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Director: Chuck Jones
Release Date: December 5, 1942
Stars: Daffy Duck, Porky Pig
Rating: ★★★★
Review:

My Favorite Duck © Warner Bros.‘My Favorite Duck’ is Chuck Jones’s third try on Daffy Duck (after ‘Daffy Duck and the Dinosaur’ from 1939 and ‘Conrad the Sailor‘ from 1942), and his first cartoon starring both Daffy and Porky Pig.

In this cartoon he finally manages to get grip of Daffy’s wacky character: Daffy’s antics are not only annoying, they’re also funny, and well-timed, and Porky is much more sympathetic victim to his antics than Caspar Caveman and Conrad ever were.

When Porky goes camping, the duck nags him, protected by the law which forbids Porky to harm any duck. Nonetheless, in the end, the tables are turned and Porky has his revenge. However, at that point the film breaks, and Daffy tells us ‘what happened’, or does he?

The film break gag first appeared in Max Fleischer’s Popeye cartoon ‘Goonland’. Six years later Jones reused this wonderful film break gag in ‘Rabbit Punch‘ (1948).

Like in other Chuck Jones cartoons from this era, the beautifully stylized backgrounds are a highlight on their own.

Watch ‘My Favorite Duck’ yourself and tell me what you think:

This is Porky Pig cartoon no. 97
To the previous Porky Pig cartoon: Porky’s Cafe
To the next Porky Pig cartoon: Confusions of a Nutzy Spy

Director: Bob Clampett
Release Date: September 25, 1943
Stars: Bugs Bunny, Porky Pig, Elmer Fudd, Daffy Duck?
Rating: ★★★★★ ♕
Review:

A Corny Concerto © Warner Bros.‘A Corny Concerto’ is a two part spoof on Disney’s most ambitious feature, ‘Fantasia’ (1940), using two waltzes by Johann Strauss jr.

The cartoon features a very Fantasia-like opening, with Elmer Fudd as a clear caricature of Deems Taylor. He announces ‘Tales from the Woods’, which tells about Porky Pig and a dog hunting Bugs Bunny. Porky fills the role of Elmer Fudd in this sequence, and it’s the only cartoon in we can watch him hunting Bugs Bunny. This first part is a classic Bugs Bunny routine, complete with death scene, but now timed to music and acted in pantomime. With its overt mix of high culture and silliness this part is a direct ancestor to Chuck Jones’s later ‘What’s Opera, Doc?‘ (1957).

The second part is a story on ‘The Blue Danube’. It opens with flowers dropping on water, just like in the Nutcracker Suite sequence in Fantasia. This part tells about a little black duck, an infant version of Daffy Duck, trying to join a family of swans, and finally saving them from a vulture by destroying him with TNT. As this story is some kind of inverse of ‘The Ugly Duckling‘ (another acclaimed Disney masterpiece), this could be considered to be a parody within a parody.

Apart from Elmer Fudd’s speeches, the cartoon is completely pantomimed, and full of the wild and zany animation so typical of Bob Clampett’s unit. The backgrounds are lush and colorful, and reminiscent of the the Pastoral Symphony sequence in the original Fantasia. Their designs become overtly ridiculous in ‘The Blue Danube’, with Greek columns placed randomly in the water.

The result is a highly original mix of style and nonsense, and a great testimony of what Leon Schlesinger’s studio could do on a limited budget. In all, the cartoon is an undisputed classic, and very enjoyable, even if you don’t know its topic of parody.

Watch ‘A Corny Concerto’ yourself and tell me what you think:

This is Bugs Bunny cartoon No. 19
To the previous Bugs Bunny cartoon: Wackiki Wabbit
To the next Bugs Bunny cartoon: Falling Hare

This is Porky Pig cartoon No. 101
To the previous Porky Pig cartoon: Porky’s Pig’s Feat
To the next Porky Pig cartoon: Tom Turk and Daffy

Director: Friz Freleng
Release Date: April 27, 1940
Stars: Daffy Duck, Porky Pig, Leon Schlesinger
Rating: ★★★★★ ♕
Review:

You Oughta Be in Pictures © Warner Bros.‘You Ought To Be In Pictures’ is the very first cartoon to bridge two ideas of animation film figures being ‘real’.

First, the idea that cartoon figures can come alive from the drawing board into the real world, an idea that hauls all the way back to Max Fleischer’s first ‘Out of the Inkwell’ cartoons (1915). The second idea is that of cartoon figures being real Hollywood stars, explored in cartoons such as ‘Felix in Hollywood’ (1923), ‘Movie Mad‘ (1931), ‘Mickey’s Gala Premier‘ (1933) and especially ‘The Autograph Hound’ (1939), with which ‘You Ought To Be In Pictures’ has most in common. ‘You Ought To Be In Pictures’ synthesizes these two ideas, making it a direct ancestor of ‘Who Framed Roger Rabbit‘ (1987).

‘You Ought To Be In Pictures’ was one of the first films director Friz Freleng made after his return from an ill-fortuned move to MGM, and as Jerry Beck points out in the audio commentary track, one can see this film somehow as autobiographical.

In any case, this short marks is Freleng’s first take on Daffy Duck, and he places him firmly as Porky’s rival. In this cartoon Daffy is not necessarily zany, like in Tex Avery’s and Bob Clampett’s cartoons, but overconfident and sneaky, with a tendency to show off; character treats that would be explored more from 1950 on, especially by Chuck Jones. However, by then the relation between Porky and Daffy would be changed completely.

In ‘You Ought To Be In Pictures’ Porky is still an innocent, cute and Boyish character. In the opening scene we watch him being drawn by animator Fred Jones on the drawing board. When all animators have rushed off to lunch (reused footage from a Leon Schlesinger Christmas Party film), Daffy, framed on the wall, addresses the Porky drawing. He convinces Porky to leave Leon Schlesinger’s studio to get a real job in the business of feature films. Leon Schlesinger lets Porky go, saying into the camera “he’ll be back!”. While Porky has a hard time in the neighboring live action studio, Daffy tries to get his plays at Warner Bros. But Porky returns and beats the hell out of the double-crosser.

‘You Ougt to Be In Pictures’ is a lovely cartoon. It mixes animation and live action, partly from other Warner Bros. features, to great effects. The scene in which Porky talks to Leon Schlesinger is very convincing, and Porky’s drive back no less than breathtaking. Besides Leon Schlesinger, the film stars writer Michael Maltese as a guard, animator Gerry Chiniquy as a director, and executive producer Henry Binder as a sound man. However, as the live action footage was shot silently, all are voiced by Mel Blanc, except for Leon Schlesinger who does his own voice.

Watch ‘You Ought To Be In Pictures’ yourself and tell me what you think:

This is Porky Pig cartoon No. 71
To the previous Porky Pig cartoon: Slap Happy Pappy
To the next Porky Pig cartoon: Porky’s Poor Fish

Director: Chuck Jones
Release Date: November 17, 1951
Stars: Daffy Duck, Porky Pig
Rating: ★★★★★
Review:

Drip-Along Daffy © Warner BrosFollowing the premise of ‘The Scarlet Pumpernickel’ (1950), Chuck Jones launched a series of cartoons starring Daffy as a misguided hero and Porky as his calm side-kick. ‘Drip-along Daffy’ is the first of this excellent series, with the others being ‘Duck Dodgers in the 24 1/2th Century‘ (1953), ‘My Little Duckaroo’ (1954), ‘Rocket Squad’ (1956), ‘Deduce You Say’ (1956) and ‘Robin Hood Daffy‘ (1958).

In ‘Drip-along Daffy’ Daffy is a typical Western hero, clad in white, riding a well-groomed horse, with an unshaven (!) Porky as ‘comic relief’, riding a donkey. Daffy wants to clean up ‘Lawless Western Town’, which lawlessness is depicted in a series of Tex Averyan gags. However, Daffy finds a heavy adversary in the villain Nasty Canasta…

‘Drip-along Daffy’ is a delightful and gag-rich cartoon, highlight being the strong drink scene, an elaboration on a gag Avery had made in ‘The Shooting of Dan McGoo‘ (1945). Also noteworthy is the high noon scene, in which Jones and his team indulge in numerous camera angles depicting Daffy and Canasta approaching each other. Such original and devoted cinematography was rarely been seen since the Frank Tashlin days.

Nasty Canasta who would return in two more cartoons: ‘My Little Duckaroo’ from 1954 and ‘Barbary Coast Bunny’ from 1956.

Watch ‘Drip-along Daffy’ yourself and tell me what you think:

This is Porky Pig cartoon no. 135
To the previous Porky Pig cartoon: The Wearing of the Grin
To the next Porky Pig cartoon: Dog Collared

Director: Chuck Jones
Release Date: September 2, 1950
Stars: Daffy Duck, Porky Pig
Rating: ★★
Review:

The Ducksters © Warner Bros.Chuck Jones is famous for directing cute characters, but throughout his career he directed some extraordinarily cruel cartoons, like ‘Fresh Airedale’ (1945), ‘Scaredy Cat‘ (1948) and ‘Chow Hound’ (1951). ‘The Ducksters’ is probably the cruelest of the lot, and in this cartoon the cartoon violence feels more painful than funny.

In ‘The Ducksters’ Daffy Duck is a quizmaster and Porky the unlucky contestant in the radio quiz ‘Truth or Aaagh’, an extreme take on the radio (and later television) show ‘Truth or Consequences’, which had been around since 1940. The cartoon violence starts immediately, as the opening shot features a tied-up Porky slowly approaching a sawmill. A few scenes later, Daffy shoots someone in the audience.

Throughout the picture Daffy remains the ultra-violent trickster, until the tables are turned in the end. However, Daffy is neither loony nor misguided, being in the midst of a transition of character, which renders him ‘just cruel’, and very unsympathetic, indeed.

Luckily, Chuck Jones knew a better a use for the duck, using him as a misguided hero (e.g. ‘The Scarlet Pumpernickel‘ (1950) and ‘Drip-along Daffy‘ (1951), or playing him against the cleverer Bugs Bunny (e.g. ‘Rabbit Fire‘, 1951 and ‘Rabbit Seasoning’, 1952). These cartoons are all far funnier than ‘The Ducksters’.

Watch ‘The Ducksters’ yourself and tell me what you think:

‘The Ducksters’ is available on the DVD set ‘Looney Tunes Golden Collection, Vol. 1’

This is Porky Pig cartoon no. 133
To the previous Porky Pig cartoon: Golden Yeggs
To the next Porky Pig cartoon: The Wearing of the Grin

Director: Friz Freleng
Release Date: August 5, 1950
Stars: Daffy Duck, Porky Pig
Rating: ★★
Review:

Golden Yeggs © Warner Bros.1950 was a transitional year for Daffy Duck: director Robert McKimson still retained Daffy’s old loony self in ‘Boobs in the Woods‘, but Chuck Jones introduced a new version of the character, as the anti-hero in ‘The Scarlet Pumpernickel‘.

However, two other shorts from the same year, ‘Golden Yeggs’ and ‘The Ducksters‘, show that the directors were uncertain where to go with the character. In Friz Freleng’s ‘Golden Yeggs’ a goose lays a golden egg (24 karat solid gold) at Porky’s poultry farm, but she blames Daffy for doing it. Daffy plays along, but the news soon attracts a gang of gangsters, led by Rocky, in his debut*. The gangsters kidnap Daffy, forcing him to lay more eggs.

Daffy Duck is quite an empty character in this cartoon, more a victim than in control. He has lost his loony character traits completely, but his later greed and foul play haven’t entered, yet, leaving the character pretty much in limbo. The result is an erratic cartoon, weak in its comedy, and uncertain in its delivery, despite some great gags, like Daffy opening a ‘door’ which consists of a gangster.

Watch ‘Golden Yeggs’ yourself and tell me what you think:

Golden Yeggs

‘Golden Yeggs’ is available on the DVD set ‘Looney Tunes Golden Collection, Vol. 1’

This is Porky Pig cartoon no. 132
To the previous Porky Pig cartoon: An Egg Scramble
To the next Porky Pig cartoon: The Ducksters

* The Rocky in ‘Racketeer Rabbit’ (1946) was a different character, being a caricature of Edward G. Robinson)

Director: Chuck Jones
Release Date: August 13, 1949
Stars: Charlie Dog, Porky Pig
Rating: ★★★★
Review:

Often an Orphan © Warner Bros.‘Often an Orphan’ is the third of four cartoons featuring Chuck Jones’s minor cartoon star Charlie Dog.

Of the quartet, this short is probably the best. Left alone at the roadside, Charlie Dog tries to become Porky Pig’s dog again, who now is a farmer in the countryside. At no point Porky is willing to take him in, despite some great acting by the deceitful mutt: highlight of the film is his playing of a weak, sick, nervous wreck, ruined by the terrors of the big city. This is arguably Charlie Dog’s all time best moment. The cartoon ends at the roadside, again, but now it’s Porky who gets left behind.

Watch ‘Often an Orphan’ yourself and tell me what you think:

This is Porky Pig cartoon no. 126
To the previous Porky Pig cartoon: Curtain Raizor
To the next Porky Pig cartoon: Dough for the Do-Do

Director: Chuck Jones
Airing Date: February 23, 1978
Stars: Bugs Bunny, Daffy Duck, Porky Pig, Elmer Fudd, Yosemite Sam
Rating: ★
Review:

Bugs Bunny in King Arthur's Court © Warner BrothersThe Looney Tunes Television Specials were a series of 25 minute long television programs running from 1976 to 1989 and revisiting the classic Warner Brothers characters in all new material. They were produced by either Chuck Jones’ studio or De Patie-Freleng.

‘Bugs Bunny in King Arthur’s Court’ is the fourth within the series, and produced and directed by Chuck Jones. The story is loosely based on Mark Twain’s ‘A Connecticut Yankee in King Arthur’s Court’ from 1889, as Jones readily admits in the opening titles. It features Bugs Bunny as himself, Elmer Fudd as a knight, Daffy Duck as a very unlikely King Arthur, Yosemite Sam as Merlin, and Porky Pig as an anonymous soldier.

Although Jones’s mastery shines through at times, the episode is a sad caricature of the old cartoons. Just nothing seems right. The designs are weak, especially that of Yosemite Sam (not a Jones character), who is too small compared to the others. Moreover, the timing is remarkably slow, and there’s way too much dialogue, slowing down the animation. The gags are further hampered by Dean Elliott’s terrible, partly electronic music. Even Mel Blanc’s voices are poor: his imitation of Arthur Q. Bryan’s voice of Elmer Fudd is nothing like the real thing, and Porky Pig simply stutters too much.

The episode’s trite story is expanded over 24 minutes, while, considering its flaws, it would already have been difficult to remain interesting within seven minutes. The result is a 24 minute long bore. The 1970s were the middle ages of animation, indeed…

Watch ‘Bugs Bunny in King Arthur’s Court’ yourself and tell me what you think:

http://www.funniermoments.com/watch.php?vid=05851c679

Director: Chuck Jones
Release date: August 8, 1955
Stars: Porky Pig, Sylvester
Rating: ★★★★
Review:

Jumpin' Jupiter © Warner Brothers‘Jumpin’ Jupiter’ was the last of three cartoons in which director Chuck Jones employed Porky Pig, and Sylvester as his frightened cat.

This time they’re camping out when they’re visited by a bird-like alien. The alien takes their complete camping site to outer space. As in the former cartoons, Porky remains completely unaware of what’s happening, while Sylvester sees it all, much to his horror. In the end we see them drive off into the horizon on a strange, strange planet.

‘Jumpin’ Jupiter’ is a beautiful and well animated cartoon, and arguably the most enjoyable of the Porky-Sylvester pairings. The action is helped by Carl Stalling’s particularly inspired music, which matches the science fiction setting perfectly.

Watch ‘Jumpin’ Jupiter’ yourself and tell me what you think:

This is Porky Pig cartoon no. 144
To the previous Porky Pig cartoon: My Little Duckaroo
To the next Porky Pig cartoon: Dime to Retire

Director: Chuck Jones
Release Date: March 8, 1958
Stars: Daffy Duck, Porky Pig
Rating: ★★★★
Review:

Robin Hood Daffy © Warner Brothers‘Robin Hood Daffy’ is the last of Chuck Jones’s great series of Daffy and Porky pairings.

Like earlier entries, such as ‘Drip-along Daffy‘ (1951) or ‘Deduce You Say’ (1956), Daffy fails completely in acting out the hero he is supposed to be. In this cartoon Daffy Duck is Robin Hood, but he has a hard time proving that to a skeptical Friar Tuck (Porky Pig). He does so by relentlessly trying to rob a rich nobleman who rides on a remarkably little donkey in a hilariously silly fashion.

This nobleman character is totally unaware of the antics around him and is a late addition to a series of similar odd characters that populated many of Jones’s early films, like the Minah Bird (1941-1947) and the bearded sailor in ‘The Dover Boys‘ (1942). Daffy’s attempts, on the other hand, are more akin to those of the Coyote in the Road Runner series. The best gag is when he tries to swing on a rope, Errol Flynn-style, shouting “Yoicks and away”, only to crash into multiple tree trunks.

Porky is redesigned completely into Chuck Jones’s late design: with ridiculously cute eyelashes, anticipating similar redesigns of Jerry in Jones’s Tom & Jerry cartoons seven years later. The redesign is not a success: Porky looks a little too feminine and too cute for the purposes of the cartoon.

Watch ‘Robin Hood Daffy’ yourself and tell me what you think:

This is Porky Pig cartoon no. 149
To the previous Porky Pig cartoon: Boston Quackie
To the next Porky Pig cartoon: China Jones

Director: Bob Clampett
Release Date: June 28, 1945
Stars: Porky Pig
Rating: ★★★★★
Review:

Wagon Heels © Warner Brothers‘Wagon Heels’ is one of the least known of Bob Clampett’s masterpieces.

In this short Porky is as a scout of a ‘wagon train’ (a weird mix of a caravan and a train). He has to face ‘Injun Joe the Superchief’, an enormously powerful Indian. In this he’s helped by a very silly blue Hillbilly character called Sloppy Moe.

‘Wagon Heels’ is a remake of the already very funny ‘Injun Trouble’ (1938), but it’s weirder, zanier, wilder and much better timed than the original. ‘The film is extremely rich in nonsensical gags, the highlight being the demonstrations of Injun Joe’s indestructible power. The result is an utterly hilarious film, and an indisputed highlight in the Bob Clampett canon.

Watch ‘Wagon Heels’ yourself and tell me what you think:

This is Porky Pig cartoon no. 109
To the previous Porky Pig cartoon: Trap Happy Porky
To the next Porky Pig cartoon: Baby Bottleneck

Director: Frank Tashlin
Release Date: October 30, 1937
Stars: Porky Pig, Petunia Pig
Rating: ★★★★
Review:

The Case of the Stuttering Pig © Warner BrothersIn this cartoon Porky suddenly has three elder brothers (Peter, Portus, and Percy), while Petunia appears to be his sister.

The siblings inherit their estate from their late uncle Solomon (who’s a caricature of Oliver Hardy). Unfortunately, the evil lawyer Goodwill is after them, changing himself into a Dr. Hyde-like character. Strangely enough he insults somebody in the audience, the “guy in the third row”. This to his own regret, for it’s this guy who saves Porky and his siblings in the end! This type of dimension-defying humor was a novelty at the time and would become a Warner Bros. trademark in the late 1930s and early 1940s.

Watch ‘The Case of the Stuttering Pig’ yourself and tell me what you think:

This is Porky Pig cartoon no. 31
To the previous Porky Pig cartoon: Rover’s Rival
To the next Porky Pig cartoon: Porky’s Double Trouble

Director: Frank Tashlin
Release Date: December 19, 1936
Stars: Porky Pig
Rating: ★★★
Review:

Porky in the Northwoods © Warner BrothersPorky has a game refuge in Canada, in which he defends rather cute animals against an evil hunter.

The hunter is designed like the lieutenant from ‘Little Beau Porky‘, but we only see him appear after 4’30. Before this his threat is shown by his shadow only, a remarkably inventive device for a cartoon of the 1930s.

Like other early Warner Brothers films, ‘Porky in the North Woods’ looks very primitive, and rather Disney-anno-1932/1933-like. Yet it features an extremely fast sequence of a squirrel running a ridiculously long distance through the woods to get help (and back to fetch and apple). Such short and fast sequences of characters crossing ridiculously long distances would become a trademark of Tashlin’s colleague Tex Avery. Like his first two films, Tashlin’s third short at Warner Bros. features a battle sequence: this time we watch an enormous number of animals being called to arms.

Porky hardly talks in this cartoon – it seems Tashlin tried to avoid his tiresome stutter. Indeed, in 1937, the original voice artist would be replaced by Mel Blanc, who was able to make Porky’s stutter funny.

Watch ‘Porky in the North Woods’ yourself and tell me what you think:

This is Porky Pig cartoon no. 17
To the previous Porky Pig cartoon: The Village Smithy
To the next Porky Pig cartoon: Porky the Wrestler

Director: Frank Tashlin
Release Date: October 24, 1936
Stars: Porky Pig
Rating: ★★★½
Review:

Little Beau Porky © Warner Brothers‘Little Beau Porky’ is Frank Tashlin’s second film at Warner Bros. It’s a more clearly gag-orientated effort than his debut film ‘Porky’s Poultry Plant‘.

Porky (with his old stutter) is a soldier at the foreign legion, being bullied by his lieutenant. However, in the end he manages to single-handedly save the fort and to overthrow an evil Arab and his gang.

Like in ‘Porky’s Poultry Plant’, both design and animation are primitive. But Tashlin unmistakably shows his cinematic talent, especially in the opening sequence and in the preparation for battle.

Watch ‘Little Beau Porky’ yourself and tell me what you think:

This is Porky Pig cartoon no. 15
To the previous Porky Pig cartoon: Porky’s Moving Day
To the next Porky Pig cartoon: The Village Smithy

Director: Chuck Jones
Release Date:
 July 25, 1953
Stars:
 Daffy Duck, Porky Pig, Marvin Martian
Rating:
 ★★★★★ ♕
Review:

Duck Dodgers in the 24½th Century © warner Brothers‘Duck Dodgers in the 24½th Century’ is a spoof of the popular pulp magazine science fiction series Buck Rogers, which was made into a television series in 1950-1951. This makes this short one of the earliest theatrical cartoons parodying a television series.

Daffy “Duck Dodgers” and his sidekick “the eager young space cadet” Porky have to claim planet X for planet Earth. Unfortunately, Marvin Martian wants to claim the same planet for Mars. This starts a feud, which ends in both blowing up the entire planet.

Although the story of the cartoon is rather similar to the Bugs Bunny cartoon ‘Haredevil Hare‘ (1948), Daffy’s unique performance gives it an entirely different feel, leading to new and great gags. More than being a typical science fiction cartoon, this short can be regarded the second cartoon in a series which pairs Daffy as a misguided hero to Porky as a more sensible straight man (the first being ‘Drip-along Daffy‘ from 1951). ‘Duck Dodgers’ must be the highlight of the series, as well as a peak in both Daffy’s as Chuck Jones’s career.

Unhampered by conventions, Jones, his layout-man Maurice Noble and background painter Phil DeGuard went totally berserk with the science-fiction theme, creating wild and lushly colored backgrounds, which make ‘Duck Dodgers in the 24½th Century’ one of the most beautiful cartoons ever made at Warner Brothers.

Indeed, so great is its fame, it spawned sequels in 1980, 1996 and 2003. From 2003 to 2005 Cartoon Network even broadcasted a Duck Dodgers series.

Watch ‘Duck Dodgers in the 24½th Century’ yourself and tell me what you think:

http://www.220.ro/desene-animate/Looney-Tunes-Duck-Dodgers-In-The-24-5-Century/aTflTNIyAr/

‘Duck Dodgers in the 24½th Century’ is available on the DVD set ‘Looney Tunes Golden Collection, Vol. 1’

This is Porky Pig cartoon no. 141
To the previous Porky Pig cartoon: Fool Coverage
To the next Porky Pig cartoon: Claws for Alarm

Director: Robert McKimson
Release Date:
 March 26, 1949
Stars:
 Daffy Duck, Porky Pig
Rating:
 ★★★★★
Review:

Daffy Duck Hunt © Warner BrothersWith ‘Daffy Duck Hunt’ Robert McKimson returned to the subject of Daffy’s very first cartoon, ‘Porky’s Duck Hunt’ (1937).

Like in the original cartoon Porky Pig is hunting ducks, and Daffy in particular, to no avail. He’s now accompanied by a dog (a typical McKimson design). To trick Daffy, the dog convinces Daffy that he will be tortured if he doesn’t retrieve a duck, so Daffy allows the Dog to take him to Porky. Porky takes Daffy back home and puts him into a particularly cold fridge. From now on almost all the action takes place around the fridge in a wonderfully loony cartoon (penned by Warren Foster) full of wild gags and zany animation.

‘Daffy Duck Hunt’ is one of those Warren Foster/Robert McKimson cartoons that celebrate Daffy’s looniness perfectly. Highlight is a gag in which Daffy jumps out of the fridge in a Santa suit making Porky and the dog believe it’s Christmas. This gag is a nice and equally hilarious variation on a classic gag from Freleng’s ‘The Wabbit Who Came to Supper’ from 1942, in which Bugs Bunny made Elmer believe it’s new year’s day.

Watch ‘Daffy Duck Hunt’ yourself and tell me what you think:

‘Daffy Duck Hunt’ is available on the DVD set ‘Looney Tunes Golden Collection, Vol. 1’

This is Porky Pig cartoon no. 124
To the previous Porky Pig cartoon: Paying the Piper
To the next Porky Pig cartoon: Curtain Raizor

Director: Chuck Jones
Release Date:
March 4, 1950
Stars:
 Daffy Duck, Elmer Fudd, Henery Hawk, Mama Bear, Porky Pig, Sylvester
Rating:
 ★★★★★ ♕
Review:

The Scarlet Pumpernickel © Warner Brothers‘The Scarlet Pumpernickel’ starts with Daffy Duck being tired of comedy.

He proposes to one of the Warner Brothers (who remains off-screen) to make an Errol Flynn-like film based on ‘The Scarlet Pumpernickel by Daffy Dumas Duck’, with, of course, himself in the starring role. This leads to an all-star cartoon with roles for Porky Pig, Sylvester, Elmer Fudd (with Mel Blanc’s voice), Henery Hawk and Mama Bear.

The film is both an excellent parody on and a faithful homage to the Errol Flynn adventure films. But more importantly, this short is important in the evolution of Daffy Duck, for it marks the birth of Daffy’s final incarnation. In this film Daffy is more of a frustrated and misguided character than downright loony. This new role is still a bit out of Daffy’s element: at times his eyes and behavior are similar to that of Charlie Dog, especially in the opening scene. Nevertheless, in the following years the frustrated Daffy would completely replace the loony one.

‘The Scarlet Pumpernickel’ is also the first of Jones’s Daffy cartoons in which Daffy serves as a misguided hero, starting a great series of shorts, with highlights as ‘Drip-along Daffy‘ (1951) and ‘Duck Dodgers in the 24 ½ Century‘ (1953).

Watch ‘The Scarlet Pumpernickel’ yourself and tell me what you think:

http://www.220.ro/desene-animate/20-Daffy-Duck-Sylvester-The-Scarlet-Pumpernickel-1950/KJRkZjBcaE/

‘The Scarlet Pumpernickel’ is available on the DVD set ‘Looney Tunes Golden Collection, Vol. 1’

This is Porky Pig cartoon no. 130
To the previous Porky Pig cartoon: Boobs in the Woods
To the next Porky Pig cartoon: An Egg Scramble

 

Director: Robert McKimson
Release Date:
 August 7, 1950
Stars:
 Porky Pig, Daffy Duck
Rating:
 ★★★★
Review:

Boobs in the Woods © Warner BrothersIn ‘Boobs in the Woods’ Porky wants to paint in a forest, but he’s bothered by a particularly loony Daffy.

This cartoon is a typical example of Warren Foster-penned zaniness. Daffy makes no mistake about his zany character, which is similar to the one in the Foster/McKimson outings, like ‘Daffy Doodles’ (1946), ‘Daffy Duck Slept Here‘ (1948) and ‘Daffy Duck Hunt‘ (1949): in the opening scene he introduces himself in a loony song.

Nevertheless, ‘Boobs in the Woods’ is one of the last cartoons featuring this loony version of Daffy. Two months later Jones would introduce a different type in ‘The Scarlet Pumpernickel‘.

Apart from the excellent gags, ‘Boobs in the Woods’ is noteworthy for its extremely stylized and surprisingly flat backgrounds by Cornett Wood and Richard H. Thomas.

Watch ‘Boobs in the Woods’ yourself and tell me what you think:

‘Boobs in the Woods’ is available on the DVD set ‘Looney Tunes Golden Collection, Vol. 1’

This is Porky Pig cartoon no. 129
To the previous Porky Pig cartoon: Bye, Bye Bluebeard
To the next Porky Pig cartoon: The Scarlet Pumpernickel

Director: Friz Freleng
Release Date:
 September 2, 1949
Stars:
 Porky Pig
Rating:
 ★★★★½
Review:

Dough for the Do-Do © Warner Brothers‘Dough for the Do-Do’ is a remake of Bob Clampett’s ‘Porky in Wackyland’ (1938) in color.

The cartoon is more than a recoloring, however. Porky is reanimated throughout, and several scenes are different from the original. Scenes that are omitted are the paperboy appearing on the title card, Porky showing us a picture of the dodo, and the cat-dog attacking itself. Two scenes are altered: the way the guide ‘leads’ Porky to the dodo, and the finale: in the original Porky dresses as a paperboy announcing that Porky has captured the dodo, in ‘Dough for the Do-Do’, Porky dresses like a do-do, making the bird itself think he has caught the last of the do-dos.

The most conspicious difference between ‘Dough for the Do-Do’ and ”Porky in Wackyland’, however, is found in the backgrounds: where the original had rather undefined, a little George Herriman-like backgrounds, the remake uses clearly Salvador Dalí-inspired settings, full of typical Dalí-rocks, sticks and eyes. The title card even shows Dalí’s melted watches, linking cartoon surrealism to high art surrealism. Dalí-inspired scenery would return two years later in the Porky Pig cartoon ‘Wearing of the Grin’ from 1951.

It is striking to see how different this cartoon is from its contemporaries. ‘Porky in Wackyland’ was a milestone in surrealism, a move forward in wackiness, an innovative cartoon stirring up the childish make-belief world of the 1930s cartoons. However, eleven years later its remake ‘Dough for the Do-do’ feels old-fashioned: its animation is crude, its characters are unrefined, and its zaniness seems to come from another era.

And it does: in the late 1940s, the wild surrealism of the early Warner Bros. cartoons had toned down. It survived in cartoon conventions, which always contained a twist of surrealism, but the outlandishness had disappeared. Now, more emphasis was played on character humor and dialogue, something the Warner Bros. studio excelled at with its numerous stars. Only at MGM and Walter Lantz some of the original zany vibe was retained, but at large the wild era of studio cartoons was clearly over.

Watch ‘Dough for the Do-Do’ yourself and tell me what you think:

http://www.220.ro/desene-animate/16-Porky-Dough-For-The-Do-Do-1949/mL0EVmznKK/

‘Dough for the Do-Do’ is available on the DVD set ‘Looney Tunes Golden Collection, Vol. 1’

This is Porky Pig cartoon no. 127
To the previous Porky Pig cartoon: Often an Orphan
To the next Porky Pig cartoon: Bye, Bye Bluebeard

Director: Art Davis
Release Date:
 February 12, 1949
Stars:
 Porky Pig
Rating:
 ★★½
Review:

Porky Chops © Warner BrothersIn ‘Porky Chops’ a squirrel from Brooklyn is having a holiday in a forest where Porky is working as a lumberjack.

This outlandish idea creates a rather routinely conflict with loads of dialogue. The result is one of Art Davis’s weaker cartoons, particularly because of the squirrel’s rather unpleasant character. This makes it difficult to sympathize with either protagonist.

The cartoon shows an interesting mixture of styles: the squirrel looks vaguely like a Robert McKimson-character, while Porky is designed and animated in a toned-down Clampettian style.

Watch ‘Porky Chops’ yourself and tell me what you think:

http://www.supercartoons.net/cartoon/650/porky-chops.html#.URQKvKU9R8E

‘Porky Chops’ is available on the DVD set ‘Looney Tunes Golden Collection, Vol. 1’

This is Porky Pig cartoon no. 122
To the previous Porky Pig cartoon: Awful Orphan
To the next Porky Pig cartoon: Paying the Piper

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