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Director: Walerian Borowczyk
Release date:
June 1963
Rating:
 ★★★★
Review:

With ‘Encyclopédie de Grand-Maman’ Borowczyk continues the silly surrealism of ‘Les Astronautes‘ from 1959. Although we are promised 13 volumes, we only watch three words from the Encyclopédie: A is for automobiles, B for Balloons and C for Chemin de fer (Railways).

The film uses 19th century engravings to a great effect, especially the car race in ‘Automobiles’ is as inventive as it is entertaining. Borowczyk makes clever use of his source material, and the animation is greatly helped by the stark sound effects. These aspects make ‘Encyclopédie de Grand-Maman’ a fun film, if not more than that.

Watch ‘Encyclopédie de Grand-Maman en 13 Volumes’ yourself and tell me what you think:

‘Encyclopédie de Grand-Maman en 13 Volumes’ is available on the Blu-Ray/DVD set ‘Walerian Borowczyk: Short Films and Animation’

Director: Ryszard Antoniszczak
Release date:
1974
Rating: 
★★★
Review:

‘Farewell to Steam’ is a Polish children’s film set to a rock song. The short tells about a person who wants to become a train engineer.

This is one of those films from the early seventies that display a huge ‘Yellow Submarine’ influence. This short just breaths groovy seventies design. The man himself is a prototype of a seventies hippie.

The film uses full cell animation to show us images that are cartoony, surreal and weird. The images never cease to amaze, but a story is hardly present, and hard to follow anyway. In the end ‘Farewell to Steam’ succeeds more musically and visually than narratively.

Watch ‘Farewell to Steam’ yourself and tell me what you think:

‘Farewell to Steam’ is available on the DVD-set ‘Anthology of Polish Children’s Animation’

Director: Daniel Szczechura
Release date:
1970
Rating:
 
★★★½
Review:

‘Podróż’ (The Journey) is a Polish avant-garde film in which a man makes a rather pointless train trip to a house somewhere in the countryside.

For a large part of the short we watch the man in the train from the back, while he stares at the countryside floating by his window. There’s constant movement, but barely any animation. During the train sequence, for example, the train itself and the man remain completely static. When the man walks towards the house this is done in a sequence of stills, not in animation.

Nevertheless, the film intrigues because of its original visual style and because of its extreme soundtrack by Eugeniusz Rudnik using unsettling mechanical sounds.

Watch ‘The Journey’ yourself and tell me what you think:

‘The Journey’ is available on the DVD-set ‘Anthology of Polish Animation’

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