Director: Paul J. Smith
Release Date: January 27, 1958
Stars: Woody Woodpecker, Dooley
Rating: ★★★★½
Review:

Misguided Missile © Walter Lantz‘Misguided Missile’ starts with a familiar Woody Woodpecker trope of Woody being hungry and looking for food.

In the first scene we watch him picking with a bunch of pigeons, until he says ‘this is for the birds’, and tries to steal a man’s lunch box. When this fails, Woody immediately turns his attention to the ‘Jobs wanted’ page in the newspaper the man is reading, looking for a “Job for Goldbrickers”, as a super salesman selling insurance. Woody even dresses like a skunk to get the job, in a sequence that is reminiscent of a similar scene in Carl Barks’s comic ‘Land of the Totem Poles’ (1950).

In his new profession as a travelling salesman he tries to sell Dooley an insurance policy. This sequence forms the highlight of the cartoon, as Woody reads to Dooley which calamities the insurance covers, which promptly make these happen to the bearded fellow. In a matter of seconds Dooley gets hit by a safe, hit by a streetcar, falls into a printing press, is hit into the ground by a pile-driver, etc.

This remarkable selling strategy succeeds, and Dooley signs. But Dooley double-crosses Woody, thinking he now is insured against everything. He is, except for guided missiles. So Woody launches the slowest guided missile thinkable on Dooley. The rest of the cartoon consists of the guided missile slowly following an agonized Dooley. This is by all means a remarkable sequence, greatly enhanced by the tick-tock sound effects and Clarence Wheeler’s inspired music accompanying the missile.

Curiously, eleven days later, the slow missile would return in the earlier produced Droopy cartoon ‘Sheep Wrecked‘. Indeed, both cartoons were penned by the same writer: Homer Brightman.

Watch ‘Misguided Missile’ yourself and tell me what you think:

This is Woody Woodpecker cartoon No. 82
To Woody Woodpecker’s debut film: Fodder and Son
To the next Woody Woodpecker cartoon: Watch the Birdie

‘Misguided Missile’ is available on the DVD-set ‘The Woody Woodpecker and Friends Classic Cartoon Collection Volume 2’

Director: Paul J. Smith
Release Date: November 4, 1957
Stars: Woody Woodpecker, Windy & Breezy
Rating: ★★★½
Review:

Fodder and Son © Walter LantzIn Yellowstone Park a father bear shows his son how to get free food from the park visitors.

Father bear gets cake from an old couple, looking particularly miserably, and food from some youngsters playing ‘rock-‘n-roll’ (the tune the bear plays is more rock ‘n roll in name than in sound). The next customer is Woody Woodpecker, who for once isn’t short of food himself.

After making the bear perform some tricks, Woody gives the bear a sandwich and a bottle of ketchup, but when the greedy bear wants more, a gag routine starts, with Woody placing some food on ‘Old Faithful’ (a geyser), and the bear falling for it, no less than five times. This sequence is surprisingly fast-paced, making the comedy, which are essentially variations on one theme, work.

The little bear’s function in the plot is only to address the audience once in a while with an admiring ‘that’s my pop’, no matter what calamity befalls his father. In this respect he resembles Sylvester jr, who had made his debut eight years earlier in ‘Pop ‘Im Pop!’ (1950).

The bear pair was later christened ‘Windy & Breezy’ and starred four cartoons of their own, starting with ‘Salmon Yeggs‘ (1958).

Watch ‘Fodder and Son’ yourself and tell me what you think:

This is Woody Woodpecker cartoon No. 81
To the previous Woody Woodpecker cartoon: Dopey Dick and the Pink Whale
To the next Woody Woodpecker cartoon: Misguided Missile

‘Fodder and Son’ is available on the DVD-set ‘The Woody Woodpecker and Friends Classic Cartoon Collection Volume 2’

Director: Seymour Kneitel
Release Date: August 29, 1958
Stars: Herman and Katnip
Rating:
Review:

You Said a Mouseful © Paramount‘You Said a Mouseful’ builds on two ideas: Katnip suddenly is an Italian chef, making pizza, while Herman runs a gym for mice, to keep them in shape enough to escape the cat.

Unfortunately, little Chubby hardly cooperates, eating everything in sight, and Herman has to rescue the brat repeatedly. Surprisingly, in the end little Chubby saves Herman by telling Katnip they’re Italian, too, and the cartoon ends with Katnip and the mice dancing around a pizza.

There’s very little to enjoy in ‘You Said a Mouseful’. Chubby is clearly modeled on Nibbles, the hungry orphan mouse Jerry adopts in the Tom & Jerry ‘The Milky Waif’ (1946), and who appeared in ten cartoons in total, up to 1957. Chubby hardly shares Nibbles’ charm, however, and the cartoon is hampered by rather cliche chase routines. Little is done with Katnip’s sudden Italian roots, except for him singing in mock-Italian. The whole cartoon looks like a poor man’s Tom & Jerry short.

The best gag may be when Katnip lures Chubby with help from a very large spaghetti string, the most violent one is when Herman puts Katnip’s hands into a toaster. This makes a painful watch indeed.

Watch ‘You Said a Mouseful’ yourself and tell me what you think:

‘You Said a Mouseful’ is available on the DVD ‘Herman and Katnip – The Complete Series’

Director: Isadore Sparber
Release Date: March 14, 1958
Stars: Herman and Katnip
Rating: ★★½
Review:

Frighty Cat © Paramount‘Frighty Cat’ revisits the premise of ‘From Mad to Worse‘ (1957) and mixes it with the idea of the Tom & Jerry cartoon ‘Fraidy Cat‘ (1942).

Nobody knows why (it’s completely irrelevant to the story), but the setting is the Illside sanatorium, where Herman and his cousins play pool. Then Katnip arrives and manages to trap the four mice in a mouse hole. He decides to ‘wait them out’, while reading a ghost story aloud. This, of course, prompts Herman and his kin to play tricks on the cat, making him believe the house is haunted. In the end Katnip flees into the distance, haunted by his own ghostly image in a mirror.

Even though ‘Frighty Cat’ is one of the more entertaining of the latter day Herman and Katnip cartoons, it’s difficult to praise the cartoon, as it completely fails to live up to its peers (apart from ‘Fraidy Cat’ ‘Mouse Wreckers‘ from 1949). The animation is often subpar, and Herman looks quite misshapen at times. At least some of the background art is nice.

Watch ‘Frighty Cat’ yourself and tell me what you think:

 

‘Frighty Cat’ is available on the DVD ‘Herman and Katnip – The Complete Series’

Director: Dave Tendlar
Release Date: November 22, 1957
Stars: Herman and Katnip
Rating:
Review:

One Funny Knight © Paramount‘One Funny Knight’ takes place in mystical medieval times.

Herman works as a servant in a tiny medieval castle in a forest. When Katnip kidnaps ‘beautiful’ princess Guinevere, Herman comes to the rescue. Rather incongruously, Katnip is dressed in 17th century style, and rides a scooter to his own, much larger, castle, followed by Herman on a bicycle.

There is more melodrama than humor in ‘One Funny Knight’, which makes the cartoon a rather boring watch. Nevertheless, there are some nice perspective stagings.

Watch ‘One Funny Knight’ yourself and tell me what you think:

‘One Funny Knight’ is available on the DVD ‘Herman and Katnip – The Complete Series’

Director: Seymour Kneitel
Release Date: August 16, 1957
Stars: Herman and Katnip
Rating: ★★
Review:

From Mad to Worse © Paramount‘From Mad to Worse’ takes place at a department store, where Katnip is a night guard.

We watch Herman and his cousins playing with a toy train in the toy department. When Katnip tries to catch them, Herman and his fellow mice play tricks on the cat, making him think he has gone mad, much like Hubie and Bertie did to Claude Cat in the Chuck Jones cartoon ‘Mouse Wreckers‘ (1949). Katnip even goes to a psychiaCATrist (got it?).

Compared to Chuck Jones’s cartoon, ‘From Mad to Worse’ is a rather tiresome experience. The short is surprisingly dialogue-rich, hampering the gags, and in this short Herman ‘quotes’ Confucius twice, turning into a stereotyped China-man while doing so. The animation is full, but mediocre. In fact the cartoon’s highlight is the cartoon modern background art, especially the background paintings of the first scenes are very beautiful.

Watch ‘From Mad to Worse’ yourself and tell me what you think:

‘From Mad to Worse’ is available on the DVD ‘Herman and Katnip – The Complete Series’

Director: Frédéric Back
Release Date: June 1993
Rating: ★★★★★ ♕
Review:

Le fleuve aux grandes eaux © Frédéric BackFollowing the extraordinary success of ‘The Man Who Planted Trees’, which inspired several tree planting projects, Frédéric Back turned his attention to Canada’s majestic St. Lawrence river in ‘The Mighty River’.

Clocking almost half an hour, this is Back’s last and most impressive film. Told by Donald Sutherland, the film is both an ode to this impressive river, showing nature’s grandeur and spectacular sights, and a tale of the river’s sad history, which with the arriving of the Europeans turns a dark page. Soon, the story is one of slaughter, exploitation, destruction, pollution, and greed.

The film’s pessimistic and environmentalist message at times contrasts greatly with the extraordinarily beautiful and highly virtuoso images, not only of the river itself, or of the abundance of creatures the river inhabits, but also of mankind living around the stream.

Back’s style ranges from highly naturalistic to impressionistic, pointillistic, and even Van Gogh-like. His animation style is in constant motion, taking the spectator from one image to another in an organic string of continuity, as if the film itself flows like a river. Metamorphosis and swooping camera movements add to the flowing nature of the film.

Despite the extraordinary beauty of the more peaceful images, Back shows us many pictures of death and destruction: images of the slaughtering of once abundant species, of decimation of the surrounding forests and of the emptying of life in the nearby Ocean bay. These images give the film a sad and disturbing outlook, and there’s makes no mistake that Black blames sheer greed for these atrocities.

Yet, by altering the images of woe with images of wonder, Back keeps his film from becoming a depressing work of agitprop. Still, his message is crystal clear: man has exploited this mighty river long enough, and now it’s time to give its nature rest and time to heal. And even then the once countless flocks of great auk and passenger pigeons will never return, as man has driven them to extinction.

In all, ‘The Mighty River’ is an impressive piece of work, a film that will leave no viewer unmoved, and a crowning achievement on Back’s already impressive oeuvre.

Watch ‘Le fleuve aux grandes eaux’ yourself and tell me what you think:

‘Le fleuve aux grandes eaux’ is available on the DVD-box ‘L’intégrale de Frédéric Back’

Directors: Stephen & Timothy Quay
Release Date: 1993
Rating: ★★★½
Review:

Stille Nacht IV Can't Go Wrong Without You © Brothers QuayThe fourth and last Stille Nacht film returns to the music of His Name Is Alive, and the rabbit and doll from the second film.

The most disturbing image is that of the girl doll somehow bleeding. In another scene a death-like man tries to steal the rabbit’s egg, using string. The rabbit saves his egg by cutting the string with his teeth, and hides the egg in a glass on the ceiling. This is the most story-like part of the film, which looks beautiful, but is drenched in mystery, just like the other three Stille Nacht films.

Watch ‘Stille Nacht IV: Can’t Go Wrong Without You’ yourself and tell me what you think:

‘Stille Nacht IV: Can’t Go Wrong Without You’ is available on the DVD-set ‘The Brothers Quay – The Short Films 1979-2003’

Directors: Stephen & Timothy Quay
Release Date: 1992
Rating: ★★★
Review:

Stille Nacht III Tales from Vienna Woods © Brothers Quay‘Stille Nacht III: Tales from Vienna Woods’ is the third of the Quay Brothers’ ‘Stille Nacht’ films, and somehow the most incomprehensible of them all.

Star of this film is a loose flying hand, which is saved from a bullet by a hanging table, which produces a long spoon to catch the bullet. The gun shot is the only sound besides the odd Czech soundtrack, featuring some orchestra and a voice reciting over it. The film is very beautifully made, and some forest feeling is created using numerous pine cones, but it’s hard to make head or tale of this highly surreal film.

Watch ‘Stille Nacht III: Tales from Vienna Woods’ yourself and tell me what you think:

https://www.dailymotion.com/video/xpwta8

‘Stille Nacht III: Tales from Vienna Woods’ is available on the DVD-set ‘The Brothers Quay – The Short Films 1979-2003’

Directors: Stephen & Timothy Quay
Release Date: 1992
Rating: ★★★★
Review:

Stille Nacht II Are We Still Married © Brothers Quay‘Stille Nacht II: Are We Still Married?’ is the second of four ‘Stille Nacht’ films the Brothers Quay  made: all four are very short and shot in black and white.

The second, like the fourth, is set to a song by the band His Name Is Alive, in this case their song’Are We Still Married’, and thus essentially is a video clip. The film features a small rabbit trying to catch a ping-pong ball which flutters across the room like a moth. Also featured is a breathing girl doll.

Like the other Stille Nacht films the Brothers Quay manage to evoke a wonderful atmosphere, while using various camera techniques from the silent movie era, sometimes zooming in on a very small detail of the scene. The Jan Švankmajer influence, too, is very present. The film may be very incomprehensible, it makes a very intriguing watch.

Watch ‘Stille Nacht II: Are We Still Married?’ yourself and tell me what you think:

 

‘Stille Nacht II: Are We Still Married?’ is available on the DVD-set ‘The Brothers Quay – The Short Films 1979-2003’

Directors: Stephen & Timothy Quay
Release Date: 1988
Rating: ★★★★
Review:

Stille Nacht I Dramolet © Brothers Quay‘Dramolet’ is the first of four films the Brothers Quay made between 1988 and 1993 bearing the title ‘Stille Nacht’ (silent night).

This first film is by far the shortest of the four, but establishes the overall style of the series: black and white images featuring dolls and lifeless objects interacting, camera techniques from the silent era, moving in on very small details within the scene, a high level of surrealism, Jan Švankmajer-like animation, and no hint of a story.

In ‘Dramolet’ a rather rugged doll looks through a window into another room, where iron screw grows a plenty. Then he returns to his own table, where the same stuff appears in his bowl. When he tries to grab his spoon, the wall behind him sprouts several others.

This  very short film was made for MTV and is a beautiful product of the highly creative atmosphere of the time, when MTV invited artists from the whole world to create short films for them.

Watch ‘Stille Nacht I: Dramolet’ yourself and tell me what you think:

 

‘Stille Nacht I: Dramolet’ is available on the DVD-set ‘The Brothers Quay – The Short Films 1979-2003’

Director: Faith Hubley
Release Date: 1993
Rating: ★★★★
Review:

Cloudland © Faith HubleyIn ‘Tall Time Tales’ Hubley had illustrated ‘dream time’, a concept from aboriginal mythology.

In ‘Cloudland’ she returns to the aboriginal mythology, illustrating three more concepts: 1. a creation myth, in which the sun woman wakes up the earth, 2. the story of hunger at the land of plenty, and 3. Gifts from the ancestors. Like in ‘Upside down‘ and ‘Tall Time Tales‘ the episodes are announced by a voice over (this time her daughter Emily’s) telling their titles.

Hubley’s style is particularly fit for mythology, and this film doesn’t disappoint. Especially, the creation myth is wonderfully done, yet the best part is the story of hunger, with its remarkably straightforward story. This part also features the most elaborate animation, on a bird, a kangaroo and a turtle. Most of the film, however, is filled with Faith Hubley’s characteristic primitive-looking things and beings, which vibrate, move, morph and dance in short and simple animation cycles.

Watch ‘Cloudland’ yourself and tell me what you think:

 

‘Cloudland’ is available on the DVD ‘The Hubley Collection Volume 1’

Director: Faith Hubley
Release Date: 1992
Rating: ★★★★
Review:

Tall Time Tales © Faith Hubley‘Tall Time Tales’ is a meditation on time.

Like ‘Upside Down‘ the film consists of several parts, divided by a voice over. ‘Tall Time Tales’ consists of five parts: 1. Time waits for no one, 2. Tick Tock Clock, in which Hubley illustrates the grind of daily work routines, 3. The twin paradox (a concept from the relativity theory), 4. Dreamtime (a concept from aboriginal mythology) and the vague ‘Arrows or circles’, probably musing whether time is linear or circular. The film ends with a great finale of beautiful, if utterly incomprehensible images moving to Don Christensen’s percussive dance music.

‘Tall Time Tales’ is one of Faith Hubley’s more successful films, blending inspired music with ditto images. Its philosophy me be light, this is still one of those films that make you stop and wonder.

Watch ‘Tall Time Tales’ yourself and tell me what you think:

‘Tall Time Tales’ is available on the DVD ‘The Hubley Collection Volume 1’

Director: Faith Hubley
Release Date: 1991
Rating: ★★½
Review:

Upside Down © Faith HubleyAccording to the titles this film is inspired by ‘upside down poetry’ by 15th century Indian poet Kabir.

The film shows several ‘upside down’ situations, all introduced by a voice over, like ‘a sheep eats a wolf’, ‘a corpse eats death’, and ‘a fish jumps out of the ocean’. Most interesting is ‘an elephant is tied to an ant’s leg’, which features remarkably classic animation on the elephant, a standout between the circular and flat animation that dominates Hubley’s films.

As always, ‘Upside down’ features Hubley’s gorgeous Miró-like ritualistic designs, but the film is hampered by the trite voice over titles, and Don Christensen’s rather disjointed score. Moreover, the stream-of-consciousness-like scenes are little more than illustrations of the poet’s ideas, and there’s no story whatsoever.

‘Upside Down’ is available on the DVD ‘The Hubley Collection Volume 1’

Director: Faith Hubley
Release Date: 1990
Rating: ★★★½
Review:

Amazonia © Faith HubleyWith Amazonia Faith Hubley returns to her favorite subject, mythology, telling three myths from this area.

The first is a creation myth in which the moon goddess creates life, but is envied by two other god-like creatures. Unfortunately, it’s far from clear what’s happening during this part.

Much clearer is the second part, which tells about a clever and hungry tortoise, who defeats a jaguar, a fox and a deer by outsmarting them, and then devouring them… This is a surprisingly funny sequence for a Faith Hubley film, whose style normally is more poetic than anything else.

The last myth is the only one to use a piece of dialogue: we hear Dizzy Gillespie say “One day, when there are no trees left, the heavens will fall and the people will be destroyed.” This part is clearly against deforestation, but also shows that nature will doubtless survive mankind.

Hubley’s magical animation style enhances the mythical atmosphere, as does Don Christensen’s music. The complete film is very beautiful and poetic.

‘Amazonia’ is available on the DVD ‘The Hubley Collection Volume 1’

Director: Gil Alkabetz
Release Date: October 1992
Rating: ★★★★★
Review:

Swamp © Gil AlkabetzWith ‘Swamp’ Gil Alkabetz showed to be a strong new voice in the animation world.

Made at the Akademie der Bildenden Künste Stuttgart in Germany, Alkabetz uses a deceptively simple setting of only two dimensions, with no background whatsoever. In this world two armies of knights on horses, armed with giant balloons and giant scissors are fighting a senseless war over a swamp.

The film is a strong allegory on the folly of war. The film’s power is greatly enhanced by its simple yet very clear designs (all knights are drawn in black ink, the balloons in bright ecoline reds and blues) and by its great sound design. But most of all, the short shows Alkabetz’s strong sense of comic timing. ‘Swamp’ is one of the best student films of all time, and deserves to be shown over and over again.

Watch ‘Swamp’ yourself and tell me what you think:

 

‘Swamp’ is available on the DVD box set ‘The Animation Show of Shows Box Set 2’

Director: Gosce Vaskov
Release Date: 1996
Rating:
Review:

Misa u A-Molu (Mass in A Minor) © Zagreb Film‘Mass in A minor’ is the first computer animated film made in Croatia.

This single fact must be the sole reason to watch the film. Otherwise, ‘Mass in A minor’ is utterly forgettable. The short is an unremarkable mood piece with flames as its main theme. The motion is perfectly set to Marijan Brkić’s new age music, but this cannot save the film, which has a cheap, ugly and utterly primitive look.

 

‘Mass in A Minor is available on the DVD ‘The Best of Zagreb Film: Be Careful What You Wish For and The Classic Collection’

Director: Darko Kreč
Release Date: 1995
Rating:
Review:

Posljednji valcer u starom mlinu (Last Waltz in the Old Mill) © Zagreb FilmIn this latter-day Zagreb Film studio short two grains change into a prince and princess who waltz around a remote water mill.

This film combines live action footage of the water mill with cell animation of the prince and princess. Unfortunately, the film is hampered by its poor story, its mediocre designs, and unremarkable music by Ozren Depolo. If anything this film makes clear that in the post-communist era the Zagreb Film studio was severely struggling. With films like these one can feel the Zagreb school dying.

Watch ‘Last Waltz in the Old Mill’ yourself and tell me what you think:

‘Last Waltz in the Old Mill’ is available on the DVD ‘The Best of Zagreb Film: Be Careful What You Wish For and The Classic Collection’

Director: Goran Sudžuka
Release Date:  1992
Rating: ★★
Review:

Paranoia © Zagreb Film‘Paranoia’ is a short film (lasting only four minutes) about a young man who thinks he’s followed on the street.

The film is set in monochromes, with strong black and white contrasts. Sudžuka indeed includes in his images a reference to Corto Maltese, a comic hero by Hugo Pratt, an artist with a similar palette. Sudžuka’s own style is much more angular than Pratt’s, however, and more confined to the 1980s. The film looks well, but is hampered by its trite ending.

Watch ‘Paranoia’ yourself and tell me what you think:

 

‘Paranoia’ is available on the DVD ‘The Best of Zagreb Film: Be Careful What You Wish For and The Classic Collection’

Director: Milan Trenc
Release Date:  1990
Rating: ★★★½
Review:

Veliki provod (The Big Time) © Zagreb FilmWhen a spoiled, rich brat is about to smash his piggy bank to pieces with a large hammer, the piggy bank flees. While the boy and his family are looking for him, the piggy bank has a good time at the fair.

This is a rather lightweight film, based on a story by Milan Milšić. Trenc uses a lot of different designs in this film, with the piggy bank itself being the most conventional. Like many other Zagreb films from this later period, the film is hampered by limited animation and an ugly electronic score, this time by Davon Rocco.

Watch ‘The Big Time’ yourself and tell me what you think:

‘The Big Time’ is available on the DVD ‘The Best of Zagreb Film: Be Careful What You Wish For and The Classic Collection’

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