Director: Dave Fleischer
Release Date: April 29, 1938
Rating: ★★★½
Review:

Hold It © Max FleischerIn ‘Hold It’ a bunch of cats sing a song with many stops in it, a rather lame variation on the 1937 hit song ‘Posin”.

At the stops everybody freezes, including the singing cat himself, who’s able to hang still in mid-air. Later, the cats’ song manages to stop apples from falling and water from flowing.

These rather original and silly gags save the cartoon, which otherwise is anything but interesting, The cats’ song is too trite to become a real classic, and apart from the threat of a dog, nothing really happens in the cartoon. And yet, ‘Hold It’ marks a welcome diversion from the childish morality tales that most Color Classics are. As is often the case with the Color Classics, the opening scene is the most memorable, with its beautiful 3D shots of a village going to sleep. This scene takes a full minute off the cartoon, while the song only enters after the third minute.

Watch ‘Hold It’ yourself and tell me what you think:

‘Hold It’ is available on the DVD-set ‘Somewhere in Dreamland – Max Fleischer’s Color Classics: The Definitive Collection’

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Director: Dave Fleischer
Release Date: December 31, 1937
Rating:
Review:

Little Lamby © Max Fleischer‘Little Lamby’ is one of the most sickeningly sugary entries within Max Fleischer’s Color Classics series.

In this short we watch an evil fox entering peaceful ‘Animalville’. In order to catch some fresh meat, he organizes a baby contest with himself as the judge. He chooses an innocent little lamb as the winner. As the fox states it : “He’s the winner, and my dinner”, before he rushes off on a motorcycle to his hideout. Of course, the townspeople follow him, and during the film’s climax they try to enter the fox’s tree house, while the fox prepares the totally unaware lamb for dinner…

‘Little Lamby’ is totally devoid of humor, and the short is hampered by tiresome vocalizations, especially of the fox, whose wordless grunts get on the nerves. Moreover, the animation is erratic, with the quality often not exceeding that of cartoons from four/five years earlier. No, the only interesting thing about ‘Little Lamby’ is its opening shot, in which we watch the fox wandering through a beautiful 3D tabletop landscape.

Watch ‘Little Lamby’ yourself and tell me what you think:

‘Little Lamby’ is available on the DVD-set ‘Somewhere in Dreamland – Max Fleischer’s Color Classics: The Definitive Collection’

Director: Dave Fleischer
Release Date: October 29, 1937
Rating: ★★
Review:

Educated Fish © Max FleischerIn many Color Classics the opening sequence is the most interesting part, mostly because of the spectacular 3D effects of Fleischer’s tabletop backgrounds.

‘Educated Fish’ doesn’t employ the tabletop, but even in this short the opening scene is the most interesting part of the cartoon, with its convincing animation of rolling waves. The rest is a childish and tiresome cartoon about a small fish called Tommy who plays hooky and gets caught by a fisherman. In the end he clearly has learned his lesson.

True, there are a handful of nice gags, like the teacher eating the worm in the apple instead of the apple itself. And the sexy worm, with her Mae West-like voice, is nice to watch, but these factors cannot rescue a cartoon that almost collapses under its self-importance and lack of humor. Nevertheless, this cartoon was nominated for an Academy Award (which it understandably lost to Disney’s tour de force ‘The Old Mill‘), and thus, Tommy would return in ‘Small Fry’ (1939), which is even worse.

Watch ‘Educated Fish’ yourself and tell me what you think:

‘Educated Fish’ is available on the DVD-set ‘Somewhere in Dreamland – Max Fleischer’s Color Classics: The Definitive Collection’

Director: Tex Avery
Release Date: July 23, 1938
Stars: Egghead
Rating: ★★★½
Review:

Cinderella Meets Fella © Warner Bros.‘Cinderella meets Fella’ is Tex Avery’s second take at a classic fairy tale after ‘Little Red Walking Hood’ (1937).

The cartoon’s opening scenes are one string of nonsensical gags, from the invitation card with which it starts to Cinderella’s arrival at the ball. For example, to get warm, Cinderella just adjusts her candle to get more flames. And when the fairy godmother is late, Cinderella calls the police to look for her. To get mice for the couch, the fairy godmother plays a slot machine, which incomprehensibly is built in the wall. Gags like these were completely unique at the time and could only be found in Warner Bros. films, and in Avery’s films in particular.

Prince Charming turns out to be Egghead, Tex Avery’s second cartoon star, after Daffy Duck. Egghead unfortunately is just too odd and too unsympathetic to carry the rest of the cartoon. So the short deflates a little after his entrance.

But the cartoon is revived by the extraordinary end gag: Egghead finds out that Cinderella got tired of waiting and has gone to a Warner Bros. show. Egghead is heartbroken, until he’s called by his love from the audience. We watch a silhouette standing up, and within seconds she’s back on the screen.

It’s great gags like these that made Tex Avery the undisputed innovator of cartoon comedy. ‘Cinderella meets Fella’ is undoubtedly one of the funnier cartoons of 1938, but when Avery would revisit this particular fairy tale seven years later, with ‘Swing Shift Cinderella’, the results would even be much, much better.

Watch ‘Cinderella Meets Fella’ yourself and tell me what you think:

‘Cinderella Meets Fella’ is available on the DVD-set ‘The Busby Berkeley Collection’

Directors: Ben Hardaway & Cal Dalton
Release Date: July 9, 1938
Rating: ★★½
Review:

Love and Curses © Warner BrosLove and Curses’ is set during the gay nineties and is a spoof of the classic melodrama, complete with mustached villain, a train track and a sawmill.

Unfortunately, the cartoon is hampered by the stiff melodramatic dialogue and the slow timing. Most of the ‘humor’ comes from the invincible hero Harold reciting proverbs all the time, but his appearances are tiresome, not funny. There are also a couple of throwaway gags, but these are mildly amusing at best.

This is one of those rather rare cartoons (not counting Popeye) featuring adult human designs, and the results are pretty unsteady. The animation of the girl singing at the nightclub is the most elaborate, but none of the animation is convincing.

Chuck Jones would visit the same kind of material four years later with ‘The Dover Boys‘, which seems light-years ahead of this cartoon.

Watch ‘Love and Curses’ yourself and tell me what you think:

‘Love and Curses’ is available on the DVD-set ‘The Busby Berkeley Collection’

Director: Dave Fleischer
Release Date: August 12, 1938
Stars: Betty Boop, Pudgy
Rating:
Review:

Pudgy the Watchman © Max Fleischer‘Pudgy the Watchman’ opens with an alley cat driving a mouse-like car in a beautiful 3D landscape, conceived with Max Fleischer’s unique tabletop technique.

This cat, called Al E. Katz, stops at Betty Boop’s house, and tricks Betty to hire him as a ‘mouse eradicator’ by using a toy mouse. Meanwhile we watch Pudgy playing with the little critters in the cellar. The cat disturbs this peaceful scene by catching the mice in no time and playing darts using them. But one escapes and sets them all free, while the cat gets drunk from Betty’s wine cellar. With help from Pudgy the mice chase the cat out of the house.

‘Pudgy the Watchman’ has a straightforward story, but that’s the best one can say about this cartoon. The makers forgot to provide it with anything resembling a gag. The result is an utterly forgettable cartoon, and certainly one of the most boring entries even in Pudgy’s already mediocre catalog.

Watch ‘Pudgy the Watchman’ yourself and tell me what you think:

This is Betty Boop cartoon No. 75
To the previous Betty Boop cartoon: The Swing School
To the next Betty Boop cartoon: Sally Swing

‘Pudgy the Watchman’ is available on the Blu-Ray ‘Betty Boop: The Essential Collection, Vol. 4’ and the French DVD Box Set ‘Betty Boop Coffret Collector’

Director: Dave Fleischer
Release Date: May 27, 1938
Stars: Betty Boop, Pudgy
Rating: ★★
Review:

The Swing School © Max Fleischer‘The Swing School’ marks a return of Betty Boop to the animal world she came from in the early 1930s.

In this cartoon she runs a swing school for anthromorpic kid animals, including an elephant, a hippo, a giraffe, and Pudgy. Pudgy, like Pluto, had been only a half anthropomorphized dog and wasn’t able to speak. So in this cartoon, in which he’s more treated as a little kid than as a dog, all these animals are devoid of speech. However, they can sing and play the piano.

Unfortunately, Pudgy is not doing well at all, singing Betty Boop’s trite Lalala song way out of tune. So Betty makes him sit in the dunce’s corner. But when a female dachshund takes pity on the pup, and kisses him, Pudgy suddenly bursts into some serious scatting, making the whole class swing.

‘The Swing School’ surfs on the swing craze, which was in full swing (pardon the pun) by 1938. Although the catchy scatting part is a warm welcome back to Betty Boop’s early jazz days, most of the cartoon is terribly slow and extremely childish, and so tiresome that it comes close to the point of being unwatchable. In no sense the cartoon comes close to the Fleischers’ greatest swing cartoons, like ‘Swing, You Sinners!‘ (1930) or ‘Minnie the Moocher‘ (1932).

Only two weeks later, Warner Bros. would release ‘Katnip Kollege’ covering the same subject, but with much, much more spirit.

Watch ‘The Swing School’ yourself and tell me what you think:

This is Betty Boop cartoon No. 74
To the previous Betty Boop cartoon: Out of the Inkwell
To the next Betty Boop cartoon: Pudgy the Watchman

‘Out of the Inkwell’ is available on the Blu-Ray ‘Betty Boop: The Essential Collection, Vol. 4’ and the French DVD Box Set ‘Betty Boop Coffret Collector’

Director: Dave Fleischer
Release Date: April 22, 1938
Stars: Betty Boop
Rating: ★★★½
Review:

Out of the Inkwell © Max Fleischer‘Out of the Inkwell’ starts with live action footage of a black cleaner reading a book on hypnosis.

Hypnosis as conceived by the Fleischers is more like a magic spell, and has the power of making things come alive. The cleaner hypnotizes a pen that then draws an old-style Betty. He hypnotizes this miniature Betty, too, but she turns the tables on him, hypnotizing the broom and the fan, and finally, the man himself, making him clean the room rapidly.

‘Out of the Inkwell’ returns to the origins of Max Fleischer’s career, blending animation and live action using a character born out of ink. The result surely is one of the more original latter day Betty Boop cartoons, and a delightful mix of live action, stop motion and traditional animation.

The cartoon delivers less than it promises, however, and is particularly hampered by the black man’s extremely stereotyped lazy voice, which sounds like it has been dubbed. Highlight is the hypnotized Betty, who dives and swims in mid air, and who is animated extraordinarily rubbery.

Watch ‘Out of the Inkwell’ yourself and tell me what you think:

This is Betty Boop cartoon No. 73
To the previous Betty Boop cartoon: Be Up To Date
To the next Betty Boop cartoon: The Swing School

‘Out of the Inkwell’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’

Director: Dave Fleischer
Release Date: January 28, 1938
Stars: Betty Boop, Pudgy
Rating: ★★
Review:

Riding the Rails © Max FleischerIn ‘Riding the Rails’ Pudgy, Betty Boop’s cute puppy, follows Betty on her way to work.

He loses her on the subway, where he causes havoc. When he’s being chased by a rather poorly designed and ditto animated conductor he lands on the rails, where he’s almost killed. He hurries off home, and straight back into his bed.

Betty’s ride on the subway recalls a similar bus ride in ‘Judge for a Day’ (1935), and is most enjoyable in its depiction of subway annoyances. However, most of the cartoon deals with Pudgy’s terror, and plays on melodrama, not laughs. This makes ‘Riding the Rails’ a sympathetic, yet rather forgettable cartoon.

Watch ‘Riding the Rails’ yourself and tell me what you think:

This is Betty Boop cartoon No. 71
To the previous Betty Boop cartoon: Zula Hula
To the next Betty Boop cartoon: Be Up To Date

‘Riding the Rails’ is available on the Blu-Ray Betty Boop: The Essential Collection Vol. 3 and on the French DVD Box Set ‘Betty Boop Coffret Collector’

Director: Ben Sharpsteen
Release Date: June 17, 1938
Rating: ★★★½
Review:

Polar Trappers © Walt Disney‘Polar Trappers’ is the first of six cartoons co-starring Donald Duck and Goofy.

This mini-series, which lasted until 1947, is much less well-known than the trio-cartoons of the 1930s, and rightly so, for these cartoons are okay at best, and never reach the classic heights of a ‘Clock Cleaners’ (1937) or ‘Mickey’s Trailer’ (1938).

One of the problems of these shorts is that the studio never really succeeded in making comedy out of interaction between these two characters. Without the bridging Mickey, it was in fact, rather unclear why the two very different characters were actually together.

In ‘Polar Trappers’ Donald Duck and Goofy don’t share any screen time until the very end. This cartoon incongruously places them on some unknown expedition in the Antarctic. Apparently they want to catch walruses, but even Goofy has no clue why, as he sings in his opening scene.

Meanwhile Donald Duck is tired of cooking beans. He’d rather eat penguin meat, so he dresses like a penguin and tries to lure a population of penguins, much like the pied piper. This march of the penguins accounts for some beautiful shots, most notably one in which the penguins cast large shadows across the screen. The penguins’ design come straight from the Silly Symphony ‘Peculiar Penguins‘ (1934).

Donald’s evil plan is stopped by one tear of a little penguin he had sent away. This tear grows into a huge snowball, destroying the duo’s camp.

Shortly after this film’s release (August 15-27, 1938) Al Taliaferro’s Donald Duck comic strip drew inspiration from the same material, but now without Goofy.

Watch ‘Polar Trappers’ yourself and tell me what you think:

‘Polar Trappers’ is available on the DVD-set ‘The Chronological Donald Volume 1’

 

Director: Jack King
Release Date: April 15, 1938
Rating: ★★★★½
Review:

Donald's Nephews © Walt Disney‘Donald’s Nephews’ marks the screen debut of Donald’s famous nephews, Huey, Dewey, and Louie.

Al Taliaferro had introduced them in the Donald Duck Sunday Page of October 17, 1937, and by April 1938 they had become regular stars of the Donald Duck comic strip. Their screen debut is explosive, however. Once inside the “angel nephews” initiate a game of polo on their tricycles, wrecking Donald’s house within seconds.

Luckily Donald Duck discovers a book on ‘Modern Child Training’, which gives him ideas to treat the three kids. First, Donald tries to sooth the brats by playing Pop Goes the Weasel on the piano, to no avail. Then he tries to calm them down with a nice turkey supper, still without success. In the end of the cartoon the three nephews rush off back to Aunt Dumbella, supposedly their mother, but they would return three months later, in ‘Good Scouts’. In fact, Uncle Donald clearly became their surrogate father, as Aunt Dumbella was never seen in either comic strip or animated film.

‘Donald’s Nephews’ is a wonderful cartoon: the gags come in fast and plenty, and there’s a real battles of wits going on between Donald and his nephews. There’s nothing of the slowness of Donald’s earlier cartoons. Instead, there’s a lot of speed, and some remarkable exaggeration, like Donald Duck’s hand swelling up three times its original size, and the sound effect of horses galloping when the three nephews rush to the dinner table. Highlight of ‘Donald’s Nephews’ may be the saying grace scene, which is anything but devote. Donald’s attempts to pacify his nephews come from a book, a story idea later copied in e.g. ‘Goofy’s Glider’ (1940), and the Tom & Jerry cartoon ‘Mouse Trouble’ (1944).

Speed, exaggeration, weird sound effects, the book idea – all these elements look forward to the zanier cartoon style of the 1940s, of which ‘Donald’s Nephews’ can be regarded as an early example.

‘Donald’s Nephews’ is an important cartoon: it clearly establishes Donald Duck as old enough to be an authority figure to the three kids. His school-going days of ‘Donald’s Better Self’ were now over. Moreover, the wrecking trio are a worthy adversary to the duck, really testing his temper. This would lead to many great cartoons, e.g. ‘Good Scouts’, ‘Hockey Champ’ (both 1938), ‘Sea Scouts’ (1939) and ‘Mr Duck Steps Out’ (1940). Huey, Dewey, and Louie starred 23 cartoons in total, lasting until Donald Duck’s very last theatrical cartoon, ‘The Litterbug’ (1961).

Watch ‘Donald’s Nephews’ yourself and tell me what you think:

This is Donald Duck cartoon No. 4
To the previous Donald Duck cartoon: Donald’s Better Self
To the next Donald Duck cartoon: Good Scouts

‘Donald’s Better Self’ is available on the DVD-set ‘The Chronological Donald Volume 1’

Director: Jack King
Release Date: March 11, 1938
Rating: ★★★
Review:

Donald's Better Self © Walt DisneyWhen ‘Donald’s Better Self’ was released, it was not yet firmly established whether Donald Duck was a boy or an adult.

This would be settled in the next cartoon, ‘Donald’s Nephews‘, with Donald clearly playing a rather unlikely role of authority figure. But in ‘Donald’s Better Self’ he’s young enough to go to an elementary school.

Throughout the cartoon, Donald is advised by both is angelic and his devilish self. The devilish self makes him skipping school and smoking a pipe, which renders Donald sick. Luckily, his angelic side comes to the rescue, mimicking a war plane, and clobbering the devilish side straight into hell.

‘Donald’s Better Self’ is animated wonderfully throughout, but as often, Jack King’s timing is terrible, wearing down the action. Worse, the tale is overtly moralistic (typical for the mid-1930s), and low on gags. The result is another mediocre entry in Donald’s fledgling series. Luckily, with the next Donald Duck cartoon, ‘Donald’s Nephews’, the studio would hit the jackpot.

Together with material from ‘Self Control‘, animation from ‘Donald’s Better Self’ was reused in the film ‘Donald’s Decision‘ (1941), a war propaganda film for the Canadian government.

Watch ‘Donald’s Better Self’ yourself and tell me what you think:

This is Donald Duck cartoon No. 3
To the previous Donald Duck cartoon: Self Control
To the next Donald Duck cartoon: Donald’s Nephews

‘Donald’s Better Self’ is available on the DVD-set ‘The Chronological Donald Volume 1’

Director: Jack King
Release Date: February 11, 1938
Rating: ★★
Review:

Self Control © Walt DisneyIn ‘Self Control’ Donald Duck is relaxing in a hammock in his garden, listening to the radio.

On the radio some professor advises to keep your temper, an advice Donald Duck takes wholeheartedly. Unfortunately, when he tries to rest, this becomes very difficult, as he’s hindered by a fly, a caterpillar, a chicken and an obnoxious woodpecker. The cartoon ends with Donald Duck battering the radio to pieces.

‘Self Control’ is the first Donald Duck cartoon with the Duck as the average citizen battling everyday annoyances, a role he would play with gusto during the 1940s. Unfortunately, in ‘Self Control’ his annoyances are a little too outlandish to be really familiar.

Moreover, the cartoon suffers from a terrible slowness, rendering a surprisingly boring cartoon. It seems the studio was still struggling with the character in a solo outfit. Indeed, when coupled to strong adversaries, like his nephews in ‘Donald’s Nephews‘ from two months later, the result was much more explosive. The woodpecker would return in ‘Donald’s Camera’ (1941).

Watch ‘Self Control’ yourself and tell me what you think:

This is Donald Duck cartoon No. 2
To the previous Donald Duck cartoon: Donald’s Ostrich
To the next Donald Duck cartoon: Donald’s Better Self

‘Self Control’ is available on the DVD-set ‘The Chronological Donald Volume 1’

Director: Jack King
Release Date: December 10, 1937
Rating: ★★½
Review:

Donald's Ostrich © Walt Disney‘Donald’s Ostrich’ is the first entry in Donald Duck’s very own series.

True, Donald had already gone solo in ‘Don Donald‘ and ‘Modern Inventions‘ from earlier that year, but those two cartoons had been released within the Mickey Mouse series. With ‘Donald’s Ostrich’ Donald Duck would really be on his own, only two weeks after Pluto had made the same jump with ‘Pluto’s Quin-Puplets’. Now he was ready to become Disney’s most popular star.

Unfortunately, this first entry is not really a success. In this short Donald Duck works at a remote train station, where he encounters an ostrich in a package. The ostrich has male plumage, but is clearly female, and called Hortense. Most of the gags are about Hortense, who, as an accompanying note says, eats everything, including a harmonica, an alarm clock, a few balloons, and Donald’s radio.

The radio, especially, takes much screen time, making the ostrich behave like e.g. a boxer and a race car. This string of gags is rather tiresome, and suffers from King’s slow timing, and it’s a pity Donald gets so little screen time himself.

Donald’s next two cartoons wouldn’t be better, but with ‘Donald’s Nephews‘, the studio would hit the jackpot. Hortense meanwhile would enter Donald’s life, too, in Al Taliaferro’s daily Donald Duck comic strip in May 9, 1938, causing a string of gags until May 24, and occasionally appearing afterwards.

Watch ‘Donald’s Ostrich’ yourself and tell me what you think:

This is Donald Duck cartoon No. 1
To the next Donald Duck cartoon: Self Control

‘Donald’s Ostrich’ is available on the DVD-set ‘The Chronological Donald Volume 1’

Director: Friz Freleng
Release Date: February 29, 1938
Rating: ★★½
Review:

Jungle Jitters © Warner Bros.‘Jungle Jitters’ is a cartoon about cannibals.

We watch them drumming, dancing and trying to cook a Goofy-like travelling salesman. Their white, bird-like queen sees a Clark Gable or Robert Taylor in him and wants to marry the salesman, but he prefers the cooking pot.

‘Jungle Jitters’ is an unsure mix of musical gags, spot gags and a rudimentary gag story. The voices of both the salesman and the queen are weak [see Yowp’s comment below for their origin], and the weird mix of human cannibals and these two animal-like characters is very unconvincing. And let’s not get started on the racist aspect of the movie. Besides, the scenes with the salesman are irritatingly slow, and the gags mostly trite. The best gag is when some cannibals dancing around a hut suddenly change into a merry-go-round.

On the positive side, Carl Stalling’s music is superb throughout, and enhances the action, even if it’s not much to look at.

Watch ‘Jungle Jitters’ yourself and tell me what you think:

‘Jungle Jitters’ is available on the DVD ‘Uncensored Animation 2: Cannibals!’

Director: Dave Fleischer
Release Date: April 25, 1938
Stars: Popeye, Olive Oyl
Rating: ★★★
Review:

Big Chief Ugh-Amugh-Ugh © Max FleischerThe title character of this cartoon is a stereotype Indian chief who longs for a squaw, as he immediately tells us in his opening song.

Enter Popeye and Olive on a stubborn donkey. At one point the donkey kicks Olive inside the Indian camp, and she seems to fall for the chief’s advances. The Indians, meanwhile, order Popeye to perform some difficult tasks, and with spinach he does them much better than his Indian rivals.

‘Big Chief Ugh-Amugh-Ugh’ is an uneven cartoon, and suffers from inadequate storytelling, and severe stereotyping. The cartoon is saved by Jack Mercer’s constant mumbling, which is particularly inspired.

Watch ‘Big Chief Ugh-Amugh-Ugh’ yourself and tell me what you think:

‘Big Chief Ugh-Amugh-Ugh’ is available on the French DVD Box Set ‘Popeye the Sailor 1933-1938’

Director: Dave Fleischer
Release Date: March 18, 1938
Stars: Popeye, Olive Oyl, Wimpy
Rating: ★★★★
Review:

The House Builder Upper © Max Fleischer‘The House Builder Upper’ opens with Olive crying on her doorstep.

It’s soon revealed why: as the camera zooms out, it’s revealed her complete house has burnt down. Firemen Popeye and Wimpy arrive way too late, but they offer to help her build a new house. Enter a series of building gags, which elaborate on the Laurel and Hardy two-reeler ‘The Finishing Touch’ (1928). Like Laurel & Hardy, Popeye and Wimpy are lousy construction workers, with Wimpy excelling in silly acts, accompanied by a particularly goofy tune. So it’s no wonder, the complete house falls apart upon finishing.

Enter that mysterious ingredient, spinach. After swallowing the contents of the can, Popeye builds a new house in a second. But even spinach isn’t sacred: even this house falls apart! So, the cartoon ends with Popeye promising to try again.

‘The House Builder Upper’ is one of those pleasant Popeye cartoons in which the Bluto-Popeye-Olive love triangle has no part at all. It’s a great gag-orientated cartoon, and the gags come in plenty, with the bizarre finale as a highlight within the complete series.

Watch ‘The House Builder Upper’ yourself and tell me what you think:

‘The House Builder Upper’ is available on the French DVD Box Set ‘Popeye the Sailor 1933-1938’

Director: Dave Fleischer
Release Date: February 18, 1938
Stars: Popeye, Olive Oyl, Bluto
Rating: ★★★★
Review:

Learn Polikeness © Max FleischerOlive takes Popeye to Prof. Bluteau’s school of etiquette.

The opening scene shows Prof.’s Bluteau’s large office, with help of Fleischer’s 3d tabletop background. Bluteau of course is Bluto and in this scene he’s already established as a fraud. Indeed, he hardly behaves gentleman-like when Olive and Popeye enter. True, he does know more manners than Popeye, but he clearly fancies Olive, and when trying to kiss her, he almost strangles her.

So, Popeye doesn’t have to win Olive back, he really has to rescue her from the brute. Interestingly, this time the spinach gives Popeye some manners besides strength, and there’s some great animation on Popeye clobbering Bluto in deft poses, on the tune of ‘Stars and Stripes Forever’.

Bluto’s design is somewhat off in this cartoon – the studio clearly experimented with new eyes on the character, which are not really steady yet. Maybe the studio grew a little tired of the character, for Bluto wasn’t seen again in the rest of 1938, only to return in ‘Customers Wanted’ (1939) [see Bobb Edwards’s comment below ‘Big Chief Ugh-Amugh-Ugh’ for a more plausible reason]. Indeed, in the mean time the studio proved it could come up with wonderful cartoons without him.

Watch ‘Learn Polikeness’ yourself and tell me what you think:

‘Learn Polikeness’ is available on the French DVD Box Set ‘Popeye the Sailor 1933-1938’

Director: Dave Fleischer
Release Date: January 21, 1938
Stars: Popeye, Olive Oyl, Bluto, Wimpy
Rating: ★★★★½
Review:

Let's Celebrake © Max FleischerIt’s New Year’s Eve, and Popeye and Bluto ride a sleigh to Olive’s house to take her to a New Year’s party at the Happy Hour Club.

However, Popeye hates to see Olive’s granny sitting alone at Olive’s home at New Year’s Eve, and takes her with them. At the club Bluto dances with Olive, while Popeye dances with grandma. When Wimpy, dressed like Santa, announces a dancing contest, Popeye has to enter with the deaf old lady. But with the help of some spinach, the duo clears the floor, literally, in a very long and enjoyable dance scene on some nice swing music, which features an excerpt from ‘Happy Days Are Here Again’.

‘Let’s Celebrake’ is very joyous cartoon, in tune with the New Year’s spirit, and it’s one of those rarer Popeye cartoons in which there’s no conflict between Bluto and Popeye, at all. Even more interesting, Popeye doesn’t eat the spinach himself here, leaving that to grandma.

Watch ‘Let’s Celebrake’ yourself and tell me what you think:

‘Let’s Celebrake’ is available on the French DVD Box Set ‘Popeye the Sailor 1933-1938’

Director: Dave Fleischer
Release Date: December 17, 1937
Stars: Popeye, Olive Oyl, Bluto
Rating: ★★½
Review:

Fowl Play © Max FleischerIn ‘Fowl Play’ Popeye brings Olive a parrot to remember him by when he’s at sea.

The parrot, which too smokes a pipe, sings a love song for Olive, and she immediately grows attached to the bird. But then Bluto appears. He lets the bird free, and then tries to kill it with an ax, so Popeye has to save the day.

‘Fowl Play’ is one of the more routine Popeye cartoons. Bluto is nothing but a big bully here, while the parrot adds little to the classic love triangle. The complete cartoon is rather slow and predictable. Its best gag is when Popeye repeatedly has to leave the fighting cloud to save Olive from falling while fainting. This scene contains some wild takes on Olive, while an earlier scene features a very wild double-take on Popeye.

Watch ‘Fowl Play’ yourself and tell me what you think:

‘Fowl Play’ is available on the French DVD Box Set ‘Popeye the Sailor 1933-1938’

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