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Director: Chuck Jones
Release Date: March 25, 1939
Stars: Two Curious Dogs, proto-Bugs Bunny
Rating: ★★½
Review:

Chuck Jones uses the silly rabbit from Ben Hardaway’s ‘Porky’s Hare Hunt‘ (1938) and makes it a magician’s rabbit in a cartoon featuring his earliest stars, the “Two Curious Dogs”, which had made their debut in January in ‘Dog Gone Modern’.

In ‘Prest-O Change-O” the two dogs flee from a dog catcher into a magician’s house, where the tall dog meets the rabbit, while the small dog struggles with a “hindu rope”.

Jones’s handling of the material is very Disney-like, slow in action and with much attention for situation comedy. Unfortunately, his two dog characters are anything but funny, and the complete film fails to impress. The rabbit, a forerunner of Bugs Bunny, is as unsympathetic as he was in ‘Porky’s Hare Hunt’ and rightfully gets punched in the end. He doesn’t talk, however, but shows the weird laugh he got in ‘Porky’s Hare Hunt’.

‘Prest-O Change-O’ doesn’t add anything, however, and the rabbit remains unappealing. So, after this film this particular rabbit was transformed into another design, making its debut in ‘Hare-um Scare-um’ of five months later.

Watch ‘Prest-O Change-O’ yourself and tell me what you think:

‘Prest-O Change-O’ is available on the Blu-Ray set ‘Looney Tunes Platinum Collection: Volume 2’

This is the second of four cartoons featuring a Bugs Bunny forerunner
To the first proto-Bugs Bunny cartoon: Porky’s Hare Hunt
To the next proto-Bugs Bunny cartoon: Hare-um Scare-um

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Director: Paul Driessen
Release Date: 1988
Rating: ★★★★★ ♕
Review:

De schrijver en de dood © Paul DriessenIn an old castle a medieval writer is writing such lively stories, it  attracts Death’s attention.

The writer tells a story about a peddler and his son, who has a touch of magic. All goes well, until Death comes in, and messes with the writer’s stories to ruin them and fill them with death and misery. Nevertheless, he fails to kill the son, who’s the writer’s main protagonist. With his magical powers the young boy escapes certain death several times. However, when in the end, the writer turns out to be same man as the little boy in his stories, Death has the last laugh.

‘De schrijver en de dood’ is one of Paul Driessen’s darkest and gloomiest films. His typical black humor is not absent, and is best visible in the little snapshots, which disrupt the story’s continuity for small morbid gags. But more than in any other of his films death is more disturbing than funny, and the sadness and misery are heartfelt. At the same time, it’s also one of Driessen’s most poetical films. The images are rich and full of fantasy, and in his own way Driessen creates a convincing medieval world to marvel at.

Watch ‘De schrijver en de dood’ yourself and tell me what you think:

‘De schrijver en de dood’ is available on the DVD ‘The Dutch Films of Paul Driessen’

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