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Directors: William Hanna & Joseph Barbera
Airing date
: September 14, 1962
Stars: The Flintstones
Rating: 
★★★
Review:

The third season of The Flintstones kicks off with an episode devoted to Dino, Fred and Wilma’s purple pet dinosaur. The dog-like dinosaur appears to have a favorite television program called Sassie, starring a female dinosaur with a wig.

When Fred discovers that the show looks for a new star, he goes on an audition with Dino. Dino, however, only shows to be a great performer after discovering he will be in a love scene with Sassie. After one scene, Dino is hired, and Fred paid off and sent home, much to his own regret, but then Dino discovers something…

This episode has a rather slow start and is surprisingly low on gags, but its finale has a nice emotional touch. The cheap and old-fashioned melodrama of the tv show is fun, but the highlight of the episode is Dino’s reaction to his manager’s and director’s plans with him.

Watch an excerpt from ‘Dino Goes Hollyrock’ yourself and tell me what you think:

This is The Flintstones Season Three episode 1
To the previous The Flintstones episode: Take Me Out to the Ball Game
To the next Flintstones episode: Fred’s New Boss

‘Dino Goes Hollyrock’ is available on the Blu-Ray ‘The Flintstones – The Complete Series’ and the DVD-box ‘The Flintstones Season 3’

Director: Wes Anderson
Release date
: February 15, 2018
Rating: 
★★★★★
Review:

The 21st century saw a few live action directors and film makers crossing over to animation, often with original films that were welcome deviations from the standard family fare of Pixar, Dreamworks, Sony, Illumination and the like. One of these directors was Wes Anderson, whose live action films already have a very distinct flavor, let alone his animation work.

In 2009 Wes Anderson brought us ‘Fantastic Mr. Fox’, his own quirky take of the classic children’s book by Roald Dahl, adding some ‘The Royal Tenenbaums’-like flavor to it. It seemed a one off, like all other animation adventures by live action directors, but in 2018 Wes Anderson surprised everyone by making yet another animation movie, this time with a completely original story of his own.

‘Isle of Dogs’ is a sort of fantasy-dystopia film set in Japan. Surprisingly, much of the dialogue is in Japanese, and not always translated, adding to the film’s idiosyncrasy. The film tells about the cat-loving Kobayashi clan who wants to get rid of all the dogs. When a Kobayashi mayor gets into power in the fictive town of Megasaki, he banishes all dogs to a garbage dump island…

The film knows quite a lot human characters, but uses mostly a dog-viewpoint and is even narrated by a dog (voiced by Courtney B. Vance). The film focuses on a stray dog called Chief, whose life changes when a young boy arrives on the island, looking for his own former pet, Spots.

Where all other film makers would make the boy and the dogs be able to talk with each other, Anderson keeps their languages strictly separated, with the dogs not getting a thing the boy says, and vice versa. As the boy speaks Japanese, we, the audience, too, cannot always follow what the boy tries to say – a bold move.

The dog communication is all in English, and Anderson makes use of a lot of familiar names to voice his animated creatures, like Edward Norton, Jeff Goldblum, Bill Murray and Scarlett Johansson, just to name a few. Even Yoko Ono has a small role as a scientist of the same name.

Like ‘Fantastic Mr. Fox’ ‘Isle of Dogs’ is a stop motion film, and a very virtuoso one, too. The animation, directed by Mark Waring, is superb throughout and there are crowd scenes with tens to hundreds of puppets, and both dog and human characters are very intricately designed. Like in Anderson’s first animated film, all animals have a rather scruffy look, giving the film a very individual look. There are some typical quirks in the animation, like dogs sneezing at random moments. I also like Anderson’s use of cartoony fight clouds. As far as I know he’s the first to use those in a stop-motion film.

As with his other films Anderson employs a very typical use of the camera, often showing symmetrical images, and sometimes using close ups in a rather Spaghetti Western-like fashion. There’s also a little 2D animation to depict events on television. The background art, too, is unique. Apart from elaborate sets, the film uses rather flat background art, with a typical cut-out look. The quasi-Japanese score by Alexandre Desplat, an Anderson favorite, adds to the film’s unique atmosphere.

The film’s story says something about populism, and how misleading information can lead to unjust decisions, but the film is too silly to emphasize this point. Likewise, the film’s heart lies with Chief, but much more interesting than his development are the dry dialogues, and the running gag of one dog hearing a rumor the others never heard of. In fact, apart from the film’s looks, the dialogues form the film’s main attraction, as they are often very funny.

Unfortunately, the film’s finale is not the best part, and the defeat of the villains a little too easy, but otherwise ‘Isle of Dogs’ is a real treat, and with its unique style a very welcome diversion from the often run-of-the-mill fare of American studio animation.

Watch the trailer for ‘Isle of Dogs’ yourself and tell me what you think:

‘Isle of Dogs’ is available on Blu-Ray and DVD

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