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Directors: William Hanna & Joseph Barbera
Airing Date: March 24, 1961
Stars: The Flintstones
Rating: ★★½

The Good Scout © Hanna-BarberaIn this episode Fred takes on a job as scout leader of the Sabre-Toothed Tiger Patrol, consisting of three little boys.

Fred and Barney go camping with the three kids. This main part of the episode consists of four rather unrelated and mediocre blackout gags: Fred encountering a sabre-toothed bear, Barney and Fred clearing the camping area by removing boulders in a few rather Roadrunner-like gags, and the scouting team playing baseball. The trip abruptly ends, when their tent floats down a stream and straight to the obligatory waterfall at night.

In the opening scenes Fred has acquired a new walking cycle. The night scenes feature some beautiful and very stylish background art work. Also beautiful is the shot of the scouting team marching in silhouette. However, highlight of the episode is the late double-take on Wilma when Fred tells her he has joined the boy scouts.

Watch an excerpt from ‘The Good Scout’ yourself and tell me what you think:

This is Flintstones Season One Episode 24
To the previous Flintstones episode:  The Long, Long Weekend
To the next Flintstones episode: Rooms for Rent

‘The Good Scout’ is available on the DVD-set ‘The Flintstones: The Complete First Season’

Director: Dave Fleischer
Release Date: December 17, 1933
Stars: Popeye, Olive Oyl, Bluto
Rating: ★★½
Review:

Seasin's Greetinks! © Max Fleischer‘Seasin’s Greetinks!’ is Popeye’s first Christmas cartoon. It must be one of the least typical Christmas cartoons around: we watch Bluto and Popeye clobbering each other, while wishing each other ‘Merry Christmas’ and ‘A Happy New Year’, respectively.

Most of the time we watch the trio skating. When Olive gives him the cold shoulder, Bluto cuts off the ice on which she sits, and she immediately drifts towards a waterfall. Luckily, Popeye saves her in a rather bizarre way. The cartoon ends with Olive and Popeye watching a Christmas tree, decorated by the stars from the blow Popeye gave Bluto.

‘Seasin’s Greetinks’ is the first mediocre Popeye cartoon. Compared to earlier entries this cartoon is rather low on gags, and the love triangle already becomes predictable. Luckily, the Fleischers came up with enough variations to keep the series fresh, even if not in all its entries.

‘Seasin’s Greetinks!’ is noteworthy for introducing the skating-near-a-waterfall plot, which Disney would copy in ‘On Ice‘ (1935) and the ‘Once upon a Wintertime’ sequence of ‘Melody Time’ (1948). This plot idea in itself seems to be borrowed from the finale of the D.W. Griffith melodrama ‘Way Down East’ (1920), which doesn’t feature any skating, but certainly a breathtaking rescue from someone floating on ice towards a waterfall.

Watch ‘Seasin’s Greetinks!’ yourself and tell me what you think:

This Popeye film No. 4
To the previous Popeye film: I Eats My Spinach
To the next Popeye film: Wild Elephinks

‘Seasin’s Greetinks!’ is available on the DVD Box Set ‘Popeye the Sailor 1933-1938’

Director: Wilfred Jackson
Release Date: December 12, 1931
Rating: ★★★★★
Review:

The Ugly Duckling 1931 © Walt DisneyThis is the first of two versions of ‘The Ugly Duckling’ made by Disney.

Unlike the latter, more familiar version, this ugly duckling is a real duck, accidentally born to a chicken. He’s rejected until he saves his chick brothers and sisters from drowning in a long, fast and exciting action scene, involving both a tornado and a waterfall.

Although looking crude and primitive when compared to the 1939 short, this first version of The Ugly Duckling is a milestone in Disney’s storytelling: while the earlier Silly Symphonies contain a lot of repetitive animation and dance routines, The Ugly Duckling is the first Silly Symphony to tell a coherent story from the beginning to the end. Even the Mickey Mouse films of that time are not that consistent. There still is some rhythmic movement, especially at the beginning, but most of the animation is there to tell the story.

The duckling (who repeatedly looks to the audience for sympathy – not unlike Oliver Hardy) is a real character who transforms from an outcast to a hero, and gains its well-earned sympathy at last. Its best scenes are when it feels rejected, not only by his ‘family’, but also by a cow, a dog and a frog. There’s some genuine feeling of loneliness and unhappiness in these scenes, unparalleled in any other animated film of the time.

This short, which is neither about gags nor about moving to music, would be the first testimony of Disney’s ambitions in storytelling.

Watch ‘The Ugly Duckling’ yourself and tell me what you think:

This is Silly Symphony No. 25
To the previous Silly Symphony: The Fox Hunt
To the next Silly Symphony: The Bird Store

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