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Directors: Rollin Hamilton & Tom McKinson
Release Date: November 3, 1933
Stars: Cubby the Bear
Rating:
Review:

The Gay Gaucho © Van Beuren‘The Gay Gaucho’ was the second of two Cubby Bear films made by the California-based Harman-Ising studio.

Like the first, ‘Cubby’s World Flight‘, it looks back, not forward, bringing back in mind the first Merrie Melodie, ‘Lady, Play Your Mandolin‘ (1931) and the early Mickey Mouse cartoons ‘Gallopin’ Gaucho‘ (1928) and ‘The Cactus Kid‘ (1930).

The setting is Argentine, and Cubby (Bosko, but in a different design) is a gaucho. He visits a canteen, where his girlfriend is a dancer. Then a Peg Leg Pete-like character enters, kidnapping the girl, with Cubby pursuing him. This story already was uninspired and routine, but Harman and Ising top its triteness by revealing it was all just a dream.

‘The Gay Gaucho’ is well-animated (by Friz Freleng and Paul Smith), but utterly forgettable, and it only proves that Cubby was so devoid of character, he couldn’t inspire at all. The result is one of the most forgettable films of 1933.

Watch ‘The Gay Gaucho’ yourself and tell me what you think:

‘The Gay Gaucho’ is available on the Blu-Ray ‘The Complete Animated Adventures of Cubby Bear’ and on the DVD ‘The Complete Adventures of Cubby Bear’

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Director: Norm Ferguson
Release Date: December 21, 1944
Stars: Donald Duck, Joe Carioca, Panchito, The Aracuan Bird
Rating: ★★★
Review:

The Three Caballeros © Walt DisneyDonald stars in his first and only very own feature film.

In the opening scene he receives a large package full of presents. When he opens these presents, they lead him to the mild story of Pablo the cold-blooded penguin (narrated by the melancholy voice of Disney-favorite Sterling Holloway), and to the childish story of ‘Gauchito and his flying donkey Burrito’, before it reintroduces Joe Carioca from ‘Saludos Amigos‘ (1942). Joe takes Donald to Baía, where they dance the samba with Aurora Miranda, nicely blending animation with live action, something that occurs throughout the picture.

Another package introduces the Mexican rooster Panchito. Together the trio sings the intoxicating theme song, wonderfully animated by Ward Kimball, who regarded the scene as his best work. Panchito takes Donald and Joe on a magic serape ride over Mexico, visiting Mexico City, Veracruz en Acapulco Beach, where Donald plays blind man’s buff with a bunch of girls in bathing suits. Actually, Donald keeps hunting girls like a hungry wolf throughout the picture.

‘The Three Caballeros’ was the second of two ‘Good neighbor policy’ features, focusing on South America, and the second of six compilation features Disney made until returning to real features with ‘Cinderella‘ in 1950. When compared to ‘Saludos Amigos’, ‘The Three Caballeros’ is brighter, bolder and more nonsensical. It is noteworthy for its bold color design and for its beautiful color book artwork by Mary Blair, which in its modernity looks forward to the 1950s (especially in the opening titles, during the train ride and in the Mexican Christmas episode).

It is most interesting however, because of its zany surrealism, which invades many scenes with associative images, where metamorphosis and abstraction run haywire, not even sparing Donald himself. In this respect ‘The Three Caballeros’ is the boldest feature Disney ever made.

However, its lack of story, its strong touristic content, its outdated live action imagery, its sentimental songs and the two childish stories at the beginning of the feature all harm the picture. Thus watching the movie feels like being on a colorful journey full of beautiful images that nevertheless turns out to be unsatisfactory in the end.

Watch the title song from ‘The Three Caballeros’ below:

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