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Directors: Norman McLaren & Evelyn Lambart
Release date: 1965
Rating: ★★★★
Review:

‘Mosaic’ starts with Norman McLaren himself entering an empty stage with a ball, while whistling. When he places the ball in empty air, it soon turns into a dot, which quickly splits into four dots, then nine, then sixteen and so on, until very complex patterns of dots fill the screen. The result is somewhat like a moving Piet Mondriaan painting, with the dots forming endless patterns, which change color over time.

It’s thanks to McLaren’s and Evelyn Lambart’s geniuses that this highly abstract film remains entertaining throughout, and seems to follow some inner logic. Indeed, McLaren himself said that ‘Mosaic’, like ‘Lines Vertical‘ and ‘Lines Horizontal‘ followed the structure of Hindu classical music, which also start with an easy pattern (a raga), which becomes increasingly complex and fast moving.

Watch ‘Mosaic’ yourself and tell me what you think:

‘Mosaic’ is available on the DVD-box ‘Norman McLaren – The Master’s Edition’