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Director: Julia Gromskaya
Release Date:
2012
Rating:
 ★★★½
Review:

‘Fiumana’ shows that Georges Schwizgebel’s particular way of animating has made school. Julia Gromskaya adapts Schwizgebel’s painting techniques and constantly shifting perspective to tell a tale of a woman waiting for her man, while drowning in her memories.

Gromskaya’s film is much more stream-of-consciouslike than Schwizgebel’s films, however, and has strong surrealist overtones, with some original metamorphosis going on while the images flow into each other. For example, at one point the woman’s eyes change into boats on a river, which in turn changes into the smoke of the man’s pipe.

Gromskaya’s painting style, too, differs from Schwizgebel’s, and is much more fauvist and naive. Her flow of images is supported by a gentle chamber music score by Francesca Badalini. The result is a puzzling yet beautiful film that is over before you know it.

Watch ‘Fiumana’ yourself and tell me what you think:

‘Fiumana’ is available on the DVD-box ‘The Animation Show of Shows Box Set 7’

Director: Natalia Chernysheva
Release Date:
September 2012
Rating:
 ★★★★
Review:

In ‘Snowflake’ a little boy in Africa gets a paper-cut snowflake by mail. That night he dreams his surroundings are covered with snow, making all animals shiver.

This is a charming little film done in a quasi-naive style, and making good use of black and whites, with occasional flashes of color. Especially the scenes in which the boy explores the snow-covered world are beautiful, with his red coat, shawl, hood and mittens standing out against the blacks, whites and greys of the animals and their surroundings. Also noteworthy is Chernysheva’s excellent timing, and the sound design, which is spot on.

Watch ‘Snowflake’ yourself and tell me what you think:

‘Snowflake’ is available on the Belgian DVD ‘Haas & Hert en andere verhaaltjes’

Director: Anna Kadykova
Release Date:
September 2012
Rating:
 ★★★½
Review:

A little mole, living in a grey, polluted city discovers images of the sea in an abandoned magazine. He longs to go there, and travels, like moles do, underground to go there. Unfortunately, the beach is as crowded as the city was.

‘The Mole at the Sea’ (also known as ‘Moe Goes to the Beach’) is a charming little film, with lots of little jokes, many of which are slightly on the surreal side. Kadykova’s style is instantly likable, and her timing excellent. Especially the scenes of the over-crowded beach are nice to watch.

Watch ‘The Mole at the Sea’ yourself and tell me what you think:

‘The Mole at the Sea’ is available on the Belgian DVD ‘Haas & Hert en andere verhaaltjes’

Director: Joel Simon
Release Date:
July 5, 2012
Rating:
 ★★★★
Review:

‘Macropolis’ was commissioned by the ‘Unlimited Programme’, part of the London 2012 Cultural Olympiad, and dedicated to deaf and disabled arts and culture.

The short stars a toy cat, who’s rejected from the factory because he’s only got one eye. He teams up with a little toy dog with only one leg. The cat gives the dog a leg prosthesis, the dog gives the cat an eye patch and together they try to catch the truck which delivers all the other toys to the toy store.

‘Macropolis’ is a gentle little film which succeeds in moving the audience without any dialogue. The stop motion is mixed with pixillation and live action, and filmed partly outdoors. A nice touch is that the film makers don’t hide the fact that stop motion takes a lot of time, and the background is buzzing with movement as the two little animals wander the streets.

Watch ‘Macropolis’ yourself and tell me what you think:

‘Macropolis’ is available on the Belgian DVD ‘Haas & Hert en andere verhaaltjes’

Director: Pascale Hecquet
Release Date:
June 9, 2012
Rating:
 ★★
Review:

‘Duo de Volailles, Sauce Chasseur’ is a short comedy film in which a white and a black chicken are threatened by a fox in their own home.

The film is is black and white itself and tries to play with the idea that the white chicken is invisible in light and the black chicken invisible in the dark. Thus the film features a lot of on and off switching of lights.

Unfortunately, the film never succeeds in getting funny. Hecquet’s facial designs on the fox are more trite than funny, and his timing is sloppy. It certainly doesn’t help that at one point the two chickens start dancing a tango. How this deludes the fox is beyond me, because both thus remain visible to the fox throughout. Hecquet’s use of split screen is a rather petty try to make the action more exciting than it really is. The end result is a disappointingly tiresome film that never lives up to its clever premise.

Watch ‘Duo de Volailles, Sauce Chasseur’ yourself and tell me what you think:

‘Duo de Volailles, Sauce Chasseur’ is available on the Belgian DVD ‘Haas & Hert en andere verhaaltjes’

Director: Lena von Döhren
Release Date:
February 14, 2012
Rating:
 ★★★½
Review:

‘Der kleine Vogel und das Blatt’ is a charming little film starring a small bird caring for a single leaf.

When the leaf falls off, the little bird tries to retrieve it, while being chased by a hungry fox. The film uses no dialogue, but simple, attractive designs, and excellent timing. Animated in 2D in the computer, the film makes great use of its winter setting.

Watch ‘Der kleine Vogel und das Blatt’ yourself and tell me what you think:

‘Der kleine Vogel und das Blatt’ is available on the Belgian DVD ‘Haas & Hert en andere verhaaltjes’

Director: Roman Klochkov
Release Date:
2012
Rating:
 ★
Review:

In ‘Natasha’ a huge Russian bear called Nicolaï lives in a fridge in a Zoo in Belgium as an illegal immigrant. One day another Russian bear called Gennady arrives, who turns out to be the new husband of Nicolaï’s former love, Natasha.

In ‘Natasha’ Klochkov apparently tries to say something about immigration, but his message is lost in a rambling story that leaves the viewer completely flat. In fact, there hardly is a story, but certainly a lot of dialogue. Klochkov’s cartoony style doesn’t help, either, although Nicolaï himself is wonderfully designed and animated, emphasizing his enormous size – Nicolaï literally doesn’t fit in. Also appealing are Klochkov’s bold ink strokes, which turn virtually abstract during the crowd scenes. But these don’t rescue a film, which is too unsure and too dialogue-rich to entertain, let alone move.

Watch ‘Natasha’ yourself and tell me what you think:

https://vimeo.com/108782575

‘Natasha’ is available on the DVD ‘Framed – De beste Vlaamse korte animatiefilms 2010-2015’

Director: Gert Driessen
Release Date:
October 3, 2012
Rating:
 ★★½
Review:

In this short animation film a man who has recently lost his wife, draws her with chalk on the wall. The chalk wife takes him into her chalk world full of memories.

‘Crayon d’amour’ is a gentle film, but hampered by rather ugly computer animation. The simple, cartoony character design doesn’t really match the 3D animation, nor the far more realistic settings. In fact, the traditional animation of the chalk scenes, not by director Gert Driessen himself, but by Florian de Hoes, Cederic Neven and Olivier vanden Busche, is far more impressive. One certainly wonders why not the whole film was made that way. Nevertheless, the 3D scenes have an attractive color design, consisting mostly of cardboard browns.

Watch ‘Crayon d’amour’ yourself and tell me what you think:

‘Crayon d’amour’ is available on the DVD ‘Framed – De beste Vlaamse korte animatiefilms 2010-2015’

Directors: Emma de Swaef & Marc James Roels
Release Date:
January 28, 2012
Rating:
 ★★★★½
Review:

One of the most striking animation films to come from Belgium in the 2010s was ‘Oh Willy…’ by Emma de Swaef and Marc James Roels. The film immediately catches attention with its soft puppets and sets – everything is fluffy and velvety, even a rotting carcass. But ‘Oh Willy’ also impresses with its poetic way of story telling.

‘Oh Willy…’ tells about a middle-aged man who returns to the naturalist colony of his youth to visit his dying mother. The man is lonely and withdrawn, and clearly unable to blend in with the naturalists, even if he wants to. One night he gets lost in the woods, which sets him to an all new adventure…

‘Oh Willy…’ uses no dialogue, but the soft puppets breath a lot of animation. Moreover, De Swaef and Roels know how to show, don’t tell, and they leave it to the viewer to connect the dots between the scenes. Interestingly, some of the scenes are pretty raw, even if they’re rendered in the fluffiest animation conceivable. From these scenes one can guess why the man feels so awkward and lost without his mother.

True, when summarized, the story of ‘Oh Willy…’ makes little sense, but as told by De Swaef amd Roels in their fluffy animation it absolutely accounts for a heart-warming experience. ‘Oh Willy…’ is one of those films showing the unique power of animation, and it certainly belongs to the best shorts of the 2010s. And yet, in 2018 the duo topped it with their 44 minute tour-de-force ‘Ce Magnifique Gâteau!’ (This Magnificent Cake!), employing the same soft visual style, combined with brutal scenes, and poetic story telling to dive into the dark corners of Belgium’s colonial past.

Watch ‘Oh Willy…’ yourself and tell me what you think:

‘Oh Willy…’ is available on the DVD ‘Framed – De beste Vlaamse korte animatiefilms 2010-2015’

Director: Michèle Lemieux
Release Date:
February 15, 2012
Rating:
 ★★★★½
Review:

One of the most original devices for animation is the pinscreen, deviced by Alexandre Alexeïeff and his wife Claire Parker in the 1930s. Already in 1933 Alexeïeff himself demonstrated the power of this instrument with ‘Une nuit sur le mont chauve‘. However, it almost seemed that the use of machine would die with the great master.

Luckily, Canadian animator Jacques Drouin has continued this tradition, and passed it on to Michèle Lemieux. With its soft black and white images the pinscreen is especially fit for poetical images, and Lemieux’s film certainly is very lyrical. The film is subtitled ‘four meditations on space and time’, and consists of four parts, only bridged by the short’s protagonist, a piano playing man, living in a round chamber.

There’s no traditional story and no dialogue, and little music (which can only be heard during one episode and the finale). But the images are very absorbing, and the sound design is superb. The first episode, in which the man watches some strange phenomenons in the sky, is most intriguing, as is the second episode, which makes great use of metamorphosis. The third, however, is rather static, and relies a little too much on the music to evoke mood. Most disturbing is the fourth chapter, ‘The return of Nothingness’, in which a flying object sucks all objects in the man’s room away from him.

Lemieux ends her beautiful, if rather puzzling film with the pinscreen itself, and she cleverly uses the device to depict the man’s transfiguration. In all, Lemieux proves a very capable animator on this intriguing device, and one hopes she’ll make more animation films this way.

Watch an excerpt from ‘Here and the Great Elsewhere’ yourself and tell me what you think:

‘Here and the Great Elsewhere’ is available on The Animation Show of Shows DVD Box Set 8

Director: Till Nowak
Release Date:
January 28, 2012
Rating:
 ★★★★
Review:

‘The Centrifuge Brain Project’ is a mockumentary in which a professor (Leslie Barnaby) of “the institute for centrifugal research, Florida” tells us about his research.

It’s best to let the film surprise you, so I’m not going to tell you too much, but the film’s main attraction is that Nowak has tried to hide the fact that any animation has been involved in the footage. The film makes clever use of live action shots of rides on fairs, ingeniously manipulated with computer animation, sometimes with quite ridiculous results. But as all experiments shown are based on real rides, the images remain stunningly convincing, even an extended Ferris wheel that seems to fill the complete sky.

The result is a fun short, with understated humor, which is over before you know it.

Watch ‘The Centrifuge Brain Project’ yourself and tell me what you think:

‘The Centrifuge Brain Project’ is available on The Animation Show of Shows DVD Box Set 7

Director: Władysław Starewicz
Release Date: 1920
Rating: ★★★★
Review:

In ‘Dans les griffes de l’araignée’ Starewicz tells his own, quite elaborated version of the classic ‘Spider and the Fly’ tale.

In Starewicz’s version the fly is called Dame Aurélie, a simple fly living at the countryside with her uncle, Beetle Anatole, and being in love with a longhorn beetle. One day a famous Paris star, a butterfly called Phalène, crashes in the fly’s village, and stays at her home. Phalène paints an all too rosy picture of Parisian life, and soon after her departure, Aurélie goes to the capital, as well.

First all goes well, as Aurélie works as Phalène’s house maid. But when she’s fired because of seeing a secret lover, things go downhill, indeed. The tale ends rather gruesomely with quite a spectacular finale, and in the epilogue we watch Aurélie returning to the village…

‘Dans les griffes de l’araignée’ is quite a tragic tale, but it’s hard to call it very engaging. Starewicz’s puppets are quite sophisticated, e.g. capable of rolling their eyes, but they don’t transgress the emotions very well, which remains emblematic. The emotional scenes are augmented by close-ups of the insect characters, in which live action puppets are used. Most spectacular is the finale, in which the title cards make place for a long action scene. The surviving print is gorgeous with its hand-painted colors, which certainly add to the film’s unique atmosphere.

‘Dans les griffes de l’araignée’ is available on the DVD-box ‘Starewitch 1882-1965 DVD Cinquantième anniversaire’

Director: Marlies van der Wel
Release Date: September 26, 2015
Rating: ★★★★ ½
Review:

‘Zeezucht’ (which can be translated as ‘a longing for the sea’) tells about a man desiring to be able to dive into the sea from a young age on.

Van der Wel tells her tale by alternating images of the present with those of the past. In the scenes set in the present we watch the old man, complete with Jacques Cousteau-style red bonnet, doing some impressive beach combing during a stormy night. In the scenes from the past we learn how he came to love the sea, and how he made several attempts to dive into the deep with various contraptions, all to no avail.

Meanwhile his home on the dunes expands and expands by the use of flotsam and jetsam washed up by the sea. Then, when a giant fish factory ship sinks, the old man finally sees his chance…

‘Zeezucht’ is made in a very charming cut-out animation style, combining painted material with cut-out photographic material. There’s no dialogue, but the experiences and emotions of the sea-lover are greatly enhanced by the romantic music by Dutch band Benny Sings, and by the excellent sound design by Shark @ Haaifaaideluxe.

Watch ‘Zeezucht’ yourself and tell me what you think:

‘Zeezucht’ has been issued on DVD by the director herself in a limited number

Director: Don Hertzfeldt
Release Date:
March 31, 2015
Rating:
★★★★★

In ‘World of Tomorrow’ independent film maker Don Hertzfeldt greatly expands his simple stick-man style with colorful computer graphics to tell a harrowing tale of the future.

The sixteen minute-short stars a ca. 3 year old girl called Emily, lovely voiced by real youngster Winona Mae. When the phone rings, this turns out to be a call from the future, from a third generation clone of herself, voiced by Julia Pott, who uses the same flat way of speaking as Hertzfeldt himself did in his masterpiece ‘It’s Such a Beautiful Day‘. The clone sketches a rather bleak future, in which all the new and mind-blowing technology does nothing to exterminate man’s existential loneliness and anguish.

The film is part wonder part absurdist humor and part tragedy, and shares the important message with ‘It’s Such a Beautiful Day’ to celebrate life. As the clone says: “Now is the envy of all the dead“. Among the highlights are a museum of memories, death-fearing robots writing poetry, and an alien talking gibberish. The film relies heavily on the dialogue, but never ceases to show amazing images, and the sound design is fantastic, with little Winona Mae probably ad-libbing part of the dialogue. As a distant cousin of ‘2001: A Space Odyssey’ (1968), ‘World of Tomorrow’ has a soundtrack that features two romantic pieces of classical music: a waltz from ‘Die Rosenkavalier’ by Richard Strauss, and a romance by Reinhold Glière.

‘World of Tomorrow’ may be less compelling than the incomparable ‘It’s Such a Beautiful Day”, it’s absolutely a wonderful testimony of Don Hertzfeldt’s idiosyncratic art. Moreover, despite its short length the film is a great little piece of science fiction, comparable in scope and depth with much more well-known live action feature films like the aforementioned ‘2001: A Space Odyssey’ (1968), ‘Moon’ (2009), ‘Interstellar'(2014), and ‘Arrival’ (2016).

The film was followed by two sequels in 2017 en 2020, which unfortunately I haven’t seen, yet.

Watch the trailer for ‘World of Tomorrow’ yourself and tell me what you think:

‘World of Tomorrow’ is available on the Blu-Ray ‘It’s Such a Beautiful Day’

Director: Emily Hubley
Release Date:
1995
Rating:
★★★

‘Her Grandmother’s Gift’ is directed and animated by Emily Hubley, and narrated by her mother, Faith Hubley.

Faith Hubley recalls her own first period, and the unhealthy attitude her own mother had towards this natural phenomenon. Emily Hubley illustrates this remarkably frank and autobiographical tale with images that are related to but different from her own mother’s art. The younger Hubley relies much less on animation cycles than her mother, and pimps her images with collage art, photographs and the use of bits of cut-out animation. Her style is less poetic than her mother’s, but her images support her mother’s narrative very well.

Watch ‘Her Grandmother’s Gift’ yourself and tell me what you think:

https://vimeo.com/89536021

‘Her Grandmother’s Gift’ is available on the DVD ‘The Hubley Collection Volume 2’

Directors: Faith Hubley & Emily Hubley
Release Date:
1995
Rating:
★★★½

In ‘Rainbows of Hawai’i’ director Faith Hubley, ever thirsty for mythology, turns her attention to the isles of Hawaii. She retells four Hawaiian stories, in her own idiosyncratic way, using a lot of repetitive animation cycles, dancing figures, and semi-abstract, yet vibrant images.

In terms of animation most interesting is the first story, ‘Hisaka Asks the Dragon’s Permission to Enter the Forest – They Do Battle’, in which the animation of the dragon is surprisingly traditional. Most intriguing is the second story, in which a woman gives birth to a friendly green shark. The four stories are followed by a last section, titled ‘All Children Are Sacred and the Dance of Life and Death Goes on and on’, which reshuffles images from all four previous stories with images of dancing figures.

According to the titles, Hubley took inspiration from Oceanic art, but frankly, this is not really visible, as the images in ‘Rainbows of Hawai’i’ aren’t very different from those in her earlier films.

‘Rainbows of Hawai’i’ is available on the DVD ‘The Hubley Collection Volume 2’

Director: Faith Hubley
Release Date:
1994
Rating:
★★★★½

‘Seers and Clowns’ is one of Faith Hubley’s less comprehensible films. Like many of her other works, the short is drenched in mythology.

The film consists of five very short chapters, and uses citations from Chief Seattle, Lao Tse and Kabir. Throughout the film Hubley’s Joan Miró-like imagery remains beautiful, poetic and intriguing, but as most images consist of short animation cycles of semi-abstract figures dancing with joy, any story is hard to follow.

Most interesting is when Hubley’s enriches her style with Eastern influences (in ‘A Chinese Seer Divines Change’) or from Ancient Greece (in ‘Cybele’s Dream’). The mythological atmosphere is greatly enhanced by Don Christensen’s quasi-ethnic music.

Watch ‘Seers and Clowns’ yourself and tell me what you think:

‘Seers and Clowns’ is available on the DVD ‘The Hubley Collection Volume 2’

Director: Phil Mulloy
Release Date: 1995
Rating: ★★

‘Thou Shalt Not Bear False Witness’ tells about farmer Nathan and his wife Emmylou, who have been married since they were eighteen, but who are secretly dreaming of another life.

It’s a bit unclear what the subject of ‘Thou Shalt Not Bear False Witness’ has to do with this particular commandment, and the film feels rather pointless, resulting in possible the weakest of Mulloy’s The Ten Commandment films.

Like most of the other Ten Commandments episodes the short is narrated by Joel Cutrara and takes place in Joesville.

‘Thou Shalt Not Bear False Witness’ is available on the BFI DVD ‘Phil Mulloy – Extreme Animation’

Director: Phil Mulloy
Release Date:
1995
Rating:
★★

‘Honour Thy Father and Thy Mother’ is the fourth entry in Phil Mulloy’s puzzling Ten Commandments series.

This short tells the story of Little Tucker, who is forced by his parents to run a county race, only to arrive last. This film takes place full of oil fields, and Mulloy not only uses his characteristic stark black and whites, but also some bright reds and yellows for a fire.

The short, narrated by Joel Cutrara, is rather simple and straightforward, and doesn’t really deliver its promise. Nevertheless, it contains a nice jazzy score by Dave King.

‘Honour Thy Father and Thy Mother’ is available on the BFI DVD ‘Phil Mulloy – Extreme Animation’

Director: Phil Mulloy
Release Date:
1995
Rating:
★★★

‘Remember to Keep the Holy Sabbath Day’ is the most absurd and arguably the funniest of Phil Mulloy’s ‘The Ten Commandments’ films.

The short tells the strange (and rather silly) tale of Ezechiel Mittenbender, a citizen of Joesville, Mulloys mythical town, which he had introduced in ‘Thou Shalt Not Steal‘. When Ezechiel witnesses the landing of a flying teacup, he gets abducted by evil aliens called Zogs. The Zogs want to destroy the earth, but Ezechiel saves the day by reminding the Zogs that it’s Sunday…

The Zogs have genitalia where our heads would have been and vice versa. Mulloy clearly delighted in these creatures, because they would return in his ‘Intolerance’ double bill of 2000/2001.

‘Remember to Keep the Holy Sabbath Day’ is available on the BFI DVD ‘Phil Mulloy – Extreme Animation’

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