You are currently browsing the tag archive for the ‘Popeye’ tag.

Director: Dave Fleischer
Release Date: April 25, 1938
Stars: Popeye, Olive Oyl
Rating: ★★★
Review:

Big Chief Ugh-Amugh-Ugh © Max FleischerThe title character of this cartoon is a stereotype Indian chief who longs for a squaw, as he immediately tells us in his opening song.

Enter Popeye and Olive on a stubborn donkey. At one point the donkey kicks Olive inside the Indian camp, and she seems to fall for the chief’s advances. The Indians, meanwhile, order Popeye to perform some difficult tasks, and with spinach he does them much better than his Indian rivals.

‘Big Chief Ugh-Amugh-Ugh’ is an uneven cartoon, and suffers from inadequate storytelling, and severe stereotyping. The cartoon is saved by Jack Mercer’s constant mumbling, which is particularly inspired.

Watch ‘Big Chief Ugh-Amugh-Ugh’ yourself and tell me what you think:

‘Big Chief Ugh-Amugh-Ugh’ is available on the French DVD Box Set ‘Popeye the Sailor 1933-1938’

Advertisements

Director: Dave Fleischer
Release Date: March 18, 1938
Stars: Popeye, Olive Oyl, Wimpy
Rating: ★★★★
Review:

The House Builder Upper © Max Fleischer‘The House Builder Upper’ opens with Olive crying on her doorstep.

It’s soon revealed why: as the camera zooms out, it’s revealed her complete house has burnt down. Firemen Popeye and Wimpy arrive way too late, but they offer to help her build a new house. Enter a series of building gags, which elaborate on the Laurel and Hardy two-reeler ‘The Finishing Touch’ (1928). Like Laurel & Hardy, Popeye and Wimpy are lousy construction workers, with Wimpy excelling in silly acts, accompanied by a particularly goofy tune. So it’s no wonder, the complete house falls apart upon finishing.

Enter that mysterious ingredient, spinach. After swallowing the contents of the can, Popeye builds a new house in a second. But even spinach isn’t sacred: even this house falls apart! So, the cartoon ends with Popeye promising to try again.

‘The House Builder Upper’ is one of those pleasant Popeye cartoons in which the Bluto-Popeye-Olive love triangle has no part at all. It’s a great gag-orientated cartoon, and the gags come in plenty, with the bizarre finale as a highlight within the complete series.

Watch ‘The House Builder Upper’ yourself and tell me what you think:

‘The House Builder Upper’ is available on the French DVD Box Set ‘Popeye the Sailor 1933-1938’

Director: Dave Fleischer
Release Date: February 18, 1938
Stars: Popeye, Olive Oyl, Bluto
Rating: ★★★★
Review:

Learn Polikeness © Max FleischerOlive takes Popeye to Prof. Bluteau’s school of etiquette.

The opening scene shows Prof.’s Bluteau’s large office, with help of Fleischer’s 3d tabletop background. Bluteau of course is Bluto and in this scene he’s already established as a fraud. Indeed, he hardly behaves gentleman-like when Olive and Popeye enter. True, he does know more manners than Popeye, but he clearly fancies Olive, and when trying to kiss her, he almost strangles her.

So, Popeye doesn’t have to win Olive back, he really has to rescue her from the brute. Interestingly, this time the spinach gives Popeye some manners besides strength, and there’s some great animation on Popeye clobbering Bluto in deft poses, on the tune of ‘Stars and Stripes Forever’.

Bluto’s design is somewhat off in this cartoon – the studio clearly experimented with new eyes on the character, which are not really steady yet. Maybe the studio grew a little tired of the character, for Bluto wasn’t seen again in the rest of 1938, only to return in ‘Customers Wanted’ (1939) [see Bobb Edwards’s comment below ‘Big Chief Ugh-Amugh-Ugh’ for a more plausible reason]. Indeed, in the mean time the studio proved it could come up with wonderful cartoons without him.

Watch ‘Learn Polikeness’ yourself and tell me what you think:

‘Learn Polikeness’ is available on the French DVD Box Set ‘Popeye the Sailor 1933-1938’

Director: Dave Fleischer
Release Date: January 21, 1938
Stars: Popeye, Olive Oyl, Bluto, Wimpy
Rating: ★★★★½
Review:

Let's Celebrake © Max FleischerIt’s New Year’s Eve, and Popeye and Bluto ride a sleigh to Olive’s house to take her to a New Year’s party at the Happy Hour Club.

However, Popeye hates to see Olive’s granny sitting alone at Olive’s home at New Year’s Eve, and takes her with them. At the club Bluto dances with Olive, while Popeye dances with grandma. When Wimpy, dressed like Santa, announces a dancing contest, Popeye has to enter with the deaf old lady. But with the help of some spinach, the duo clears the floor, literally, in a very long and enjoyable dance scene on some nice swing music, which features an excerpt from ‘Happy Days Are Here Again’.

‘Let’s Celebrake’ is very joyous cartoon, in tune with the New Year’s spirit, and it’s one of those rarer Popeye cartoons in which there’s no conflict between Bluto and Popeye, at all. Even more interesting, Popeye doesn’t eat the spinach himself here, leaving that to grandma.

Watch ‘Let’s Celebrake’ yourself and tell me what you think:

‘Let’s Celebrake’ is available on the French DVD Box Set ‘Popeye the Sailor 1933-1938’

Director: Dave Fleischer
Release Date: December 17, 1937
Stars: Popeye, Olive Oyl, Bluto
Rating: ★★½
Review:

Fowl Play © Max FleischerIn ‘Fowl Play’ Popeye brings Olive a parrot to remember him by when he’s at sea.

The parrot, which too smokes a pipe, sings a love song for Olive, and she immediately grows attached to the bird. But then Bluto appears. He lets the bird free, and then tries to kill it with an ax, so Popeye has to save the day.

‘Fowl Play’ is one of the more routine Popeye cartoons. Bluto is nothing but a big bully here, while the parrot adds little to the classic love triangle. The complete cartoon is rather slow and predictable. Its best gag is when Popeye repeatedly has to leave the fighting cloud to save Olive from falling while fainting. This scene contains some wild takes on Olive, while an earlier scene features a very wild double-take on Popeye.

Watch ‘Fowl Play’ yourself and tell me what you think:

‘Fowl Play’ is available on the French DVD Box Set ‘Popeye the Sailor 1933-1938’

Director: Dave Fleischer
Release Date: December 17, 1933
Stars: Popeye, Olive Oyl, Bluto
Rating: ★★½
Review:

Seasin's Greetinks! © Max Fleischer‘Seasin’s Greetinks!’ is Popeye’s first Christmas cartoon. It must be one of the least typical Christmas cartoons around: we watch Bluto and Popeye clobbering each other, while wishing each other ‘Merry Christmas’ and ‘A Happy New Year’, respectively.

Most of the time we watch the trio skating. When Olive gives him the cold shoulder, Bluto cuts off the ice on which she sits, and she immediately drifts towards a waterfall. Luckily, Popeye saves her in a rather bizarre way. The cartoon ends with Olive and Popeye watching a Christmas tree, decorated by the stars from the blow Popeye gave Bluto.

‘Seasin’s Greetinks’ is the first mediocre Popeye cartoon. Compared to earlier entries this cartoon is rather low on gags, and the love triangle already becomes predictable. Luckily, the Fleischers came up with enough variations to keep the series fresh, even if not in all its entries.

‘Seasin’s Greetinks!’ is noteworthy for introducing the skating-near-a-waterfall plot, which Disney would copy in ‘On Ice‘ (1935) and the ‘Once upon a Wintertime’ sequence of ‘Melody Time’ (1948).

Watch ‘Seasin’s Greetinks!’ yourself and tell me what you think:

‘Seasin’s Greetinks!’ is available on the DVD Box Set ‘Popeye the Sailor 1933-1938’

Director: Dave Fleischer
Release Date: November 17, 1933
Stars: Popeye, Olive Oyl, Bluto, Wimpy
Rating: ★★★½
Review:

I Eats My Spinach © Max Fleischer‘I Eats My Spinach’ is the first cartoon in which an instrumental version of Popeye’s theme music accompanies the opening titles.

The short opens with the very walking cycle with which Popeye appeared for the first time on the screen in ‘Popeye the Sailor‘. He walks towards Olive’s house, and together they go to a rodeo to watch the “Great Bluto” perform. Immediately, Popeye challenges and outperforms the bearded brute. He wrestles a badly drawn bull, and fights another one. The cartoon ends with Popeye knocking a bull into a meat market in a rather shocking metamorphosis gag.

The designs in this short are more primitive than in other Popeye cartoons, making it look rather old-fashioned, even when compared with contemporary Popeye cartoons like ‘Blow Me Down!‘ or ‘Season’s Greetinks!‘. Surprisingly, this cartoon marks a return to the animal world of Betty Boop’s earliest cartoons, being the last short to do so.

Popeye would fight a bull again in ‘Bulldozing the Bull’ (1938), but now most unwillingly and without harming the animal. By then Popeye had become on example to youngsters, both in comics and on film, and his aggression was toned down, luckily without losing its spunk.

Watch ‘I Eats My Spinach’ yourself and tell me what you think:

‘I Eats My Spinach’ is available on the DVD Box Set ‘Popeye the Sailor 1933-1938’

Director: Dave Fleischer
Release Date: October 27, 1933
Stars: Popeye, Olive Oyl, Bluto
Rating: ★★★★½
Review:

Blow Me Down! © Max FleischerLike the previous two cartoons, ‘Blow Me Down!’ (another of Popeye’s oneliners from E.C. Segar’s comic strip) opens with Popeye singing his own theme song, now while riding a shark to Mexico.

In Mexico Popeye visits a canteen, where Olive is a dancer, performing a dance, that’s taken straight from Segar’s strip from March 1932, including the gag in which she lands with her feet into two spittoons. Then Bluto enters, shooting everything in sight, and within seconds, Popeye is the only other person in the canteen. The two engage into a strange duel, then Bluto tries to harass Olive, but like in ‘I Yam What I Yam’ she appears pretty much in control when Popeye comes to rescue her. In a spectacular finale, Popeye knocks Bluto around the world.

‘Blow Me Down’ covers no new story grounds, its premise harking all the way back to ‘Gallopin’ Gaucho‘ (1928). Yet, it’s by all means a delightful cartoon, and it’s over before you know it. It contains a very original bird-eye shot of Popeye ascending the stairs. Olive’s voice is by Bonnie Poe, and very different from Mae Questel’s later version.

Watch ‘Blow Me Down!’ yourself and tell me what you think:

‘Blow Me Down!’ is available on the DVD Box Set ‘Popeye the Sailor 1933-1938’

 

Director: Dave Fleischer
Release Date: September 29, 1933
Stars: Popeye, Olive Oyl, Wimpy
Rating: ★★★½
Review:

I Yam What I Yam © Max Fleischer‘I Yam What I Yam’ was the second cartoon starring Popeye, and the very first in his own series, taking its title from one of Popeye’s most famous lines in E.C. Segar’s comic strip.

The short opens with an original opening tune that would only last two cartoons: ‘Strike up the band for Popeye the sailor’. After ‘Blow Me Down!‘ this peppy leader was replaced by Popeye’s own song, which he also sings in the opening scene, with Olive Oyl rowing a bark to an unknown island. When they’ve washed ashore, Popeye punches a bunch of trees into a log cabin.

This film introduces his famous sidekick from the comic strip, the gluttonous freeloader Wellington Wimpy. In his first dialogue, Wimpy quotes a classic line from Segar’s strip “Come on in for a duck dinner. You bring the ducks”. So, Popeye goes forth in search of ducks. However, within seconds Olive and Wimpy are threatened by Indians. Luckily Popeye comes to the rescue. In a spectacular finale Popeye knocks down every Indian in sight, even their gigantic chief, whom Popeye punches into Mahatma Gandhi…

Interestingly, before Popeye arrives, Olive appears very much in control, knocking down Indians by the minute, while crying for help. It’s nice to watch a female cartoon character being portrayed so strong and independent, far from the cliched damsel in distress, as portrayed by e.g. Minnie Mouse.

Popeye’s and Olive’s designs are still rather unstable in this short, but Olive’s voice sounds much more familiar than in ‘Popeye the Sailor’. The cartoon makes little sense, but is very enjoyable, nonetheless. Its joy is enhanced by an excellent musical score.

Watch ‘I Yam What I Yam’ yourself and tell me what you think:

‘I Yam What I Yam’ is available on the DVD Box Set ‘Popeye the Sailor 1933-1938’

Director: Isadore Sparber
Release Date: September 4, 1942
Stars: Popeye, Bluto, Olive Oyl
Rating:
Review:

Alona on the Sarong Seas © ParamountPopeye and Bluto are on a battle cruiser stationed somewhere in the South Seas.

There they meet a ‘princess Alona’ (Olive Oyl in a sarong). Her parrot warns the two suitors that if the princess get’s harmed, the volcano will erupt. In the end all turns out to be just a dream.

In this cartoon the comedy is mostly silent, and princess Alona doesn’t speak at all. Unfortunately, Jack Mercer’s jabbers are absent, too, and they are certainly missed. The result is the weakest Popeye cartoon in years.

Watch ‘Alona on the Sarong Seas’ yourself and tell me what you think:

Director: Dan Gordon
Release Date: August 7, 1942
Stars: Popeye
Rating: ★★
Review:

You're A Sap, Mr. Jap © Paramount‘You’re a Sap, Mr. Jap’ is the first Popeye short by the Famous studio, after Paramount had taken over business from the Fleischer Brothers.

This film is immediately the most vicious propaganda film in Popeye’s career, and one of the most extreme cartoons of the entire World War II era. In it Popeye encounters some vicious caricatures of Japanese who doublecross him while suggesting to want to make peace. Their small boat turns out to be on top of a giant battleship which Popeye defeats singlehandedly. The cowardly admiral then commits suicide by drinking nitroglycerin and eating firecrackers, destroying the whole ship.

‘You’re a sap, Mr. Jap’ is as propagandistic as it is ferocious. In the Fleischer’s  ‘Fleets of Stren’th’ from five months earlier, the enemy was still rather abstract, but in ‘You’re a sap, Mr. Jap’ the Japanese people themselves are attacked. The film was the first, but not the only one to feature extreme caricatures of Japanese, which in this cartoon are killed by the dozen. Later, cartoons like ‘Bugs Bunny Nips the Nips’ and ‘Commando Donald’ (both 1944) would follow suit.

These cartoons mark a clear difference between the two enemies: the Germans and the Japanese. While the Nazis were always portrayed as silly, the German people were almost never seen in cartoons, and when shown, they were regarded as victims of their leaders, like in ‘Education for Death‘ (1943). The Japanese, on the other hand, with their less visible regime, were treated as one and the same, from the military top to the average soldier. No doubt, a sizable dose of racism accompanied this view. And it’s views like this that resulted in the arrest and internment of American Japanese, something that also happened to Germans living in the United States, but on a much smaller scale…

In ‘You’re a sap, Mr. Jap’ the anti-Japanese sentiment results in a remarkably unfunny cartoon, and the short is more famous for its lack of politic correctness than for its humor.

Watch ‘You’re a Sap, Mr. Jap’ yourself and tell me what you think:

Director: Dave Fleischer
Release Date: July 3, 1942
Stars: Popeye, Olive Oyl, Li’l Swee’Pea
Rating: ★★★★½
Review:

Baby wants a Bottleship © Paramount‘Baby Wants a Bottleship’ opens with Olive visiting Popeye, whose battleship is stationed at the harbor.

Olive has brought li’l Swee’Pea with her. The baby wants to have a battleship en climbs aboard the cruiser. Popeye has a hard time catching him again.

The result is a cartoon of great comedy and excellent timing. The action includes a musical number in which Popeye is clobbered by a canon. Like in the previous Popeye cartoon, ‘Many Tanks’, Popeye’s design switches between old and new.

Watch ‘Baby wants a Bottleship’ yourself and tell me what you think:

Director: Dave Fleischer
Release Date: May 15, 1942
Stars: Popeye, Bluto, Olive Oyl
Rating: ★★★
Review:

Many Tanks © ParamountIn this World War II cartoon Bluto is a soldier who tries to sneak away to date Olive Oyl.

When Popeye passes by Bluto tricks him into his army uniform. Popeye unwillingly has to join a tank squad, which leads to hilarious antics. Only when he has eaten some spinach Popeye directs his tank out of the camp straight to Bluto, who is wooing Olive.

Jack Mercer’s ad libbing during Popeye’s tank ride is fantastic and a highlight of the cartoon, as is the extremely flexible animation on Popeye’s tank. Popeye’s design changes back and forth from the old Fleischer design to the later, more streamlined Famous design, which makes its debut in this cartoon.

Watch ‘Many Tanks’ yourself and tell me what you think:

Director: Dave Fleischer
Release Date: March 13, 1942
Stars: Popeye
Rating: ★★★
Review:

Fleets of Stren'th © Max Fleischer‘Fleets of Stren’th’ is the third in a series of cartoons in which Popeye has joined the American navy.

In this cartoon Popeye still is a lousy sailor, but when the battle cruiser is under attack, he once again shows what he’s able to do (see also ‘Blunder Below‘). This time the battle cruiser is attacked by a squad of Japanese dive bombers. It takes some time before Popeye is able to eat his spinach, but when he does, he turns into a plane himself, defeating the complete enemy fleet.

In this process we see only one pilot, the other planes are subtly dehumanized. In this way we’ll never think of the fate of the Japanese pilots, at all. This was a clever device used in many war propaganda films of the time.

Watch ‘Fleets of Stren’th’ yourself and tell me what you think:

Director: Dave Fleischer
Release Date: February 13, 1942
Stars: Popeye
Rating: ★★★★
Review:

Blunder Below © Max FleischerPopeye had joined the navy before the United States entered the war, in ‘The Mighty Navy’ (November 1941), so in ‘Blunder Below’ he’s ready to fight the enemy, the first major cartoon star to do so on the movie screen.

In the first part of this cartoon Popeye tries to be a normal sailor, among Superman-like sailors, trying to learn gunning. He is no talent, however, blundering away and almost shooting down the captain by accident.

But when a submarine approaches, Popeye shows his real worth: he beats the submarine single-handedly, saving the battle cruiser. It’s this great combination of clumsiness and superhuman powers which make Popeye such an appealing character.

The approaching submarine is accompanied by the music of Franz Schubert’s Erlkönig, indicating a German origin. However, it soon turns out to be Japanese. The submarine is anthropomorphic itself and completely dehumanized, as if it were not manned by people at all. When in August 1942 Popeye changed hands from the Fleischers to Paramount, this would radically change…

Watch ‘Blunder Below’ yourself and tell me what you think:

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 815 other followers

Bookmark and Share

Follow TheGrob on Twitter

Categories