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Director: Walter Lantz
Release Date: October 9, 1933
Stars: Pooch the Pup, Dopey Dick
Rating: ★★★★
Review:

She Done Him Right © Walter Lantz‘She Done Him Right’ was the last of thirteen cartoons starring Pooch the Pup, a Walter Lantz character that was virtually Oswald the lucky Rabbit, but with different ears.

The cartoon is an obvious spoof of the Paramount Mae West vehicle ‘She Done Him Wrong’ from earlier that year. Like the feature, the cartoon is set in the 1890’s, and it features a nightclub singer called Poodles, who’s dressed and talks like West. Inside Joe’s Beer Garden a man sings the 1908 music hall song ‘Has Anybody Here Seen Nelly?’, but Poodles has a much more modern song to offer: Cab Calloway’s 1932 hit song ‘Minnie the Moocher’s Wedding Day’. Then a villain kidnaps Poodles, and Pooch the Pup comes to the rescue.

Pooch the Pup himself is utterly forgettable, but this cartoon is packed with wonderful and weird gags, and features great jazz music. ‘Minnie the Moocher’s Wedding Day’ is sung with a great voice, which makes one wonder who the particular voice artist is. The cartoon also marks the first appearance of a fat character called Dopey Dick, who is remarkably similar to Wellington Wimpy, who only hit the screen ten days before ‘She Done Him Right’.

Watch ‘She Done Him Right’ yourself and tell me what you think:

‘She Done Him Right’ is available on the DVD ‘The Woody Woodpecker and Friends Classic Cartoon Collection Volume 2’

Director: Walter Lantz or Bill Nolan
Release Date: February 15, 1932
Stars: Oswald the Rabbit
Rating: ★★
Review:

Mechanical Man © Walter LantzIn 1932 Oswald was redesigned to give him a more boy-like appearance. ‘Mechanical Man’ features this new design and opens with Oswald an his girlfriend playing the piano together.

Meanwhile Peg Leg Pete has built a robot, which needs a human heart. Pete kidnaps Oswald’s girlfriend and takes it to his hideout, followed by Oswald. After a long pursuit Oswald manages to get rid of Pete, and rescuing his sweetheart. But it’s a goat who rescues the two from the robot.

When you read this, the cartoon seems to make some sense, but the real thing is rather different: there’s a lot happening on the screen, and nonsensical gags fill every scene. For example, during the chase scene, various skeletons appear at random, giving the cartoon its typical horror atmosphere, but adding nothing otherwise. This gives the cartoon a rather stream-of-consciousness-like character, and at every point one expects Oswald to wake up from this random nightmare.

Watch ‘Mechanical Man’ yourself and tell me what you think:

‘Mechanical Man’ is available on the DVD ‘Lantz Studio Treasures Starring Oswald’

Director: Walter Lantz or Bill Nolan
Release Date: January 18, 1932
Stars: Oswald the Rabbit
Rating: ★★
Review:

Grandma's Pet © Walter LantzBy 1932 Oswald had changed into a cute little boy. And yet, in the opening scene of ‘Grandma’s Pet’ he’s shown reading the fairy tale of Little Red Riding Hood to his three nephews(?).

Soon Oswald falls asleep himself and he dreams that he’s inside the fairy tale himself. Apart from Oswald’s presence, the cartoon quite faithfully follows the fairy tale until the wolf kidnaps Little Red Riding Hood, and out of nowhere produces a magic wand, which changes the complete scenery several times. In the end, Oswald uses the magic wand to change the wolf into a roast.

‘Grandma’s Pet’ is one of the Lantz films in which Tex Avery is billed as an animator. It may have inspired his own mix-up fairy tale films, like ‘Little Red Walking Hood’ (1937) and ‘The Bear’s Tale’ (1940). It pales when compared to those latter cartoons, however, suffering from erratic animation and sloppy timing.

Watch ‘Grandma’s Pet’ yourself and tell me what you think:

‘Grandma’s Pet’ is available on the DVD ‘The Woody Woodpecker and Friends Classic Cartoon Collection’

Director: Walter Lantz or Bill Nolan
Release Date: May 27, 1931
Stars: Oswald the Rabbit
Rating: ★★★
Review:

The Bandmaster © Walter LantzIn ‘The Bandmaster’ Oswald is the leader of a three-piece brass band.

This idea is dropped after three minutes, however, and after that there’s some kind of story with Oswald trying to comfort a crying hippo baby with music. This part features dancing flowers, rag dolls, and musical notes. The latter dance to the song ‘Happy Feet’, a huge hit for Paul Whiteman in 1930. The cartoon ends with the mother hippo hitting Oswald hard, and the baby hippo laughing.

Several animators worked on ‘The bandmaster’ who would later become famous in the field, like Clyde Geronimi, Tex Avery and Pinto Colvig. Could it be possible that the baby hippo’s laugh was provided by Tex Avery himself?

The cartoon contains some lovely flexible animation in a style also fashioned at Walt Disney and Warner Bros. The cartoon doesn’t make any sense, however, and the gags pop in almost randomly. Thus the Walter Lantz cartoon falls short in matching the quality of those other studios.

Watch ‘The Bandmaster’ yourself and tell me what you think:

‘The Bandmaster’ is available on the Blu-Ray ‘Technicolor Dreams and Black & White Nightmares’ and the DVD ‘Lantz Studio Treasures Starring Oswald’

Director: Walter Lantz or Bill Nolan
Release Date: July 14, 1930
Stars: Oswald the Rabbit, Kitty
Rating: ★★★½
Review:

Spooks © Walter Lantz‘Spooks’ is a nice early Oswald cartoon from the Walter Lantz studio.

It takes place in a theater where Oswald performs. It features a mysterious phantom who helps Oswald’s girlfriend Kitty to become a great singer by putting a record player in her dress. This leads to an absurd performance. The phantom fancies Kitty, but she prefers Oswald, who has to rescue her from the phantom’s clutches. This part of the film has horror overtones, commonplace in the early 1930s. The film ends with a rather lame gag.

‘Spooks’ features some very Mickey Mouse-like mice. Its animation, by Bill Nolan, Clyde Geronimi and Pinto Colvig is fair, and the story enjoyable, even if it’s rather inconsistent.

Watch ‘Spooks’ yourself and tell me what you think:

Director: Walter Lantz or Bill Nolan
Release Date: June 2, 1930
Stars: Oswald the Rabbit, Peg Leg Pete
Rating: ★★★★
Review:

Hell's Heels © Walter LantzIn the spring of 1929 Universal announced that it had set up an animation studio to make sound cartoons of its own. Head of the studio was Walter Lantz. This was the beginning of the Walter Lantz studio, which lasted well into the 1970s, outliving all other contemporary cartoon studios.

With this contract Walter Lantz inherited Oswald the rabbit, a character originally conceived by Walt Disney in 1927, but whose copyright was owned by Universal. Universal demanded no less than 26 Oswald cartoons each year, and the results were consequently of variable quality.

‘Hell’s Heels’, Lantz’s 23th Oswald cartoon, is one of the better ones. It opens with Oswald, Peg Leg Pete and an anonymous grey dog being a gang of bandits wandering and singing through the desert. The three decide to rob a bank and Pete and the Dog send Oswald inside with dynamite. Oswald blows up the bank, killing Pete and the dog(!). Later, Oswald befriends the Sheriff’s little boy, which leads to some song-and-dance scenes, which surprisingly features a number of skeletons.

It’s strange to watch Oswald and Pete being buddies in this film, and the story is rather inconsistent, but the cartoon is fast and funny, and full of gags. Its lively jazzy score by James Dietrich is highly enjoyable, and the animation by Bill Nolan and Clyde Geronimi is joyful and of a fair quality. ‘Hell’s Heels’ shows that in 1930 other animation studios still could match the Walt Disney studio.

Watch ‘Hell’s Heels’ yourself and tell me what you think:

Director: Walter Lantz
Release Date: March 4, 1942
Rating: ★★★★
Review:

The Hams That Couldn't Be Cured © Walter LantzThis short has probably grimmest opening shot of all Hollywood cartoons: that of someone about to be hanged.

It turns out to be the wolf, who will be hanged for harassing the three little pigs. The wolf pleads innocent, however, and tells us “what really happened”. In his own story the wolf is a classical music teacher, loving peace and quiet (the most ridiculous illustration of this is the image of the wolf crocheting a bath tube out of a sheep). He’s visited by the three little pigs who play hot jazz, bullying the wolf, wrecking his instruments, and finally his house.

It’s a bit odd to associate such intoxicating jazz with random violence à la Clockwork Orange, but the result is an entertaining cartoon, although it is clearly tributary to the 1941 Warner Bros. cartoon ‘The Trial of Mr. Wolf’, which features a very similar story idea. Interestingly enough the director of that cartoon, Friz Freleng, would later also direct a cartoon about a wolf and three little pigs playing hot jazz, in ‘The Three Little Bops‘ (1957).

Watch ‘The Hams That Couldn’t Be Cured’ yourself and tell me what you think:

http://vk.com/video-20905395_162788911

Director: Walter Lantz
Release Date: April 13, 1942
Rating: ★★
Review:

Mother Goose on the Loose © Walter LantzMother Goose on the Loose’ stands in a long tradition of nursery rhyme cartoons, from the Felix the cat cartoon ‘Felix in Fairyland’ (1923) via the Silly Symphony ‘Mother Goose Melodies‘ (1931) and ‘Mother Goose Land‘ starring Betty Boop (1933), to Disney’s ‘Mother Goose Goes to Hollywood’ (1938) featuring caricatures of Hollywood stars.

Unfortunately, ‘Mother Goose on the Loose’ is weaker than any of these, hampered by a slow timing, corny gags and an obnoxious voice over. Even a jazzy tune, setting in after five boring minutes, cannot rescue the cartoon. Its only attraction is its obsession with dames, which are literally all over the cartoon. This makes ‘Mother Goose on the Loose’ a typical cartoon of the World War II era.

Director: Walter Lantz
Release Date: September 1, 1941
Rating: ★★★★
Review:

The Boogie Woogie Bugle Boy of Company B © Walter LantzBased on the 1941 hit song by the Andrews sisters, ‘The Boogie Woogie Bugle Boy of Company “B”‘ tells the story of a black trumpeter who gets drafted and has to blow the reveille, which he does in a swinging style, introducing the song.

The song itself is accompanied by various gags on blacks in the army. Even the Andrews Sisters themselves make a cameo, although they do not sing. Typical of the era, the blacks are pretty stereotyped, with huge lips, grammatically incorrect speech, and allusions to gambling. Two of them even die during the cartoon: one black after playing xylophone on some shells, while the other gets eaten by an alligator. So I can understand if some people find it hard to watch this cartoon today. Even so, the cartoon is less offensive than ‘Scrub Me Mama With a Boogie Beat’ from six months earlier, from which the cartoon reuses some animation.

Indeed, the overall mood of the cartoon is cheerful and rather innocent, emphasizing the swinging mood. In fact, thanks to the catchy song and some flexible animation ‘The Boogie Woogie Bugle Boy of Company “B”‘ is one of the great jazz cartoons. It’s also one of the most enjoyable army cartoons of the era, of which it is probably the first. It’s at least one of the first American cartoon on conscription, which had come in effect in September 1940, as a reaction on the war in Europe. The cartoon thus predates cartoons like the Pluto short ‘The Army Mascot‘, ‘Donald Gets Drafted‘ featuring Donald Duck, and the Woody Woodpecker cartoon ‘Ace in the Hole’ (all from 1942).

Watch ‘The Boogie Woogie Bugle Boy of Company “B”’ yourself and tell me what you think:

Director: Walter Lantz
Release Date: October 29, 1951
Stars: Woody Woodpecker, Wally Walrus
Rating: ★★★½
Review:

The Woody Woodpecker Polka © Walter Lantz‘The Woody Woodpecker Polka’ is one of several cartoons in which Woody Woodpecker tries to get some food.

In this cartoon Woody Woodpecker tries to enter a barn dance, but only for the food that is served there. The usher, Wally Walrus, doesn’t let him in however, for Woody can’t pay the one dollar entrance fee. Luckily, ladies are free of admission, so Woody dresses like one and makes Wally accompany him to the dance floor. What follows is a dancing scene in which Woody tries to eat as much food as he can, a story idea the studio borrowed from Walt Disney’s ‘The Legend of Sleepy Hollow‘ (1949).

The dancing scene is enhanced by the intoxicating title song, sung by the Starlighters, and for a change Clarence Wheeler’s music is inspired during this sequence.

Watch ‘The Woody Woodpecker Polka’ yourself and tell me what you think:

Director: Walter Lantz
Release Date: October 10, 1951
Stars: Woody Woodpecker
Rating: ★★★★
Review:

Redwood Sap © Walter Lantz‘Redwood Sap’ is the fable of the grasshopper and the ants disguised as a Woody Woodpecker cartoon.

Woody Woodpecker plays the role of the grasshopper, being extremely lazy, and stealing food from his neighbors: two beavers, a squirrel and a nest of ants. In the opening shot we watch him reading a book called “work and how to avoid it” by Hans Doolittle, and later we learn that Woody’s motto is “Why worry about tomorrow, I’m gone the day after”.

Then winter arrives, and Woody even refuses to join the birds flying South. However, confronted with an empty stomach and an empty cupboard Woody is forced to beg his neighbors for food. They however punish him for their maltreatment. So, when spring arrives they find him trapped inside an ice cube. However, when the animals take pity on Woody and revive him, they soon experience the woodpecker hasn’t learned a bit…

‘Redwood Sap’ is not a gag cartoon like contemporary Woody Woodpecker shorts. With its fable-like story it looks back to cartoons of the 1930s. However, in its speed, its animation and in its dubious moral, it’s clearly a product of its own time. ‘Redwood Sap’ shows the inventiveness of the Walter Lantz studio, who could turn out original cartoons even on a small budget.

Watch ‘Redwood Sap’ yourself and tell me what you think:

Director: Walter Lantz
Release Date: July 23, 1951
Stars: Woody Woodpecker, Buzz Buzzard, Wally Walrus
Rating: ★★★
Review:

Sling Shot © Walter Lantz

In ‘Sling Shot’ Woody Woodpecker enters a shooting contest in a Western town.

Woody wins time after time using his slingshot. His main rival is Buzz Buzzard, who ‘plays’ an evil, but extraordinarily dumb Indian who fails to understand the slingshot’s mechanism. When Buzz steals the prize money, Woody destroys the villain with an H-bomb, a nuclear weapon that would be tested the following year.

Despite the animation being surprisingly good at times, ‘Sling Shot’ is a rather mediocre cartoon, but it is noteworthy for being the first Woody Woodpecker short to feature both Buzz Buzzard and Wally Walrus, who appears as a sheriff.

Watch ‘Sling Shot’ yourself and tell me what you think:

http://www.toon.is/woody-woodpecker-37-slingshot-6-78-video_c9e6198ee.html

Director: Walter Lantz
Release Date: May 28, 1951
Stars: Woody Woodpecker
Rating: ★★½
Review:

Wicket Wacky © Walter Lantz‘Wicket Wacky’ opens with Woody Woodpecker playing croquet, disturbing a gopher by doing so.

‘Wicket Wacky’ features the first original story since Lantz’s reopening of his studio in 1950, and it’s way less successful than the leftovers from the 1940s: ‘Puny Express‘ and ‘Sleep Happy’.

The comedy doesn’t work, because it remains unclear whose side we should be on: both Woody and the gopher behave rather unsympathetically. Moreover, Woody remains a totally blank character in this cartoon, showing practically no emotions whatsoever.

‘Wicket Wacky’ only seems to show that gophers are poor comedy material, something we knew from other weak cartoons like the Donald Duck short ‘Donald’s Garden‘ (1942) and the Pluto shorts ‘Bone Bandit‘ (1948) and ‘Pluto and the Gopher‘ (1950).

Watch ‘Wicket Wacky’ yourself and tell me what you think:

http://www.toon.is/woody-woodpecker-36-wicket-wacky-video_7ffa37880.html

Director: Walter Lantz
Release Date: January 22, 1951
Stars: Woody Woodpecker, Buzz Buzzard
Rating: ★★★★★
Review:

Puny Express © Walter LantzAfter a squabble with his distributor Universal, and a short fling with United Artists, Walter Lantz was forced to close down his studio in 1948.

Only when Lantz and Universal came to terms again in 1950 Lantz could restart again, with a strongly reduced staff. For example, there was no story department, so the first new cartoon in two years, ‘Puny Express’, was based on storyboards Bugs Hardaway and Heck Allen had left behind in 1948. Worse, Woody Woodpecker was left voiceless.

Lantz himself picked up directing, something he hadn’t done in nine years. The studio owner directed eleven cartoons before Don Patterson took over in 1952. All these cartoons feature Woody Woodpecker; Andy Panda was not revived. Woody himself was redesigned, his looks made simplier and more appealing. It’s this new cute design which remains the best known to viewers today.

Woody’s voicelessness turned out to be a blessing in disguise. In contrast to the dialogue-driven cartoons of rival studios the 1951/1952 Woody Woodpecker shorts feature excellent silent comedy and situation gags, competing with the best of the Pink Panther, who would enter the scene only in 1964.

‘Puny Express’ is a western in which Woody volunteers to deliver the mail, despite the fact that Buzz Buzzard has killed no less than 125 mailmen. What follows is a gag-rich wild chase, full of fast and flexible animation. The humor is overtly Tex Averyan: at one point Woody’s little horse gets a flat hoof, and the cartoon cites the empty road gag from Tex Avery’s own western ‘Wild and Woolfy‘ from 1945.

The cartoon’s only weakness is its music by Clarence Wheeler, which is surprisingly out of tune with the short’s zany character, evoking a mellower 1930s feel.

Watch ‘Puny Express’ yourself and tell me what you think:

http://www.funny-city.com/videos/3499-woody-woodpecker-puny-express-1951

Director: Paul J. Smith
Release Date: August 10, 1953
Stars: Maw and Paw
Rating: ★
Review:

Maw and Paw © Walter LantzIn the early 1950s Lantz seemed to be in search of new characters for his cartoons.

This cartoon introduces Maw and Paw, two poor, phlegmatic farmers with hundreds of kids and one pig, who’s introduced as being the most intelligent of the lot. In an almost plotless story the pig wins a sports car. This leads to a lot of gags, without getting any funny. The cartoon even seem to look back all the way to the early 1930s with its barnyard setting and its abundance of repetitive animation.

Maw and Paw were no strong characters, and their series stopped two years later after only four films.

Director: Dick Lundy
Release Date: March 25, 1949
Stars: Woody Woodpecker, Buzz Buzzard
Rating: ★★★
Review:

Drooler's Delight © Walter LantzWoody wants to go and buy a ‘drooler’s delight’ (a large sorbet), but Buzz Buzzard steals his quarter.

The rest of the cartoon consists of Woody and Buzz fighting for it, with mildly amusing results.

‘Drooler’s Delight’ was to be Dick Lundy’s last cartoon at Walter Lantz. After a squabble with his distributor, Universal, and a short fling with United Artists, Walter Lantz was forced to close down his studio in 1948, and Lundy was left on the street. In May 1950 he replaced Tex Avery at MGM, who had left for a sabbatical. At MGM Lundy directed one Droopy cartoon and revived the Barney Bear series.

Lantz meanwhile was able to reopen his studio in 1950. But because he had to watch his budgets more than ever, the quality of the cartoons would rarely match that of his 1940s output.

Watch ‘Drooler’s Delight’ yourself and tell me what you think:

Director: Walter Lantz or Bill Nolan
Release Date: May 27, 1935
Stars: Oswald
Rating: 
Review:

Springtime Serenade © Walter Lantz‘Springtime Serenade’ features Oswald and his unnamed girlfriend among some cute furry animals.

They all believe spring has come, even though the old groundhog warns them for six more weeks of cold weather. After some joyous spring cleaning (what the &$#?!!), the groundhog turns out to be right after all.

This Cartune Classic is as cloying as it is unfunny. Tex Avery, who was an animator at Lantz’s at the time, would deal with cute furry animals such as these ten years later in ‘The Screwy Truant’ (1945).

Watch ‘Springtime Serenade’ yourself and tell me what you think:

Director: Dave Fleischer
Release Date: January 17, 1936
Rating:

Review:

Somewhere in Dreamland © Max FleischerMax Fleischer’s first full color cartoon is in the same vein as Disney’s ‘Lullaby Land‘ (1933) and Walter Lantz’s ‘Candy Land’ (1934), depicting little children’s wonderful dreams.

‘Somewhere in Dreamland’ deals with two very poor children who dream that they are in dreamland which is full of candy and toys. Fleischer’s 3D-technique is used with stunning results, and the cartoon must have struck a chord with the audience during the Great Depression era, in which poverty was an all too familiar thing. Indeed, as children the Fleischer Brothers themselves had known hunger like depicted in the film, when their father ran out of business. Unfortunately, the cartoon is remarkably unfunny and sickeningly sweet, following similar sugary outings in Disney’s Silly Symphonies series, like ‘Funny Little Bunnies‘ (1934) and ‘The Robber Kitten‘ (1935).

Unlike those films, however, ‘Somewhere in Dreamland’ suffers from primitive designs. The children’s mother looks like a relative of Olive Oyl, while the little children are drawn in typical thirties kids style resembling Hänsel and Gretel from Disney’s ‘Babes in the Woods‘ from four years earlier. The result is that none of the characters seem to fit within the elaborate 3D-sets.

Watch ‘Somewhere in Dreamland’ yourself and tell me what you think:

Director: Wilfred Jackson
Release Date: August 19, 1933
Rating: ★★★★½
Review:

Lullabye Land © Walt DisneyIn ‘Lullaby Land’ a baby is lulled to sleep by his mother, singing ‘rock-a-bye baby’. The song takes the baby and his stuffed dog to Lullaby Land, a wonderfully surreal land made of plaids, rattles etc.

There the baby encounters a parade of baby objects, and a forbidden garden, full of sharp things, like knives and scissors. Despite the warnings of the female choir in the soundtrack, the baby enters. He destroys all watches from a watch tree with a hammer, and plays with matches. The smoke evokes three bogey men, which scare the baby away. Finally, the baby meets the Sandman, who puts the baby asleep to the tune of Johannes Brahms’s lullaby.

With cartoons like ‘Lullaby Land’ Disney set new standards for animation that are still thrilling today. Don’t get me wrong, the cartoon is rather patronizing and sugary cute, especially through the soundtrack. But this is compensated by wonderful surrealistic images, beautiful artwork and superb animation. And, hey, this way of warning against sharp things and matches just may work with small children.

Lullaby Land itself is a highly original fantasy world, and especially its first images are stunningly beautiful. The dance of the bogey men contains some striking use of color that anticipates similar surreal images in ‘Dumbo’ (1941). Moreover, it is the first example of totally unrealistic color use in animated cartoons, and therefore a milestone.

Unfortunately, the cartoon also marks a trend of childishness creeping into the animation world, not only at Disney’s, but at all other studios, as well. For example, ‘Lullaby Land’ is the first of a whole series of Silly Symphonies obsessed with little babies, and their bare behinds in particular, with ‘Wynken, Blynken and Nod‘ from 1938 being the last example.

Anyway, ‘Lullaby Land’ left all competitors far behind. Later, both Walter Lantz (‘Candy Land’, 1934) and Max Fleischer (‘Somewhere in Dreamland‘, 1936) tried to copy the concept with far less convincing results.

Watch ‘Lullaby Land’ yourself and tell me what you think:

This is Silly Symphony No. 38
To the previous Silly Symphony: Old King Cole
To the next Silly Symphony: The Pied Piper

Director: Wilfred Jackson
Release Date: March 24, 1934
Rating: ★★
Review:

Funny Little Bunnies © Walt Disney‘Cute Little Bunnies’ would have been a better title for this easter short, for the bunnies are very cute, not funny.

In fact, “Funny Little Bunnies’ is so cute it can only have been meant for children. It makes one wonder what movies it was supposed to support in the theaters (surely no grim gangster thriller!).

Because everybody copied Disney at that time, other studios were copying this ‘new cuteness’ as well. Especially 1934 saw an explosion of Silly Symphonies imitating series, combining the appeal of color with sugary tales. Former Disney associate Ub Iwerks was the first, releasing his first Comicolor cartoon on December 23, 1933. He was followed by Max Fleischer (Color Classics, August 1934), MGM (Happy Harmonies, September), Van Beuren (Rainbow Parade, September), Columbia (Color Rhapsodies, November), and Walter Lantz (Cartune Classics, December). This resulted in a spread of cute (and severely unfunny) cartoons in the mid-thirties.

One is therefore particularly thankful that in the late thirties Tex Avery (at Warner Brothers, which were the only studio, together with Terrytoons, not to jump the Silly Symphony bandwagon) restored nonsense, wackiness and absurdism in the animated cartoon. These qualities Disney sometimes seemed to have forgotten during his pursuit for greater naturalism and beauty.

Notice how, for example, ‘Funny Little Bunnies’ uses animation to tell a story that cannot be told in live action, but how it tries to tell this story in the most conventional, ‘live action-like’ way. Especially the opening shot of this short is stunning, with two bunnies hopping realistically and lots of birds and butterflies flying around.

Watch ‘Funny Little Bunnies’ yourself and tell me what you think:

This is Silly Symphony No. 43
To the previous Silly Symphony: The Grasshopper and the Ants
To the next Silly Symphony: The Big Bad Wolf

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