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Director: Dave Fleischer
Release Date: August 23, 1940
Stars: Hunky & Spunky
Rating:  ★★½
Review:

You Can't Shoe a Horsefly © Max Fleischer‘You Can’t Shoe a Horsefly’ opens with a tired Hunky & Spunky laying themselves down to sleep.

Unfortunately, Spunky is soon troubled by a horsefly, who looks like a miniature winged horse and who sings the title song. The antagonism between Spunky and the horsefly, which even lead to a chase scene makes ‘You Can’t Shoe a Horsefly’ the most modern of the Hunky & Spunky cartoons, and the only one fitting the then emerging chase cartoon era. However, it’s still Hunky who has to come to the rescue, killing the horsefly and all his friends in one stroke.

Composer Sammy Timberg nicely intertwines the lullaby ‘Go to Sleep My Baby’ (which I know best as sung by Oliver Hardy in ‘Brats’ from 1930), into the soundtrack when the two donkeys are trying to sleep.

Watch ‘You Can’t Shoe a Horsefly’ yourself and tell me what you think:

‘You Can’t Shoe a Horsefly’ is available on the DVD set ‘Somewhere in Dreamland – Max Fleischer’s Color Classics: The Definitive Collection’

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Director: Dave Fleischer
Release Date: July 18, 1930
Rating: ★★★★
Review:

Wise Flies © Max Fleischer

The Fleischer studio had already experimented with synchronized sound in 1924, four years before ‘Steamboat Willie‘, so of all cartoon studios they made the transition to sound the most easily.

The Fleischers’ first sound series were the Screen Songs, the first of which was released in February 5, 1929. Eight months later they were followed by the aptly titled Talkartoons. These Talkartoons didn’t have a single star, but like Disney’s Silly Symphonies explored a wide range of subjects.

These Talkartoons show the Fleischers’ disregard of lip synchronization. This feat was reserved for special scenes, like song sequences. Unlike Disney, the Fleischers recorded all dialogue after animation, inviting the voice actors to ad-lib at will. Thus the Fleischer cartoons were the most talkative of all 1930s shorts. This technique reached its peak when Jack Mercer became Popeye’s voice in 1935, but already peppers their earliest output.

The improvised dialogue suits the studio’s free spirited, and equally improvised animation style perfectly. Add a multitude of zany gags, strikingly jazzy soundtracks and remarkably adult subject material, and it’s clear why the Max Fleischer cartoons from 1930-1933 are among the most delightful of all studio cartoons from the golden age.

‘Wise Flies’, the seventh Talkartoon, is a perfect example. It uses the theme of ‘the spider and the fly’, a theme Walt Disney would also use one year later in ‘The Spider and the Fly‘ (1931). However, the Disney version lacks the sexual overtones present in this Fleischer’s version. In it a six-legged spider spots some flies on a hobo’s head. He tries to catch one, but returns home to his wife empty-handed.

However, later he seduces a female fly, playing ‘Some of These Days’ on his web (a delightfully fast piece of guitar jazz). He then starts singing this tune, popularized by Sophie Tucker in 1926, and a hit for Louis Armstrong in 1929. His song leads to a dance sequence much akin to Disney’s Silly Symphonies from the same era. The film ends when the spider’s wife gets jealous, and interrupts the spider’s courting.

The animation by Willard Bowsky and Ted Sears is crude and simple, but the swinging soundtrack is delightful. The end result is an enjoyable piece of rubberhose animation.

Watch ‘Wise Flies’ yourself and tell me what you think:

This is Talkartoon No. 7
To the previous Talkartoon: Fire Bugs
To the next Talkartoon: Dizzy Dishes

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