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Directors: Alain Gagnol & Jean-Loup Felicioli
Release Date: 1996
Rating: ★★★★½
Review:

The cinematic duo of Alain Gagnol and Jean-Loup Felicioli belong to France’s most interesting animation film makers.

In the 2010s the two came to prominence with the equally idiosyncratic as entertaining animated feature films ‘Une vie de chat’ (A Cat in Paris, 2010) and ‘Phantom Boy‘ (2015). But even way back in 1996 they made an impression at animation festivals with ‘L’égoïste’ (The Egotist), a very short film about a man only loving himself. When the man falls in love with a woman, it’s because she resembles himself. All’s well until…

‘L’égoïste’ was made at the Folimage studio, which would be associated with Gagnol and Felicioli from then on. While Gagnol provided the scenario and the animation, Felicoli was responsible for the graphic design, which is a charming and very colorful type of expressionism. Both characters and background art is heavily distorted, with houses and furniture being skewed and crooked. The animation is relatively sparse but effective.

The film uses a narrator, being the voice of the egotist and unfortunately all too present music by Serge Besset. As the music hardly comments on the images this is the weakest aspect of a film that otherwise impresses because of its original visual style and very lean story telling.

‘L’égoïste’ is available on the DVD ‘Pris de Court – 14 films courts de Alain Gagnol & Jean-Loup Felicioli’ which features English soundtracks

Director: Michael Dudok de Wit
Release Date: 1994
Rating: ★★★★½

Dutch master animator Michael Dudok de Wit came into presence with this short, made as an artist at residence at the renowned Folimage animation studio in France.

In this film Dudok de Wit already establishes his trademark command of light and shadow. The setting is a monastery bathing in Summer sunlight. In fact, all background artwork, done by Dudok de Wit himself, is gorgeous. The film has a very simple premise (a monk wants to catch a fish), uses no dialogue, and knows a simple character design and excellent comic timing. Yet, the film is not a gag film, but a rather poetic meditation on fanaticism.

The monk’s movements are echoed by Serge Besset’s excellent score, which uses variations on the tune of la folía, based on those by baroque composer Arcangelo Corelli. Music and movement are in perfect tune and form another layer of delight. Unfortunately, the film ends rather puzzling, and it’s a little as if Dudok de Wit couldn’t dream of a more proper ending to his otherwise delightful short.

Watch ‘The Monk and the Fish’ yourself and tell me what you think:

‘The Monk and the Fish’ is available on the The Animation Show of Shows DVD Box Set 3

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