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Director: Wilfred Jackson
Release Date: April 13, 1932
Stars: Clarabelle Cow, Horace Horsecollar, Mickey Mouse, Minnie Mouse, Pete
Rating: ★★★★★
Review:
As the title implies, there’s a great sports event at the barn.
Mickey is joining a cross country race that involves running, rowing and cycling (which is beautifully animated). His main opponent is a rather unrecognizable Pete, who looks like just a big mean cat without a peg leg.
‘Barnyard Olympics’ was inspired by the upcoming Summer Olympics in Los Angeles in 1932. It’s a brilliant gag cartoon: it’s fast, consistent and exciting, and without doubt one of Mickey’s finest. It immediately starts with an excellent gag when a spectator suddenly discovers he’s being filmed and waves at ‘the camera’.
In a way ‘Barnyard Olympics’ marks Goofy’s debut. He’s not seen at all, but during a boxing match his characteristic laughter, provided by story man Pinto Colvig, can already be heard. In Mickey’s next film, ‘Mickey’s Revue‘, Goofy would appear on the screen himself.
With ‘Barnyard Olympics’ Mickey entered the zenith of his career. His films from 1932-1934 are his best. Almost all portray him as the little, but brave underdog fighting the odds, and importantly, in these films Mickey still is the star himself. After 1934 Mickey became more and more of a straight man, losing screen time to Pluto, Donald and Goofy. Yes, the Mickey Mouse films from the second half of the 1930s are also great, but by then Mickey’s own stardom was in a clear decline. But in ‘Barnyard Olympics’, like the other films from 1932-1934, he’s still in top form as the greatest cartoon star of his era.
Watch ‘Barnyard Olympics’ yourself and tell me what you think:
This is Mickey Mouse cartoon No. 40
To the previous Mickey Mouse cartoon: The Mad Dog
To the next Mickey Mouse cartoon: Mickey’s Revue
Director: Ben Sharpsteen
Release Date: September 28, 1935
Stars: Donald Duck, Goofy, Mickey Mouse, Minnie Mouse, Pluto
Rating: ★★★½
Review:
On Ice is the first of Disney’s ‘ensemble cartoons’.
Everyone is in it: Mickey, Minnie (in her color debut), Donald, Goofy, Pluto and even, albeit very briefly, Horace Horsecollar and Clarabelle Cow. ‘On Ice’ introduces two story ideas that would be used again much later: Pluto’s problems on ice in ‘Bambi’ (1942) and the idea of skating near a waterfall in the ‘Once upon a Wintertime’ sequence of ‘Melody Time’ (1948), although this latter idea first appears in the Popeye cartoon ‘Season’s Greetinks!‘ from 1933.
Apart from this, ‘On Ice’ has been very important in the development of Goofy. He’s been completely restyled, has more body to his looks and a much more distinct personality. All these important improvements on the character are attributed to Art Babbitt, one of the greatest animators of all time. Goofy sings ‘The world owes me a living’ from ‘The grasshopper and the ants’ (1934). The song naturally becomes his theme song. No wonder, for the grasshopper and Goofy share the same voice: that of Pinto Colvig. Also of note is Goofy’s original fishing style, using chew to catch fish.
Watch ‘On Ice’ yourself and tell me what you think:
This is Mickey Mouse cartoon No. 79
To the previous Mickey Mouse cartoon: Pluto’s Judgement Day
To the next Mickey Mouse cartoon: Mickey’s Polo Team
Director: Ben Sharpsteen
Release Date: August 3, 1935
Stars: Clarabelle Cow, Donald Duck, Goofy, Mickey Mouse
Rating: ★★★★★
Review:
‘Mickey’s Fire Brigade’ is the second of the classic trio cartoons featuring Mickey, Donald and Goofy, and the first of its kind in color.
When one compares this cartoon to the similar ‘The Fire Fighters’ from 1930, one can see what stunning progress the Disney studio had made in a mere five years: the backgrounds, the camera angles, the character animation, the effect animation: everything has improved considerably.
What’s more, its gags are faster, more clever and better constructed, and they build up to a wonderful finale. Among the numerous brilliant ideas are a burning title card, water splashing against ‘the camera’ and a bathing Clarabelle Cow who is not amused when saved by our heroes.
This cartoon is both Goofy’s first color appearance as the last time he’s seen in the design he got in ‘The Whoopee Party’ about three years before. In this film he’s got a particularly goofy cuckoo theme song, while some of the anthropomorphized flames play ‘who’s afraid of the big bad wolf’ from ‘Three Little Pigs‘ on the piano.
Watch ‘Mickey’s Fire Brigade’ yourself and tell me what you think:
This is Mickey Mouse cartoon No. 77
To the previous Mickey Mouse cartoon: Mickey’s Garden
To the next Mickey Mouse cartoon: Pluto’s Judgement Day
Director: Burt Gillett
Release Date: April 8, 1933
Stars: Clarabelle Cow, Goofy, Mickey Mouse, Minnie Mouse
Rating: ★★★★½
Review:
Mickey and the gang are staged in many different times and places in their cartoons. Yet, this medieval short is the only cartoon in which they are introduced as actors performing their parts.
This idea of Mickey being an actor was first coined in ‘The Wayward Canary’ (1932) and played out to the max in ‘Mickey’s Gala Premier’ (1933). This cartoon nevertheless is played without any awareness of the public.
Minnie is the princess of Lalapazoo, and forced by her father to marry prince Goofy from Pupupadoo. Minnie refuses and is locked up in the high tower. Fortunately, there is minstrel Mickey to save her and to battle the evil prince, chasing him through the window, and marrying the princess himself. This adventure film cliche Disney already had visited in the Oswald cartoon ‘Oh, What A Knight‘, but it is expanded and improved in ‘Ye Olden Days’.
Like ‘Building a Building’ and ‘The Mad Doctor’ from the same year, this cartoon is partly a musical with lots of parts sung. It also contains a very anachronistic guillotine and an elaborately designed horse that shows the aspirations of the studio to master more lifelike designs and animation.
Goofy, who is introduced as Dippy Dawg, is quite miscast here, playing the villain, whom he acts out more sillily than threateningly. It seems that the animators didn’t really know what to do with the character, so far only funny because of his typical voice. So, after this film they dropped him for more than a year.
Watch ‘Ye Olden Days’ yourself and tell me what you think:
This is Mickey Mouse cartoon No. 55
To the previous Mickey Mouse cartoon: Mickey’s Mellerdrammer
To the next Mickey Mouse cartoon: The Mail Pilot
Director: Wilfred Jackson
Release Date: September 17, 1932
Stars: Mickey Mouse, Minnie Mouse, Goofy, Clarabelle Cow, Horace Horsecollar
Rating: ★★★
Review:
After three years of musical cartoons, consistent story lines where reintroduced to the Mickey cartoons with a remarkable success in 1932 (good examples are ‘Barnyard Olympics‘ and ‘Touchdown Mickey’). In this era the musical cartoon ‘The Whoopee Party’ with its total lack of story seems to be quite old-fashioned.
The short contains numerous elements that were used many times earlier: a public dancing, Minnie singing behind the piano and alive inanimate objects (although the latter feature was much more common practice in the Fleischer and Iwerks cartoons of that time – yet no other Disney cartoon celebrates the secret dancing life of inanimate objects as much as ‘The Whoopee Party’ does). The short also contains some nice effect animation of confetti and flying feathers. Despite being anything but new, the sheer fun with which everything is executed, makes this cartoon a delight to watch.
‘The Whoopee Party’ marks Goofy’s second appearance after his debut in ‘Mickey’s Revue‘ earlier that year. It’s in this cartoon he gets the looks he would maintain until Art Babbitt redesigned him for ‘On Ice’ (1935). He’s more than just a silly laugh now; he now has a rudimentary character of being some kind of silly person, and we hear him speak for the first time. Clearly, he now is one of the gang, making sandwiches with Horace and Mickey, and showing to be a character here to stay. Yet, he’s still more weird than likable – and when he made his debut as ‘Dippy Dawg’ in Floyd Gottfredson’s comic strip in January, 1933, he’s introduced as a pest. In fact, Goofy’s character would remain rather vague until 1935. Only with ‘Mickey’s Service Station’ from that year he would become the likable Goof we know today.
It may be interesting to note that Goofy arguably is the first cartoon character built on a funny voice. His success is proof that, although a unique voice is not necessary (Tom and Jerry for instance could do perfectly without one), it certainly helps to build a character. This must have been an inspiration to later voice-based characters like Donald Duck, Porky Pig and Daffy Duck.
Ironically, Goofy himself would eventually lose his voice in the early forties when voice artist Pinto Colvig left Disney for Fleischer.
Watch ‘The Whoopee Party’ yourself and tell me what you think:
This is Mickey Mouse cartoon No. 46
To the previous Mickey Mouse cartoon: Trader Mickey
To the next Mickey Mouse cartoon: Touchdown Mickey
Director: David Hand
Release Date: November 17, 1934
Stars: Donald Duck, Fifi, Mickey Mouse, Minnie Mouse, Pete
Rating: ★★★★★
Review:
Mickey and Donald (in his third appearance) are policemen hunting Pete who has ‘dognapped’ Minnie’s dog Fifi. The chase, which includes a lot of gunfight, ends in a sawmill where all three have to cope with a runaway circular saw.
The cartoon is outstanding for its fast pace and high content of gags. Mickey and Donald are staged as a duo, but, like in ‘Orphan’s Benefit’, Donald Duck is given the last shot. ‘The Dognapper’ would remain Mickey’s and Donald’s only genuine duo cartoon, but it set the stage for the famous trio outings of the late thirties in which Mickey, Donald and Goofy would fight the odds together. Goofy, the only missing element, would join Mickey and Donald a few months later, in ‘Mickey’s Service Station’ (1935).
Watch ‘The Dognapper’ yourself and tell me what you think:
This is Mickey Mouse cartoon No. 70
To the previous Mickey Mouse cartoon: Mickey Plays Papa
To the next Mickey Mouse cartoon: Two-Gun Mickey
Director: Wilfred Jackson
Release Date: February 10, 1934
Rating: ★★★★★ ♕
Review:
‘The Grasshopper and the Ants’ is easily one of the best Silly Symphonies: it has a catchy song, great use of color and beautiful effect animation. Notice, for instance, the realism of the leaves blowing away during the autumn scene. One can even recognize which trees they’re from!
The grasshopper, too, is a wonderfully designed character, based on concept art by the great Albert Hurter. In contrast, the design of the ants looks a little primitive, still belonging to the black and white era. But, by now, the Disney staff has fully mastered the idea of character animation. This is best shown in the final dance scene: even in a crowd of lookalikes one easily recognizes the joyful ant the Grasshopper had tempted earlier.
Note that morality notwithstanding, the grasshopper is allowed to do what he does best: singing and playing. An encouragement to view art as an important contribution to society. Even so, the way the queen finally invites him is a real cliff-hanger.
This cartoon’s theme song, ‘the world owes me a living’ was composed by Leigh Harline, who would also compose the catchy songs of ‘Pinocchio‘. the grasshopper’s catchy song would become Goofy’s theme song. No wonder, for he and the Grasshopper share the same voice, by Pinto Colvig.
Watch ‘The Grasshopper and the Ants’ yourself and tell me what you think:
This is Silly Symphony No. 42
To the previous Silly Symphony: The China Shop
To the next Silly Symphony: Funny Little Bunnies
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