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Directors: Mannie Davis & John Foster
Release Date:
 January 13, 1933
Rating: ★★★★½
Review:

Silvery Moon © Van Beuren‘Silvery Moon’ starts with the song ‘Moonlight bay’ and the two young cats from ‘The Wild Goose Chase‘ (1932) in a canoe on a moonlit lake. Suddenly, the moon invites them over, producing a giant staircase. Once the two have arrived on the moon, a fairy opens a gate, revealing a dreamlike candy land.

The dreamlike atmosphere is enhanced by scenes that change while the two kittens stay in place. In Candyland the two frolic around, and eat all what’s around until they’re sick. Then they’re hunted by a bottle of castor oil and a spoon, until they fall off the moon, next to their own canoe.

‘Silvery Moon’ was one of the last Aesop’s Fables, and one of the best. Sure, the designs and animation are still poor (some of the animation is reused from ‘Toy Time‘), and the film’s subject may be a little childish, it’s a surprisingly inspired cartoon, showing wonderful events with a natural charm. It’s a pity that ‘Silvery Moon’ is in black-and-white, for its dreamlike atmosphere would make perfect subject for color, which in 1933 still was brand new, anyhow (Disney’s first technicolor cartoon, ‘Flowers and Trees‘ had only been released half a year earlier).

Indeed, the cartoon’s content and atmosphere look forward to several color cartoons of the Hayes code era, most notably the Fleischer cartoon ‘Somewhere in Dreamland‘ (1936), which also features two children visiting a candy world. This makes ‘Silvery Moon’ probably the most forward-looking cartoon the Van Beuren studio ever produced, and it certainly has aged much better than most of the cartoons the studio produced in the early 1930’s.

Watch ‘Silvery Moon’ yourself and tell me what you think:

‘Silvery Moon’ is available on the DVD ‘Aesop’s Fables – Cartoon Classics from the Van Beuren Studio’

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Director: Wilfred Jackson
Release Date: August 19, 1933
Rating: ★★★★½
Review:

Lullabye Land © Walt DisneyIn ‘Lullaby Land’ a baby is lulled to sleep by his mother, singing ‘rock-a-bye baby’. The song takes the baby and his stuffed dog to Lullaby Land, a wonderfully surreal land made of plaids, rattles etc.

There the baby encounters a parade of baby objects, and a forbidden garden, full of sharp things, like knives and scissors. Despite the warnings of the female choir in the soundtrack, the baby enters. He destroys all watches from a watch tree with a hammer, and plays with matches. The smoke evokes three bogey men, which scare the baby away. Finally, the baby meets the Sandman, who puts the baby asleep to the tune of Johannes Brahms’s lullaby.

With cartoons like ‘Lullaby Land’ Disney set new standards for animation that are still thrilling today. Don’t get me wrong, the cartoon is rather patronizing and sugary cute, especially through the soundtrack. But this is compensated by wonderful surrealistic images, beautiful artwork and superb animation. And, hey, this way of warning against sharp things and matches just may work with small children.

Lullaby Land itself is a highly original fantasy world, and especially its first images are stunningly beautiful. The dance of the bogey men contains some striking use of color that anticipates similar surreal images in ‘Dumbo’ (1941). Moreover, it is the first example of totally unrealistic color use in animated cartoons, and therefore a milestone.

Unfortunately, the cartoon also marks a trend of childishness creeping into the animation world, not only at Disney’s, but at all other studios, as well. For example, ‘Lullaby Land’ is the first of a whole series of Silly Symphonies obsessed with little babies, and their bare behinds in particular, with ‘Wynken, Blynken and Nod‘ from 1938 being the last example.

Anyway, ‘Lullaby Land’ left all competitors far behind. Later, both Walter Lantz (‘Candy Land’, 1934) and Max Fleischer (‘Somewhere in Dreamland‘, 1936) tried to copy the concept with far less convincing results.

Watch ‘Lullaby Land’ yourself and tell me what you think:

This is Silly Symphony No. 38
To the previous Silly Symphony: Old King Cole
To the next Silly Symphony: The Pied Piper

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