You are currently browsing the tag archive for the ‘Klasky Csupo’ tag.
Director: Igor Kovalyov
Release Date: 1996
Rating: ★★★
Review:
Made during his stay at the Klasky Csupo studio ‘Bird in the Window’ is Igor Kovalyov’s first film made in the US.
Despite his contemporary commercial work on e.g. Rugrats and Duckman: Private Dick/Family Man, Kovalyov’s independent style has lost nothing of its enigma. ‘Bird in the Window’ is a film in several very short scenes with mutual relationships that are hard to decipher.
A man returns home to his house in the countryside, but his wife clearly hides something for him. Why can’t he see the child that’s running around? What’s with the two Chinese characters playing chess? And what’s the role of the gardener? ‘Bird in the Window’ certainly suggests a lot without clarifying a thing. Even the opening scene in which a bird violently chases a winged bug is as disturbing as it is puzzling. ‘Bird in the Window’ may be less obviously surreal than his celebrated ‘Hen His Wife’ (1989), Kovalyov’s way of story telling still is one of suggestion, not explanation.
Note how Kovalyov uses seemingly trivial images to tell his tale: the man throwing an apple at the gardener, the man eating all the grapes, the woman lying in a bath, a cockroach creeping – all these short scenes contribute to the ominous feeling, full of suppressed eroticism.
The tense atmosphere is greatly enhanced by the great sound design, which offers us many noises not seen on the screen: cows mooing, a plane flying by, a clock chiming, the woman running down the stairs and slamming doors, a dog barking etc.
Watch ‘Bird in the Window’ yourself and tell me what you think:
‘Bird in the Window’ is available on the DVD ‘Desire & Sexuality – Animating the Unconscious Vol.2’
Directors: Marv Newland, Robin Steele, Drew Takahaki & Andy Knight
Stars: Duckman
Airing Date: March 5, 1994
Rating: ★★★★½
One of the great things of the animation renaissance that started at the end of the 1980s was the return of animated series for adults.
The first and most prominent of these was, of course, The Simpsons, which started at the end of the 1989, but in the slipstream of their success the nineties saw the emergence of other series, like The Critic (1994-1995), Dr. Katz – Professional Therapist (1995-2002), and The Maxx (1995).
The greatest among these early shows arguably was ‘Duckman’ (or officially, Duckman: Private Dick/Family Man), which ran from 1994 to 1997. The series was made by the Klasky Csupo studio, which also had been responsible for the first three seasons of The Simpsons. But where the Simpsons were clearly in the style of Matt Groening, ‘Duckman’ much more evidently saw the typical Klasky-Csupo style, which was also visible in their Nickelodeon series Rugrats (1991-2004) and Aaahh!!! Real Monsters (1994-1997).
More than the Simpsons Duckman had a genuine independent design style, much influenced by independent greats like Bill Plympton and Igor Kovalyov. Indeed, this first episode was storyboarded and directed by American-Canadian indie veteran Marv Newland, while Kovalyov himself directed the ninth episode.
Thus, the designs and animation of this first episode are an absolute delight to watch. Despite the episode relying heavily on (very witty) dialogue, there remains a lot to look at.
Duckman is a private detective, assisted by two all too cute teddybears called Fluffy and Uranus, whom Duckman tortures and kills in almost each episode, and by a pig called Cornfed (greatly voiced by Gregg Berger). But he’s also a single father of a dimwitted son called Ajax, and a much more intelligent two-headed son called Charles and Mambo (could this Siamese twin be inspired by Daffy Duck’s photo album in ‘The Stupid Cupid’ from 1944?). To complicate matters Duckman lives with his fitness-loving sister-in-law Bernice and his flatulent mother-in-law.
Duckman himself is an utterly cynical, misanthropic and selfish character, but already in his very first entry he gets a considerable amount of depth, when he realizes nobody cares about him. When he’s the victim of bomb attacks this prompts him to dive into his own memories (which features a great scene with Duckman playing old 8mm films to his deputy Cornfed, in a scene lampooning A Clockwork Orange, Steamboat Willie, Popeye, Yogi Bear and The Simpsons in one go. We learn about Duckman’s love for his deceased wife Beatrice, and almost feel for him, despite the wisecracking and sarcasm that surround him.
Cornfed is a great partner to Duckman: stoic where Duckman is explosive, and acting as Duckman’s conscience, whether the latter likes it or not.
Besides the wild animation, bold designs, surprisingly interesting characters and outlandish stories the first season could also boast to be able to use snippets of Frank Zappa’s music in its score, and the previously unknown voice talent of Zappa’s son Dweezil (as Ajax).
In all, ‘I, Duckman’ is a great start of a great series.
Watch an excerpt from ‘I, Duckman’ yourself and tell me what you think:
This is the first Duckman episode
To the next Duckman episode: T.V. or Not to Be
‘I, Duckman’ is available on the DVD-box ‘Duckman – The Complete Series’
Dr. Grob's Animation Review 