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Directors: William Hanna & Joseph Barbera
Release Date: August 1, 1958
Stars: Tom & Jerry
Rating: ★★½
Review:
‘Tot Watchers’ was the very last Tom & Jerry cartoon directed by William Hanna and Joseph Barbera.
The short was released in August 1958, but it had already been made in 1956, before MGM closed its animation studio in April 1957. Surprisingly this short was penned by Homer Brightman, instead of Hanna & Barbera themselves.
The cartoon stars a teen-age babysitter who, instead of watching the baby, is hanging on the telephone all the time. It’s up to Tom & Jerry to rescue the baby time and time again, especially when the baby wanders off to a building site. The building site sequence harks back to similar cartoons taking place there, like the Popeye cartoon ‘A Dream Walking’ (1934), the Mickey Mouse cartoon ‘Clock Cleaners’ (1937) and the Bugs Bunny cartoon ‘Homeless Hare‘ (1950).
The baby looks like a Chuck Jones character. Like Jones’ Minah Bird the infant is almost a force of nature, devoid of personality, but with a drive of its own. Unfortunately there’s no conflict between Tom & Jerry themselves in this cartoon (apart from the very beginning), thus ‘Tot Watchers’ lacks the duo’s traditional comedy. Moreover, the short is hampered by the babysitter’s extensive dialogue. In all, this makes ‘Tot Watchers’ a rather disappointing ending to the series.
The short marks Spike’s last screen appearance, who has a very short scene in this cartoon, and only as a cliche bulldog. Tom and Jerry, however, would return to the silver screen, in 1961, with an ill-conceived new series, produced by Gene Deitch’s animation studio in Czechoslovakia. Meanwhile Hanna and Barbera would start a television adventure, founding their now legendary Hanna-Barbera production company in July 1957, and producing television series starring such beloved characters as Huckleberry Hound, Yogi Bear, and the Flintstones, to name just a few.
Watch ‘Tot Watchers’ yourself and tell me what you think:
This is Tom & Jerry cartoon No. 113
To the previous Tom & Jerry cartoon: Robin Hoodwinked
To the next Tom & Jerry cartoon: Switchin’ Kitten
‘Tot Watchers’ is available on the European DVD Box set ‘Tom and Jerry Collection’
Directors: William Hanna & Joseph Barbera
Release Date: June 6, 1958
Stars: Tom & Jerry, Nibbles
Rating: ★★★½
Review:
‘Robin Hoodwinked’ is similar to Tom & Jerry’s four musketeer cartoons, but this time Jerry and Little Nibbles belong to Robin Hood’s merry men.
Alas! Poor Robin Hood has been locked inside the sheriff’s prison, so Jerry and Little Nibbles go to the rescue. Unfortunately, the prison is guarded by Tom. At one point Tom swallows the key, and Nibbles goes inside the sleeping Tom to retrieve it. This makes Tom getting the hiccups, and he swallows a jug of wine to stop them. Of course, Nibbles gets drunk, and at one point we watch him reappearing from Tom’s mouth, singing ‘The Bonnie Banks o’ Loch Lomond’. Unfortunately, the rest of the cartoon doesn’t build on this story idea, and all too soon Robin is rescued.
‘Robin Hoodwinked’ is not a bad cartoon, but rather routine and uninspired. Nibbles, who makes his twelfth and last screen appearance in this cartoon, speaks with an English accent in this short.
Watch ‘Robin Hoodwinked’ yourself and tell me what you think:
https://www.dailymotion.com/video/x3xzuvg
This is Tom & Jerry cartoon No. 113
To the previous Tom & Jerry cartoon: The Vanishing Duck
To the next Tom & Jerry cartoon: Tot Watchers
‘Robin Hoodwinked’ is available on the European DVD Box set ‘Tom and Jerry Collection’
Directors: William Hanna & Joseph Barbera
Release Date: May 2, 1958
Stars: Tom & Jerry, Little Quacker
Rating: ★★★
Review:
‘The Vanishing Duck’ marks Little Quacker’s eight and last cartoon appearance.
He enters Tom & Jerry’s house as a gift from George to his wife Joan. This couple apparently are Tom’s owners. As soon as the two are off for an anniversary dinner, Tom enters the house, and within seconds eats Little Quacker, who reenters life by opening Tom’s left eye like a roller blind.
Little Quacker seeks refuge at Jerry’s, but soon discovers ‘vanishing cream’, rendering the two critters invisible, and driving Tom mad. But, for once, Tom gets wise, and applies the vanishing cream to himself, and in the end, it’s Tom who can bully mouse and duck unseen.
‘The Vanishing Duck’ borrows heavily from ‘The Invisible Mouse‘ (1947), in which Jerry becomes invisible. Like other invisibility cartoons the humor suffers because the invisible characters become invincible, and the sympathy shifts to the hapless victim, in this case Tom. In that respect it’s only fitting Tom gets his revenge in the end. Apart from the eye gag the cartoon isn’t very inspired. For example, there’s a nice gag in which Jerry and Little Quacker make Tom think his tail has gone off, but this gag is hardly developed, and dropped all too soon.
Watch ‘The Vanishing Duck’ yourself and tell me what you think:
https://www.dailymotion.com/video/x2o68aw
This is Tom & Jerry cartoon No. 112
To the previous Tom & Jerry cartoon: Royal Cat Nap
To the next Tom & Jerry cartoon: Robin Hoodwinked
‘The Vanishing Duck’ is available on the European DVD Box set ‘Tom and Jerry Collection’
Directors: William Hanna & Joseph Barbera
Release Date: March 7, 1958
Stars: Tom & Jerry, Nibbles
Rating: ★★★
Review:
‘Royal Cat Nap’ was the last of four cartoons in which Tom & Jerry are musketeers in 17th century France.
In this cartoon the king is taking a nap, and Tom has to keep the king’s sleep undisturbed, otherwise he will be beheaded. Jerry and Little Nibbles, who, like earlier entries, speaks French in this cartoon, take advantage of the situation.
With this story the cartoon harks all the way back to Tom & Jerry’s debut ‘Puss Gets the Boot‘ (1940), and to ‘Quiet Please’ (1945) in particular, in which Spike poses Tom for the same problem. Two of the gags, however, are borrowed from Tex Avery’s Droopy cartoon ‘Deputy Droopy’ (1955), with Tom running to a far away hill to make the noise he can’t make in the king’s bed room.
Tom really gets into trouble when he has to scream, after he has locked all the doors himself, and swallowed the key. Luckily little Nibbles rescues Tom from certain death by lulling the king back to sleep, but outside the king’s bed room the fight continues.
‘Royal Cat Nap’ is no classic, but it shows that even in their last year at MGM Hanna & Barbera still had maintained their talent for comedy and timing. The heydays of Tom & Jerry were clearly over, but compared to most contemporary theatrical cartoons ‘Royal Cat Nap’ is surprisingly inspired and well-timed. The animation, too, is still of high value. This is partly because the 1957/1958 cartoons were made much earlier, in 1955 and 1956. Already in the Spring of 1957 MGM had closed his cartoon animation studio. By July Hanna & Barbera had founded their own production company, and by December 1957 they had launched their first television series, The Ruff and Reddy Show.
Watch ‘Royal Cat Nap’ yourself and tell me what you think:
https://www.dailymotion.com/video/x7bp9fe
This is Tom & Jerry cartoon No. 111
To the previous Tom & Jerry cartoon: Happy Go Ducky
To the next Tom & Jerry cartoon: The Vanishing Duck
‘Royal Cat Nap’ is available on the European DVD Box set ‘Tom and Jerry Collection’
Directors: William Hanna & Joseph Barbera
Release Date: January 3, 1958
Stars: Tom & Jerry, Little Quacker
Rating: ★★★½
Review:
‘Happy Go Ducky’ starts with the Easter bunny delivering an Easter egg to Tom & Jerry.
The two fight over the egg, which soon breaks, hatching into Little Quacker, which immediately goes swimming in whatever fluid containing device he sees, being it Tom’s milk bowl, a fish tank, a water tank or a bath. Tom & Jerry try to get rid of the little duck, even putting it back into the egg shell and sending it back to the Easter bunny, but to no avail. In the end, the whole room is flooded, and Tom and Jerry have to watch Little Quacker swimming around with his four duckling friends from the local public park pond.
‘Happy Go Ducky’ is remarkable for lack of conflict between Tom and Jerry. As soon as Little Quacker enters the scene, the two work together to get the intruder out. This hampers the comedy, which remains mild and friendly. Part of the humor stems from Little Quacker exclaiming ‘Happy Easter!’ enthusiastically every time he has found a place to swim. The best gag however is when Tom tries to shut a shower door, which Little Quacker has filled to the max with water.
Watch ‘Happy Go Ducky’ yourself and tell me what you think:
https://www.dailymotion.com/video/x3xxdrv
This is Tom & Jerry cartoon No. 110
To the previous Tom & Jerry cartoon: Tom’s Photo Finish
To the next Tom & Jerry cartoon: Royal Cat Nap
‘Happy Go Ducky’ is available on the European DVD Box set ‘Tom and Jerry Collection’
Director: Michael Lah
Release Date: July 4, 1958
Stars: Droopy, Butch (Spike)
Rating: ★★
Review:
In his last screen appearance, Droopy is a tourist with a few hours in Dublin, Ireland where he buys a leprechaun hat.
Then street bum Butch (Spike) thinks Droopy is a real leprechaun, and follows him into (non-existing) Shillelagh Castle to catch him. There Droopy mistakes Spike for the mad duke of Shillelagh Castle. What follows are several appallingly uninspired blackout gags, involving medieval instruments like an iron maiden, a catapult, and a crossbow.
Droopy is completely out of character in this cartoon: he’s no more than a helpless victim of Spike’s fancy, never in control, and constantly fleeing for ‘the mad duke’. Spike, too, has little of himself: he speaks with an Irish accent and has none of the trickster character traits of earlier Droopy films. The result is certainly the least funny Droopy film ever made. As ‘Droopy Leprechaun’ was also the last of the Droopy cartoons, this is a particularly sad farewell to the once so hilarious character.
Watch ‘Droopy Leprechaun’ yourself and tell me what you think:
‘Droopy Leprechaun’ is available on the DVD-set ‘Tex Avery’s Droopy – The Complete Theatrical Collection’
Director: Michael Lah
Release Date: April 4, 1958
Stars: Droopy, Butch (Spike)
Rating: ★★
Review:
In this Cinemascope cartoon ‘Daredevil Butch’ (Spike) and ‘Buzz Droopy’ race against each other in a car race.
As should be expected, Spike hardly plays fair, and the cartoon consists of several blackout gags in which Spike tries to stop Droopy from racing, including the classic paint-a-tunnel-on-a-wall gag.
The cartoon suffers from a bad sound design (especially Butch’s voice sounds like it was recorded in a toilet) and from an inconsistent story line, which does not build to a climax. Moreover, Lah’s timing is too relaxed for the race theme, and none of the gags really come off. All this unfortunately makes ‘Mutts About Racing’ one of the weakest of all Droopy films. Only the last one, ‘Droopy Leprechaun‘, would be worse…
Watch an excerpt from ‘Mutts About Racing’ yourself and tell me what you think:
‘Mutts About Racing’ is available on the DVD-set ‘Tex Avery’s Droopy – The Complete Theatrical Collection’
Director: Michael Lah
Release Date: February 7, 1958
Stars: Droopy, the Wolf
Rating: ★★★½
Review:
In ‘Sheep Wrecked’ Droopy is a sheepherder, or more clearly, a sheep dog guarding his flock inside a fenced pasture against the laid-back Southern wolf character ( in his last screen appearance).
‘Sheep Wrecked’ arguably is the most inspired of Michael Lah’s six Droopy films. The animation is fine, and the gags plentiful. Among the wolf’s attempts are him dressing up like a stork and like Bo-Beep, a gag harking all the way back to the Silly Symphony ‘Three Little Wolves‘ (1936). Both Droopy and the wolf are in fine shape in this cartoon.
Unfortunately, the pace is rather slow, and the best features of this Cinemascope cartoon are Scott Bradley’s very inspired music and F. MonteAlegre’s beautiful backgrounds, with their minimal indications of settings on a bright orange canvas. Remarkably, this Homer Brightman-penned story involves a very slow guided missile, very similar to the one in the Woody Woodpecker cartoon ‘Misguided Missile‘. ‘Misguided Missile’ was penned by the very same writer, and only released eleven days earlier.
Watch ‘Sheep Wrecked’ yourself and tell me what you think:
https://www.dailymotion.com/video/x1y3cwt
‘Sheep Wrecked’ is available on the DVD-set ‘Tex Avery’s Droopy – The Complete Theatrical Collection’
Director: Michael Lah
Release Date: December 6, 1957
Stars: Droopy, Butch (Spike)
Rating: ★★★
Review:
In this Cinemascope cartoon ‘sir Butchalot’ (Butch a.k.a. Spike) and ‘sir Droopalot’ (Droopy) combat a dragon over a beautiful princess.
Despite its medieval setting ‘One Droopy Knight’ feels like a remake of ‘Señor Droopy‘ from 1949, as it reuses no less than three gags from the earlier film, including the last one. Unlike the wolf in ‘Señor Droopy’, however, Spike is as unsuccessful as Droopy in combating the dragon, until the very end. The dragon appears quite invincible, indeed, as is demonstrated by Droopy’s feeble attempts to pinch it with his rubbery sword. He’s a well-conceived character on his own, and less a ferocious bully than the bull was in ‘Señor Droopy’. One has the genuine feel he rightly defends himself against those pesky, puny knights.
As in his other cartoons, Michael Lah’s timing is a little too relaxed to make the gags work right. Moreover, the short is hampered by a large amount of dialogue, and even Scott Bradley’s music sounds more canned than before. Several scenes are stolen by the beautiful, highly stylized backgrounds, laid out by Ed Benedict and painted by F. MonteAlegre, with their bright colors and elementary designs.
Watch ‘One Droopy Knight’ yourself and tell me what you think:
https://www.dailymotion.com/video/x1y2den
‘One Droopy Knight’ is available on the DVD-set ‘Tex Avery’s Droopy – The Complete Theatrical Collection’
Directors: William Hanna & Joseph Barbera
Release Date: January 17, 1942
Stars: Tom & Jerry, Mammy Two-Shoes
Rating: ★★★½
Review:
This short opens with Tom listening to ‘The Witching Hour’ on the radio, living the part of it.
Jerry mocks the scene, and decides to scare Tom himself, which he does with e.g. help of a vacuum cleaner and a white shirt. Jerry scares Tom to death, who had already been frightened by the radio program.
‘Fraidy Cat’ is less funny than the first three Tom & Jerry cartoons, but it clearly shows that Hanna and Barbera could do much more with the cat and mouse duo than ordinary chases. ‘Fraidy Cat’ also is the first Tom & Jerry cartoon to feature non-realistic gags: when Tom listens to the radio he literally gets “icy chills raised down his spine”: we watch him being covered in icicles. In the next scene he literally has is heart leaping into his throat. Later, we watch Tom’s nine lives leave him, when he is almost sucked away by Jerry’s vacuum cleaner. And finally, when Tom sneaks upon Mammy Two-Shoes, his body stretches beyond any sense of realism. These types of gags would become more and more important in the series, making the Tom & Jerry cartoons funnier and funnier.
Watch ‘Fraidy Cat’ yourself and tell me what you think:
This is Tom & Jerry cartoon No. 4
To the previous Tom & Jerry cartoon: The Night Before Christmas
To the next Tom & Jerry cartoon: Dog Trouble
‘Fraidy Cat’ is available on the European DVD set ‘Tom and Jerry Collection’
Directors: William Hanna & Joseph Barbera
Release Date: December 6, 1941
Stars: Tom & Jerry
Rating: ★★★★½
Review:
Already in their third cartoon Tom & Jerry were given their own Christmas special.
The short starts with the narrator reciting the first two lines from the early 19th century poem ‘A Visit from St. Nicholas’: “‘Twas the night before Christmas, when all thro’ the house not a creature was stirring, not even a mouse“.
Upon the last word we cut to Jerry who appears from his hole and goes exploring the Christmas setting. When Jerry mistakes Tom for a stuffed animal, a cartoon chase emerges, which is the more fun due to the Christmas setting. For example, we watch Tom inspecting a troop of wooden soldiers, and Jerry inviting Tom for a kiss under the mistletoe.
The chase ends when Jerry accidentally falls through the letter box outside in the snow. Relieved, Tom settles himself at the warm fire site, only to be plagued by remorse. Anxiously Tom rushes outside to retrieve a frozen Jerry from the snow. The cartoon ends with the broadest smile on Jerry possible.
‘The Night Before Christmas’ was only the duo’s third cartoon, but already Hanna and Barbera were able to play with the relationship between the cat and the mouse. Now they’re not only antagonists, they’re also friends, or at least ‘friendly enemies’, and their chase retains a playful attitude.
Jerry is animated outstandingly in this cartoon, and pulls several priceless faces, the last smile being a highlight among highlights. Tom’s finest moment is when he’s invited by Jerry for a kiss. The cat’s obstinate refusal turning into goodwill, followed by an embarrassed shyness is animation at its best.
Composer Scott Bradley provides a fantastically integrated score, weaving the Tom and Jerry themes with Jingle Bells to a great effect. In fact, one can listen to the score in its own right. The result is a cartoon of sheer delight, and ‘The Night Before Christmas’ easily is one of the best Christmas cartoons of all time.
Watch ‘The Night Before Christmas’ yourself and tell me what you think:
This is Tom & Jerry cartoon No. 3
To the previous Tom & Jerry cartoon: The Midnight Snack
To the next Tom & Jerry cartoon: Fraidy Cat
‘The Night Before Christmas’ is available on the European DVD set ‘Tom and Jerry Collection’
Directors: William Hanna & Joseph Barbera
Release Date: July 19, 1941
Stars: Tom & Jerry, Mammy Two-Shoes
Rating: ★★★★
Review:
Following the success of ‘Puss Gets the Boot‘ it would take quite a while before the cat and mouse duo were given their own series. But one and a half year later ‘The Midnight Snack’ was released: Tom & Jerry’s very first official cartoon.
The duo was re-christened ‘Tom and Jerry’, which may have sounded right, as there had been a human cartoon duo before with that name (1931-1933). The looks of the cat and mouse were altered, too: Tom now has his characteristic black nose and thick black eyebrows, which make his facial expressions much stronger. Nevertheless, his features are still very complex. Jerry’s designs have remained the same, but he’s now animated much more consistently, rendering him less pudding-like.
The story of ‘The Midnight Snack’ feels like a variation on ‘Puss Gets the Boot’. Tom catches Jerry stealing cheese from the fridge, only to make a buffet out of the fridge himself. When Mammy awakes, Tom frames Jerry, but in the end it’s he who gets punished by the angry maid. The cartoon violence is still rather mild in this cartoon, the most conspicuous gag being Jerry pricking the trapped Tom with a large carving fork.
Composer Scott Bradley juxtaposes separate themes for the cat and the mouse against each other in a rather complex continuous cartoon score. Bradley used this composition method in the duo’s first cartoons to a great effect. Later, the frantic cartoon action called for more disjointed and less integrated musical scores.
‘The Midnight Snack’ shows the cat and mouse’s great appeal and potential. Yet, in Charles Solomon’s book ‘Enchanted Drawings – The History of Animation’ Joe Barbera reveals that ‘The Midnight Snack’ almost became the last Tom & Jerry cartoon; apparently producer Fred Quimby was opposed to make any more of them, until he got a letter from Texas asking for more of “these delightful cat-and-mouse-cartoons”.
Watch ‘The Midnight Snack’ yourself and tell me what you think:
This is Tom & Jerry cartoon No. 2
To the previous Tom & Jerry cartoon: Puss Gets the Boot
To the next Tom & Jerry cartoon: The Night Before Christmas
‘The Midnight Snack’ is available on the European DVD set ‘Tom and Jerry Collection’
Directors: William Hanna & Joseph Barbera
Release Date: February 10, 1940
Stars: Tom & Jerry, Mammy Two-Shoes
Rating: ★★★★★
Review:
‘Puss Gets the Boot’ marks the first of three game-changing debut cartoons of 1940 (the other ones being ‘A Wild Hare‘ from July and ‘Knock Knock‘ from November), making the year a turning point in American studio animation. From now on cartoons were to be brassier, more energetic and more violent.
‘Puss Gets the Boot’ introduces that illustrious cat and mouse duo, Tom & Jerry. The cartoon was made by William Hanna and Joe Barbera under Rudolf Ising’s flag, and like ‘A Wild Hare’ only meant as a one-off cartoon. Indeed, Tom is called Jasper in this short, and Jerry remains unnamed.
Moreover, the two look quite different from their later incarnations. Not only is Tom drawn with outrageous detail, he also has a white nose and very modest eyebrows. Jerry’s physique is rather unstable, as if he were made of a sort of rather amorphous jelly.
Yet, the characters are well established, and the friendly antagonism between the two is set from the start, as is the prize-winning combination of silent comedy and high production values. Also present is the combination of cuteness and gag-rich cartoon violence that made the Tom & Jerry series unique.
‘Puss Gets the Boot’ also marks the debut of Mammy Two-Shoes, a black maid character whose face we were never to see (except for a few frames in ‘Saturday Evening Puss‘ from 1950). Mammy was borrowed from Disney, who had introduced exactly such a character in ‘Three Orphan Kittens‘ (1935). For present American audiences this character is problematical, as she clearly is a stereotype of a black maid. But I, as a European kid, always thought of her as the owner of the house, never realizing the discrepancy of the enormous mansion and the maid’s modest looks. In any case Mammy lasted until 1952, starring 18 Tom & Jerry cartoons in total.
In this very first Tom & Jerry short Mammy tells Jasper (Tom) that if he breaks one more thing, he goes out. So the still unnamed Jerry takes advantage of the situation, in a series of gags that culminate in a scene in which Tom tries to hold a ridiculously high pile of plates. The short features several gags that were pretty modern at the time, like Tom drawing a fake mouse hole entrance, and Jerry poking Tom’s eyes. Indeed, the idea was strong enough to be more or less revisited in ‘Mouse Cleaning‘ (1948), with even better results.
‘Puss Gets the Boot’ is a very well made cartoon. The silent comedy of the two characters is acted out perfectly and the action is timed very well. It’s still very funny, and it’s no wonder that the audiences asked for more cartoons from this cat and mouse duo. The short even was nominated for an Academy Award, but lost it to another MGM cartoon, the equally feline, yet much more saccharine ‘The Milky Way‘.
However, Tom and Jerry would quickly become MGM’s superstars, and they would win no less than seven Academy Awards, more than any other cartoon star. Indeed, Tom and Jerry arguably were the most successful cartoon stars of the 1940s and 1950s, starring 114 cartoons, and lasting until 1958, when MGM shut its animation department down. However, even that wouldn’t be the end of the cat and mouse duo, and even in the 21st century still films are made featuring these great characters.
Watch ‘Puss Gets the Boot’ yourself and tell me what you think:
This is Tom & Jerry cartoon No. 1
To the next Tom & Jerry cartoon: The Midnight Snack
‘Puss Gets the Boot’ is available on the European DVD set ‘Tom and Jerry Collection’
Director: Rudolf Ising
Release Date: June 22, 1940
Rating: ★★★
Review:
1940 is arguably a turning year in the history of animation. This year marked the end of Disney’s domination, as the studio’s innovative Silly Symphonies series had stopped, while Disney’s ambitious, but expensive feature productions ‘Pinocchio‘ and ‘Fantasia’ had lost the studio dear money. These features plunged Disney brothers into huge debts, and forced them to go to the stock markets.
As to emphasize Disney’s loss, 1940 was also the first year in which a non-Disney cartoon won an Academy Award. In fact, in this year not a single Disney cartoon was even nominated. Moreover, among the nominations were two shorts that marked the strong debuts of characters that heralded a new era: Tom & Jerry in ‘Puss and Boots’ and Bugs Bunny in ‘A Wild Hare‘. These characters would dominate the 1940s, over Disney’s Mickey, Donald, Pluto and Goofy.
Yet, it was MGM’s ‘The Milky Way’, which won the Academy Award. To be frank, ‘The Milky Way’ is still firmly rooted in Disney-like 1930’s animation: it’s a Silly Symphony but in name, it features a saccharine song, and it borrows heavily from Disney’s ‘Wynken, Blynken, and Nod‘ (1939). Both cartoons feature three babies exploring the night sky. Such copycat behavior was all too typical for the Harman & Ising studio.
In ‘The Milky Way’ the main protagonists are the three kittens from the nursery rhyme. As they’ve lost their mittens, they aren’t denied pie, but a meal of milk, and sent off to bed without supper. With the help of balloons, the trio sails to the Milky Way, which turns out to be a Cockaigne of milk, with e.g. milk geysers and milk gas stations. However, the geyser milk gives one of the kittens a tremor belly, and soon the trio fall down back to earth.
‘The Milky Way’ is cute, lush and excels in high production values, even though it can’t compete with the stunning ‘Wynken, Blynken and Nod’. The short is also sugary and rather boring. The best part is the depiction of the fantasy world of the Milky Way. But the attention easily goes to the beautiful background art and to Scott Bradley’s excellent score. The designs of the kittens look forward to those of kittens in the Tom & Jerry series.
Watch ‘The Milky Way’ yourself and tell me what you think:
https://www.dailymotion.com/video/x5dyxaa
‘The Milky Way’ is available on the DVD ‘Warner Bros. Home Entertainment Academy Awards Animation Collection: 15 Winners’
Director: Hugh Harman
Release Date: December 9, 1939
Rating: ★★★★
Review:
‘Peace on Earth’ is a Christmas cartoon, but a highly unusual one.
With ‘Peace on Earth’ Hugh Harman daringly combines the world of cute animals to gloomy and surprisingly realistic images of war and devastation (which, incidentally have more in common with World War I than with World War II).
It’s Christmas time, and the short opens with scenes of a village of squirrels, whose houses are made of helmets. Grandpa squirrel tells his two grandchildren what men were, for they have disappeared from the Earth. His tale is one of war (oddly between meat-eaters and vegetarians) and extermination. This section contains the grimmest war images ever put into an animated cartoon. In Harman’s world cute animals shall inherit the earth, but the film’s message is clear. Released when World War II had been going on for three months, this message came none too soon. Unfortunately, much, much worse was still to come…
‘Peace on Earth’ is a surprisingly daring film for its time, with its clear pacifistic message and dark war imagery – no ordinary feat for a Hollywood cartoon! For today’s standards the animal scenes may be too saccharine, the staging too melodramatic, and the message too obvious, but the war images and the atmosphere of doom make ‘Peace on Earth’ a film that still impresses today. The short was rightfully nominated for an Academy Award.
Watch ‘Peace on Earth’ yourself and tell me what you think:
https://www.dailymotion.com/video/x2ekaww
‘Peace on Earth’ is available on the DVD ‘Warner Bros. Home Entertainment Academy Award-Nominated Animation: Cinema Favorites’
Director: Friz Freleng
Release Date: February 11, 1939
Stars: The Captain and the Kids
Rating: ★★★
Review:
‘Mama’s New Hat’ was the last entry of MGM’s ill-conceived ‘Captain and the Kids’ series, which ended prematurely after only fifteen cartoons, lasting only one year.
Surprisingly, it’s the series’ best entry, as for once the studio has tried to make a genuine gag cartoon.
The short opens with the two brats buying a new hat for their mother for mother’s day. Unfortunately they ruin it immediately by falling into the mud. So they exchange their muddy hat for one of a neighboring horse. The horse is not pleased, however, and tries to steal the hat back from Ma Katzenjammer. This leads to a long chase scene, making ‘Mama’s New Hat’ one of the earliest entries in a genre that would become standard in the 1940s and 1950s.
The short suffers from inner logic, but it builds up nicely to a grand finale, and it’s surprisingly full of inventive gags, the one in which the horse turns into a plane as a highlight. This is imaginative storytelling at its best.
‘Mama’s New Hat’ still is no masterpiece, but it’s better than all the other ‘Captain and the Kids’ cartoons, and the only one looking forward. It shows that the young studio’s team was capable of more. Friz Freleng, of course, would further prove his worth back at Warner Bros., the others only came into their own with the arrival of MGM stars ‘Tom and Jerry’, who made their debut two years later.
‘Mama’s New Hat’ contains a scene in which we watch a supposed pursuit in a large house from the outside (using a moving pan with a lot of sound effects). This gag was reused much later in the Tom & Jerry short ‘The Flying Cat‘ (1952).
Watch ‘Mama’s New Hat’ yourself and tell me what you think:
http://www.dailymotion.com/video/x1z9pb2
‘Mama’s New Hat’ is available on the DVD-set ‘Looney Tunes Golden Collection Volume Six’
Director: Friz Freleng
Release Date: January 28, 1939
Stars: The Captain and the Kids
Rating: ★
Review:
In ‘Seal Skinners’ a million dollar seal has escaped and a ten thousand dollar reward has been promised to anyone who can bring him back.
Somehow, both the captain and the kids, his arch rival Long John Silver and an unknown Eskimo are at the North Pole, waiting for the escaped animal. At one point Long John Silver dresses as a seal himself. When the captain and the kids discover the scam, they roll him into a barrel and shake him like a cocktail. This is arguably the best gag in an otherwise remarkably unfunny cartoon, which ends with no conclusion.
‘Seal Skinners’ features some excellent animation, and Scott Bradley’s score is pretty inspired, but these aspects cannot save the cartoon, which suffers from lack of inner logic, and an absence of appealing characters.
Watch ‘Seal Skinners’ yourself and tell me what you think:
‘Seal Skinners’ is available on the DVD-set ‘Looney Tunes Golden Collection Volume Six’
Director: Friz Freleng
Release Date: December 17, 1938
Stars: The Captain and the Kids
Rating: ★★½
Review:
‘The Captain’s Christmas’ is the first of only two ‘Captain and the Kids’ cartoons in color.
Color definitely adds some charm to the series, as does the presence of the foe Long John Silver and his three helpers, and the result is one of the better ‘Captain and the Kids’ cartoons.
Watching the captain playing Santa, Long John Silver decides to steal the captain’s act, and, dressed as Santa, descends down the chimney. He plays his part jollily alright, but also very violently, destroying all the kids’ toys. In an all too typical 1930s morale, the villain is reprimanded by his own younger self.
So, Long John Silver thinks up a plan, and with his men goes singing Christmas Carols in a village inexplicably inhabited with Santa Clauses. Silver and his men do their best, but soon the Santas are disgusted by their act, and start throwing toys at the bunch. Thus, the four scoundrels can flood the Captain’s house with toys.
‘The Captain’s Christmas’ is joyous, if nowhere near classic, and full of the Christmas spirit. Unfortunately, its story is rather weird than engaging, and the carol singing sequence just makes no sense. Moreover, none of the songs are really memorable, and one has the feeling that a lot of money and animation talent is wasted on this cartoon, which, after all, remains mediocre.
Watch ‘The Captain’s Christmas’ yourself and tell me what you think:
‘The Captain’s Christmas’ is available on the DVD-set ‘Looney Tunes Golden Collection Volume Six’
Director: Friz Freleng
Release Date: June 25, 1938
Stars: The Captain and the Kids
Rating: ★
Review:
‘A Day at the Beach’ features the complete Katzenjammer family frolicking at the beach.
The film lacks any story, and consists of an unrelated string of repetitive gags whose only reason of existence seems to demonstrate that one can milk a gag to nausea. For example, there’s almost endless footage of the captain battling with a jumpy sun for some shade, and there’s a running ‘gag’ of the ocean destroying grandpa’s der inspector’s sand castle.
Only when Ma almost drowns, the cartoon gains something of a momentum. The film’s best feature, however, is it depiction of drunken sea creatures, a very small highlight in an otherwise endlessly boring film.
Watch ‘A Day at the Beach’ yourself and tell me what you think:
http://www.dailymotion.com/video/xvqhqi
‘A Day at the Beach’ is available on the DVD-set ‘Looney Tunes Golden Collection Volume Six’
Director: Friz Freleng
Release Date: April 16, 1938
Stars: The Captain and the Kids
Rating: ★★
Review:
In 1937 MGM decided to start its very own studio, after having distributed cartoons by Ub Iwerks (1930-1934) and Harman-Ising. They put Fred Quimby, a producer famous for having neither animation experience nor any sense of humor, in charge.
Quimby hired virtually Harman & Ising’s complete staff away. He also hired some talent from other studios, most notably Jack Zander and Joe Barbera, who would later work on Tom & Jerry, and Friz Freleng. Quimby lured Freleng away from Leon Schlesinger by flattery and by offering him a much larger salary. Freleng stayed less than a year at MGM before happily returning to Warner Bros.
Freleng’s talents were wasted on ‘The Captain and the Kids’, a series based on the classic comic strip of the same name by Rudolph Dirks. MGM had bought the rights to this comic strip, and insisted to make a series out of them. The strip had been around since 1897 (first as ‘The Katzenjammer Kids’), and really felt as coming from another era. Amidst the days of Donald Duck, Daffy Duck and Popeye, these characters were hopelessly old-fashioned, and Freleng struggled to create any fun with them. Consequently, none of the Captain and the Kids cartoons have become classics.
Nevertheless, Freleng’s films were still better than that of other people directing the ill-conceived series, which was, in the end, a failure. In total, Freleng directed six Captain and the Kids cartoons, and one stand-alone cartoon called ‘The Bookworm’, before returning to the greener pastures of the Leon Schlesinger studio.
Of Freleng’s Captain and the Kids cartoons, ‘Poultry Pirates’ is the first. It stars the captain, only, who tries to keep a bunch of chickens and ducks out of his vegetable garden, to no avail. At one point he has to fight a six feet tall rooster, but that happens to be part of a dream.
There’s very little to enjoy in ‘Poultry Pirates’. The animators do no attempts to lip synch, neither the captain nor the chicks gain and sympathy, the story drags on, and the result is frustratingly unfunny.
Watch ‘Poultry Pirates’ yourself and tell me what you think:
http://www.dailymotion.com/video/xvqhud
‘Poultry Pirates’ is available on the DVD-set ‘Looney Tunes Golden Collection Volume Six’
Dr. Grob's Animation Review 