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Directors: William Hanna & Joseph Barbera
Airing date
: February 8, 1963
Stars: The Flintstones
Rating: 

Review:

‘Foxy Grandma’is the third episode of the ‘Flintstones are getting a baby’ continuum. It’s easily the weakest of the lot. Little is done with the pregnancy idea, even though the whole plot is based on the fact that Fred doesn’t want Wilma to do housework in her condition.

Wilma naturally wants to ring her mother to help her, but Fred insists on getting a housekeeper, which turns out to be a more difficult task than imagined. The episode takes a particularly silly turn when one ‘Grandma Dynamite ‘ turns up. There’s even a surreal road gag straight from a Tex Avery cartoon.

Unfortunately, all the antics are more tiresome than funny, and the slapstick feels tried and uninspired when compared with episodes focusing on the relationship between the four main protagonists. In this episode the Rubbles hardly have a role.

The stone age gags, too, are familiar: a lawnmower dino, a hedge trimmer bird, an intercom parrot, and a saw-billed bread knife bird. The water tap mammoth can be credited with being given the lamest gag of the whole episode.

Watch an excerpt from ‘Foxy Grandma’ yourself and tell me what you think:

This is The Flintstones Season Three episode 21
To the previous The Flintstones episode: Mother-in-Law’s Visit
To the next Flintstones episode: Fred’s New Job

‘Foxy Grandma’ is available on the Blu-Ray ‘The Flintstones – The Complete Series’ and the DVD-box ‘The Flintstones Season 3’

Directors: William Hanna & Joseph Barbera
Airing date
: October 19, 1962
Stars: The Flintstones
Rating: 
★★★½
Review:

Here’s Snow in Your Eyes’ starts with Wilma grouching over housework. Then she hears that Fred and Barney are invited to a state convention of the Royal Order of Water Buffaloes in Stone Mountain, a luxurious ski resort, and naturally she assumes she and Betty can go, too.

Unfortunately, Fred has to talk her out of that idea, as there wasn’t enough money for the wives, so the girls stay home. But when Betty and Wilma discover there’s a beauty contest at the very place, they change their minds, and go anyway to keep an eye on their husbands.

‘Here’s Snow in Your Eyes’ knows a quite complicated plot, which also involves a diamond theft, but for once the guys have nothing to hide, and the episode is one of two happily married couples. Unfortunately the beauty contest subplot ends abruptly, and one gets the feeling there’s was more to the story material than what finally materialized in this episode. Nevertheless, this is one of the more enjoyable Flintstones episodes from the third season, with fun little scenes, some nice takes on all four main characters, and an enjoyable final scene.

Watch an excerpt from ‘Here’s Snow in Your Eyes’ yourself and tell me what you think:

This is The Flintstones Season Three episode 6
To the previous The Flintstones episode: The Twitch
To the next Flintstones episode: The Buffalo Convention

‘Here’s Snow in Your Eyes’ is available on the Blu-Ray ‘The Flintstones – The Complete Series’ and the DVD-box ‘The Flintstones Season 3’

Director: Milorad Krstić
Release date
: August 9, 2018
Rating: ★★★½
Review:

One of the more surprising and more original animated feature films from 2018 was this little gem from Hungary. Conceived and directed by Milorad Krstić, a director of Slovenian origin, ‘Ruben Brandt’ shows that one can make an adult animation film without an immature focus on sex and violence (there is violence in this feature film, because ‘Ruben Brandt’ is a crime thriller, but this violence is part of the plot, and not a gratuitous display of gore).

‘Ruben Brandt’ tells about a psychiatrist treating some criminals, who in turn help him overcome his nightmares by collecting artworks from all over the world. This plot is exciting, but on the flimsy side and as nonsensical as a James Bond movie. Moreover, the film fails to solve all the initiated plotlines, and the all too easy ending is a bit of a letdown.

Nevertheless, ‘Ruben Brandt’ remains an entertaining watch from start to finish, not only because of the surreal atmosphere, enhanced by the depiction of several of the art collector’s nightmares, but because of the film’s idiosyncratic looks.

Being a film on art, the film draws a huge inspiration from its subject, and the film breathes art in almost every frame. According to the end titles the film cites more than fifty art works, and part of the fun of watching the movie is to identify a reference in the background. Moreover, the color schemes, the designs and especially the character designs are very bold and unlike anything in any other animation film.

True, the three main characters Ruben Brandt, Kowalski and Mimi look fairly normal, even if their facial designs are already unique, but their co-stars can have two noses, eyes placed above each other, an eye placed inside an ear, three eyes, three breasts, and so forth and so on. There’s even a character with a Janus head, who is only two-dimensional, a characteristic used in the plot. The background characters are often even more bizarre, let alone the birds and fish depicted, and even if the movie were dull (which it certainly isn’t) one can enjoy the surreal imagery.

The film uses both traditional and computer animation and although the computer animation is less satisfying than the traditional animation, the mix is very well done.

In all, ‘Ruben Brandt’ is a highly authentic film that shows surrealism is far from dead, and with his grotesque designs Krstić shows that even 3D computer animation can be exciting and strikingly original.

Watch the trailer for ‘Ruben Brandt, Collector’ yourself and tell me what you think:

‘Ruben Brandt, Collector’ is available on Blu-Ray and DVD

Directors: William Hanna & Joseph Barbera
Airing Date: January 20, 1961
Stars: The Flintstones
Rating: ★★★

The Big Bank Robbery © Hanna-BarberaThis episode starts with two bank robbers (voiced by Mel Blanc and Stan Freberg) followed by a police car.

The robbers get rid of the loot, which lands on Fred’s head. When the wives convince Fred and Barney to return the money to the police, the boys are quickly seen as the robbers themselves. Fred and Barney flee into the wild Meanwhile, Wilma thinks of a rather unhealthy way to attract the real bank robbers, posing as sleazy gals (“Shirl” and “Myrt”) with too much dough on their hands. It remains a miracle that they only attract the original bank robbers to their house, and not the complete criminal scene of Bedrock with their act.

Anyway, in the end Fred accidentally knocks out the real crooks, earning the reward. But his bragging about it makes him all too vulnerable to blackmail, and in the end it’s the other three who spend all the money, leaving Fred only with his story as a conquering hero.

This episode features a gas station using a mastodon, but the best gag may be the police sketch, which is much more inspired than the tiring and completely superfluous scene in which Barney ends up in a pterodactyl nest. Moreover, this pterodactyl looks more like a bird than the real thing.

This is Flintstones Season One Episode 17
To the previous Flintstones episode: Arthur Quarry’s Dance Class
To the next Flintstones episode: The Snorkasaurus Hunter

‘The Big Bank Robbery’ is available on the DVD-set ‘The Flintstones: The Complete First Season’

Director: David Hand
Release Date: June 29, 1935
Rating: ★★★★★ ♕
Review:

Who Killed Cock Robin? © Walt Disney‘Who Killed Cock Robin?’ is a musical mystery very loosely based on the nursery rhyme of the same name. Its source material notwithstanding, ‘Who Killed Cock Robin’ is the most adult Silly Symphony ever made.

True to the Silly symphony concept, all characters either sing or speak in rhyme to Frank Churchill’s music (with Jenny Wren’s sensual blues as a highlight), but in a bare seven minutes the cartoon manages to mock both the law, racialism and gay people, while displaying an unusual eroticism through Jenny Wren, who is a very fine caricature of famous Hollywood actress Mae West, a tour de force by Joe Grant (design) and Hamilton Luske (animation).

These features are especially striking when one bears in mind that the Hays Code was already active in 1935. Due to his self-censorship of the movie industry sex and violence were banned from the movies. To illustrate its effect: due to this code an erotic cartoon character like Betty Boop had to be tuned down and was turned into a goody-goody and quite a bland character. Yet, ‘Who Killed Cock Robin’ displays its satire and eroticism in full glory.

When Cock Robin has been shot by a mysterious shadow, the Keystone Cop-like police randomly arrests some bystanders: a tough-looking guy, a black bird (in those days blacks were easily arrested just because of their color) and a cuckoo who resembles Harpo Marx. They’re treated very roughly, being knocked by the cops almost all the time. And when Jenny exclaims that justice should be done, the judge simply orders to hang all verdicts even though nobody knows who’s guilty!

It’s Cupid, an obvious caricature of a homosexual, who prevents this cruel sentence. Cock Robin appears to be alive, and finally he and Jenny Wren reunite in a hot kiss. Thus ends one of the most spectacular cartoons of the 1930s.

Watch ‘Who Killed Cock Robin?’ yourself and tell me what you think:

This is Silly Symphony No. 54
To the previous Silly Symphony: The Cookie Carnival
To the next Silly Symphony: Music Land

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