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Director: Genndy Tartakovsky
Airing Date: March 10, 1996 & June 2, 1996
Stars: Dexter, Dee Dee
Rating: ★★★½
Review:

The Big Sister’ is the second of four pilot episodes of ‘Dexter’s Laboratory’ that appeared on Cartoon Network before the official series was launched. ‘The Big Sister’ then would reappear as the third part of the sixth episode.

This sequence starts with the zoom into Dexter’s lab that was later reused to start the end titles. In these we follow a smell that turns out to be from chocolate chip cookies made by Dexter for his laboratory rats. Of course, Dee Dee wants one, too, but the cookies contain secret formula X27, which turns Dee Dee into a giantess, rampaging the city. It’s up to Dexter to save the world!

This episode contains nice references to both King Kong and Japanese mecha films. The episode clearly borrows from the mecha anime visual style, something that would permeate the complete Dexter’s Laboratory series, blending surprisingly well with the 1950s cartoon modern style to create something new and fresh. Nevertheless, highlight of this episode is when Dexter’s fantasy runs away with him.

Watch ‘The Big Sister’ yourself and tell me what you think:

‘The Big Sister’ is available on the DVD ‘Dexter’s Laboratory Season One: All 13 Episodes’

Director: Ben Sharpsteen
Release Date: May 25, 1935
Rating: ★★½
Review:

The Cookie Carnival © Walt DisneyOf all Silly Symphonies this one is particularly silly. The very idea of a cookie land is as original as it is looney.

Yet, the cartoon is literally sugary, not funny. The story, about a Charlie Chaplin-like tramp (voiced by Pinto Colvig) making a poor lonesome girl queen of the parade, is pure sentimental melodrama. Moreover, the characters speak in operetta-like recitatives and when the girl, having become queen, has to choose a king the cartoon shifts to a tiresome medley of song-and-dance-routines.

Nevertheless, the art direction of this Silly Symphony is stunning and its backgrounds lush and beautiful, making this one of the most impressive cartoons of the era. The girl is quite beautifully animated by Gram Natwick, the man who had created Betty Boop five years earlier, and who had joined Disney in 1934. After her transformation into a carnival queen, the girl doesn’t resemble a cookie at all, but she is pictured and animated as a real girl. Natwick would later be an animator on Snow White in ‘Snow White and the Seven Dwarfs’ (1937), and it’s as if the cookie girl was Natwick’s exercise for the real thing.

Notice the contrast between the sissy Angelic Cakes and the fun-loving Devil Cakes, whose theme music is jazz (the most ‘evil’ music of the era).

Watch ‘The Cookie Carnival’ yourself and tell me what you think:

This is Silly Symphony No. 53
To the previous Silly Symphony: Water Babies
To the next Silly Symphony: Who Killed Cock Robin?

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