You are currently browsing the tag archive for the ‘compilation feature’ tag.

Directors: James Algar, Clyde Geronimi, Jack Kinney
Release Date: October 5, 1949
Rating: ★★★
Review:

The Adventures of Ichabod and Mr. Toad © Walt DisneyThe adventures of ‘Ichabod and Mr. Toad’ was the last of the Disney compilation features so typical of the 1940s.

Like ‘Fun and Fancy Free‘ (1947) it consists of only two stories, this time both drawn from literature. Both use a narrator, which gives the films a feeling of moving illustrations. Neither of the stories is particularly endearing: the story of Mr. Toad lacks the poetry of the original story, the story of Sleepy Hollow lacks speed. It would be a happy return to direct story telling (opposed to using voice overs) in ‘Cinderella‘, the next year.

The six directing animators of this feature all belong to the group of ‘nine old men’.

‘The Adventures of Ichabod and Mr Toad’ consists of the following two episodes, which I will discuss in more detail elsewhere:

1. The Wind in the Willows
2. The Legend of Sleepy Hollow

Watch ‘The Adventures of Ichabod and Mr Toad’ yourself and tell me what you think:

Advertisements

Directors: Clyde Geronimi, Wilfred Jackson, Jack Kinney, Hamilton Luske
Release Date: May 27, 1948
Stars: Donald Duck, Joe Carioca, The Aracuan Bird
Rating: ★★
Review:

Melody Time © Walt DisneyMelody Time’ is a compilation film in the same vein as ‘Make Mine Music’ (1946).

It consists of seven unrelated episodes, connected by a voice over and an animated brush. The songs of these sequences are sung by popular artists, who, except for the Andrews Sisters and Roy Rogers, are all but forgotten today. Even more obviously than in ‘Make Mine Music’, these songs are clearly designed for the cartoons, instead of the other way round, like in ‘Fantasia’ (1940). In any sense ‘Melody Time’ is a far cry from that latter film, and the most interesting feature of this film is not the animation, but the film’s beautifully stylized backgrounds, especially in ‘Once upon a Wintertime‘ and ‘The Legend of Johnny Appleseed‘.

The sequences themselves are mediocre, often slow and only moderately funny at best. Luckily, Disney would soon return to real features, for ‘Melody Time’ shows that the studio’s compilation features had outstayed their welcome.

Melody Time consists of the following episodes, which I will discuss in more detail, elsewhere:

  1. Once upon a Winter Time
  2. Bumble Boogie
  3. The Legend of Johnny Appleseed
  4. Little Toot
  5. Trees
  6. Blame it on the Samba
  7. Pecos Bill

Director: Norm Ferguson
Release Date: December 21, 1944
Stars: Donald Duck, Joe Carioca, Panchito, The Aracuan Bird
Rating: ★★★
Review:

The Three Caballeros © Walt DisneyDonald stars in his first and only very own feature film.

In the opening scene he receives a large package full of presents. When he opens these presents, they lead him to the mild story of Pablo the cold-blooded penguin (narrated by the melancholy voice of Disney-favorite Sterling Holloway), and to the childish story of ‘Gauchito and his flying donkey Burrito’, before it reintroduces Joe Carioca from ‘Saludos Amigos‘ (1942). Joe takes Donald to Baía, where they dance the samba with Aurora Miranda, nicely blending animation with live action, something that occurs throughout the picture.

Another package introduces the Mexican rooster Panchito. Together the trio sings the intoxicating theme song, wonderfully animated by Ward Kimball, who regarded the scene as his best work. Panchito takes Donald and Joe on a magic serape ride over Mexico, visiting Mexico City, Veracruz en Acapulco Beach, where Donald plays blind man’s buff with a bunch of girls in bathing suits. Actually, Donald keeps hunting girls like a hungry wolf throughout the picture.

‘The Three Caballeros’ was the second of two ‘Good neighbor policy’ features, focusing on South America, and the second of six compilation features Disney made until returning to real features with ‘Cinderella‘ in 1950. When compared to ‘Saludos Amigos’, ‘The Three Caballeros’ is brighter, bolder and more nonsensical. It is noteworthy for its bold color design and for its beautiful color book artwork by Mary Blair, which in its modernity looks forward to the 1950s (especially in the opening titles, during the train ride and in the Mexican Christmas episode).

It is most interesting however, because of its zany surrealism, which invades many scenes with associative images, where metamorphosis and abstraction run haywire, not even sparing Donald himself. In this respect ‘The Three Caballeros’ is the boldest feature Disney ever made.

However, its lack of story, its strong touristic content, its outdated live action imagery, its sentimental songs and the two childish stories at the beginning of the feature all harm the picture. Thus watching the movie feels like being on a colorful journey full of beautiful images that nevertheless turns out to be unsatisfactory in the end.

Watch the title song from ‘The Three Caballeros’ below:

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 938 other followers

Bookmark and Share

Follow TheGrob on Twitter

Categories

Advertisements