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Director: Chuck Jones
Release Date: December 16, 1950
Stars: Bugs Bunny, Elmer Fudd
Rating: ★★★★★ ♕
Review:

Rabbit of Seville © Warner Bros.‘Rabbit of Seville’ is the second of three superb Chuck Jones Bugs Bunny cartoons on opera, bridging ‘Long-Haired Hare‘ (1949) and ‘What’s Opera, Doc?‘ (1957).

The cartoon starts with an open air opera theater setting with the Elmer-Bugs chase quickly entering the scene. When Elmer hits the stage, Bugs quickly opens the curtains, prompting the orchestra to play ‘The Barber from Seville’ by Gioachino Rossini. This leads to a wonderful aria by Bugs, and even Elmer joins in.

But the best part of the film is the silent comedy that follows on the music of the opera’s overture. During this sequence Bugs Bunny’s expressions are priceless, and the action is beautifully staged to the music, leading to a great finale in which Elmer and Bugs get married.

Throughout the picture Jones’s timing and staging are perfect. It improves on both Charlie Chaplin’s barber scene in ‘The Great Dictator’ (1940) and on the vaguely similar Woody Woodpecker cartoon ‘Barber of Seville‘ (1944). The result is no less than a masterpiece.

Surprisingly, this cartoon about  ‘The Barber of Seville’ does not feature the famous ‘Largo el factotum’ aria from that opera. This is remarkable, for this aria was a staple in cartoons, and used extensively in e.g. ‘Barber of Seville’, the Tex Avery cartoon ‘Magical Maestro’ and Chuck Jones own Tom & Jerry cartoon ‘The Cat Above, The Mouse Below‘ (1964).

Watch ‘Rabbit of Seville’ yourself and tell me what you think:

‘Rabbit of Seville’ is available on the DVD set ‘Looney Tunes Golden Collection, Vol. 1’

This is Bugs Bunny cartoon No. 77
To the previous Bugs Bunny cartoon: Bushy Hare
To the next Bugs Bunny cartoon: Hare We Go

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Director: Shamus Culhane
Release Date: October 4, 1944
Rating: ★★★★
Review:

Barber of Seville © Walter LantzWoody Woodpecker enters a barbershop to get a ‘victory’ haircut.

When the barber appears to be gone away, Woody himself steps in, maltreating a large chief and giving an Italian construction worker ‘the works’, singing the complete aria ‘Largo el factotum’ from Gioachino Rossini’s opera ‘The Barber of Seville’.

‘Barber of Seville’ is probably inspired by the barber scene from Charlie Chaplin’s ‘The Great Dictator’ (1940), which is set to a Hungarian dance by Brahms. The cartoon in its turn probably inspired Chuck Jones, who would use the opera’s overture in ‘Rabbit of Seville‘ (1950), with even better results.

‘Barber of Seville’ was the first Woody Woodpecker directed by Shamus Culhane. Culhane was an animation veteran, who had worked at Max Fleischer, Ub Iwerks, Van Beuren, Walt Disney and Warner Bros. Culhane obviously understood the character better than his predecessor Alex Lovy did: the gags in ‘Barber of Seville’ are faster and funnier, and the story is more consistent than in most of the earlier Woody Woodpecker cartoons.

Moreover, Woody Woodpecker looks better than ever before. Layout man and color stylist Art Heinemann redesigned the character to make him less grotesque, and more appealing. Unfortunately, Culhane would direct only ten Woody Woodpecker shorts, before he left the studio to set up one of his own to make animation films for television.

Watch ‘Barber of Seville’ yourself and tell me what you think:

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