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Director: Dave Fleischer
Release Date: February 2, 1940
Rating:  ★
Review:

Little Lambkins © Max FleischerIn 1939 the Fleischers seemed obsessed with spoiled children. ‘Small Fry‘ saw a disobedient little fish, in ‘Barnyard Brat‘ the little donkey Spunky showed his worst side, and in ‘Little Lambkins’ a red-haired baby tortures his parents.

The film opens with his mother putting Little Lambkins down in a garden to play. Soon, the baby calls out to his friends, a squirrel and a raccoon, and together they steal and eat a complete melon. But then it turns out to be moving day, and the unwilling baby is taken to a modern flat in the city, with more than modern equipment. The baby immediately starts sabotaging this high technology, so the fridge sets fire, the stove produces water fountains, etc. Convinced the house has gone crazy, his parents then immediately move back to their old house, where the brat can rejoin his forest friends again.

Considering how much Max Fleischer loved technology, this ridiculously conservative cartoon is completely out of tune. The fear of technology going haywire is the opposite of the joyful Grampy cartoons (1935-1937), in which technology formed the solution to all problems.

There’s very little to enjoy in ‘Little Lambkins’, although the kitchen scene is played out well, with strange images following each other in fast succession. Unfortunately, the makers forgot to make the short funny, and in the end ‘Little Lambkins’ is but another annoying entry in the ill-conceived ‘Color Classics’ series.

Watch ‘Little Lambkins’ yourself and tell me what you think:

 

‘Little Lambkins’ is available on the DVD set ‘Somewhere in Dreamland – Max Fleischer’s Color Classics: The Definitive Collection’

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Director: Dave Fleischer
Release Date: August 26, 1938
Rating:  ★★★½
Review:

All's Fair at the Fair © Max FleischerIn ‘All’s Fair at the Fair’ an old-fashioned couple visits a world fair. This world fair is probably inspired by the coming New York fair of 1939, but Fleischers’ version is much more modern than any existing one.

Inside the fair, the couple encounters some crazy inventions, they get a beauty treatment by a couple of robots, which greatly rejuvenates them, and they dance with some other robots on a latin beat. In the end we watch them rushing off on a car seemingly made out of chewing gum.

As had already been demonstrated by the Grampy cartoons, the Fleischers were most inspired when technique was involved, and ‘All’s Fair at the Fair’ is their homage to modern technology, which they clearly regard with much more optimism than the Disney studio. ‘All’s Fair at the Fair’ is akin to the Donald Duck short ‘Modern Inventions‘ (1937), but unlike the machines in the Donald Duck cartoon, the machines depicted here have no downside, and everything goes well.

There’s very little to laugh in ‘All’s Fair at the Fair’, but the short excels in inventive scenes, and beautiful art deco background art, which make the cartoon stand out above the complete Color Classics series in sheer looks.

Watch ‘All’s Fair at the Fair’ yourself and tell me what you think:

‘All’s Fair at the Fair’ is available on the DVD-set ‘Somewhere in Dreamland – Max Fleischer’s Color Classics: The Definitive Collection’

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