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Director: Wilfred Jackson
Release Date: February 10
, 1934
Rating:
★★★★★ ♕
Review:

The Grasshopper and the Ants © Walt Disney‘The Grasshopper and the Ants’ is easily one of the best Silly Symphonies: it has a catchy song, great use of color and beautiful effect animation. Notice, for instance, the realism of the leaves blowing away during the autumn scene. One can even recognize which trees they’re from!

The grasshopper, too, is a wonderfully designed character, based on concept art by the great Albert Hurter. In contrast, the design of the ants looks a little primitive, still belonging to the black and white era. But, by now, the Disney staff has fully mastered the idea of character animation. This is best shown in the final dance scene: even in a crowd of lookalikes one easily recognizes the joyful ant the Grasshopper had tempted earlier.

Note that morality notwithstanding, the grasshopper is allowed to do what he does best: singing and playing. An encouragement to view art as an important contribution to society. Even so, the way the queen finally invites him is a real cliff-hanger.

This cartoon’s theme song, ‘the world owes me a living’ was composed by Leigh Harline, who would also compose the catchy songs of ‘Pinocchio‘. the grasshopper’s catchy song would become Goofy’s theme song. No wonder, for he and the Grasshopper share the same voice, by Pinto Colvig.

Watch ‘The Grasshopper and the Ants’ yourself and tell me what you think:

This is Silly Symphony No. 42
To the previous Silly Symphony: The China Shop
To the next Silly Symphony: Funny Little Bunnies

Director: Walt Disney
Release Date: May 10, 1929
Rating: ★★★★★ ♕
Review:

The Skeleton Dance © Walt Disney‘Skeleton Dance’ is the first of the Silly Symphonies and easily one of the best. It deservedly even ranks among the best cartoons of all time.

It starts spectacularly to begin with: we first watch lightning crack, immediately followed by an extreme close up of huge eyes, which only after the camera zooms out appear to belong to an owl.

The complete film is simple, yet perfect in its timing and its peculiar mix of eerie atmosphere and silly gags. The animation (which includes a remarkable quantity of repetition) is extraordinary fluent and the skeletons are convincing throughout the picture.

More than in any earlier cartoon the animation and music are a perfect match. This cartoon single-handedly puts Walt Disney, animator Ub Iwerks and composer Carl Stalling to the eternal hall of fame. A masterpiece.

‘The Skeleton Dance’ clearly shows Disney’s ambition. From now on Disney would use the Silly Symphony series to propel the art of animation forward, until the series ended 1939, after becoming a little obsolete, because their role had been taken over by the animated features.

Watch ‘The Skeleton Dance’ yourself and tell me what you think:

This is Silly Symphony No. 1
To the next Silly Symphony: El Terrible Toreador

Director: Jack Cutting
Release Date: April 7, 1939
Rating: ★★★★★ ♕
Review:

The Ugly Duckling 1939 © Walt DisneyThe remake of ‘The Ugly Duckling‘ (1931) is the last of the Silly Symphonies and, like the very first (The Skeleton Dance, 1929) one of the best.

Following Hans Christian Andersen’s tale much closer than the original ‘Ugly Duckling’, the 1939 version reaches the apex in animated storytelling. One can even watch it silent and understand the cartoon perfectly, and even more significant, remain emotionally involved, as well.

The Duckling is an instantly likeable character whose emotions are totally convincing and moving. Even the colors of the backgrounds add to the drama, changing from bright greens to blues when the Duckling is expelled. The 1931 version was a milestone in its time, yet it looks crude and primitive today. This 1939 version of The Ugly Duckling, however, is an all time animation masterpiece, and it will doubtless never date.

Watch ‘The Ugly Duckling’ yourself and tell me what you think:

This is Silly Symphony No. 75 (the last in the series)
To the previous Silly Symphony: The Practical Pig

Director: Jack Kinney
Release Date:
January 1, 1943
Stars: Donald Duck
Rating: ★★★★★ ♕
Review:

Der Fuehrer's Face © Walt DisneyIn ‘Der Fuehrer’s Face’ Donald is apparently a citizen of ‘Nutziland’, a fascist country where even trees and clouds are swastika-shaped.

Donald is awoken by a silly march band singing the sarcastic title song (penned by Disney composer Oliver Wallace and sung with gusto by Spike Jones). Then he has breakfast that consists of only one coffee bean, ‘aroma de bacon & eggs’ and a slice of wooden bread. All too soon he has to work at the assembly line, making shells and saluting to images of Adolf Hitler.

In the end, it appears that it was all just a dream, and Donald, in his Stars and Striped-colored room, sighs, embracing a golden copy of the statue of liberty: “Am I glad to be a citizen of the United States of America”. This closing scene is rather corny and the satire of the film misses some points: most of the (German) citizens of Nazi Germany were not poor and did not have to work like slaves, as is suggested here. Instead, the Nazis used forced labor forces from their occupied territories.

Nevertheless, ‘Der Fuehrer’s Face’ was both artistically and commercially the most successful of the Disney war time propaganda films. It even won an academy award for being the best animated short of 1943. It’s so successful, because, unlike most other propaganda shorts, it’s outrageously funny: its satire is so zany, its depiction of ‘Nutzi land’ so wacky, and the scene at the assembly line so out-to-lunch, that one cannot stop laughing. When Donald goes mad, these segments are even topped by a brightly colored, rather avantgardistic and very surrealistic stream-of-consciousness-like scene, which resembles similar dream sequences in ‘Dumbo‘ (1941) and ‘The three Caballeros‘ (1944).

This short was not directed by any of the two regular Donald Duck directors of the time, Dick Lundy and Jack King, who both preferred a more unassuming type of humor, but by Jack Kinney, who is most famous for directing Goofy, and who was undoubtedly the wackiest of the Disney directors, of which this film certainly is proof.

Watch ‘Der Fuehrer’s Face’ yourself and tell me what you think:

This is Donald Duck cartoon No. 38
To the previous Donald Duck cartoon: Bellboy Donald
To the next Donald Duck cartoon: Donald’s Tire Trouble

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