Les Contes de la nuit (Tales of the Night)

Director: Michel Ocelot
Release Date: February 13, 2011
Rating: ★★★½
Review:

This is a review of the 2011 film, not to be confused with the television series from 1992, which explores a similar style.

After two Kirikou movies (1998, 2005) and the praised ‘Azur & Asmar’ (2006) French director Michel Ocelot returned to the silhouette style he had explored in ‘Les trois inventeurs’ (1979) and in ‘Les contes da la nuit’ (1992) in particular. The result was a series of ten episodes for Canal+ called ‘Dragons et princesses’. These were aired in 2010, and more or less compiled in the feature film ‘Les contes de la nuit’ from the next year. This film compiles five of the ten stories from ‘Dragons et princesses’ and adds an extra one, called ‘La Fille-biche et le fils de l’architecte’ (The Young Doe and the Architect’s Son).

All stories are original, conceived by Ocelot himself, including the dialogue. Yet, their style is firmly rooted in ancient storytelling and fairytales. Thus, the heroes are pretty emblematic, a given that is emphasized by the bridging ‘story’. In these bridging episodes an old man teams up with two children to invent the stories. The children then act them out, while the old man does some background research on architecture and clothing and such. The two youngsters are then dressed by robot arms, and the tale can begin.

And so, each tale stars the same two children, and almost of them are about love. To be fair, these bridging parts make very little sense, and after the sixth story we don’t even return to this setting.
Much more interesting are the stories themselves. Set in different times and places, they have a surprising universal character and really feel as a homage to classic storytelling, a form of narrative other modern animation film makers seem to have lost. In fact, Ocelot’s most obvious inspiration is Lotte Reiniger (1899-1981), who also told classic tales in silhouette animation. Ocelot truly is her artistic successor, even though he trades the scissors and cut-out animation for 2D computer graphics.

As all stories are told in silhouette, the story depends greatly on body language and dialogue. It’s a little unfortunate then that the 2D computer animation is often rather stiff and unconvincing. At times the heroes’ faces are seen from the front, showing their eyes, but not their mouths, which makes one depend on the dialogue even more.

The stories themselves nevertheless are entertaining. The first, ‘the night of the werewolf’ takes place at the Burgundian court of the 15th century and tells about two rival sisters. The third, ‘The Chosen One of the Golden City’ takes place in Mexico in the 16th century and tells about a conquistador visiting a city of gold. This story knows some very stylized background art. The fourth, ‘Tom-Tom Boy’ is set in West Africa and takes us back to the world of ‘Kirikou et la sorcière’ (1998), with its bare breasted women. The fifth, ‘The Boy Who Never Lied’ is set in medieval Tibet, and certainly the most tragic of the collection. The mountainous background art in this story has the most 3D-feel to it of the whole lot. The final story, ‘The Young Doe and the Architect’s Son’ returns to France. Set in the 13th century it features very detailed gothic background art and a short piece of 3D computer animation.

The best story, however, is the second, ‘TJ and the Beauty Unknowing’. This story starts in the Caribbean, but soon the hero enters the land of the death, in which he must fulfill three tasks to save his life. This story makes great use of the tropes of ancient fairy tales, without following the classic love story tropes of the other entries.

Watch the trailer for ‘Tales of the Night’ yourself and tell me what you think: