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Director: Max Fleischer
Production Date: 1959
Rating: ★★½
Review:

Imagine That © Max Fleischer‘Imagine That!’ is one of the last products by animation pioneer Max Fleischer.

On January 14, 1958 Fleischer founded a new animation studio, called ‘Out of the Inkwell Films, Inc’, with which he clearly returned to his roots. ‘Imagine That!’ is a product of that studio, scripted and drawn by Fleischer himself. The short is a pilot film for a proposed new nature series for television. In this short Fleischer returns to his earliest films, starting with an inkwell. Soon, a narrator asks the spectator what bird he would like to be if he could be one. In the end he settles on the swift, for sheer looks. What follows are some facts about the swift’s nature and behavior.

Unfortunately, there’s practically no animation, and even that is limited. Even worse, the still images have an extremely old-fashioned look, and the complete film looks like a product of the 1910s, not the late 1950s. One wonders how Fleischer ever thought this miscalculated product would ever work. In any case no one was interested in this product by the old man.

Fleischer had a better chance with a revival of Koko the Clown in a new ‘Out of the Inkwell’ series. This, too, suffered from low budgets and very limited animation, but the series at least reached television in the 1960s. Nevertheless, this new series was far from successful, and ‘Out of the Inkwell Films, Inc’ was finally dissolved at the end of 1964.

‘Imagine That!’ is released on the DVD ‘Before Walt’

Directors: Hugh Harman & Rudolf Ising
Production Date:
May 1929
Stars: Bosko, Rudolf Ising
Rating:
★★★
Review:

Bosko the Talk-ink Kid © Warner Bros.In 1928 Charles Mintz had hired away virtually Walt Disney’s complete staff and main cartoon character, Oswald the Lucky Rabbit. These animators now came to work for a studio, set up by George and Margaret Winkler to produce more Oswald cartoons. However, ca. one year later Universal, who owned Oswald, broke with the Winklers, gave Oswald to Walter Lantz, and left the former Disney animators out of work. 

Hugh Harman and Rudolph Ising now tried to set up a studio of their own, and following the overnight success of ‘Steamboat Willie‘, they knew they had to come up with a character fit for sound. This new star was Bosko, a little negro, who, in his first appearance, had a remarkably low voice, provided by animator Max Maxwell. Bosko is introduced in ‘Bosko the Talk-ink Kid’, Harman and Ising’s pilot film, made to sell their new studio.

The film starts with Rudolf Ising drawing Bosko and talking with him. Then Bosko performs a little dance, imitates a stereotypical Jew, and plays the piano. He then starts to sing ‘Sonny Boy’, but unfortunately with an awful voice, which prompts Ising to put the cartoon character back into the pen and the ink pot. But Bosko returns from the inkwell to say the very first version of that famous Warner Bros. line: “So long folks!“.

Bosko is not really an endearing character and the film is a little bit slow, yet it’s easy to see why this pilot film sold: the interplay between the animator and the cartoon character, although by 1929 far from new, still looks fresh, and the dialogue adds a new dimension to the trick. This dialogue is way more sophisticated than anything made at Disney at the time. Bosko jabbers along, with a lot of lip-synchronization, which is not always perfect, but mesmerizing, nonetheless. Mickey would go lip-synch only two months later, in ‘The Karnival Kid‘, but even then his facial expressions were to be less natural than Bosko’s in this little short. Thus ‘Bosko the Talk-ink Kid’ is an absolute milestone in animation history, and a rare film in which Harman and Ising were in fact ahead of their former employer.

The animation on Bosko, on the other hand, looks very, very Disney-like and is almost an exact copy of Ub Iwerks’s animation style. This would become a Harman-Ising trademark: combining sophistication with copycatting. This unfortunately would often prevent their films from being entirely new or original.

Anyhow, ‘Bosko the Talk-ink Kid’ raised the interest of Leon Schlesinger, a newcomer in the animation field, who sold the idea of a new cartoon series to Warner Bros., with the argument that the animated shorts could be used to promote Warner Bros. songs. Thus, the famous Warner Bros. animation studio was born!

Watch ‘Bosko the Talk-ink Kid’ yourself and tell me what you think:

‘Bosko the Talk-ink Kid’ is available on the DVD set ‘Looney Tunes Golden Collection, Vol. 1’ and the Blu-Ray ‘Looney Tunes Platinum Collection: Volume 2’

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