Director: Dave Fleischer
Release Date: October 6, 1933
Stars: Betty Boop
Rubinoff and his orchestra play the score for this cartoon about a bunch of cats (‘the tom kat social club’) who threaten Betty Boop’s yard full of birds. This orchestra, led by the Russian violinist David Rubinoff, played sweet pseudo-classical music, and this sets the tone for the short.
Based on Franz von Suppé’s overture ‘Ein Morgen, ein Mittag und ein Abend in Wien’ (1844), ‘Morning Noon and Night’ is a very sweet cartoon. It opens with some typical Fleischer gags, like a sun with a hangover, but the overall mood is rather corny and lacking humor. The short is very Silly Symphony-like, and particularly reminiscent of Walt Disney’s ‘Birds in Spring‘ from earlier that year. Both feature a fledgling running away, and encountering a threat.
The cartoon’s finale is a battle scene in which all birds come to the rescue, most notably a boxing rooster. Battle scenes like this could be seen in e.g. the 1932 Silly Symphonies ‘Bugs in Love‘, ‘King Neptune‘, and ‘Babes in the Woods’. Although ‘Morning, Noon and Night’ doesn’t come near any of these Disney cartoons in quality, it shows that the Disney style was invading the Fleischer studio, and that the brothers were getting more ambitious. This ambition would lead to the launch of the Color Classics in 1934.
Betty is more cute than sexy in this cartoon. The difference in mood between this cartoon and that of ‘I Heard‘ is enormous, although that cartoon was released only one month earlier. The reinforced Hays code would only be installed in the summer of 1934, but ‘Morning, Noon and Night’ shows that already by 1933 its morals had become more and more present in the American film industry’s output.
Watch ‘Morning Noon and Night’ yourself and tell me what you think:
‘Morning Noon and Night’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’