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Director: Friz Freleng
Release Date: February 29, 1938
Rating: ★★½
Review:

Jungle Jitters © Warner Bros.‘Jungle Jitters’ is a cartoon about cannibals.

We watch them drumming, dancing and trying to cook a Goofy-like travelling salesman. Their white, bird-like queen sees a Clark Gable or Robert Taylor in him and wants to marry the salesman, but he prefers the cooking pot.

‘Jungle Jitters’ is an unsure mix of musical gags, spot gags and a rudimentary gag story. The voices of both the salesman and the queen are weak, and the weird mix of human cannibals and these two animal-like characters is very unconvincing. And let’s not get started on the racist aspect of the movie. Besides, the scenes with the salesman are irritatingly slow, and the gags mostly trite. The best gag is when some cannibals dancing around a hut suddenly change into a merry-go-round.

On the positive side, Carl Stalling’s music is superb throughout, and enhances the action, even if it’s not much to look at.

Watch ‘Jungle Jitters’ yourself and tell me what you think:

‘Jungle Jitters’ is available on the DVD ‘Uncensored Animation 2: Cannibals!’

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Director: Friz Freleng
Release Date: January 30, 1937
Rating: ★★★
Review:

Pigs is Pigs © Warner Bros.In ‘Pigs is Pigs’ a fat little pig thinks of food all the time.

At night the pig dreams he’s being fed by a machine of an evil scientist with a hic-cough. He eats so much, he explodes. He awakes in a fright, but when his mother invites him to breakfast, it’s clear he hasn’t learned anything.

With its quasi-moralistic tale, its family-setting, its child star, and its Silly Symphony-like backgrounds, ‘Pigs is Pigs’ is still firmly rooted in the goody-goody world of the mid-1930s. However, an early ‘Hold the onions’-gag (the first of a long series), the fast machine-scenes, and the surprisingly non-moralistic finale look forward to a more individual Warner Bros. style.

‘Pigs is Pigs’ is far from a classic, but it’s surprisingly well animated, and shows that by 1937 the Schlesinger studio could use the Disney influence for their own ends.

Watch an excerpt from ‘Pigs is Pigs’ yourself and tell me what you think:

‘Pigs is Pigs’ is available on the DVD-set ‘Looney Tunes Golden Collection Volume Three’

Director: Hugh Harman & Rudolf Ising
Release Date: August 25, 1933
Stars: Cubby the Bear
Rating: ★★
Review:

Cubby's World Flight © Van BeurenIn 1933 the Harman and Ising studio had lost their deal with Leon Schlesinger to produce cartoons for Warner Bros. They had not yet got their later deal with MGM, and were in sort of a limbo, doing odds and pieces for several bidders.

One of the most surprising contracts they got was to produce two Cubby the Bear films for the New York-based Van Beuren in 1934. Van Beuren had his own studio making Cubby the Bear films, so what made him contracting Harman and Ising remains a puzzle. What’s clear, however, is that Harman & Ising’s Cubby was a far cry from Van Beuren’s own output.

Harman & Ising’s Cubby was in fact, Bosko but in a different design. His movements and spirit were indistinguishable from Harman & Ising’s former star. Like their cartoons for Warner Bros., Harman & Ising’s two Cubby the Bear films are animated by the same crew who had made the Bosko cartoons (e.g. Friz Freleng and Robert McKimson, before Schlesinger hired them away), resulting in cartoons that are at least well animated.

In the first of the two films, ‘Cubby’s World Flight’, Cubby follows Oswald (‘The Ocean Hop‘, 1927) and Mickey (‘Plane Crazy‘, 1928) in a Charles Lindbergh-inspired aviation film. Cubby starts flying alarmingly low, which leads to gags that go all the way back to ‘Plane Crazy’, he then crosses the United States, only to dive through the earth to reach China at the other side. Undaunted and with seemingly limitless supplies of fuel, Cubby flies over Russia to France, but above the Atlantic his plane is destroyed by a thunderstorm. Luckily our hero lands safely on the statue of liberty.

‘World Flight’ is practically indistinguishable from the early Warner Bros. films, and has little to do with Cubby as conceived by the Van Beuren studio itself. However, it’s a rather uninspired film, low on gags, and with an all too episodic story. In the best Warner Bros. tradition it features caricatures of the four Marx Brothers and of Maurice Chevalier.

Watch ‘Cubby’s World Flight’ yourself and tell me what you think:

‘Cubby’s World Flight’ is available on the Blu-Ray ‘The Complete Animated Adventures of Cubby Bear’ and on the DVD ‘The Complete Adventures of Cubby Bear’

Director: Rudolf Ising
Release Date:
 May 14, 1932
Rating: ★★★
Review:

It's Got Me Again © Warner Bros.‘It’s Got Me Again!’ finds Harman and Ising at their most Disney-like. This Merrie Melodie is very similar to contemporary Silly Symphonies.

The short features a mouse entering a musical instrument shop at night. The music starts when the mouse accidentally starts the title song on a gramophone. This invites several other mice to join in. After four minutes of musical frolicking a mean cat appears who gets one mouse cornered, prompting the rodent to sing the title track. The other mice, however, come to the rescue and together they get rid of the cat.

The story of ‘It’s Got Me Again!’ is very similar to that of contemporary Disney shorts ‘The Spider and the Fly‘ or ‘The Bird Store‘, but the short’s premise is most akin to the Van Beuren short ‘Toy Time‘ from four months earlier. ‘It’s Got Me Again!’ is much more sophisticated than the Van Beuren short, though. The animation, by Friz Freleng and Tom McKimson, is excellent throughout, and second only to the Disney studio itself.

The mice are Mickey Mouse but in size, only, and the musical routine involves a French Apache dance, as can also be found in ‘Mickey’s Follies‘ (1929) and the later ‘Woodland Cafe‘ (1937). Harman & Ising’s mimicking paid off, as ‘It’s Got Me Again!’ was among the three very first animated shorts to get an Academy Award nomination. Yet, it’s no surprise it lost to Walt Disney’s landmark cartoon ‘Flowers and Trees‘.

Watch ‘It’s Got Me Again!’ yourself and tell me what you think:

‘It’s Got Me Again!’ is available on the Blu-Ray ‘Looney Tunes Platinum Collection: Volume 2’ and the DVD ‘Looney Tunes Golden Collection Volume Three’

Director: Hugh Harman & Rudolf Ising
Release Date:
 April 19, 1930
Stars: Bosko, Honey
Rating: ★★
Review:

Sinkin' in the Bathtub © Warner Bros.Harman & Ising’s pilot ‘Bosko the Talk-ink Kid‘ lead to a succesful contract with Leon Schlesinger, and in April 1930, the young studio could release their first film for Warner Bros.: ‘Sinkin’ in the Bathtub’.

‘Sinkin’ in the Bathtub’ is the very first of the Looney Tunes, Harman and Ising’s first of three series which name was an all too obvious variation on Walt Disney’s successful Silly Symphonies. In 1931 they would launch the Merrie Melodies, and in 1934, when at MGM, the Happy Harmonies.

Schlesinger had sold the series to Warner Bros. with the prospect of selling their sheet music, and music would be an important part of both the Looney Tunes and Merrie Melodies until the end of the 1930s. Apart from the title song, one can hear ‘Forever Blowing Bubbles’ when Honey turns her bath tub into Bosko’s saxophone, making him blowing bubbles with his instrument.

Animated by Friz Freleng, ‘Sinkin’ in the Bathtub’ features Bosko, the star of ‘Bosko the Talk-ink Kid’, and Warner Bros.’ sole star from 1930 to 1933. Bosko invites his girlfriend Honey for a ride in his anthropomorphized car (which he finds on the toilet(!)). On their journey they experience problems with a cow and a steep hill. The ride ends in a pool.

The cartoon is well-animated and cheerful, but surprisingly boring at the same time, even though it lacks the endless song-and-dance-routines of contemporary Mickey Mouse cartoons. Bosko and his girl behave like Oswald and his girlfriend, and are only different in design, being clearly black stereotypes. They are totally devoid of any personality. In fact, Bosko would never develop one, and eventually it became even unclear what Bosko actually was, as exemplified by the following anecdote from Jack Zander, quoted by Leonard Maltin in ‘Of Mice and Magic’ (page 225):

One Day a porter at the studio said to young animator Jack Zander, “I want to ask you something about that character you’ve got. I know Mickey Mouse, and Krazy Kat, and Oswald the Rabbit… but Bosko the what?”

Watch ‘Sinkin’ in the Bathtub’ yourself and tell me what you think:

‘Sinkin’ in the Bathtub’ is available on the DVD ‘Looney Tunes Golden Collection Volume Three’ and on the Blu-Ray ‘Looney Tunes Platinum Collection: Volume 2’

Director: Friz Freleng
Release Date: April 21, 1945
Stars: Bugs Bunny, Yosemite Sam
Rating: ★★★★½
Review:

Hare Trigger © Warner Bros.‘Hare Trigger’ introduces that tiny yet explosive adversary to Bugs Bunny, Yosemite Sam.

His introduction music is Franz Schubert’s Erlkönig, and train robbery is his profession. However, on the train he encounters Bugs, who gives the short-tempered bandit a hard time.

The cartoon contains a shot of an über-cool Bugs rolling a cigarette, a gag repeated and improved on in ‘Bugs Bunny Rides Again‘ (1948). The short  also contains live action footage in the ‘club bar’ wagon.  The gun drawing scene is a highlight, as is Yosemite Sam’s death scene, which bugs invokes with ketchup. The cartoon ends brilliantly with a tongue-in-cheek cliffhanger.

According to Freleng he needed a stronger adversary to Bugs than Elmer Fudd ever was, and Yosemite Sam perfectly fitted the job. He was a delightful opponent to Bugs Bunny, and he became Friz Freleng’s favorite bad guy, lasting until 1964, and starring 31 cartoons in total, nearly all with Bugs Bunny. Perhaps Freleng was so fond of the character because he was partly based on Freleng himself.

In any case, he soon took Sam out of his Western origin, making him a.o. a pirate (‘Buccaneer Bunny‘, 1948), a foreign soldier (‘Bunker Hill Bunny‘, 1950) and a sheik (‘Sahara Hare’, 1955). Free from his Western origins Yosemite Sam could be Bugs Bunny in every country and every period of time, and in this respect he anticipates the Little Guy, the Pink Panther’s adversary, who also sprouted from Friz Freleng’s imagination.

Watch ‘Hare Trigger’ yourself and tell me what you think:

This is Bugs Bunny cartoon No. 32
To the previous Bugs Bunny cartoon: Unruly Hare
To the next Bugs Bunny cartoon: Hare Conditioned

 

Director: Walter Lantz
Release Date: March 4, 1942
Rating: ★★★★
Review:

The Hams That Couldn't Be Cured © Walter LantzThis short has probably grimmest opening shot of all Hollywood cartoons: that of someone about to be hanged.

It turns out to be the wolf, who will be hanged for harassing the three little pigs. The wolf pleads innocent, however, and tells us “what really happened”. In his own story the wolf is a classical music teacher, loving peace and quiet (the most ridiculous illustration of this is the image of the wolf crocheting a bath tube out of a sheep). He’s visited by the three little pigs who play hot jazz, bullying the wolf, wrecking his instruments, and finally his house.

It’s a bit odd to associate such intoxicating jazz with random violence à la Clockwork Orange, but the result is an entertaining cartoon, although it is clearly tributary to the 1941 Warner Bros. cartoon ‘The Trial of Mr. Wolf’, which features a very similar story idea. Interestingly enough the director of that cartoon, Friz Freleng, would later also direct a cartoon about a wolf and three little pigs playing hot jazz, in ‘The Three Little Bops‘ (1957).

Watch ‘The Hams That Couldn’t Be Cured’ yourself and tell me what you think:

http://vk.com/video-20905395_162788911

Director: Friz Freleng
Release Date: May 23, 1942
Rating:
Review:

Light Fantastic © Warner Bros.From the early 1930s to the early 1940s Warner Bros. released several cartoons in which books, magazines etc. come to life. Of all these cartoons, ‘Lights Fantastic’ is probably the most extreme and the most dated.

It opens with a real life shot of Times Square in New York, and all sequences after that supposedly take place in neon billboards on this square. This results in little movement, a few gags on Chinese and no laughs.

Present day viewers like me don’t even have a clue how many of these billboards were based on real and familiar ones. I personally could only recognize Mr. Peanut (from Planters). No doubt most of the fun disappeared with the familiarity of the pictured advertising. However, I seriously doubt whether this cartoon has ever been a winner, for its few gags are lame, and don’t build up to a finale, at all.

Watch an excerpt from ‘Lights Fantastic’ yourself and tell me what you think:

Director: Friz Freleng
Release Date: August 5, 1950
Stars: Daffy Duck, Porky Pig
Rating: ★★
Review:

Golden Yeggs © Warner Bros.1950 was a transitional year for Daffy Duck: director Robert McKimson still retained Daffy’s old loony self in ‘Boobs in the Woods‘, but Chuck Jones introduced a new version of the character, as the anti-hero in ‘The Scarlet Pumpernickel‘.

However, two other shorts from the same year, ‘Golden Yeggs’ and ‘The Ducksters‘, show that the directors were uncertain where to go with the character. In Friz Freleng’s ‘Golden Yeggs’ a goose lays a golden egg (24 karat solid gold) at Porky’s poultry farm, but she blames Daffy for doing it. Daffy plays along, but the news soon attracts a gang of gangsters, led by Rocky, in his debut*. The gangsters kidnap Daffy, forcing him to lay more eggs.

Daffy Duck is quite an empty character in this cartoon, more a victim than in control. He has lost his loony character traits completely, but his later greed and foul play haven’t entered, yet, leaving the character pretty much in limbo. The result is an erratic cartoon, weak in its comedy, and uncertain in its delivery, despite some great gags, like Daffy opening a ‘door’ which consists of a gangster.

Watch ‘Golden Yeggs’ yourself and tell me what you think:

Golden Yeggs

‘Golden Yeggs’ is available on the DVD set ‘Looney Tunes Golden Collection, Vol. 1’

This is Porky Pig cartoon no. 132
To the previous Porky Pig cartoon: An Egg Scramble
To the next Porky Pig cartoon: The Ducksters

* The Rocky in ‘Racketeer Rabbit’ (1946) was a different character, being a caricature of Edward G. Robinson)

Director: Friz Freleng
Release Date: April 22, 1950
Stars: Bugs Bunny, Yosemite Sam
Rating: ★★★★★
Review:

Big House Bunny © Warner Bros.To escape some hunters, Bugs Bunny hides inside a prison, where Sam Schultz (Yosemite Sam) is a prison guard.

What follows is a great series of prison gags, including two morbid ones resulting in Sam hanging on the gallows and being electrified in an electric chair. Throughout the cartoon the warden keeps calling for Schultz, not unlike the Nazi officer in the Ernst Lubitsch feature ‘To Be Or Not To Be’ (1942).

‘Big House Bunny’ is full of excellent gags and Freleng’s timing is superb throughout, making ‘Big House Bunny’ one of those little known masterpieces.

Watch ‘Big House Bunny’ yourself and tell me what you think:

‘Big House Bunny’ is available on the DVD set ‘Looney Tunes Golden Collection, Vol. 1’

This is Bugs Bunny cartoon No. 71
To the previous Bugs Bunny cartoon: Homeless Hare
To the next Bugs Bunny cartoon: What’s Up, Doc?

Directors: Tony Benedict, Gerry Chiniquy, Art Davis, David Detiege & Friz Freleng
Airing Date: April 1, 1980
Stars: Daffy Duck, Foghorn Leghorn, Miss Prissy, Sylvester, Speedy Gonzales
Rating: ★
Review:

Daffy Duck's Easter Egg-Citement © Warner Brothers‘Daffy Duck’s Easter Egg-Citement’ is an Easter-themed Looney Tunes television special produced by DePatie-Freleng.

Unlike Chuck Jones in ‘Bugs Bunny in King Arthur’s Court‘ Friz Freleng doesn’t attempt to tell one long story in the 25 minutes he’s got. Instead, we have three: the first evolves around Miss Prissy, who, in Foghorn Leghorn’s egg farm, lays a golden egg. Daffy and Sylvester find it, and fight eachother for it. This episode contains the only fine piece of animation of the whole special: the depiction of a paranoid Daffy in a car.

In the second episode Daffy is a guard at a chocolate bunny factory, protecting it against Speedy Gonzales, and in the third Daffy tries to go south, trying several options, including a horse. This part reuses the horse from the Pink Panther cartoon ‘Pinto Pink’ (1967) and some of its gags, too.

These stories are framed with Daffy in a very ‘Duck Amuck‘-like setting. Like ‘Bugs Bunny in King Arthur’s Court’  ‘Daffy Duck’s Easter Egg-citement’ suffers from bad designs (especially Foghorn Leghorn, who’s not a Freleng character, is badly drawn), can music, slow timing and excessive dialogue.

Director: Friz Freleng
Release date: October 13, 1956
Stars: Sylvester, Elmer Fudd
Rating: ★★★
Review:

Yankee Dood It © Warner Brothers‘Yankee Dood It’ was the last of three propaganda cartoons Friz Freleng directed for the Alfred P. Sloan Foundation, following the earlier ‘By Word of Mouse‘ (1954) and ‘Heir-Conditioned‘ (1955).

This cartoon is an original take on the famous fable of the shoemaker and the elves. Elve company W is missing, and elven king (Elmer Fudd but smaller and wih pointed ears) is wondering where they are. They turn out to be still helping the old shoemaker.

In order to get the elves back, a little elf and the king tell the old shoemaker how companies work, thus telling the short’s propagandistic message. Unfortunately, the shoemaker’s exclamations of ‘Dear Jehosapath’ turn the elves into mice, much to delight of the cat Sylvester (who appears in all three of these shorts).

‘Yankee Dood It’ is a nice, if rather slow propaganda short that only sees advantages of the capitalistic system: lower prices and higher wages. Possible drawbacks like poverty, monopolization, unemployment and pollution are, of course, wisely left out.

Watch ‘Yankee Dood It’ yourself and tell me what you think:

Director: Friz Freleng
Release date: November 26, 1955
Stars: Sylvester, Elmer Fudd, Tweety (cameo)
Rating: ★★★
Review:

Heir-Conditioned © Warner Brothers‘Heir-Conditioned’ was the second of three propaganda cartoons funded by the Alfred P. Sloan Foundation (the other two being ‘By Word of Mouse‘ from the previous year, and ‘Yankee Dood It‘ from the next year).

In this cartoon Sylvester has inherited a fortune, and all the alley cats try to persuade him to spend it. But Elmer, who’s Sylvester’s financial adviser, persuades Sylvester, and all the listening cats, to invest the money, in a lecture celebrating the capitalistic system, now focusing on the importance of investment. Sylvester remains pretty much the straight man in this cartoon, with most of the comic relief coming from the alley cats.

Watch ‘Heir-Conditioned’ yourself and tell me what you think:

Director: Friz Freleng
Release date: October 2, 1954
Stars: Sylvester
Rating: ★★★
Review:

By Word of Mouse © Warner BrothersIn the mid-fifties Friz Freleng directed three propaganda shorts celebrating the American capitalistic system. They were funded by the right wing Alfred P. Sloan Foundation and curiously, they all feature Sylvester the cat.

‘By Word of Mouse’ is the first of the three. In this cartoon we’re taken to the rather backward German town of “Knöckwurst-on-der-Rye”. Here mouse Hans tells his siblings about his trip to America. Cut to his memories: we watch him meeting his cousin Willie at the harbor. Willie takes the astounded Hans to a trip, showing the riches of the Americans. Because Hans doesn’t understand how this can be, Willie takes him to a university mouse, who lectures the two about mass production and mass consumption.

Comic relief is provided by Sylvester, who chases the three mice, interrupting the lectures. But he cannot hide the fact that, although being an ordinary Looney Tune, ‘By Word of Mouse’ is pretty informative, if rather propagandistic by single-mindedly glorifying the wonders of capitalism.

‘By Word of Mouse’ was followed by ‘Heir-Conditioned‘ (1955) and ‘Yankee Dood It‘ (1956), covering similar grounds.

Watch ‘By Word of Mouse’ yourself and tell me what you think:

Director: Friz Freleng
Release Date: August 7, 1954
Stars: Tweety & Sylvester
Rating: ★★★★
Review:

Satan's Waitin' © Warner BrothersDuring a chase Sylvester falls down and ceases to be.

He goes straight to hell, where a bulldog-like devil tells him he can return to earth because he has still eight lives left. Unfortunately, back on earth Sylvester loses his lives fast, especially during a chase at a carnival.

‘Satan’s Waitin’ shows some similarities to the Tom & Jerry cartoon ‘Heavenly Puss‘ (1949), including bulldog devils and a heavenly escalator. Nevertheless, it’s one of the most original and most inspired of the Tweety and Sylvester cartoons, on par with the celebrated ‘Birds Anonymous’ from 1957.

Watch ‘Satan’s Waitin’’ yourself and tell me what you think:

Director: Friz Freleng
Release Date: May 8, 1948
Stars: Bugs Bunny, Yosemite Sam
Rating: ★★★★
Review:

Buccaneer Bunny © Warner BrothersAlready in his third cartoon Yosemite Sam is used outside his original Western setting, and changed into a timeless adversary of Bugs Bunny.

In ‘Buccaneer Bunny’ he’s a 18th century pirate called Seagoin’ Sam. This idea of Sam as a timeless foe was a masterstroke, and in the following years, Sam would be Bugs Bunny’s nemesis in a wide variety of settings, like the American war of independence, the Sahara desert, ancient Rome and the middle ages.

‘Buccaneer Bunny’ is a wonderful start of this series, consisting of wonderful gags, including a beautifully timed multiple door gag. Bugs Bunny also does a great Charles Laughton parody, disguising as captain Bligh, as portrayed by Laughton in ‘Mutiny on the Bounty’ (1935).

Watch ‘Buccaneer Bunny’ yourself and tell me what you think:

This is Bugs Bunny cartoon No. 49
To the previous Bugs Bunny cartoon: Rabbit Punch
To the next Bugs Bunny cartoon: Bugs Bunny Rides Again

Director: Friz Freleng
Release Date: January 5, 1957
Rating:  ★★★★★
Review:

Three Little Bops © Warner Brothers‘Three Little Bops’ retells the story of the three little pigs in a jazz style.

The film features voice actor Stan Freberg as a singing narrator. In the cartoon the three little pigs are jazz musicians who play jump blues (not bebop!). The wolf is a corny jazz cat, who wants to sit in, but whose trumpet playing is too amateurish to entertain. Only in hell the wolf learns that “you gotta get hot to play real cool”.

The film is unique within the Warner Bros. cartoon canon because it features neither voice work by Mel Blanc nor music by Carl Stalling/Milt Franklyn. It even lacks the ‘That’s All Folks!’ ending, showing a ‘The End’, instead. In the cartoon Stan Freberg does all the singing, while the swinging rhythm & blues music is provided by jazz musician Shorty Rogers and his combo. Together with ‘Rhapsody in Rivets’ (1941), the cartoon is one of the best examples of director Friz Freleng’s perfect sense of musical timing. The result is one of the most entertaining animated cartoons of the late 1950s.

Watch ‘Three Little Bops’ yourself and tell me what you think:

Director: Friz Freleng
Release Date: March 28, 1942
Stars: Bugs Bunny, Elmer Fudd
Rating: ★★★★
Review:

The Wabbit Who Came to Supper © Warner BrothersElmer Fudd will inherit three million dollars from Uncle Louie, if he doesn’t hurt any animal, especially rabbits. Bugs, of course, takes advantage of the situation.

‘The Wabbit Who Came to Supper’ was Friz Freleng’s second Bugs Bunny cartoon, only, but he understood the brassy character completely. The highlight of the cartoon is the scene in which in the middle of a chase a clock chimes and Bugs bursts into a convincing New Year routine… in July. This scene not only shows the fresh character’s overpowering personality, it also shows Bugs Bunny’s ability to produce necessary attributes out of nowhere, this time confetti and streamers.

Bugs’ design, however, is rather unappealing and uncertain in this cartoon. And Elmer Fudd, too, has the less appealing alternate fatty design, which Robert Clampett had introduced in ‘Wabbit Twouble’ (1941). Luckily, this design was short-lived and lasted only four cartoons.

Two years later Hanna and Barbera would use the same plot idea in the Tom and Jerry cartoon ‘Million Dollar Cat’ (1944) with even better results.

Watch ‘The Wabbit Who Came to Supper’ yourself and tell me what you think:

This is Bugs Bunny cartoon No. 8
To the previous Bugs Bunny cartoon: Wabbit Twouble
To the next Bugs Bunny cartoon: The Wacky Wabbit

 

Director: Friz Freleng
Release Date:
 May 2, 1953
Stars:
 Bugs Bunny, Yosemite Sam
Rating:
 ★★★★
Review:

Southern Fried Rabbit © Warner BrothersWhen his home country looks like a desert and he becomes short of carrots, Bugs migrates to Alabama.

Unfortunately, the ‘Mason Dixie Line’, the border between the North (desert) and the South (beautiful green landscape), is protected by Southerner Sam, who isn’t aware that the civil war has ended ages ago. This preposterous idea leads to great gags involving several impersonations by Bugs, a.o. of Abraham Lincoln.

Watch ‘Southern Fried Rabbit’ yourself and tell me what you think:

http://archive.org/details/SouthernFriedRabbit_35

This is Bugs Bunny cartoon No. 98
To the previous Bugs Bunny cartoon: Upswept Hare
To the next Bugs Bunny cartoon: Hare-Trimmed

Director: Friz Freleng
Release Date:
 September 22, 1951
Stars:
 Tweety & Sylvester, Granny
Rating:
 ★★★
Review:

Tweety's S.O.S. © Warner BrothersSylvester is down in the dumps and hungry, foraging a harbor, when he discovers Tweety on a ship.

He climbs aboard, and what follows are several gags involving glasses and sea sickness. The best gag is when Sylvester paints Tweety on Granny’s glasses. Most of the other gags, however, are mediocre, and feel routinized. For example, Tweety reuses a sea sickness gag from Tex Avery’s ‘The Screwball Squirrel’ (1944), but much less well executed.

Watch ‘Tweety’s S.O.S.’ yourself and tell me what you think:

‘Tweety’s S.O.S.’ is available on the DVD set ‘Looney Tunes Golden Collection, Vol. 1’

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