Director: Dave Fleischer
Release Date:
 April 16, 1931
Rating: ★★★½
Review:

Any Little Girl That's A Nice Little Girl © Max Fleischer‘Any Little Girl That’s A Nice Little Girl’ is a Screen Song about a cat who’s dating several girls at the same time.

First we watch him dating his girls through the telephone, then he goes through a bunch of photographs and chooses to visits hot Lulu Belle. When he tries to sneak out, Lulu Belle hits him with the couch. Enter the Screen Song, which is accompanied with images of e.g. a naked woman in a bath(!) and a picture of Betty Boop, who otherwise does not appear in this cartoon.

Only the first scene features lip-synch, and the scene with Lulu Belle also features an excerpt from the 1929 hit song ‘What Wouldn’t I Do for That Man’, popularized by Annette Hanshaw and Ruth Etting. This excerpt is much more interesting than the 1910 vaudeville title song. The last chorus features some nice interplay between the words and the animated characters, typical for the Screen Songs of this era.

Watch ‘Any Little Girl That’s A Nice Little Girl’ yourself and tell me what you think:

‘Any Little Girl That’s A Nice Little Girl’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’

Director: Burt Gillett
Release Date:
 January 23, 1931
Rating: ★★½
Review:

Birds of a Feather © Walt DisneyFollowing Van Beuren’s ‘A Romeo Robin‘ (1930) Disney devoted a whole Silly Symphony on birds.

The short follows the half-story formula introduced in ‘Playful Pan‘ with the first part consisting of more rhythmical movement to music than real dancing. The film starts with quite uninspired and tiresome gags about several birds moving randomly to music (opening with swans and a peacock moving to Jacques Offenbach’s barcarolle), but after 5’10 these give way to a small story about a baby chick who is taken away by an eagle but saved by a group of small birds.

The birds are drawn cartoony and not at all naturalistic. But such naturalism eventually would occur in Disney’s films, within only a couple of years, with ‘Birds in the Spring‘ being the prime example. It’s interesting to compare these two cartoons, which are only two years apart. The comparison makes ‘Birds of a Feather’ look primitive and dated, but even this cartoon knows one complex scene, in which the flock of small birds attacks the eagle. In this scene the movement of the circling birds  is animated beautifully and quite convincingly, as well.

Watch ‘Birds of a Feather’ yourself and tell me what you think:

This is Silly Symphony No. 16
To the previous Silly Symphony: Playful Pan
To the next Silly Symphony: Mother Goose Melodies

‘Mother Goose Melodies’ is available on the DVD ‘Walt Disney Treasures: Silly Symphonies’

Director: Ub Iwerks
Release Date:
 August 29, 1931
Stars: Flip the Frog
Rating: ★★★
Review:

Movie Mad © Ub Iwerks‘Movie Mad’ starts with Flip the Frog reading a book titled ‘How to be a Movie Actor’ and imitating Charlie Chaplin.

With his newfound talent he tries to enter a film studio, but he’s thrown out again and again by the guard. Flip even reuses an Oswald trick from ‘Bright Lights‘ (1928), trying to sneak in under a man’s shadow. When he finally’s inside, the cartoon actually fails to deliver its premise. Flip gets caught in a Western, in some 1001 Arabian Nights setting, and in a Russian drama, but that’s pretty much it. The Russian drama scene is undoubtedly inspired by the 1915 Charlie Chaplin comedy ‘His New Job’.

Although the cartoon fails to make full use of its Hollywood setting, it contains a great corridor scene. This scene expands on the one in the Mickey Mouse cartoon ‘The Gorilla Mystery‘ (1930), adding more zaniness to it. It is a direct ancestor to the marvelous corridor scene in Tex Avery’s ‘Lonesome Lenny’ (1946). Besides this there are some great caricatures of Laurel and Hardy, depicted as dogs. These may very well be the first animated caricatures of Laurel and Hardy ever put on screen. They would return in the very last Flip the Frog cartoon, ‘Soda Squirt’ (1933), along with several other Hollywood caricatures.

‘Movie Mad’ may turn out to be rather disappointing, it does feature great music by Carl Stalling, and it lays out the story plan for both the Donald Duck cartoon ‘The Autograph Hound’ (1939) and the Looney Tune ‘You Ought To Be in Pictures‘ (1940).

Watch ‘Movie Mad’ yourself and tell me what you think:

‘Movie Mad’ is available on the DVD ‘Cartoons That Time Forgot – The Ub Iwerks Collection Vol. 2’

Director: Ub Iwerks
Release Date:
 May 2, 1931
Stars: Flip the Frog, Honey
Rating: ★★★
Review:

Ragtime Romeo © Ub Iwerks‘Ragtime Romeo’ initially seems to revisit a theme that Ub Iwerks had explored before with Walt Disney in the Oswald the Lucky Rabbit film ‘Rival Romeos‘ and the Mickey Mouse short ‘The Barn Dance‘ (both 1928), when we watch both Flip and a Pete-like character ride their anthropomorphized cars to Honey’s house.

But when Flip starts to serenade Honey, events take a different turn. Flip serenades her on a guitar, while yodeling and whistling, and on a piano, waking up all the neighbors. Surprisingly, they all respond enthusiastically, urging Flip to play more, except for one, who desperately tries to block out the noise. In the end she calls the police, which arrests the still performing Flip and Honey.

This short contains a piquant scene, in which Flip’s portrait watches Honey undressing. Later, the real Flip watches her naked silhouette through the window curtains. Iwerks’s studio would add more of these risque moments in future shorts, like ‘What a Life’,  ‘The Office Boy’ and most notably ‘Room Runners’ (all from 1932).

Watch ‘Ragtime Romeo’ yourself and tell me what you think:

‘Ragtime Romeo’ is available on the DVD ‘Cartoons That Time Forgot – The Ub Iwerks Collection Vol. 2’

Director: Burt Gillett
Release Date:
 April 11, 1931
Rating: ★★½
Review:

Mother Goose Melodies © Walt Disney‘Mother Goose Melodies’ is one of those Silly Symphonies showing the enormous strides the Walt Disney studio was taking to advance animation forward.

The cartoon easily outdoes all its contemporaries. The cartoon is extremely rich for its time, introducing us to countless characters, with only a few being stock models (the spider, some mice and some pigs). Some of the scenes are quite elaborate, like the finale, in which the book collapses and we watch all nursery rhyme figures dancing to the joyous music.

But the opening scene, which takes its time to introduce Old king Cole, is the most remarkable: it’s one long parade scene, looping the background, but otherwise remaining fresh by introducing new nursery rhyme characters all the time. Indeed, Walt Disney reused this device (and a lot of its animation) in the color cartoon ‘Parade of the Award Nominees’ (1932), a special short for the fifth Academy Award ceremony, and in ‘The Standard Parade’ (1939), a commercial for Standard Oil.

Moreover, for the first time since ‘El Terrible Toreador‘ (1929) the studio takes its chances at the human form again. And although King Cole and his nursery rhyme friends are no ‘Snow White’, they’re a great deal more convincing than the humans in the earlier cartoon. The designs are more elaborate, and there’s much more sense of weight.

‘Mother Goose Melodies’ is also the very first Silly Symphony to feature singing characters, anticipating the operetta cartoons of 1932-1935. The short simply bursts with ideas, and is a cartoon of sheer joy. On the other hand, it’s just that: by taking the ‘song-and-dance routine’-concept to the max, this cartoon offers singing and dancing only. There is no story, there are no gags, and the short features a lot of repetitive animation. This makes ‘Mother Goose Melodies’ strangely awesome and a little boring at the same time. Nevertheless, the cartoon was so successful, Disney would revisit its theme two times, in the Silly Symphonies ‘Old King Cole‘ (1933) and ‘Mother Goose goes Hollywood’ (1938).

Watch ‘Mother Goose Melodies’ yourself and tell me what you think:

This is Silly Symphony No. 17
To the previous Silly Symphony: Birds of a Feather
To the next Silly Symphony: The China Plate

‘Mother Goose Melodies’ is available on the DVD ‘Walt Disney Treasures: Silly Symphonies’

Director: Hugh Harman
Release Date:
 September 19, 1931
Rating: ★★★
Review:

Bosko Shipwrecked © Warner Bros.‘Bosko Shipwrecked!’ opens with a great cartoon gag, in which the title card is washed away to show us a stormy scene, with Bosko at the rudder.

In the next scene Bosko is washed ashore a tropical island. When fleeing from a lion, Bosko enters a cannibal settlement. Luckily our hero can escape certain death by climbing on a rhino in a lake.

‘Bosko Shipwrecked!’ is hampered by long scenes, which are surprisingly low on gags. The animation, on the other hand, is fluent, and at times no less than outstanding, with the lion chase scene as a particular highlight. The film’s best gag is when out of the cooking pot a skeleton appears to shake hands with Bosko: “Come on in, the water is fine!“.

Watch ‘Bosko Shipwrecked!’ yourself and tell me what you think:

‘Bosko Shipwrecked!’ is available on the DVDs ‘Uncensored Animation 2: Cannibals!’

Director: Svend Noldan
Release Date:
 1930
Rating: ★★★★
Review:

Hein Priembacke in Afrika © Svend NoldanHein Priembacke was a cartoon character conceived and animated by Svend Noldan. Noldan had his origins in the German dadaist avant-garde scene, something that is not visible in this cartoon.

‘Hein Priembacke in Afrika’ is a silent film and uses German title cards in rhyme. Hein Priembacke is a sailor who’s washed ashore an African desert. Being hungry he first tries to retrieve a coconut, which turns out to be a wallaby. Later he goes to a settlement (which was visible in the background all the time), where he pulls two turnips, which turn out to be Negroes (forgive me the word – it’s used as such in the film itself). The angered cannibals soon chase our hero (“Jetzt wird’s bedenklich, lieber Christ. Der Neger ist kein Pazifist” reads the title card, which translates as “Now it becomes questionable, dear Christ, for the negro is no pacifist“), but he manages to escape to his homeland, hanging on the legs of a stork.

The animation is surprisingly well done, although the action is at times ridiculously slow. The film’s highlight are the animation of the waves and of the landscape on Priembacke’s flight back home. Done with cut outs, the landscape moves stunningly realistically under our hero, creating a great sense of depth, predating Disney’s multi-plane camera by seven years.

Indeed, special effects turned out to be Noldan’s expertise. His star rose when the National Socialists came to power in 1933, and many film makers left Germany. He later provided special effects for German propaganda films, like Leni Riefenstahl’s ‘Triumf des Willens’ (1935), and ‘Der ewige Jude’ (1939). During World War II he worked for the German war industry. Although his role in Nazi Germany is dubious to say the least, he survived the war unscathed, and returned to making films, which he kept on doing until the end of the 1960s.

Watch ‘Hein Priembacke in Afrika’ yourself and tell me what you think:

‘Hein Priembacke in Afrika’ is available on the DVDs ‘Uncensored Animation 2: Cannibals!’

Directors: Harry Bailey & John Foster
Release Date:
 July 6, 1930
Stars: Waffles and Don
Rating: ★★★
Review:

Jungle Jazz © Van Beuren‘Jungle Jazz’ features that unsung duo, Waffles and Don, introduced in three months earlier in ‘The Haunted Ship‘. This time we watch the tall cat and the small dog walking through a jungle.

In this cartoon the duo’s ‘personalities’ are well-established: Waffles is continually scared, while Don remains unimpressed. The film’s highlight is an early scene in which Waffles and Don encounter all kinds of bizarre, psychedelic animals. Waffles and Don hide from these in a cabin, where they find an organ, which Waffles starts to play immediately. This prompts the cartoon’s obligate dance routine, with all kinds of (normal African) animals dancing.

Then, suddenly, they’re surrounded by cannibals! Don even helps them lighting the fire under their cooking pot. But he also somehow manages to scare them away, and the last scene is for four animals forming a barbershop quartet.

‘Jungle Jazz’ is a loosely jointed and erratic short, and it’s a pity the animators didn’t elaborate on the psychedelic animals in the beginning of the cartoon.

Watch ‘Jungle Jazz’ yourself and tell me what you think:

‘Jungle Jazz’ is available on the DVDs ‘Uncensored Animation 2: Cannibals!’ and ‘The Complete Animated Adventures of Van Beuren Studio’s Tom and Jerry’

Directors: Harry Bailey & John Foster
Release Date:
 July 5, 1931
Rating: ★★★
Review:

Making 'Em Move © Van Beuren‘Making ‘Em Move’ is a surprisingly original cartoon, being about animation itself. It’s astonishing that this early cartoon about its own industry comes from the Van Beuren studio, the least developed American animation studio in business those days.

The film is a strange mix of accuracy and nonsense. We watch a fat lady visiting an animated cartoon studio, where several animals are animating ridiculously fast and as if in an assembly line. Among the less accurate scenes are an animator animating a dancing cat who’s dancing right in front of him, and a humanized camera filming the flip-books animators are running in front of it. Meanwhile a jazz band is playing, whose sound is recorded directly on film.

In the second half of the film we watch a public cartoon screening: “Fable Animals present Little Nell’, a crude animation of  a classic melodrama with stick figures, predating Tex Avery’s similar ‘Porky’s Preview’ by eleven years(!).

‘Making ’em Move’ is a remarkable cartoon, being about the cartoon industry itself, which remained a rare feat. Unfortunately, the film is neither very educational nor funny. It’s in fact rather directionless, making it to fall short as a classic.

Watch ‘Making ‘Em Move’ yourself and tell me what you think:

‘Making ‘Em Move’ is available on the DVD ‘Aesop’s Fables – Cartoon Classics from the Van Beuren Studio’

Director: Rudolf Ising
Release Date:
 August, 1931
Stars: Foxy
Rating: ★★★½
Review:

Lady, Play Your Mandolin © Warner Bros.After twelve Looney Tunes, all starring Bosko, Harman and Ising started a new cartoon series for Warner Bros. with the clearly Silly Symphonies-inspired name ‘Merrie Melodies’.

Unlike the Looney Tunes, the Merrie Melodies would be one-off cartoons, each one promoting a different song from the Warner Bros. song catalog. Indeed, the Merrie Melodies should at least feature one complete chorus of a Warner Bros.-owned tune. This rule continued until the end of the 1930s, and rather hampered the series, for the obligate song sequence would often stop the action of the cartoon.

‘Lady Play Your Mandolin’ is the very first of the Merrie Melodies. It features the title song, which is sung twice during the cartoon. Without explanation, the cartoon features a Mexican cafe setting, which is visited by the hero, Foxy, who was to be Warner Bros.’ answer to Mickey Mouse.

Although not as blatant an imitation as Van Beuren’s Milton Mouse (see ‘Circus Capers‘ and ‘The Office Boy‘), Foxy clearly is Mickey Mouse but with pointed ears and a fluffy tail. Indeed, when watching this cartoon my girlfriend thought it was an early forerunner of Mickey. Foxy never came near Mickey’s popularity, however, and was abandoned after a mere three cartoons.

‘Lady Play Your Mandolin’ is the character’s great testimony. The film is completely plotless, but simply bursts with joy. The short features a lot of flexible animation and everyone moves to Frank Marsales’s peppy music (played by Abe Lyman’s Brunswick Recording Orchestra), including the tables, the cacti, the trees and the cafe itself. There are plenty of gags all around, the most extraordinary one being Foxy’s drunken horse playing its own head as a trombone.

Foxy also started a long Warner Bros. tradition of Al Jolson imitations, when singing the main melody, while his girlfriend (Minnie Mouse but with pointed ears) boop-oop-a-doops. None of the cartoon makes any sense, but its sheer joy makes watching it a highly entertaining experience.

Watch ‘Lady, Play Your Mandolin’ yourself and tell me what you think:

‘Lady, Play Your Mandolin’ is available on the DVD ‘Little Caesar’

Director: Dave Fleischer
Release Date:
 March 21, 1931
Rating: ★★★
Review:

In My Merry Oldsmobile © Max Fleischer‘In My Merry Oldsmobile’ is a rather odd commercial for Oldsmobile, done in Screen Song fashion. The cartoon will be familiar of readers of Leonard Maltin’s ‘Of Mice and Magic’, for his book features several stills from this film.

The film starts weird to begin with. We watch an evil male character sneak upon a woman undressing(!). Luckily she reveals countless dresses under each other. The creepy guy sneaks into her home and asks the terrified woman for a ride, which she unsurprisingly refuses. Then suddenly a little guy arrives offering her a ride in his Oldsmobile outside. This section uses a lot of dialogue, but no lip synch whatsoever.

The little guy’s invitation for a ride prompts the barbershop title song (a hit song from 1905) and the bouncing ball, so typical of Fleischer’s Screen Songs. The song is accompanied by images of a couple riding an Oldsmobile Curved Dash from 1904, the car celebrated in the song. Then we watch the cartoon characters riding this car, and suddenly there’s a lot of metamorphosis of words into the car etc. The film ends as oddly as it started: when the couple gets married, they’re immediately in a boxing match, indicating that marriage is one long fight.

One wonders how such a story would help Oldsmobile selling more cars. Moreover, none of their latest models is featured in the cartoon, only their first model, which by 1931 was of course extremely outdated.

Watch ‘In My Merry Oldsmobile’ yourself and tell me what you think:

‘In My Merry Oldsmobile’ is available on the DVD ‘Fleischer Classics featuring Gulliver’s Travels’

Director: Dave Fleischer
Release Date:
 May 23, 1931
Stars: Bimbo, Betty Boop
Rating: ★★★
Review:

Silly Scandals © Max FleischerIn ‘Silly Scandals’ Bimbo wants to visit a theater, where Betty Boop performs.

Unfortunately he’s broke, but he finally succeeds in sneaking into the theater by walking backwards along the leaving crowd. Inside we watch Betty singing the 1930 hit song ‘You’re driving me crazy’. Like in ‘Mysterious Mose‘ her sexiness is well explored, as her dress falls off during the performance, revealing her bra.

After Betty’s performance, Bimbo ends up being hypnotized by a magician, who makes our unfortunate hero dance against his will. The cartoon ends in a short, but zany and nightmarish dream sequence.

‘Silly Scandals’ is a transitional cartoon that shows the potential of Fleischer’s fledgling cartoon star Betty Boop, but failing to explore it to the max, still focusing on the rather bland Bimbo. We hear her name for the very first time. Yet, Bimbo is still the only billed star of the cartoon. But the Fleischers were quick learners, and with almost every subsequent Talkartoon Betty’s star would rise, and her screen time increase.

Watch ‘Silly Scandals’ yourself and tell me what you think:

‘Silly Scandals’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’

Director: Dave Fleischer
Release Date:
 April 3, 1931
Stars: Bimbo, Betty Boop
Rating: ★★½
Review:

The Bum Bandit © Max FleischerBimbo is a train robber who holds up a train. Unfortunately for him, his stout wife, Betty Boop (called Nan McGrew in this cartoon), is also on this train.

She confronts him and in the end Bimbo unwillingly reunites with his wife, fleeing with her into the distance on the locomotive.

‘The Bum Bandit’ lacks the wild surrealism of earlier Talkartoons, like ‘Barnacle Bill‘ and ‘Mysterious Mose‘ (both 1930), and is thus less interesting to watch. The best scene is when Bimbo practices shooting, e.g. shooting a cow from the sky. There is also some nice and flexible animation on the riding train. Betty Boop has a distinctly different voice here, which was not repeated after this cartoon.

Watch ‘The Bum Bandit’ yourself and tell me what you think:

‘The Bum Bandit’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’

Director: Wilfred Jackson
Release Date:
July 28, 1931
Rating: ★★★½
Review:

The Cat's Out © Walt DisneyA cat is put out. When he tries to catch a bird, he falls down and gets knocked unconscious by a wind-flower.

Enter a nightmarish sequence, in which the cat imagines his lives are fleeing him, and that he’s being attacked by giant birds, hooting owls, bats, giant spiders and hollow trees. Luckily, in the morning it all appears to have been a dream.

‘The Cat’s Out’ is not devoid of dance routines (there are two dance scenes featuring scarecrows and a bat), but it has a surprisingly clear story, unmatched by earlier Silly Symphonies. It is arguably the first Silly Symphony with such a clear story, anticipating the straightforward storytelling of ‘The Ugly Duckling‘ of the end of the same year. This makes the short one of the most interesting Silly Symphonies of 1931.

Watch ‘The Cat’s Out’ yourself and tell me what you think:

This is Silly Symphony No. 20
To the previous Silly Symphony: The Busy Beavers
To the next Silly Symphony: Egyptian Melodies

‘The Cat’s Out’ is available on the DVD ‘Walt Disney Treasures: More Silly Symphonies’

Director: Burt Gillett
Release Date:
 December 16, 1930
Rating: ★★★★½
Review:

Playful Pan © Walt DisneyWith his double pipe, Pan makes all animals and plants, yes, even trees and clouds move and dance. The latter cause a fire with their lightning, but Pan lures the flames away to the lake, as if he were the pied piper.

Like ‘Springtime‘ (1929) ‘Playful Pan’ can be regarded as a forerunner of Disney’s groundbreaking cartoon ‘Flowers and Trees‘ (1932). The short is especially interesting for the introduction of the anthropomorphized flames, so typical of cartoons about fire. ‘Playful Pan’ is more entertaining than earlier Silly Symphonies, because half way the dance routine gives way to some kind of story, in which fire threatens the forest. This fire sequence is actually rather exciting. The fire itself is well animated, and the flames form a real threat: they do kill a humanized tree, and make all the animals flee.

The story formula of ‘Playful Pan’, in which the second half has some kind of story, was explored in many more Silly Symphonies from 1931 (e.g. ‘Birds of a Feather‘, ‘The China Plate‘. ‘The Busy Beavers‘). One had to wait until ‘The Ugly Duckling‘, from the end of that year, to watch a Silly Symphony to feature a concise story from start to end.

Watch ‘Playful Pan’ yourself and tell me what you think:

This is Silly Symphony No. 15
To the previous Silly Symphony: Winter
To the next Silly Symphony: Birds of a Feather

‘Playful Pan’ is available on the DVD ‘Walt Disney Treasures: More Silly Symphonies’

Director: Burt Gillett
Release Date:
 October 22, 1930
Rating:
Review:

Winter © Walt DisneyAmong the earliest Silly Symphonies there was a cycle devoted to the four seasons. ‘Winter’ is the last of these four season cartoons.

Following the artistic success of ‘Autumn‘, ‘Winter’ is unfortunately as dull and plotless as the earlier ‘Springtime‘ or ‘Summer‘. The cartoon both starts an ends with a winter storm. In between we watch animals skating and dancing on Emile Waldteufel’s Skaters’ Waltz. This scene features some deer, which are a far cry from ‘Bambi‘ (1942), but who are more comfortable on ice than Bambi would ever be twelve years later. The cartoon ends when a groundhog sees his shadow again, and cold and snowy winds drive the animals back to their hiding places.

Luckily, ‘Winter’ formed the end of an era. Already with the next Silly Symphony, ‘Playful Pan‘ the Disney studio would aim to exchange the endless dance routines for more experiment, and this level of experiment would only increase from 1931 onwards…

Watch ‘Winter’ yourself and tell me what you think:

This is Silly Symphony No. 14
To the previous Silly Symphony: Monkey Melodies
To the next Silly Symphony: Playful Pan

‘Winter’ is available on the DVD ‘Walt Disney Treasures: More Silly Symphonies’

Director: Burt Gillett
Release Date:
 September 2, 1930
Rating: ★★
Review:

Monkey Melodies © Walt Disney

The Silly Symphonies were to be a series of great innovation, but in 1930 this was not so clear, yet, as the entries of that year were mostly preoccupied with dance routines.

The ‘innovation’ of ‘Monkey Melodies’, for example, is the embryonic story of its second half. But only with ‘Playful Pan‘ from the end of the year, some real experimentation was to kick in.

‘Monkey Melodies’ opens with monkeys, apes and parrots frolicking in the jungle in a long dance routine. After several minutes we follow two monkeys in love, who frolic to the tune of Rudy Wiedoeft’s Narcissus. The two go on a boat ride on a log, and manage to escape a crocodile, a hippo, a snake and a leopard.

‘Monkey Melodies’ is a very standard Silly Symphony, typical of 1930, the ‘story’ of the second half notwithstanding, and to be frank, the short is rather dull. Its highlight may be the effect animation of a crocodile swimming under water.

Watch ‘Monkey Melodies’ yourself and tell me what you think:

This is Silly Symphony No. 13

To the previous Silly Symphony: Midnight in a Toy Shop
To the next Silly Symphony: Winter

‘Monkey Melodies’ is available on the DVD ‘Walt Disney Treasures: More Silly Symphonies’

Director: Wilfred Jackson
Release Date:
 July 28, 1930
Rating: ★★
Review:

Midnight in a Toy Shop © Walt Disney

1930 saw a string of Silly Symphonies featuring animals performing endless dance routines. In ‘Midnight in a Toy Shop’, however, the dancing is being done by toys and dolls. Not that it makes a difference…

‘Midnight in a Toy Shop’ introduces the small spider, who would also be the hero of ‘Egyptian Melodies‘. To escape the freezing cold the spider enters a toy shop. First he’s afraid of everything, but when he’s playing the piano, the dolls and toys come to life, dancing to his tunes. This results in a very, very long dance routine, rendering ‘Midnight in a Toy Shop’ a rather dull short. However, in the first scene the spider leads the viewer into the scenery, and we as an audience, explore the toy shop with him. This story idea would be perfected in the intro of ‘Pinocchio’ (1940), of which the intro of ‘Midnight in a Toy Shop’ is an embryonic version.

‘Midnight in a Toy Shop’ contains a strange mixture of primitive and more advanced designs and animation. It starts with some stunning effect animation of snow, and ends when a candle lights some fireworks, making the spider flee the shop.

Watch ‘Midnight in a Toy Shop’ yourself and tell me what you think:

This is Silly Symphony No. 12
To the previous Silly Symphony: Arctic Antics
To the next Silly Symphony: Monkey Melodies

‘Midnight in a Toy Shop’ is available on the DVD ‘Walt Disney Treasures: More Silly Symphonies’

Director: Ub Iwerks
Release Date:
 January 31, 1931
Stars: Flip the Frog
Rating:
Review:

The Village Smitty © Ub IwerksIn this cartoon Flip the Frog is a blacksmith in a farm-like setting.

Flip replaces a horseshoe of a horse that belongs to a female cat character. This kitten looks exactly like Honey, who was Oswalds’s girlfriend in the 1927-1928 Oswald the Lucky Rabbit cartoons, which Disney and Iwerks had made together. When the horse gets stung by a mosquito he runs off with “Honey” helpless in her carriage. Luckily, Flip saves the day, and wins “Honey”’s kiss.

‘The Village Smitty’ is much more interesting on paper than on the animated screen. Its even pace and its scarcity of gags makes the cartoon virtually endless.

Nevertheless, ‘The Village Smitty’ profits from Carl Stalling’s inspired music. Stalling had left Disney together with Iwerks, thinking that without Iwerks the Disney studio would have no future. After a while he joined Iwerks in his new studio. Stalling would stay with Iwerks until the studio collapsed in 1936. He then moved to Warner Bros., where he would become the most famous cartoon composer of all time.

Watch ‘The Village Smitty’ yourself and tell me what you think:

‘The Village Smitty’ is available on the DVD ‘Cartoons That Time Forgot – The Ub Iwerks Collection Vol. 1’

Director: Ub Iwerks
Release Date:
 January 31, 1931
Stars: Flip the Frog
Rating:
Review:

The Soup Song © Ub IwerksIn ‘The Soup Song’ Flip works at a café, although his real occupation there remains rather obscure.

We watch him as a bandleader (imitating Paul Whiteman), as a purser, a cloakroom boy, a waiter and a cook. He dances with a cat on stage (who looks very much like Oswald’s girlfriend, Honey), while a hungry customer eats his cutlery, a gag clearly stolen from the Max Fleischer cartoon ‘Dizzy Dishes’, released five months earlier. In ‘The Soup Song’ the gag is much less well executed however, and it lacks the zany imagination of the Fleischer cartoon. In no sense ‘The Soup Song’ is a classic, and although the animation is good, the cartoon pales even when compared to ‘Dizzy Dishes’, which isn’t all too remarkable itself.

Watch ‘The Soup Song’ yourself and tell me what you think:

‘The Soup Song’ is available on the DVD ‘Cartoons That Time Forgot – The Ub Iwerks Collection Vol. 1’

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 662 other followers

Bookmark and Share

Follow TheGrob on Twitter

Categories

Follow

Get every new post delivered to your Inbox.

Join 662 other followers