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Director: Otto Messmer
Release date: November 9, 1919
Stars: Felix the Cat (as Master Tom)
Rating: ★★★
Review:
‘Feline Follies’ sees the birth of the biggest cartoon star of the 1920s, Felix the Cat. In an age when most cartoon stars were more or less human, Felix the Cat was not the first animal cartoon star (that honor has to go to Krazy Kat), but he was the first original one (as Krazy Kat originally was a comic strip character) and the most famous of all before the advent of Mickey Mouse, paving the way for countless animal cartoon stars to come.
In his first film Felix is called ‘master Tom’. While he dates a white kitten named “Miss Kitty White’, the mice run havoc in the kitchen. Felix gets the blame and flees the house, but his girlfriend appears to have loads of children. Seeing no other way out of his misery, Felix commits suicide using gas…
When compared to the earlier Charlie Chaplin films, Otto Messmer already shows a greater amount of creativity in ‘Feline Follies’. The story may be loosely composed, it’s a clear one from start to end, and not just a string of gags like the earlier Charlie Chaplin films were. But more important, one of Felix’s trademark mannerisms, his tale changing into a question mark, already appears a few seconds into the film. Later, the two cats create steps out of musical notes. Metamorphosis gags like these would play an important part in the series, adding to its wonderful atmosphere.
Master Tom/Felix is a singular star from the start, not somebody’s pet. And like Charlie Chaplin before him, he’s a tramp, living outside, without regular food and shelter. ‘Feline Follies’ is no great cartoon in itself, but it sure shows potential. Indeed, although ‘Feline Follies’ was conceived as a standalone cartoon, made to help the Earl Hurd studio out, the film was such a success, distributor Paramount requested another one, and later a complete series. With his third film, Felix got his name, and the greatest cartoon series of the 1920s was born.
Watch ‘Feline Follies’ yourself and tell me what you think:
‘Feline Follies’ is available on the Blu-Ray ‘Cartoon Roots: Otto Messmer’s Feline Follies’, the DVD-set ‘Popeye the Sailor 1933-1938’ and the DVD ‘Presenting Felix the Cat’
Director: Phil Roman
Airing date: April 9, 1974
Stars: Charlie Brown, Linus, Lucy, Marcie, Peppermint Patty, Sally, Schroeder, Snoopy, Woodstock
Rating: ★★★
Review:
The twelfth Peanuts special was another holiday special, this time celebrating Easter. As with all Peanuts specials the story evolves at a leisurely speed, this time mixing ca. three stories into very short cross-cutting scenes.
The first and most entertaining story is about Peppermint Patty trying to teach Marcie how to paint eggs, but this goes haywire, because Marcie has absolutely no clue on how to prepare the eggs. The second story is about Snoopy buying a birdhouse for Woodstock, who initially shivers in the cold rain. Then there’s a story arc in which Linus tells the gospel of the Easter Bunny, just like he did on the Great Pumpkin.
Several scenes take place in a department store, and some of them are charming, if totally independent of the main story material, like Peppermint Patty, Marcie and Snoopy dancing to some Christmas-themed music boxes. This gives the episode a rather disjointed, almost improvisatory feel.
Vince Guaraldi’s soundtrack is great throughout, giving Snoopy and Woodstock an especially groovy soul-jazz theme, while the Easter Beagle is accompanied by a jazzy version of Beethoven’s seventh symphony.
Watch ‘It’s the Easter Beagle, Charlie Brown’ yourself and tell me what you think:
It’s the Easter Beagle, Charlie Brown’ is available on the DVD-set ‘Peanuts 1970’s Collection Vol. 1’
Director: Peter Shin
Airing Date: March 16, 1996
Stars: Duckman
Rating: ★★★
Review:
With a title as ‘The Mallardian Candidate’ (a nudge to the 1962 film ‘The Manchurian Candidate’) one needn’t wonder that this episode is about conspiracies.
This episode starts with the comedian Iggy Catalpa (see ‘Joking the Chicken‘ and ‘Color of Naught‘) asking Duckman for help in solving a conspiracy theory. Duckman is as clueless as ever, failing to identify criminals even when they surround them dropping clues all over the place. Soon he gets brainwashed and is turned into an automaton with a single killing purpose…
‘The Mallardian Candidate’ fails to play out the conspiracy concept very well. The best parts are Catalpa’s explanation of how his world domination organization works, and the very end of the episode, which in a few seconds shows what’s fundamentally wrong with the concept of conspiracy theories in the first place.
But mostly, the episode plays on Duckman’s mindlessness and uselessness. The parts involving his family are especially painful in that respect. In ‘The Mallardian Candidate’ Duckman is just a caricature, not the more complex persona he can be in other, better episodes.
Watch ‘The Mallardian Candidate’ yourself and tell me what you think:
This is Duckman episode no. 32
To the previous Duckman episode: The Girls of Route Canal
To the next Duckman episode: Pig Amok
‘The Mallardian Candidate’ is available on the DVD-box ‘Duckman – The Complete Series’
This is my second program review of the Dutch Kaboom Animation Festival, which is completely online this year, allowing one to watch more than 300 films from his own home. I’ll hope to review several more.
The Physics of Sorrow
Théodore Ushev
Canada, 2019
★★★
Based on the novel of the same name by Bulgarian writer Georgi Gospodinov this half an hour long film use a voice over telling partly of youth memories and partly giving us a bleak, depressive outlook on life. The narration is accompanied by stunning painted images, mostly in browns and ochers. These images are essentially realistic, but often very expressive and sketchy, verging on the abstract, with the impasto strokes being very visible. Nevertheless, one can see that they’re often based on live action footage.
Ushev’s animated paintings are by all means a visual tour de force, but frankly the voice over is already very evocative without them, and one wonders whether the novel really required these moving illustrations.
Vieille Peau (Old Hag)
Nicolas Bianco-Levin, Julie Rembauville
France, 2020
★★★½
‘Old Hag’ is a short comedy film in which a French business man visits a voodoo witch doctor in the middle of a Louisiana swamp. He wants the witch doctor to do something for him… ‘Old Hag’ is animated traditionally and has a classic visual punchline. The result is entertaining, albeit on the shallow side.
Meow or Never
Neeraja Raj
UK, 2020
★★
In this rather quirky mini-musical a kitten is on her way to planet B-206 in her cardboard box-shaped spaceship to find the meaning of life. Will she find it?
‘Meow or Never’ is as odd and tongue-in-cheek as it is trite and tiresome (especially the musical parts get on the nerve), but the stop motion animation is wonderful. Especially noteworthy are the gorgeous sets, which have a very attractive handicraft look. During the hallucination scene the film switches to traditional animation, which is also fine, if lacking the charm of the stop-motion scenes.
Pilar
Yngwie Boley, JJ Epping & Diana van Houten
The Netherlands, 2020
★★★½
‘Pilar’ tells about two people who are trying to survive in some post-apocalyptic world, barricading themselves against something rather unclear. However, more interesting than the story are the film’s visuals. The film uses no dialogue or music, but features very virtuoso painted animation on a visible canvas, and fitting sound effects. The color designs and animation are both of a stunning quality. It’s a pity the film makers couldn’t tell a more engaging story with their admirable command of technique.
Kosmonaut (Cosmonaut)
Kaspar Jancis
Estonia, 2019
★★★★
‘Cosmonaut’ tells about an aging ex-Cosmonaut, who lives in an apartment with his daughter and son-in-law. After some images of the young Cosmonaut in space we watch the apartment in a state of disarray, with the woman frantically trying to set things straight. We’ll soon learn how this has happened…
‘Kosmonaut’ is told without dialogue in very clear traditional animation, featuring Jancis’ own version of the ligne clair drawing style. The film exploits an almost perfect unity of space and time, with all the action taking place inside or just outside the tiny apartment. The film is much less absurd than we’re used to from Eesti Joonisfilm, but still has its quirks. The story has its funny moments, but is mostly tragic, with its protagonist living in the past, as the present clearly has nothing to live for.
Director: Earl Hurd
Release Date: November 20, 1918
Stars: Bobby Bumps
Rating: ★★★★
In ‘Before and After’ Bobby Bumps tricks his father into buying a hair restoring lotion, with the help of his pooch Fido and two other dogs.
Bobby spends his father’s dollar on ice cream, but gets spanked in the end by father’s scalp massage machine.
This is a charming short cartoon, full of elegant designs and fine animation, even if it remains as stiff and repetitive as that of contemporary cartoons. But at least the poses look lifelike.
‘Before and After’ is available on the DVD ‘Before Walt’
Dr. Grob's Animation Review 