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Director: Wallace Carlson
Release date: September 6, 1919
Stars: Dreamy Dud, Wallace Carlson, John Randolph Bray
Rating: ★★★★
Review:

Young Wallace Carlson parodies his own work in a short funny film starring himself.
If anything the film shows that animating a cartoon is a lot of work. Most telling is the scene in which Carlson photographs a huge pile of animation drawings. The intertitle ’48 hrs later… ‘ says it all.
The cartoon itself, ‘Dreamy Dud’, which Carlson plays to an unimpressed John Randolph Bray , is not half as funny as the live action sequences, and only demonstrates that Carlson belongs to the lesser gods of animation. His animation style is crude and formulaic, with little sense of timing.
Watch ‘How Animated Cartoons Are Made’ yourself and tell me what you think:
‘How Animated Cartoons Are Made’ is available on the Blu-Ray-DVD combo ‘Cartoon Roots: The Bray Studios Animation Pioneers’
Director: Earl Hurd
Release date: April 23, 1919
Stars: Bobby Bumps and Fido
Rating: ★★★
Review:

‘Bobby Bumps’ Pup Gets the Flea-Enza’ is a funny take on the devastating Spanish Flu epidemic of 1918-1920. In this cartoon Bobby Bumps and Fido both think Fido’s got the influenza, while he only got a flea (depicted as a black devilish little man).
The humor is mild, but Earl Hurd once again demonstrates to be one of the best animators of the era. Every shot and move look smooth and elegant. The best gag may be the visit to the horse doctor.
‘Bobby Bumps’ Pup Gets the Flea-Enza’ is available on the Blu-Ray-DVD combo ‘Cartoon Roots: The Bray Studios Animation Pioneers’
Director: Otto Messmer
Release date: November 9, 1919
Stars: Felix the Cat (as Master Tom)
Rating: ★★★
Review:

‘Feline Follies’ sees the birth of the biggest cartoon star of the 1920s, Felix the Cat. In an age when most cartoon stars were more or less human, Felix the Cat was not the first animal cartoon star (that honor has to go to Krazy Kat), but he was the first original one (as Krazy Kat originally was a comic strip character) and the most famous of all before the advent of Mickey Mouse, paving the way for countless animal cartoon stars to come.
In his first film Felix is called ‘master Tom’. While he dates a white kitten named “Miss Kitty White’, the mice run havoc in the kitchen. Felix gets the blame and flees the house, but his girlfriend appears to have loads of children. Seeing no other way out of his misery, Felix commits suicide using gas…
When compared to the earlier Charlie Chaplin films, Otto Messmer already shows a greater amount of creativity in ‘Feline Follies’. The story may be loosely composed, it’s a clear one from start to end, and not just a string of gags like the earlier Charlie Chaplin films were. But more important, one of Felix’s trademark mannerisms, his tale changing into a question mark, already appears a few seconds into the film. Later, the two cats create steps out of musical notes. Metamorphosis gags like these would play an important part in the series, adding to its wonderful atmosphere.
Master Tom/Felix is a singular star from the start, not somebody’s pet. And like Charlie Chaplin before him, he’s a tramp, living outside, without regular food and shelter. ‘Feline Follies’ is no great cartoon in itself, but it sure shows potential. Indeed, although ‘Feline Follies’ was conceived as a standalone cartoon, made to help the Earl Hurd studio out, the film was such a success, distributor Paramount requested another one, and later a complete series. With his third film, Felix got his name, and the greatest cartoon series of the 1920s was born.
Watch ‘Feline Follies’ yourself and tell me what you think:
‘Feline Follies’ is available on the Blu-Ray ‘Cartoon Roots: Otto Messmer’s Feline Follies’, the DVD-set ‘Popeye the Sailor 1933-1938’ and the DVD ‘Presenting Felix the Cat’
Director: Otto Messmer
Release date: October, 1919
Stars: Charlie Chaplin
Rating: ★★
Review:

‘Charley at the Circus’ is an entry in Pat Sullivan’s Charlie Chaplin animated cartoon series.
As the title implies, the complete film takes place in a circus, and involves gags with Kewpie the Strong Woman, Mitzi the fat lady, a flea circus and a bearded lady, and Pauline the noseless goat. Notice the throwaway gag on the upcoming prohibition.
As with the other Charlie Chaplin shorts, the animation is crude and stiff, but at least this film profits from a running gag of a heavy guy chasing Charlie Chaplin. Nevertheless, there is no hint of greatness in this cartoon, and it’s clear that animator Otto Messmer still had to find his vibe.
‘Charley at the Circus’ is available on the Blu-Ray ‘Cartoon Roots: Otto Messmer’s Feline Follies’
Director: Otto Messmer
Release date: October, 1919
Stars: Charlie Chaplin
Rating: ★
Review:

Pat Sullivan’s Charlie Chaplin animated shorts were a short lived series, spanning only two years (1918-1919) and about 16 films. ‘Charley at the Beach’ is one of the last and shows that some Charlie Chaplin’s mannerisms were transferred surprisingly well to the animated screen.
Indeed, Pat Sullivan’s Charlie Chaplin shorts were supported by the great comedian himself. Chaplin gave the animators thirty or forty photographs of himself in different poses and with these the animators could copy several of his movements. Sullivan’s prime animator was of course Otto Messmer, who a month later would create Felix the Cat.
According to Messmer his work on the Chaplin cartoons greatly influenced his work on Felix (Felix – The Twisted Tale of the World’s Most Famous Cat, p. 38), but to be honest, compared to the later Felix the cat cartoons, the animation on Charlie Chaplin is remarkably stiff and primitive. Moreover, in these Messmer makes a lot of use of text balloons, even when the images could speak for themselves, like in the hot dog scene.
‘Charley at the Beach’ is little more than a string of unrelated gags at the beach. Messmer even goes for some throwaway gags on fish. Unfortunately, several of the gags are misogynistic (Charlie Chaplin is a peeping Tom, and there’s some fat shaming) and one is even racist: when Charlie discovers a girl he fancies is black, he quickly swims away. The result is a pretty tiresome and boring film, and nowhere we can detect Messmer’s great talent, yet.
‘Charley at the Beach’ is available on the Blu-Ray ‘Cartoon Roots: Otto Messmer’s Feline Follies’
Director: Max Fleischer
Release date: October 14, 1919
Stars: Max Fleischer, Koko the Clown
Rating: ★★★
Review:

Max en Dave Fleischer were two true animation pioneers. In 1915 they invented the rotoscope, which they patented that year. With rotoscope they could capture live action movement as drawings on paper. Their first rotoscope tests featured Dave Fleischer in a clown suit, and these were the origin of Koko the Clown, star of ‘Out of the Inkwell’ series.
The two brothers started to make these shorts for J.R. Bray from 1919 on, but they only became a real series in 1920, and Koko got his name much later, in 1923. ‘The Tantalizing Fly’ is but the second ‘Out of the Inkwell’ short, yet it already shows the merit of rotoscope and the brothers’ imaginative way of storytelling.
In ‘The Tantalizing Fly’ Max Fleischer is hindered by a fly while drawing Koko. He tries to swat it, but hits Koko instead. Then it’s Koko’s turn. He tries to lure the fly by drawing a bald sitting man, but only manages in hitting the man instead of the fly.
The idea of an animator drawing a character is as old as animation itself, and clocking less than four minutes ‘The Tantalizing Fly’ is frustratingly short, leaving room for just a few gags, but Fleischer’s mix of animation, rotoscope and live action is fun to watch, and shows that the two brothers were among the most interesting animation film makers of their time.
Watch ‘The Tantalizing Fly’ yourself and tell me what you think:
‘The Tantalizing Fly’ is available on the Blu-Ray ‘Cartoon Roots: The Bray Studios Animation Pioneers’ and on the DVD-set ‘Popeye the Sailor 1933-1938’
Director: Earl Hurd
Release Date: November 9, 1919
Stars: Bobby Bumps & Fido
Rating: ★★★½
Review:

In this short film, little boy Bobby Bump jumps out of the inkwell, together with his dog Fido, and calls his master, who hasn’t arrived at work, yet, on the phone.
Their creator Earl Hurd invites them at his home. What follows is a funny smoke gag, but shortly after Bobby and Fido start packing, the cartoon ends, cutting short a promising premise.
As ever with the Bobby Bump cartoons, the designs are very appealing, but the animation is very limited and a bit crude. Yet, the simple gags have their own charm, and this cartoon is particularly interesting for starring the master Earl Hurd, himself.
Watch ‘Their Master’s Voice’ yourself and tell me what you think:
‘Their Master’s Voice’ is available on the Blu-Ray/DVD-combo ‘Cartoon Roots: Bobby Bumps and Fido’
Director: Earl Hurd
Release Date: January 24, 1919
Stars: Bobby Bumps & Fido
Rating: ★★★
Review:

‘Bobby Bumps’ Last Smoke’ starts with Earl Hurd’s hand drawing Bobby Bumps, tickling him on the way. Then finished he gives the boy a cigarette, and immediately the scenery sets in.
Bobby starts smoking enthusiastically, but soon gets dizzy and throws the cigarette away. The cigarette smoke transfers him and Fido to a sultan’s palace in a 1001 Arabian night version of Turkey. The duo rescue a lady from the Sultan’s dungeons, with Bobby knocking out all the guards, and some lions, with the lady’s former ball and chain. He earns the damsel’s kiss in reward, which turns out to be Fido licking him.
Now, one would suspect that ‘Bobby Bumps’ Last Smoke’ is a typical anti-smoking cartoon, with Bobby giving up smoking after this trippy experience. But no, the one thing he’ll never do again isn’t smoking, but “insulting a sultan”. And so, with this pun, the short ends.
‘Bobby Bumps’ Last Smoke’ boasts elaborate human designs and intricate background art, but as with most animated cartoons from the 1910s, the animation is limited and jumpy.
‘Bobby Bumps’ Last Smoke’ is available on the Blu-Ray/DVD-combo ‘Cartoon Roots: Bobby Bumps and Fido’
Director: Wallace Carlson
Release Date: January 9, 1919
Stars: Us Fellers
Rating: ★★★
Wallace Carlson (1894-1967) was a comic strip artist, who had a brief career as an animator from 1914 to 1921. Carlson joined the Bray studio in 1917, for which he created the ‘Us Fellers’ series. The series stars a boy character called Dreamy Dud, whom Carlson had conceived earlier.
Dud is a boy who breaks his bank (and unfortunately the one coin therein) to buy his girlfriend Mamie some ice cream. But instead he’s punished and sent to bed without supper. At night Dud sneaks out and first imagines how his mother gets filled with remorse, while he finds a treasure. But then the figments of his imagination turn into scary monsters, and he runs home, only to get spanked.
‘Dud Leaves Home’ is a well-told film, with great attention to the child’s world and imagination. The night scenes show some pretty background art. The animation, on the other hand, is rather stiff and robotic, especially when compared to Earl Hurd’s or Raoul Barré’s animation from the same era.
Carlson left animation in 1921 to concentrate on comic strips again, creating the highly successful comic strip series ‘The Nebbs’ in 1923.
Watch ‘Dud Leaves Home’ yourself and tell me what you think:
‘Dud Leaves Home’ is available on the DVD ‘Before Walt’

