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Director: Norman McLaren
Release Date: 1959
Rating: ★★★★
Review:

Mail Early for Christmas © Norman McLaren‘Mail Early for Christmas’ is a short commercial, the message of which is in the title.

Set to a rather loud dixieland score McLaren has put his expressionistic and frantic direct-on-film style into action to make this message come across. The film lasts only 39 seconds and was made in chronological order, without any cuts. The film thus has a very spontaneous feel and features all kinds of abstract shapes splashing from the screen. In between we can see the words ‘Mail early for Xmas’ appearing and disappearing again.

It’s a wonder that such avant-garde film making was used for a message directed at such a general public.

Watch ‘Mail Early for Christmas’ yourself and tell me what you think:

‘Mail Early for Christmas’ is released on the DVD-box set ‘Norman McLaren – The Master’s Edition’

Director: Bobe Cannon
Release Date: January 24, 1952
Rating: ★★★★★
Review:

The Oompahs © UPAIn ‘The Oompahs’ a voice over tells a story about a family of musical instruments.

‘The Oompahs’ is one of UPA’s most avantgardistic cartoons. Its story and designs are by caricaturist T. Hee, who went for the extremes. The instruments are very basic paper cut outs, with very little animation on them. Mostly they just move across the screen. It’s almost unbelievable that such a modern cartoon could come from a Hollywood studio, at all.

The cartoon is the prime example of director Bobe Cannon’s wish to let the audience watch “drawings that moved”. Even if the founding idea of humanized musical instruments is the same as in Disney’s ‘Music Land‘ (1936), ‘The Oompahs’ is aesthetically miles away from the earlier cartoon.

Like some other UPA cartoons ‘The Oompahs’ tells about a young character with a free spirit. Young Orville, a trumpet, wants to play and improvize freely with his friends (some other instruments), in a game that is depicted by a baseball match, and which sounds like a dixieland band. But Oompah Pa doesn’t approve and makes young Orville practice boring tunes. Then young Orville loses all spirit, gets sick, and only his friends can revive him.

This message of letting creative energy run free must have appealed a lot to its makers, for creative freedom was the raison d’être of the whole studio.

Watch ‘The Oompahs’ yourself and tell me what you think:

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