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Director: Elmer Perkins
Release Date: October 5, 1938
Rating: ★★★½
Review:

‘Hollywood Bowl’ merges two genres that had become quite popular by the late 1930s: the concert cartoon and the Hollywood caricature cartoon. The result is pretty uneven, but nonetheless, ‘Hollywood Bowl’ is one of the most original cartoons to sprout from the Walter Lantz studio.

The short opens with a gala night at the Hollywood Bowl, with several famous stars in the crowd, e.g. Edward G. Robinson, Hugh Herbert, Greta Garbo, Groucho Marx, Clark Cable, Charles Laughton, Ned Sparks, Bing Crosby, W.C. Fields, and Charlie.

Leopold Stokowski is the conductor, conducting Franz Schubert’s unfinished symphony with the help of a few gloves. This leads to a great and very imaginative scene, in which we watch ghostly images of the gloves playing instruments on a black screen, and Stokowski casting a huge shadow on the bowl, which changes into a greyhound, which changes into a swallow. At that point this poetic part cuts back to the Hollywood caricatures.

As Schubert has left the symphony unfinished (quite literally), it’s up to the stars to finish it, Hollywood style, which means that radio star Ben Bernie starts conducting a swinging tune, with help of Fats Waller, Rudy Vallee, Benny Goodman, Fred Astaire, Jack Benny and Cab Calloway. This part reuses a lot of animation, and is a not too convincing end to the cartoon.

‘Hollywood Bowl’ is a very interesting entry in Walter Lantz’s oeuvre, but it’s harmed by a lack of story, rather bad voice imitations and at times sloppy animation. Nevertheless, the Schubert sequence is no less than marvelous, and the cartoon’s opening is greatly helped by Frank Churchill’s inspired score, which is simply packed with countless classical tunes. Notice that some of the backgrounds use photographic material, a very rare feat in classic cartoons.

Watch ‘Hollywood Bowl’ yourself and tell me what you think:

‘Hollywood Bowl’ is available on the DVD-set ‘The Woody Woodpecker and Friends Classic Cartoon Collection’

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Director: Alex Lovy
Release Date: August 3, 1942
Rating: ★★★
Review:

Pigeon Patrol © Walter Lantz‘Pigeon Patrol’ is a typical war era cartoon. It tells about Homer Pigeon, a dopey little country pigeon, whose girl Daisy May is impressed by the USA carrier pigeons, who look like American army planes.

Rejected by Daisy May, Homer decides to volunteer, too, but he’s way too small. However when he encounters a crashed carrier, he rescues an important message from an ugly Japanese vulture, beating the enemy saying: “remember Pearl Harbor and Singapore!”. In the end we watch him being decorated and happily married to Daisy May.

‘Pigeon Patrol’ is not too funny, but very propagandistic. It seems to want to emphasize that every man can do his job for the country. The Japanese vulture belongs to the typical stereotyped caricatures of a Japanese in Hollywood cartoons, complete with a suggestion of general Tojo-like glasses.

Two years later, Warner Bros. would tell another tale about a pigeon called Homer in ‘Plane Daffy‘ (1944). Their Homer commits suicide in that film. Walter Lantz’s Homer Pigeon, however, would star one other cartoon, ‘Pigeon Holed’ from 1956.

Watch ‘Pigeon Patrol’ yourself and tell me what you think:

Director: Walter Lantz
Release Date: April 13, 1942
Rating: ★★
Review:

Mother Goose on the Loose © Walter LantzMother Goose on the Loose’ stands in a long tradition of nursery rhyme cartoons, from the Felix the cat cartoon ‘Felix in Fairyland’ (1923) via the Silly Symphony ‘Mother Goose Melodies‘ (1931) and ‘Mother Goose Land‘ starring Betty Boop (1933), to Disney’s ‘Mother Goose Goes to Hollywood’ (1938) featuring caricatures of Hollywood stars.

Unfortunately, ‘Mother Goose on the Loose’ is weaker than any of these, hampered by a slow timing, corny gags and an obnoxious voice over. Even a jazzy tune, setting in after five boring minutes, cannot rescue the cartoon. Its only attraction is its obsession with dames, which are literally all over the cartoon. This makes ‘Mother Goose on the Loose’ a typical cartoon of the World War II era.

Director: Walter Lantz
Release Date: September 1, 1941
Rating: ★★★★
Review:

The Boogie Woogie Bugle Boy of Company B © Walter LantzBased on the 1941 hit song by the Andrews sisters, ‘The Boogie Woogie Bugle Boy of Company “B”‘ tells the story of a black trumpeter who gets drafted and has to blow the reveille, which he does in a swinging style, introducing the song.

The song itself is accompanied by various gags on blacks in the army. Even the Andrews Sisters themselves make a cameo, although they do not sing. Typical of the era, the blacks are pretty stereotyped, with huge lips, grammatically incorrect speech, and allusions to gambling. Two of them even die during the cartoon: one black after playing xylophone on some shells, while the other gets eaten by an alligator. So I can understand if some people find it hard to watch this cartoon today. Even so, the cartoon is less offensive than ‘Scrub Me Mama With a Boogie Beat’ from six months earlier, from which the cartoon reuses some animation.

Indeed, the overall mood of the cartoon is cheerful and rather innocent, emphasizing the swinging mood. In fact, thanks to the catchy song and some flexible animation ‘The Boogie Woogie Bugle Boy of Company “B”‘ is one of the great jazz cartoons. It’s also one of the most enjoyable army cartoons of the era, of which it is probably the first. It’s at least one of the first American cartoon on conscription, which had come in effect in September 1940, as a reaction on the war in Europe. The cartoon thus predates cartoons like the Pluto short ‘The Army Mascot‘, ‘Donald Gets Drafted‘ featuring Donald Duck, and the Woody Woodpecker cartoon ‘Ace in the Hole’ (all from 1942).

Watch ‘The Boogie Woogie Bugle Boy of Company “B”’ yourself and tell me what you think:

Director: Tex Avery
Release date: June 6, 1955
Rating: ★★★
Review:

Sh-h-h-h-h-h © Walter LantzIn ‘Sh-h-h-h-h-h’ small, mustached Mr. Twiddle suffers from “trombonosis”.

He tries to calm down his nerves in an extraordinarily quiet hotel in the Swiss alps. But then some noisy neighbors drop in, who play the trombone and laugh all the time. In the end, they turn out to be Mr. Twiddle’s own doctor and nurse.

‘Sh-h-h-h-h-h’ was the last of only four cartoons Tex Avery directed at Walter Lantz. It is also the last theatrical cartoon he ever made. Unfortunately, it is not a great goodbye. Although excellently timed, ‘Sh-h-h-h-h-h’ is only a mildly amusing cartoon, which reuses many of Avery’s gag routines. It has some fatigued and sad feeling to it, as if Avery himself was tired of his own routines.

Having served his contract at Lantz, Avery left the studio on August 20th, 1954, only six months after he had started there. Avery founded his own company, Cascade Studios, with which he made several animated commercials for television. He kept this studio running until the late 1970s. After that he joined Hanna-Barbera, working on a few Saturday morning series until his death in August 1980.

After Avery had left Lantz, Alex Lovy took over his unit. Although the studio rarely hit Avery’s heights, Avery’s influence on the Lantz studio was strong, and kept being visible throughout the 1950s, leading to several inspired cartoons.

Watch ‘Sh-h-h-h-h-h’ yourself and tell me what you think:

Director: Tex Avery
Release date: February 14, 1955
Rating: ★★★
Review:

Crazy Mixed-up Pup © Walter Lantz‘Crazy Mixed-up Pup’ was the second of four cartoon Tex Avery directed at the Walter Lantz studio. Unfortunately, it is not one of his best.

When a man and his dog are overrun by a car, mixed-up blood plasma results in mixing their behavior: the man starts to act dog-like, while the dog wins some human character traits. This is not a very exciting idea to start with, and Avery milks this premise to a nice finale, without ever getting really funny. Luckily, he would do much, much better with his next cartoon at Lantz, ‘The Legend of Rockabye Point‘ (1955).

The married couple, ‘Maggie and Sam’, were reused in three more cartoons in 1956-1957.

Watch ‘Crazy Mixed-up Pup’ yourself and tell me what you think:

Director: Walter Lantz or Bill Nolan
Release Date: May 27, 1935
Stars: Oswald
Rating: 
Review:

Springtime Serenade © Walter Lantz‘Springtime Serenade’ features Oswald and his unnamed girlfriend among some cute furry animals.

They all believe spring has come, even though the old groundhog warns them for six more weeks of cold weather. After some joyous spring cleaning (what the &$#?!!), the groundhog turns out to be right after all.

This Cartune Classic is as cloying as it is unfunny. Tex Avery, who was an animator at Lantz’s at the time, would deal with cute furry animals such as these ten years later in ‘The Screwy Truant’ (1945).

Watch ‘Springtime Serenade’ yourself and tell me what you think:

Director: Walter Lantz or Bill Nolan
Release Date: October 1, 1934
Rating: 
Review:

Jolly Little Elves © Walter Lantz‘Jolly Little Elves’ is the first of six Cartune Classics, Walter Lantz’s answer to Disney’s Silly Symphonies. These six cartoons were made in two color technicolor, using red and blue, and all are possible even more cloying than contemporary Silly Symphonies themselves.

‘Jolly Little Elves’, for example, is a practically humorless fairy-tale in song about a poor shoemaker and his wife who help a little elf and get all their shoes repaired by hundreds of elves in return.

The cartoon is corny, overlong and features an irritating song about dunking donuts in coffee. Also featured are two severely caricatured Jewish elves. It’s a wonder that was one of the three Academy Award nominations for 1934. Luckily it lost to Disney’s by all means superior cartoon ‘The Tortoise and the Hare’.

Sixteen years later, Tex Avery, who was an animator at Lantz at the time, would remake and make fun of ‘Jolly Little Elves’ in ‘The Peachy Cobbler’ (1950).

Watch ‘Jolly Little Elves’ yourself and tell me what you think:

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