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Director: Earl Hurd
Release Date:
January 28, 1923
Stars: Bobby Bumps & Fido
Rating:
 ★★★★★ ♕
Review:

I was already impressed with ‘Fresh Fish’, but Earl Hurd’s next Bobby Bumps picture, ‘Chicken Dressing’ is even better.

Earl Hurd, jr. again is a director at a “large film company”, in which Bobby Bumps and Fido co-star a live action cat, rabbit and chicken. These real animals interact marvelously with the cartoon starts, and one immediately believes they’re movie stars, as well.

Only after 4 minutes the ‘real’ picture starts, with Bobby Bumps and Fido being firefighters, rushing to the fire on a live action-rabbit pulled cart, and assisted by the real life cat, while the chicken plays the damsel in distress. Highlight is when Bobby Bumps takes out one of the smoke drawings, handles it as if it were a spring, and complains to the director about this badly drawn smoke.

Soon some real smoke enters the picture, making Bobby faint. The director asks Bobby whether he wants to go to a real life hospital or a cartoon hospital. After imagining the first (also starring two live action children as a doctor and nurse, respectively) , Bobby wisely chooses the latter. In the end the whole cartoon appears to have been the chicken’s dream.

‘Chicken Dressing’ is an absolute delightful cartoon, mixing live action and animation to a satisfying end, and providing some great gags along the way. Earl Hurd makes great use of the animals, sometimes superimposing drawings on them. This cartoon shows that Earl Hurd should be counted among the animation greats, and not only remembered for his cel patent.

Watch ‘Chicken Dressing’ yourself and tell me what you think:

‘Chicken Dressing’ is available on the Blu-Ray/DVD-combo ‘Cartoon Roots: Bobby Bumps and Fido’

Director: Earl Hurd
Release Date:
August 26, 1922
Stars: Bobby Bumps & Fido
Rating:
 ★★★★½
Review:

Earl Hurd left Paramount for Educational Pictures, and with this move his style changed from pure cartooning to a very inventive and entertaining blend of live action and animation, starring his own little son as a live action director directing the cartoon stars Bobby and Fido.

‘Fresh Fish’ is a perfect example. The opening title card is already promising, reading “Bobby Bumps Film co. Feetures & Comydies. No admitence. Aplie at Offis.” Inside, we watch Hurd jr. filming Bobby and Fido, who are on a fishing boat. First the cartoon concentrates on the cartoon gags, e.g. with Fido pitying the poor fish, before the fish tantalizes the poor dog. This sequence ends when a live action cat catches the fish and runs away with it.

But then Bobby accidentally stands on the water, a fact Hurd jr. has to point out to him. At this point Bobby falls into the water after all. The idea that gravity only works when one is aware it should work is of course a familiar cartoon trope, but this is the oldest instance of this gag type I know of.

After the fall, Bobby blames the poor scenery, which, indeed, hardly indicates the presence of water. Thus, the young director places the scenery in a tub. At first Bobby and Fido are very pleased with the added realism, but they almost drown in it.

This cartoon features quite some very effective special effects, making us easily believe the cartoon Bobby and Fido are in the same room as the cat and the director. Especially the water splashing when Bobby and Fido jump into the tub is very convincing. The result is no less than delightful, and ‘Fresh Fish’ should be regarded as one of the highlights from the silent cartoon era.

‘Fresh Fish’ is available on the Blu-Ray/DVD-combo ‘Cartoon Roots: Bobby Bumps and Fido’

Director: Earl Hurd
Release Date:
August 21, 1921
Stars: Bobby Bumps & Fido
Rating:
 ★★★
Review:

In ‘Hunting an’ Fishing’ Bobby Bumps does exactly that, and in an area where it’s prohibited, too. But how he’s supposed to know? He has blasted off the ‘no’ from a ‘no hunting allowed’ sign while trying to hit a rabbit. In any case, soon the gamekeeper is on his tail…

‘Hunting an’ Fishing’ looks uncommonly cheap for a Bobby Bumps cartoon: the background art is extremely limited, and Hurd uses quite some animation cycles. More interesting is the fact that this short seems like a very early ancestor of the chase cartoon. A great deal of the cartoon features the gamekeeper chasing Bobby, and Bobby and Fido trying to get rid of the fellow in various ways.

Yet, the best gag is reserved for a completely different set of characters: a bird and a frog using a sleeping rabbit’s stomach to rock themselves to sleep as well. This is an inventive, unique and surprisingly well staged gag.

‘Hunting an’ Fishing’ is available on the Blu-Ray/DVD-combo ‘Cartoon Roots: Bobby Bumps and Fido’

Director: Earl Hurd
Release Date:
November 9, 1919
Stars: Bobby Bumps & Fido
Rating:
 ★★★½
Review:

In this short film, little boy Bobby Bump jumps out of the inkwell, together with his dog Fido, and calls his master, who hasn’t arrived at work, yet, on the phone.

Their creator Earl Hurd invites them at his home. What follows is a funny smoke gag, but shortly after Bobby and Fido start packing, the cartoon ends, cutting short a promising premise.

As ever with the Bobby Bump cartoons, the designs are very appealing, but the animation is very limited and a bit crude. Yet, the simple gags have their own charm, and this cartoon is particularly interesting for starring the master Earl Hurd, himself.

Watch ‘Their Master’s Voice’ yourself and tell me what you think:

‘Their Master’s Voice’ is available on the Blu-Ray/DVD-combo ‘Cartoon Roots: Bobby Bumps and Fido’

Director: Earl Hurd
Release Date:
January 24, 1919
Stars: Bobby Bumps & Fido
Rating:
 ★★★
Review:

‘Bobby Bumps’ Last Smoke’ starts with Earl Hurd’s hand drawing Bobby Bumps, tickling him on the way. Then finished he gives the boy a cigarette, and immediately the scenery sets in.

Bobby starts smoking enthusiastically, but soon gets dizzy and throws the cigarette away. The cigarette smoke transfers him and Fido to a sultan’s palace in a 1001 Arabian night version of Turkey. The duo rescue a lady from the Sultan’s dungeons, with Bobby knocking out all the guards, and some lions, with the lady’s former ball and chain. He earns the damsel’s kiss in reward, which turns out to be Fido licking him.

Now, one would suspect that ‘Bobby Bumps’ Last Smoke’ is a typical anti-smoking cartoon, with Bobby giving up smoking after this trippy experience. But no, the one thing he’ll never do again isn’t smoking, but “insulting a sultan”. And so, with this pun, the short ends.

‘Bobby Bumps’ Last Smoke’ boasts elaborate human designs and intricate background art, but as with most animated cartoons from the 1910s, the animation is limited and jumpy.

‘Bobby Bumps’ Last Smoke’ is available on the Blu-Ray/DVD-combo ‘Cartoon Roots: Bobby Bumps and Fido’

Director: Władysław Starewicz
Release Date: 1920
Rating: ★★★★
Review:

In ‘Dans les griffes de l’araignée’ Starewicz tells his own, quite elaborated version of the classic ‘Spider and the Fly’ tale.

In Starewicz’s version the fly is called Dame Aurélie, a simple fly living at the countryside with her uncle, Beetle Anatole, and being in love with a longhorn beetle. One day a famous Paris star, a butterfly called Phalène, crashes in the fly’s village, and stays at her home. Phalène paints an all too rosy picture of Parisian life, and soon after her departure, Aurélie goes to the capital, as well.

First all goes well, as Aurélie works as Phalène’s house maid. But when she’s fired because of seeing a secret lover, things go downhill, indeed. The tale ends rather gruesomely with quite a spectacular finale, and in the epilogue we watch Aurélie returning to the village…

‘Dans les griffes de l’araignée’ is quite a tragic tale, but it’s hard to call it very engaging. Starewicz’s puppets are quite sophisticated, e.g. capable of rolling their eyes, but they don’t transgress the emotions very well, which remains emblematic. The emotional scenes are augmented by close-ups of the insect characters, in which live action puppets are used. Most spectacular is the finale, in which the title cards make place for a long action scene. The surviving print is gorgeous with its hand-painted colors, which certainly add to the film’s unique atmosphere.

‘Dans les griffes de l’araignée’ is available on the DVD-box ‘Starewitch 1882-1965 DVD Cinquantième anniversaire’

Directors: Max & Dave Fleischer
Release Date: July 6, 1920
Stars: Ko-Ko the Clown
Rating: ★★★½
Review:

‘The Clown’s Little Brother’ is one of the Fleischer brothers’ earliest films, when they were still working at Bray Studio.

The film stars Max Fleischer as the artist drawing Ko-Ko the clown, who’s only known as ‘the inkwell clown’ in this cartoon. Interestingly, as soon as Max tries to draw the character, his pen fails and Ko-Ko jumps out of the glass in which Max washes his pen. Immediately thereafter Max gets his mail, which strangely enough contains a live kitten. The Inkwell Clown gets a letter, too, stating that his kid brother arrives in another mail package. But Ko-Ko’s kid brother turns out to be a cheeky brat and Max leaves.

Undeterred, Ko-Ko tries to entertain the little kid with his antics, but the boy easily outperforms the clown, not in the least because he’s 100% animated, while Ko-Ko is partly rotoscoped. Thus the kid’s movements are wilder, less realistic and more impossible than Ko-Ko’s. At one point Ko-Ko falls off the piece of paper, and on the kitten, who plays with the poor cartoon character. At that point the kid brother shows his kinder side, and rescues Ko-Ko from the clutches of the feline foe. Yet, their antics end when Max returns, and the bottle of ink falls on the floor.

‘The Clown’s Little Brother’ is by all means an action rich and entertaining short, and shows that the Fleischers brothers were very competent players in the field. Fleischer’s inkwell clown was a sensation back then because of his fluid movements, based on Max Fleischer’s rotoscope invention. But in this cartoon Max Fleischer shows to be a competent animator without the aid of rotoscope, as well. For example, when the kid brother tries to pull Ko-Ko out of the inkwell, one can sense some pulling force.

Watch ‘The Clown’s Little Brother’ yourself and tell me what you think:

‘The Clown’s Little Brother’ is available on the DVD-set ‘Popeye the Sailor 1941-1943’

Director: Max Fleischer
Release Date:
1920
Rating:
 ★★★★½
Review:

‘All Aboard for a Trip to the Moon’ is a very early educational animation short. The short was animated by Max Fleischer at the Bray Studios, and apparently part of a series called ‘Goldwyn Bray Pictograph – The Magazine on the Screen’. For this short Fleischer got assistance of the Popular Science Monthly for the scientific details.

In less than 8 minutes ‘All Aboard for a Trip to the Moon’ tells about a hypothetical trip to the moon, telling us how far the moon is, and how to overcome the Earth’s gravity by using a radium-propelled rocket. Fleischer depicts quite a hard, bouncing landing of the rocket on the moon, and it’s never revealed how the vessel would be able to return to Earth, but we get some nice and convincing shots of the moon’s landscape and earth from the moon itself.

Fleischer’s drawings and animations are combined with live action footage, e.g. of a man handling radium, and another one getting dressed for the trip. Apparently in 1920 the scientists deemed a thick fur coat and a gas mask enough protection in outer space…

The short also states that radium alone can create the force to overcome the Earth’s gravity, while the Saturn V rockets that eventually would put man on the moon were fueled by a modified form of kerosene, and in 1920 kerosene itself was already well-known…

Anyhow, scientific errors aside, ‘All Aboard for a Trip to the Moon’ is an entertaining piece of infotainment. It not only predates Disney’s similar futurist television specials, like ‘Man and the Moon‘ (1955) with a staggering 35 years, it also gives an insight look in how space travel was perceived in the 1920s.

‘All Aboard for a Trip to the Moon’ is available on the Thunderbean Blu-Ray ‘Fleischer Rarities’

Director: Walter Lantz
Release Date: February 27, 1920
Stars: Jerry on the Job
Rating: ★★★★
Review

‘The Wrong Track’ is a short gag cartoon featuring ‘Jerry on the Job’, apparently a little kid doing all kinds of jobs.

In this short he’s a train engineer, who’s scolded by his boss of killing too many animals on the train track. And indeed, only a few seconds after leaving the train station Jerry encounters a cow, which after some action is killed.

The short features quite some funny gags and ends with a great punchline. The designs are simple, but pleasant and Walter Lantz’s animation is fair and effective. ‘The Wrong Track’ may not be a masterpiece, it’s a fun bit of early animation, and certainly one of the better shorts from this era.

The Wrong Track’ is available on the Thunderbean Blu-Ray/DVD-combo ‘Technicolor Dreams an Black & White Nightmares’

Director: Howard S. Moss
Release Date: 1917
Rating: ★
Review

‘Dolly Doings’ is an entry in the ‘Motoy Comedies’ series, which was apparently based on the book series ‘Motoys in Life’.

The short mixes live action and stop motion to tell the story of a little girl who dreams that her dolls come to life. One particularly mischievous doll called Jimmy taunts the others with a needle.

The dolls lack any character and are very poorly animated, not exceeding the amateur level. The action is hard to comprehend, and the ‘story’ too trite to be of any interest. The intertitles, too, are painfully unfunny. I’ve no idea how many Motoy Comedies have been made, but based on the judgement of this entry this series can’t hardly have been successful.

Dolly Doings’ is available on the Thunderbean Blu-Ray/DVD-combo ‘Techicolor Dreams an Black & White Nightmares’

Director: Dick Huemer?
Release Date: July 14, 1918
Stars: Mutt and Jeff
Rating: ★★★½
Review:

In this Dick Huemer-animated short Mutt and Jeff appear to own a lunchroom. Mutt is the waiter, and Jeff the cook.

There are essentially three gags: a bearded customer wants some ox-tail soup, another costumer some pie, and the third, a beautiful woman, the best flapjacks they have. When she notes that the flapjacks don’t look so good, Mutt places one on the grammophone player and promptly starts to dance with her to the music. The dance ends when a policeman shows up, knocking out both Mutt and Jeff, but taking the dance with the beautiful dame himself.

While seating the lady looks like from another picture, when compared to the cartoony design of Jeff, but this feeling vanishes during the dance scene, and one must admit Dick Huemer does quite a good job in animating this particular scene. Another fine piece of early character animation are Mutt’s deft hand movements while handling the second customer.

Watch ‘The Extra-Quick Lunch’ (Flapjacks) yourself and tell me what you think:

‘The Extra-Quick Lunch’ (Flapjacks) is available on the DVD ‘Mutt and Jeff – The Original Animated Odd Couple’

Directors: Herbert M. Dawley & Willis O’Brien
Release Date: November 17, 1918
Rating: ★★★

The Ghost of Slumber Mountain © Willis O'BrienThis film was produced, acted and animated by Herbert M. Dawley and Willis O’Brien.

Dawley plays ‘Uncle Jack Holmes’, who tells two boys a story about how he camped out on slumber mountain and meets the ghost of Mad Dick there (played by O’Brien). The ghost tells Holmes to watch through a magic instrument, and the uncle suddenly sees prehistoric animals in the distance.

At this point the film is nine minutes away, and by O’Brien’s skillful animation we watch a Brontosaurus wandering, a Diatryma (a giant flightless bird, now Gastornis) catching a snake, two Triceratopses fighting, and a Tyrannosaurus killing one of the Triceratopses.

Especially the animation on the first Triceratops is well done, O’Brien even shows the creature breathing. Another nice detail is that of the Tyrannosaurus licking its lips. Most importantly, O’Brien doesn’t show the prehistoric creatures not as monsters but as convincingly living creatures. No wonder this master animation was asked to do the dinosaur animation for ‘The Lost World’ (1925), and for all kinds of creatures in ‘King Kong‘ (1933).

It’s a pity the film is rather lackluster (in the end it all appears to be a dream, and even the boys don’t really buy that trite ending), for the animation is certainly worth watching once.

Watch ‘The Ghost of Slumber Mountain’ yourself and tell me what you think:

‘The Ghost of Slumber Mountain’ is available on the Blu-Ray of ‘The Lost World’

Director: Willis O’Brien
Release Date: 1917
Rating: ★★★★

R.F.D. 10,000 B.C. © Willis O'Brien‘R.F.D. 10,000 B.C.’ is a short cartoon by stop motion pioneer Willis O’Brien (1886-1962) of later ‘King Kong‘ fame.

The cartoon tells about two rivaling cavemen, one of them a mailman, craving for the same cave woman, Winnie Warclub. At St. Valentine’s Day the mailmen exchanges Johnny Bearskin’s valentine for an insulting one, but Johnny soon finds out the truth, and knocks the mailman literally in two, winning both Winnie and the mailman’s job.

‘R.F.D. 10,000 B.C.’ precedes The Flintstones by 45 years, and shows that from the start Willis O’Brien was a capable stop motion animator. The film also shows he was interested in the prehistory right from the outset. The mailman’s cart is pulled by a sauropod, which we can clearly see breathing heavily in the end.

The puppets of the cavemen are elaborate and capable of rolling their eyes. O’Brien’s animation of the mailman is most impressive: we can clearly watch him carrying heavy mail (the sense of weight is well brought across in the animation), and his moves are genuinely sneaky. Johnny and Winnie aren’t half as good.

The film is entertaining, and shows O’Brien on par with Władysław Starewicz as the major pioneer in stop motion animation.

Watch ‘R.F.D. 10,000 B.C.’ yourself and tell me what you think:

‘R.F.D. 10,000 B.C.’ is available on the Blu-Ray of ‘The Lost World’

Director: Émile Cohl
Release Date: 1918
Rating: ★★★

Les adventures des Pieds-Nickelés © Éclair‘Les adventures des Pieds-Nickelés’ is a short series of animated cartoons that Émile Cohl made for Éclair.

The first episode hasn’t survived, and only parts of the fifth, but from the surviving episodes one can distill that this series is about three criminals: Ribouldingue, who has a beard, Croquignol, and Filochard, who wears an eyepatch. The three flee from an inspector and have all kinds of adventures in Paris.

Cohl’s sketchy drawing style looks like something of the 19th century, and his animation, mostly done in cut-out, is rather stiff and badly timed, with none of the movement being remotely natural. Yet, Cohl’s gags are impressive as they seem to be embryonic versions of common cartoon gags of the 1940s and 1950s. For example, in the second episode there’s a scene in which numerous policemen pop-up from everywhere.

The third episode is the most impressive in this respect: the short contains a scene in which the trio enters a subterranean and rather nightmarish chamber in which everything can happen, making this scene a direct forerunner of ‘Bimbo’s Initiation‘ from 1931. Later, when a part of a fence falls on the inspector, he breaks into several pieces, just like a Tex Avery character. The fourth episode features a policeman who, when hitting a wall, contracts into a flat disc, and later Filochard rolls up like a piece of paper.

The fifth episode is the most incomprehensible of the four surviving films, partly because of only parts of it have survived. The best gag of this episode is when Croquignol almost drowns, and when rescued spits out hundreds of liters of water, including some fishes, only to ask for a drink.

All these gags are way ahead of the humor of contemporary American cartoons, but combined with the archaic drawing style the end result is a strange mix, indeed.

Watch ‘Les adventures des Pieds-Nickelés’ yourself and tell me what you think:

‘Les exploits de Farfadet’ is available on the DVD-set ‘Émile Cohl – L’agitateur aux mille images’

Director: Wallace Carlson
Release Date: January 9, 1919
Stars: Us Fellers
Rating: ★★★

Dud Leaves Home © Wallace CarlsonWallace Carlson (1894-1967) was a comic strip artist, who had a brief career as an animator from 1914 to 1921. Carlson joined the Bray studio in 1917, for which he created the ‘Us Fellers’ series. The series stars a boy character called Dreamy Dud, whom Carlson had conceived earlier.

Dud is a boy who breaks his bank (and unfortunately the one coin therein) to buy his girlfriend Mamie some ice cream. But instead he’s punished and sent to bed without supper. At night Dud sneaks out and first imagines how his mother gets filled with remorse, while he finds a treasure. But then the figments of his imagination turn into scary monsters, and he runs home, only to get spanked.

‘Dud Leaves Home’ is a well-told film, with great attention to the child’s world and imagination. The night scenes show some pretty background art. The animation, on the other hand, is rather stiff and robotic, especially when compared to Earl Hurd’s or Raoul Barré’s animation from the same era.

Carlson left animation in 1921 to concentrate on comic strips again, creating the highly successful comic strip series ‘The Nebbs’ in 1923.

Watch ‘Dud Leaves Home’ yourself and tell me what you think:

‘Dud Leaves Home’ is available on the DVD ‘Before Walt’

Director: Earl Hurd
Release Date: November 20, 1918
Stars: Bobby Bumps
Rating: ★★★★

Before and After © Earl HurdIn ‘Before and After’ Bobby Bumps tricks his father into buying a hair restoring lotion, with the help of his pooch Fido and two other dogs.

Bobby spends his father’s dollar on ice cream, but gets spanked in the end by father’s scalp massage machine.

This is a charming short cartoon, full of elegant designs and fine animation, even if it remains as stiff and repetitive as that of contemporary cartoons. But at least the poses look lifelike.

‘Before and After’ is available on the DVD ‘Before Walt’

Director: Paul Terry
Release Date: August 25, 1916
Stars: Farmer Al Falfa
Rating:

Farmer Al Falfa's Revenge © Paul TerryIn this very short animated cartoon a near-sighted British hunter called Sir Henry Bonehead comes poaching at farmer Al Falfa’s game reserve.

The hunter even shoots at Al Falfa, thinking the bearded man is a goat. In the end the farmer disposes of both hunter and his black servant.

This short shows that quality never has been in Paul Terry’s vocabulary. The story makes no sense, there’s no plot to speak of, the gags are lame, and the animation stiff as hell. Others at the Bray studio could do better, much better.

Watch ‘Farmer Al Falfa’s Revenge’ yourself and tell me what you think:

‘Farmer Al Falfa’s Revenge’ is available on the DVD ‘Before Walt’

Directors: Charles Bowers & Raoul Barré
Release Date: March 2, 1919
Stars: Mutt and Jeff
Rating: ★★★

Fireman Save My Child © Raoul BarréIn this short Mutt and Jeff are firemen. First they extinguish the ‘fire’ of a smoking policeman, then they rush to a real fire. Mutt has to rescue a girl (which turns out to be a vicious dog), while Jeff relaxes, eats some fried eggs and drinks some coffee. In order to escape from the dog Mutt jumps down, but his colleagues are too busy looking at a beautiful dame descending a ladder…

‘Fireman Save My Child’ is a pure gag cartoon, with the gags coming in fast an plenty. The film is pretty fast and funny for its age, but animator Dick Huemer uses some surprising tricks to cut short on animation, making Mutt and Jeff move across the room without movement, or firemen sprouting from beds using the vaguest inbetween drawings. Nevertheless, it’s nice to watch some animation by this later Disney legend.

‘Fireman Save My Child’ is available on the Blu-Ray-DVD-combo ‘Cartoon Roots’

Directors: Raoul Barré & Bill Nolan
Release Date: August 18, 1915
Rating:

Cartoons on Tour © Raoul Barré‘Cartoons on Tour’ is an entry in Raoul Barré’s and animator Bill Nolan’s’Animated Grouch Chaser’ series.

The entries in this series were essentially live action comedies, with cartoons injected of ca. three minutes length. ‘Cartoons on Tour’ is a typical example: the film features a live action story of a girl and a boy planning to elope. While waiting for her Bob to pick her up, the girl reads one of Raoul Barré’s animated comic strip: “The Tales of Silas Bunkum”, in which a bearded man tells a tall tale about an elephant (who moves just like Gertie in ‘Gertie the Dinosaur‘).

Then Bob arrives and the two drive to the chapel, but the girl’s old man hops along. Luckily he’s distracted by the comic book,, and reads’The Kelly Kids’ Kite’ about a boy flying off with a kite. This part knows a rather crude beheading of a crow. The second comic the old man reads is ‘Mr. Hicks in Nightmare Land’ about an old man spying on a girl in the water. Later he dreams he drinks from the fountain of youth, turning him into a baby. When he lands on the couch of a beautiful lady, he wakes up…  At that point the man discovers a telegram inside the comic, and realizes what’s going on. But he’s easily soothed by a last comic: ‘The Pleasure of Being a Grandpa’.

The animation is extremely limited in this cartoon, with most images hardly moving at all. Moreover, the action is slow and terribly unfunny, making the film a rather tiresome watch.

Watch ‘Cartoons on Tour’ yourself and tell me what you think:

‘Cartoons on Tour’ is available on the Blu-Ray-DVD-combo ‘Cartoon Roots’

Director: Harry S. Palmer
Release Date: 1916
Rating: ★★

Professor Bonehead Is Shipwrecked © Mutual-Gaumont‘Professor Bonehead Is Shipwrecked’ is a short animator Harry S. Palmer made for Mutual-Gaumont. Little can be found about this artist, except that his most well-known series was called ‘Keeping up with the Joneses’, which he had to quit in 1916 because J.R. Bray sued him for infringement of his cel patent.

It’s not even clear whether Professor Bonehead was the star of a series or not. In any case this film is the only one I can find. Perhaps it was a one-shot attempt. I wouldn’t be surprised, because so much is happening in this brief rather stream-of-consciousness-like film the result is hard to comprehend.

The film starts with a drawing of Professor Bonehead out of an inkwell. Then we watch him riding the waves, and being washed ashore carrying a huge egg, which hatches into a miniature duck-billed man. The duck-billed man chases Bonehead, who makes a jump to escape, right into the cook pot of a cannibal tribe, etc. and so on. The film ends with Bonehead and the duck-billed man making a car out of a log.

The film uses stop-motion, cut-out and full animation, but is completely devoid of timing. Some of the animation is remarkably good, however. Especially the rolling waves during the opening scene are very impressive. Nevertheless, the film is too random to be truly enjoyable, and it clearly didn’t secure Palmer’s position in the animation canon.

Watch ‘Professor Bonehead Is Shipwrecked’ yourself and tell me what you think:

‘Professor Bonehead Is Shipwrecked’ is available on the Thunderbean DVD ‘Uncensored Animation 2: Cannibals!’

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