Directors: William Hanna & Joseph Barbera Airing Date: September 30, 1960 Stars: The Flintstones Rating: ★★★½ Review:
‘The Flintstone Flyer’ was the very first Flintstone episode aired on television. The story was one of two already conceived before the series went to production and used to sell the series (the other one was ‘The Swimming Pool‘).
The episode establishes many aspects of the series: the setting may be in the stone age, this is a rather poor excuse for a suburban situation comedy depicting very a very standard family from mid-20th century indeed, complete with modern inventions like cars, telephone and television (how the latter two work is never revealed). This is little wonder, as the series was modeled after ‘The Honeymooners’ (aired 1955-1956), which features remarkably similar characters (for example, they love bowling, too).
Hanna and Barbera’s stone age is one of pure fantasy, and features dinosaurs coexisting with humans, despite the fact that dinosaurs had died out 65 million years before the dawn of man. In that respect ‘The Flintstones’ stand in a long tradition: dinosaurs co-existing with man could be seen in e.g. Willis O’Brien’s short ‘R.F.D. 10,000 B.C.’ (1916), in the Alley Oop comics (starting in 1932), in ‘Daffy Duck and the Dinosaur‘ (1939), in ‘Prehistoric Porky’ (1940), and Fleischer’s Stone Age cartoons from 1940.
The Flinstones tells about Fred Flintstone and Barney Rubble. The two are neighbors in some suburban area of ‘Bedrock’ (population 2500). They both love bowling, and are willing to lie to their wives (Wilma and Betty, respectively) to go out to play their favorite game. When bowling, Fred has a particular walk on his toes, and when excited he shouts ‘Yabba-dabba doo!’.
In this particular episode, the guys want to go bowling, while they have to go to the opera with their wives. So, Fred pretends to be ill and then the two literally fly off to the bowling alley, using a flying machine Barney has invented before. The opera itself is a typical mismatch of Wagnerian costume and bel canto singing, a trope frequently encountered in cartoons.
The complete cartoon moves at a steady pace, and by 2018 one can only conclude that the humor is rather dated. One cannot resist the thought what poor marriages these must be that one cannot be honest to each other. This sets the tone of many episodes to come: by now they only seem to demonstrate the inequality between men and women at the time.
Moreover, little to nothing is done with the stone age concept: we watch monkeys grabbing the pins, and a soda machine that’s operated by a man, but that’s about it.
No, despite Warner Bros. veterans Warren Foster and Michael Maltese working on the stories, the classic status of this very first animated series to be aired on prime time must come from its appealing designs by Ed Benedict (who had designed cavemen before, for Tex Avery’s ‘The First Bad Man’ from 1955), clever layouts by Dick Bickenbach and Walt Clinton, and great background artwork (e.g. featuring olive skies) by Art Lozzi, Fernando Montealegre, Robert Gentle and Dick Thomas. Even the limited animation (by the likes of top-animators Ken Muse, Carlo Vinci, Ed Love, Don Patterson and Dick Lundy) remains quite interesting throughout, even if the designs are rather off at times.
Watch an excerpt from ‘The Flintstone Flyer’ yourself and tell me what you think:
This is the first Flintstones Episode. To the demo episode: The Flagstones
To the next Flintstones episode: Hot Lips Hannigan
‘The Flintstone Flyer’ is available on the DVD-set ‘The Flintstones: The Complete First Season’
Directors: William Hanna & Joseph Barbera Production Date: 1959 Rating: ★★½ Review:
‘The Flagstones’ is a demo reel lasting only 95 seconds, with which Hanna and Barbera tried to sell their product: a prime-time television animation series.
However, their title ‘The Flagstones’ resembled ‘The Flagstons’ too much, the surname of Hi and Lois from the comic strip of the same name by Mort Walker and Dick Browne. Thus the name was first changed into ‘The Gladstones’ and finally, into ‘The Flintstones’, the prehistoric family we all know today.
In this demo reel not only the names are different, Betty looks very different, too, and Barney doesn’t sound like himself. Wilma and Fred, on the other hand, are pretty much themselves already.
The demo depicts a short scene from the episode ‘The Swimming Pool’ (the final version can be seen from 10’40 to 12’03 in this episode). ‘The Swimming Pool’ was one of two stories Hanna and Barbera had already conceived before selling the series (the other one was ‘The Flintstone Flyer‘, the first episode to be made and aired).
The looks of the demo may be a little different from the real series, it does show that the Hanna-Barbera product has clear roots in the cartoon modern era, using appealing designs and layouts by Ed Benedict, and beautifully painted background art by Art Lozzi.
Watch ‘The Flagstones’ yourself and tell me what you think:
‘The Flagstones’ is a demo for ‘The Flintstones’.
To the first Flintstones Episode: The Flintstone Flyer
‘The Flagstones’ is available on the DVD-set ‘The Flintstones: The Complete First Season’
Director: Michael Lah Release Date: December 6, 1957 Stars: Droopy, Butch (Spike) Rating: ★★★ Review:
In this Cinemascope cartoon ‘sir Butchalot’ (Butch a.k.a. Spike) and ‘sir Droopalot’ (Droopy) combat a dragon over a beautiful princess.
Despite its medieval setting ‘One Droopy Knight’ feels like a remake of ‘Señor Droopy‘ from 1949, as it reuses no less than three gags from the earlier film, including the last one. Unlike the wolf in ‘Señor Droopy’, however, Spike is as unsuccessful as Droopy in combating the dragon, until the very end. The dragon appears quite invincible, indeed, as is demonstrated by Droopy’s feeble attempts to pinch it with his rubbery sword. He’s a well-conceived character on his own, and less a ferocious bully than the bull was in ‘Señor Droopy’. One has the genuine feel he rightly defends himself against those pesky, puny knights.
As in his other cartoons, Michael Lah’s timing is a little too relaxed to make the gags work right. Moreover, the short is hampered by a large amount of dialogue, and even Scott Bradley’s music sounds more canned than before. Several scenes are stolen by the beautiful, highly stylized backgrounds, laid out by Ed Benedict and painted by F. MonteAlegre, with their bright colors and elementary designs.
Watch ‘One Droopy Knight’ yourself and tell me what you think:
‘One Droopy Knight’ is available on the DVD-set ‘Tex Avery’s Droopy – The Complete Theatrical Collection’
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