Mickey and Pluto. Pluto soon discovers the jabbering duo, but Mickey never does. In the end Chip and Dale make Pluto and Mickey think Pluto’s been shot. In the final shot we can see Mickey running into the distance, carrying Pluto to a hospital, and leaving the cottage to the two little chipmunks.

‘Squatter’s ‘Rights’ is the first of only eight post-war Mickey Mouse cartoons. Mickey had had a short renaissance under director Riley Thompson in the early 1940s, but by 1946 he was once again reduced to a side character, at best co-starring with Pluto. ‘Squatter’s Rights’ is typical, with most of the screen time devoted to Pluto, Chip and Dale.

Jack Hannah would direct only one other Mickey Mouse cartoon: ‘Pluto’s Christmas Tree‘ (1952), which also features Chip ‘n Dale. Hannah’s appointed character was Donald Duck, whom he led through the last stage of his cinematic career. In this he would develop Chip n’ Dale into Donald Duck’s main adversaries.

Watch ‘Squatter’s Rights’ yourself and tell me what you think:

https://www.youtube.com/watch?v=DW9aWPdW4Ac

This is Mickey Mouse cartoon No. 118
To the previous Mickey Mouse cartoon: Pluto and the Armadillo
To the next Mickey Mouse cartoon: Mickey’s Delayed Date

Director: Clyde Geronimi
Release Date: February 19, 1943
Stars: Mickey Mouse, Pluto
Rating: ★★★★½
Review:

Pluto and the Armadillo © Walt Disney‘Pluto and the Armadillo’ is one of the South American films Disney released in the forties after a visit to South America in 1941 (other examples are ‘The Pelican and the Snipe‘ and ‘Contrary Condor’ from 1944).

‘Pluto and the Armadillo’ is actually an outtake from Disney’s first South American ensemble feature ‘Saludos Amigos‘ (1942). This explains its use of a narrator introducing the armadillo and its Brazilian setting.

As the title suggests, this Mickey Mouse cartoon is actually devoted to Pluto. While playing with Mickey during a stop at an airport near a jungle, he mistakes the armadillo for his own ball. As in many other Pluto cartoons (e.g. ‘Pluto’s Playmate‘ from 1941 and ‘Canine Patrol‘ from 1945), Pluto is first suspicious of this new little animal, but then grows in love with it. This standard scenario would have led to a routine Pluto entry, if it were not for the armadillo itself.

The South American mammal is not drawn very lifelike, but looks like a very cute, feminine armed little dog. Her moves are accompanied by metallic and rattling sounds, as if her armor consists of loose mechanical parts, and she walks to an irresistible samba tune, which provides the theme music for the complete cartoon.

Because of her charming presence ‘Pluto and the armadillo’ is very cute and joyful, and a delight to watch, even though it’s not very funny.

Watch ‘Pluto and the Armadillo’ yourself and tell me what you think:

https://www.youtube.com/watch?v=mITsitwu3To

This is Mickey Mouse cartoon No. 117
To the previous Mickey Mouse cartoon: Symphony Hour
To the next Mickey Mouse cartoon: Squatter’s Rights

Director: Clyde Geronimi
Release Date: March 28, 1941
Stars: Mickey Mouse, Pluto
Rating: ★★★★
Review:

A Gentleman's Gentleman © Walt DisneyPluto serves Mickey breakfast on bed, then Mickey gives him a dime to get the morning paper.

Pluto loses the coin almost immediately down into a sewer, but he cleverly retrieves it using chewing gum. When Pluto gets the newspaper, he reads the funnies (a comic strip about… Pluto! – a rare cross reference to a Disney spin-off outside the cinema), before the wind starts to play with it, blowing the paper into the mud, leading to a blackface gag, which is a copy from the Pluto comic he has just read.

‘A Gentleman’s Gentleman’ is officially a Mickey Mouse cartoon, but most of the time is devoted to Pluto. In this cartoon his supreme silent character comedy is simply delightful, making ‘A Gentleman’s Gentleman’ one of the classic Pluto shorts.

Watch ‘A Gentleman’s Gentleman’ yourself and tell me what you think:

This is Mickey Mouse cartoon No. 110
To the previous Mickey Mouse cartoon: The Little Whirlwind
To the next Mickey Mouse cartoon: Canine Caddy

Director: David Hand
Release Date: April 13, 1935
Stars: Mickey Mouse, Pluto
Rating: ★★½
Review:

Mickey's Kangaroo © Walt DisneyIn ‘Mickey’s Kangaroo’ Mickey receives a kangaroo for a present.

Pluto grows jealous of the intruder and its little kid, which is expressed with side glances at the audience in extreme close ups, and through a tough and sneaky voice over by Don Brodie. This is a rather weak device to overcome Pluto’s silent character. While Pluto tries to get rid of the little kangaroo, Mickey gets beaten up by mama kangaroo, but he keeps laughing.

As Jim Korkis reveals in ‘The Book of Mouse‘, ‘Mickey’s Kangaroo’ surprisingly is a film based on a true story. In 1934 Walt Disney got two wallabies as a present from Australian wine maker Leo Buring. By the time they arrived at the studio, the two marsupials had given birth to a child. The three wallabies were kept in a pen outside the studio department.

‘Mickey’s Kangaroo’ became Mickey’s last cartoon in black and white, being released even after ‘The Band Concert‘, Mickey’s first one in color. Unfortunately, it’s not a very funny goodbye to the black and white era. Nevertheless, its story line would be reused in ‘Mickey’s Elephant‘ (1936).

Watch ‘Mickey’s Kangaroo’ yourself and tell me what you think:

This is Mickey Mouse cartoon No. 75
To the previous Mickey Mouse cartoon: Mickey’s Service Station
To the next Mickey Mouse cartoon: Mickey’s Garden

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