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Directors: Bill Melendez & Phil Roman
Airing date: November 20, 1973
Stars: Charlie Brown, Franklin, Linus, Lucy, Marcie, Peppermint Patty, Sally, Snoopy, Woodstock
Rating: ★★★
Review:

‘A Charlie Brown Thanksgiving’, the tenth of the Peanuts television specials, is the third of the Charlie Brown holiday specials, this time devoted to Thanksgiving. As such it’s a little preachy, especially through Linus’s lines.
The episode’s main problem is caused by Peppermint Patty when she invites herself, Marcie and Franklin over to Charlie Brown’s house, when he’s not even supposed to be home. Luckily, Linus, Snoopy and Woodstock help out.
The episode’s highlight is the silent comedy of Snoopy and Woodstock setting up a dinner table in the yard. This part is accompanied by a charming soul song devoted to the little yellow bird. Actually, the background music is very charming throughout most of the episode, with Vince Guaraldi lively piano trio music, joined by Tom Harrell on trumpet and Chuck Bennett on trombone. Only when Snoopy and Woodstock are putting on Thanksgiving costumes, this is exchanged for some ugly electronic music.
As always with the Peanuts films, the pace is relaxed. The animation is fair, if not outstanding, and the characters charming, and faithful to Schulz’s original comic strip.
Watch an excerpt from ‘A Charlie Brown Thanksgiving’ yourself and tell me what you think:
‘A Charlie Brown Thanksgiving’ is available on the DVD-set ‘Peanuts 1970’s Collection Vol. 1’
Director: Bill Melendez
Airing date: March 11, 1973
Stars: Charlie Brown, Franklin, Linus, Lucy, Margie, Peppermint Patty, Sally, Snoopy
Rating: ★★★
Review:

‘There’s No Time for Love, Charlie Brown ‘is the ninth Peanuts television special. This instalment is a nice, quiet little affair, with a rather stream-of-consciousness-like quality to it.
The special starts with several comic-based loose gags on school, most of them starring Sally and Peppermint Party. After seven minutes the main story kicks in, in which the kids have to go on a field trip to a museum and write a report on it. Unfortunately, Charlie Brown, Sally, Peppermint Patty and Marcie end up in a supermarket. What’s worse, Peppermint Patty hurts Charlie Brown’s feelings there, too.
Marcie, who makes her screen debut here, has a particularly young sounding voice (by one Jimmy Ahrens). It’s nice to watch her interaction with Peppermint Patty on screen, as is the interplay between Peppermint Patty and Charlie ‘Chuck’ Brown.
Halfway the supermarket scenes there’s a short song on Snoopy’s Joe Cool character, while the accompanying images show Snoopy imagining himself as a world famous grocery clerk. The rest of the episode features a very attractive jazz score by Vince Guaraldi. Throughout, both the animation and the facial expressions are fair, and the whole episode is a pleasant, if rather understated affair.
Watch ‘There’s No Time for Love, Charlie Brown’ yourself and tell me what you think:
‘There’s No Time for Love, Charlie Brown’ is available on the DVD-set ‘Peanuts 1970’s Collection Vol. 1’
Director: Jeroen Jaspaert
Airing date: December 25, 2017
Rating: ★★★½
Review:

‘The Highway Rat’ is the sixth animated Christmas special by Magic Light Pictures. Like all the others (save ‘Revolting Rhymes’ from 2016) the film is based on a children’s book by Julia Donaldson and Axel Scheffler, and like all, narrated in rhyme.
The film boasts the same charming stop-motion-like computer animation and elaborate real sets as the others, and features excellent music by René Aubry, but frankly, the film’s source material is less engrossing than for example ‘The Gruffalo’ (2009) or ‘Room on the Broom‘ (2012). The first half consists of the highway rat taking away food from passing animals only, and the creature’s punishment and reform feel rather obligate and uninspired.
Nevertheless, the film remains a wonderful thing to look at, as neither the animation nor the visuals cease to charm. Especially entertaining is the silent comedy, mostly provided by the Highway Rat’s horse. Done with great subtlety and excellent use of eye expressions this is animation at its very best.
Watch an excerpt from ‘The Highway Rat’ yourself and tell me what you think:
‘The Highway Rat’ is available on DVD
Director: Joel Crawford
Airing date: November 24, 2017
Rating: ★★★
Review:

I bought this DVD by mistake, mistaking it for ‘Trolls World Tour‘. Oh, well, I might as well watch and review it. ‘Trolls Holiday’ is a television special that features the characters from ‘Trolls’ (2016). The 30 minute short is a holiday special that, refreshingly, is not about Christmas.
The story is extraordinarily simple and straightforward: when Poppy discovers that the Bergens have no holiday left since the abolition of Trollstice, she decides to give them one of the trolls’ own numerous holidays. Unfortunately she gets so carried away she doesn’t realize she distresses her Bergen best friend Bridget during the show. Bridget asks Poppy to leave. Luckily soon Poppy realizes what she has done, while Bridget realizes what Poppy was trying to do. So in the end she invents a holiday of her own, ‘Troll-A-Bration’, celebrating their friendship.
‘Trolls Holiday’ is a nice if unnecessary addendum to the Trolls movie. Both Anna Kendrick and Justin Timberlake reprise their roles, and there’s a lot of singing, especially during Poppy’s presentation. The special ends with both Bergens and Trolls singing Madonna’s ‘Holiday’.
However, the most entertaining parts are the digital cut-out animation sequences telling the background story and Poppy’s plan. During the caterpillar bus ride the trolls shortly change into their real life versions, which is pretty distressing, as this only shows how infinitely more ugly the original toys were when compared to the fluffy versions of the film.
Watch the first four minutes of ‘Trolls Holiday’ and tell me what you think:
‘Trolls Holiday’ is available on DVD
Director: Tatsuyuki Nagai
Airing of first episode: April 14, 2011
Rating: ★★★½
Review:

After ‘Erased‘ this is only the second Japanese anime series I’ve seen. The two series are from the same A-1 Pictures studio, and they are about of the same quality, so how they compare to others I wouldn’t know. Like ‘Erased’ ‘Anohana: The Flower We Saw That Day’ deals with friendship and loss, this time featuring on a group of six high school friends.
In the first of eleven episodes we learn that Teenager boy Jintan, who has dropped out of school, is troubled by a childish blonde girl called Menma, but it turns out he’s the only one seeing her. Soon we learn that Menma is dead, and that she was part of a group of friends led by Jintan when they were kids. After her death the group fell apart, but Menma is back to fulfill her wish. Unfortunately, she herself doesn’t know anymore what her wish was…
Menma’s unknown wish is the motor of the series, as the friends slowly and partly reluctantly regroup as they are all needed to fullfil Menma’s wish. On the way we learn that each of them had a particular relationship to either Jintan or Menma, and they all have their own view on the day of Menma’s fatal death. And what’s more, there are more traumas to overcome.
‘Anohana: The Flower We Saw That Day’ is surprisingly similar to the later ‘Erased’: there’s a jumping from the now to the past (although in Anohana these are flashbacks, not real jumps through time), there’s a supernatural element, there’s a group of friends, and one important mysterious girl who’s dead.
The first episode contains enough mystery to set the series in motion, but the show progresses painfully slowly, and at times I got the feeling Mari Okada’s screenplay was stretched over too many episodes. Especially episode five and six are of a frustratingly static character. In these episodes Jintan, the main character, is particularly and annoyingly passive, hardly taking any action to help Menma or himself, while Menma’s continuous cooing sounds get on the nerve.
The mystery surely unravels stunningly slowly in this series, and only episode seven ends with a real cliffhanger. Even worse, there are some serious plot holes, hampering the suspension of disbelief. Most satisfying are episode eight and ten, which are both emotional, painful, and moving. In contrast, the final episode is rather overblowing, with tears flowing like waterfalls. In fact, the episode barely balances on the verge of pathos. To be sure, such pathos occurs regularly throughout the series. In addition, there are a lot of unfinished sentences, startled faces, strange expressions, often unexplained, and all these become some sort of mannerisms.
The show is animated quite well, with intricate, if unassuming background art. Masayoshi Tanaka’s character designs, however, are very generic, with Menma being a walking wide-eyed, long-haired anime cliché. Weirdly, one of Anaru’s friends looks genuinely Asian, with small black eyes, while all main protagonists, with the possible exception for Tsuruko are depicted with different eye and hair colors, making them strangely European despite the obvious Japanese setting. For example, Menma has blue eyes and white hair, while Anaru has hazel eyes and red hair.
In all, if you like an emotional ride, and you have patience enough to watch a stretched story, ‘Anohana: The Flower We Saw That Day’ may be something for you. The series certainly has its merits, but an undisputed classic it is not.
Watch the trailer for ‘Anohana: The Flower We Saw That Day’ and tell me what you think:
‘Anohana: The Flower We Saw That Day’ is available on DVD




























