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Director: Bernard Brown
Release Date: January 27, 1934
Rating: ★★
Review:

Pettin' in the Park © Warner Bros.Mid-1933 Harman and Ising had quit with Leon Schlesinger after a dispute over money, leaving Schlesinger without a studio.

So Schlesinger quickly set up one at Sunset Boulevard, initially with help from sound engineer Bernard Brown and his friends. Brown even himself directed two cartoons during the studio’s chaotic starting months, of which ‘Pettin’ in the Park’ is the first.

Brown was no animator himself, and judging from this cartoon he was not much of a director, either: ‘Pettin’ in the Park’ just makes no sense. The first half is just an illustration of the song from the Warner Bros. musical ‘Gold Diggers from 1933’, featuring the familiar theme of a cop courting a babysitter (see also Fleischer’s ‘Let Me Call You Sweetheart‘ and Van Beuren’s ‘In the Park‘ (1933). The second half suddenly reports a diving contest and a swimming race between birds. Bridging the action is a cheeky little penguin – what he does in a park no-one will ever know.

There’s a surprising lack of continuity and consistency rarely seen outside the Van Beuren studio output, and the cartoon is of an appalling low quality, especially when compared to the earlier Harman and Ising output. Even worse, few of the gags come off, and none is anything near funny.

Nevertheless, even a terrible film like ‘Pettin’ in the Park’ shows that the typical Warner Bros. animation style, developed at Harman & Ising, had not been lost. It certainly helped that Schlesinger had managed to hire away some crew from his former associates. Bob Clampett, for example, who gets his first billing as an animator here. Clampett and Jack King (hired away from Disney) are clearly trying to put some pepper into the hopeless scenes. Thus despite its story atrocities, even ‘Pettin’in the Park’ displays Warner Bros. own distinct animation style, which, in 1933 was second to Disney only in quality.

Watch ‘Pettin’ in the Park’ yourself and tell me what you think:

‘Pettin’ in the Park’ is available on the DVD-set ‘The Busby Berkeley Collection’

Director: Rudolf Ising
Release Date: August 26, 1933
Rating: ★★★★
Review:

We're in the Money © Warner Bros.‘We’re in the Money’ is entirely built around the catchy opening tune of the Warner Bros. musical ‘Gold Diggers of 1933’.

The joyous song, with its anti-Great Depression theme is entertaining enough to carry the whole cartoon. It is played and sung by toys and dolls in an apartment store at night. Even coins from a cashier join in, singing ‘we are the money’. There’s also a doll doing a Mae West imitation.

Composer Frank Marsales is on the loose here, and plays endless variations on the title song. There’s absolutely no story, whatsoever, but the cheerful mood is captivating, and despite the lack of real action, the cartoon will leave you with a smile.

Watch ‘We’re in the Money’ yourself and tell me what you think:

‘We’re in the Money’ is available on the DVD-set ‘Looney Tunes Golden Collection Volume Six’ and the DVD-set ‘The Busby Berkeley Collection’

Director: Rudolf Ising
Release Date: Jul 8, 1933
Rating: ★★★★★
Review:

Shuffle off to Buffalo © Warner BroEven though Harman and Ising would never surpass Walt Disney, partly because of a lack of vision, partly because of lack of budget, there’s no denying that by 1933 their films had become the best looking cartoons of the era after Disney’s.

‘Shuffle off to Buffalo’ is a prime example. Based on the hit song from the Warner Bros. musical ’42nd Street’ from three months earlier, the short shows how babies are distributed all over the world. It includes a long assembly line sequence with gnomes washing, drying, powdering and feeding babies. This scene resembles a similar one in Disney’s ‘Santa’s Workshop‘ (1932) and can compete with it in its inventiveness and rhythmic action.

The title song is sung by the babies themselves, including a Maurice Chevalier one, and a Joe E. Brown one. Later an Eddie Cantor gnome recaptures the song, and also does an Ed Wynn impersonation. There’s absolutely no story, but there’s constant action, the animation is top notch throughout, and the joyous atmosphere is undeniably catchy.

‘Shuffle off to Buffalo’ is a cartoon of great quality, and shows that the Disney style of animation could be copied quite successfully.

Watch ‘Shuffle off to Buffalo’ yourself and tell me what you think:

‘Shuffle off to Buffalo’ is available on the DVD-set ‘Looney Tunes Golden Collection Volume Six’ and the DVD-set ‘The Busby Berkeley Collection’

Director: Rudolf Ising
Release Date:
 June 10, 1933
Rating: ★★★★
Review:

I Like Mountain Music © Warner BrosIt’s midnight in the magazine shop, and the magazine come to life, starting with a few cowboys singing the title tune.

‘I Like Mountain Music’ is not the first of books-come-to-life cartoons, that was ‘Three’s a Crowd’ from 1932. But ‘I Like Mountain Music’ takes the concept a little further, stuffing the film with many caricatures of Hollywood stars, like Eddie Cantor, Ed Wynn, Edward G. Robinson, Jean Harlow, King Kong (Hollywood’s latest star), and even Benito Mussolini. Also featured is a remarkably realistic skater. I wonder who she is. It’s not likely Sonia Henie, who started her film career only in 1936.

The book-come-to-life concept was unique to Warner Bros. and was reused in many more, and more enjoyable cartoons like ‘Speaking of the Weather’ (1937), ‘Have You Got any Castles?’ (1938) and ‘Book Revue‘ (1946). This early short proves that the unique Warner Bros. style had a firm root in the Hugh-Harman era, even though it was to Frank Tashlin and Tex Avery to push it to its later heights.

Watch ‘I Like Mountain Music’ yourself and tell me what you think:

‘I Like Mountain Music’ is available on the DVD ‘Looney Tunes Golden Collection: Volume Six’

Director: Rudolf Ising
Release Date:
 May 14, 1932
Rating: ★★★
Review:

It's Got Me Again © Warner Bros.‘It’s Got Me Again!’ finds Harman and Ising at their most Disney-like. This Merrie Melodie is very similar to contemporary Silly Symphonies.

The short features a mouse entering a musical instrument shop at night. The music starts when the mouse accidentally starts the title song on a gramophone. This invites several other mice to join in. After four minutes of musical frolicking a mean cat appears who gets one mouse cornered, prompting the rodent to sing the title track. The other mice, however, come to the rescue and together they get rid of the cat.

The story of ‘It’s Got Me Again!’ is very similar to that of contemporary Disney shorts ‘The Spider and the Fly‘ or ‘The Bird Store‘, but the short’s premise is most akin to the Van Beuren short ‘Toy Time‘ from four months earlier. ‘It’s Got Me Again!’ is much more sophisticated than the Van Beuren short, though. The animation, by Friz Freleng and Tom McKimson, is excellent throughout, and second only to the Disney studio itself.

The mice are Mickey Mouse but in size, only, and the musical routine involves a French Apache dance, as can also be found in ‘Mickey’s Follies‘ (1929) and the later ‘Woodland Cafe‘ (1937). Harman & Ising’s mimicking paid off, as ‘It’s Got Me Again!’ was among the three very first animated shorts to get an Academy Award nomination. Yet, it’s no surprise it lost to Walt Disney’s landmark cartoon ‘Flowers and Trees‘.

Watch ‘It’s Got Me Again!’ yourself and tell me what you think:

‘It’s Got Me Again!’ is available on the Blu-Ray ‘Looney Tunes Platinum Collection: Volume 2’ and the DVD ‘Looney Tunes Golden Collection Volume Three’

Director: Rudolf Ising
Release Date: October 31, 1931
Stars: Piggy, Fluffy
Rating: ★★★★½
Review:

You Don't Know What You're Doin'! © Warner Bros.With Foxy gone, Harman and Ising conceived a new star, Piggy, who, like Foxy is exactly Mickey Mouse (including the trousers), but now in Pig form. As with his predecessor, the plagiarism is most visible in Piggy’s girlfriend Fluffy, who is as Minnie as Piggy is Mickey.

Piggy was even more short-lived than Foxy, lasting only two cartoons, of which this is the first. In it we watch Piggy and Fluffy visiting a theater. At a certain point Piggy hits the stage to perform ‘Silver Threads Among The Gold’, a 1873 hit song that by 1931 had become synonymous with old-fashionedness. No wonder he’s booed away. At that point three drunkards burst into the title song. Piggy gets drunk, too, and leaves the theater and his girlfriend.

Outside he provides his car with some booze, a story idea borrowed from ‘Traffic Troubles‘ (Mickey Mouse) and ‘The New Car’ (Flip the Frog) from earlier that year. Unlike the earlier two films, though, this leads to a wonderfully drunken scene, in which the whole background becomes wobbly. This is one of the most memorable scenes of all early Warner Bros. cartoons, making ‘You Don’t Know What You’re Doin’!’a must-see, despite the rather mediocre scenes preceding it. Moreover, the cartoon features some particularly hot jazz music, provided by Gus Arnheim’s Brunswick Recording Orchestra.

Watch ‘You Don’t Know What You’re Doin’!’ yourself and tell me what you think:

‘You Don’t Know What You’re Doin’!’ is available on the DVD ‘Looney Tunes Golden Collection Volume Six’

 

Director: Rudolf Ising
Release Date: October 3, 1931
Stars: Foxy
Rating: ★★★½
Review:

One More Time © Warner Bros.‘One More Time’ is an aptly titled short, as it marks the third and last cartoon to star Foxy, Warner Bros.’ fox-like Mickey Mouse rip-off.

In this cartoon he’s a police officer, fining a hippo lady for driving too fast, and rescuing his Minnie Mouse-like girlfriend from some thugs. He does so riding a mechanical horse, a relic from the Oswald the Lucky rabbit cartoons (e.g. ‘Ozzie of the Mounted‘, 1927), on which Harman and Ising had worked previously. Strangely enough, Foxy is machine-gunned by one of the gangsters in the end. Perhaps this is why he never returned to the animated screen…

The short has a strong urban setting, uncommon in the Hollywood cartoons of the time, and it features some dazzling perspective animation, but otherwise it’s just another mediocre entry in the early Merrie Melodies canon.

Watch ‘One More Time’ yourself and tell me what you think:

‘One More Time’ is available on the DVD ‘Looney Tunes Golden Collection Volume Six’

Director: Rudolf Ising
Release Date: September 5, 1931
Stars: Foxy
Rating: ★★★
Review:

Smile, Darn ya, Smile © Warner Bros.‘Smile, Darn Ya, Smile!’, the second of the Merrie Melodies, is also the second to feature that short-lived early star of Warner Bros., Foxy.

The film is practically a remake of Oswald’s first cartoon, ‘Trolley Troubles’ (1927), on which Harman and Ising had worked themselves: Foxy rides a trolley, inviting his very, very Minnie Mouse-like girlfriend along. Like in the former Oswald film, the ride ends with Foxy losing control of the trolley, which leads to some spectacular perspective animation. Unlike the earlier film, however, ‘Smile, Darn ya, Smile!’ ends rather cornily, when it’s revealed it was all a dream.

The title song is sung several times during the cartoon, e.g. by four hobos. It was revived more than fifty years later in ‘Who Framed Roger Rabbit?‘ (1988), when Eddie Valiant enters Toontown.

Watch ‘Smile, Darn Ya, Smile’ yourself and tell me what you think:

‘Smile, Darn Ya, Smile’ is available on the DVD ‘Looney Tunes Golden Collection Volume Six’

Director: Rudolf Ising
Release Date:
 August, 1931
Stars: Foxy
Rating: ★★★½
Review:

Lady, Play Your Mandolin © Warner Bros.After twelve Looney Tunes, all starring Bosko, Harman and Ising started a new cartoon series for Warner Bros. with the clearly Silly Symphonies-inspired name ‘Merrie Melodies’.

Unlike the Looney Tunes, the Merrie Melodies would be one-off cartoons, each one promoting a different song from the Warner Bros. song catalog. Indeed, the Merrie Melodies should at least feature one complete chorus of a Warner Bros.-owned tune. This rule continued until the end of the 1930s, and rather hampered the series, for the obligate song sequence would often stop the action of the cartoon.

‘Lady Play Your Mandolin’ is the very first of the Merrie Melodies. It features the title song, which is sung twice during the cartoon. Without explanation, the cartoon features a Mexican cafe setting, which is visited by the hero, Foxy, who was to be Warner Bros.’ answer to Mickey Mouse.

Although not as blatant an imitation as Van Beuren’s Milton Mouse (see ‘Circus Capers‘ and ‘The Office Boy‘), Foxy clearly is Mickey Mouse but with pointed ears and a fluffy tail. Indeed, when watching this cartoon my girlfriend thought it was an early forerunner of Mickey. Foxy never came near Mickey’s popularity, however, and was abandoned after a mere three cartoons.

‘Lady Play Your Mandolin’ is the character’s great testimony. The film is completely plotless, but simply bursts with joy. The short features a lot of flexible animation and everyone moves to Frank Marsales’s peppy music (played by Abe Lyman’s Brunswick Recording Orchestra), including the tables, the cacti, the trees and the cafe itself. There are plenty of gags all around, the most extraordinary one being Foxy’s drunken horse playing its own head as a trombone.

Foxy also started a long Warner Bros. tradition of Al Jolson imitations, when singing the main melody, while his girlfriend (Minnie Mouse but with pointed ears) boop-oop-a-doops. None of the cartoon makes any sense, but its sheer joy makes watching it a highly entertaining experience.

Watch ‘Lady, Play Your Mandolin’ yourself and tell me what you think:

‘Lady, Play Your Mandolin’ is available on the DVD ‘Little Caesar’

Director: Friz Freleng
Release Date: April 21, 1945
Stars: Bugs Bunny, Yosemite Sam
Rating: ★★★★½
Review:

Hare Trigger © Warner Bros.‘Hare Trigger’ introduces that tiny yet explosive adversary to Bugs Bunny, Yosemite Sam.

His introduction music is Franz Schubert’s Erlkönig, and train robbery is his profession. However, on the train he encounters Bugs, who gives the short-tempered bandit a hard time.

The cartoon contains a shot of an über-cool Bugs rolling a cigarette, a gag repeated and improved on in ‘Bugs Bunny Rides Again‘ (1948). The short  also contains live action footage in the ‘club bar’ wagon.  The gun drawing scene is a highlight, as is Yosemite Sam’s death scene, which bugs invokes with ketchup. The cartoon ends brilliantly with a tongue-in-cheek cliffhanger.

According to Freleng he needed a stronger adversary to Bugs than Elmer Fudd ever was, and Yosemite Sam perfectly fitted the job. He was a delightful opponent to Bugs Bunny, and he became Friz Freleng’s favorite bad guy, lasting until 1964, and starring 31 cartoons in total, nearly all with Bugs Bunny. Perhaps Freleng was so fond of the character because he was partly based on Freleng himself.

In any case, he soon took Sam out of his Western origin, making him a.o. a pirate (‘Buccaneer Bunny‘, 1948), a foreign soldier (‘Bunker Hill Bunny‘, 1950) and a sheik (‘Sahara Hare’, 1955). Free from his Western origins Yosemite Sam could be Bugs Bunny in every country and every period of time, and in this respect he anticipates the Little Guy, the Pink Panther’s adversary, who also sprouted from Friz Freleng’s imagination.

Watch ‘Hare Trigger’ yourself and tell me what you think:

This is Bugs Bunny cartoon No. 32
To the previous Bugs Bunny cartoon: Unruly Hare
To the next Bugs Bunny cartoon: Hare Conditioned

 

Director: Tex Avery
Release Date: July 5, 1941
Stars: Bugs Bunny, Willoughby
Rating: ★★★★★
Review:

The Heckling Hare © Warner Bros.The dumb dog Willoughby was a minor Warner Brothers character, created by Tex Avery, and starring a few cartoons in the early 1940s.

The dog kept changing names, and that’s probably one of the reasons he never got famous. ‘The Heckling Hare’ was his third cartoon, and in it he remains nameless. Tex Avery puts him against his much more famous creation, Bugs Bunny. Penned by Michael Maltese, the result is an inspired cartoon, full of gags.

Willoughby swaps places with Elmer Fudd in hunting rabbits. He’s of course no more successful than Elmer, and Bugs tricks him a lot. The best scene is when Bugs makes the dumb dog making faces, while he puts forward a sign to the audience reading “Silly, isn’t he?”.

However, the cartoon is most famous for its finale: for it ends with a lengthy fall from a cliff by both characters. This scene is obviously cut short in the final version. Producer Leon Schlesinger didn’t like the original ending, which apparently involved no less than two other falls, and ordered the cut. Rumors have it that this was the reason for Tex Avery to leave Warner Bros. This isn’t true. Tex Avery wanted to do a series combining live action animals with animated mouths. Schlesinger wasn’t interested, so Avery ended up doing this series, Christened ‘Speaking of the Animals’ at Paramount. However, this was not a success, and by September 1941 Schlesinger was making cartoons again, now at MGM, where he would direct his greatest shorts.

In his book ‘Chuck Amuck’ Chuck Jones argues that ‘The Heckling Hare’ was the cartoon that re-established Bugs Bunny’s character, after three somewhat misguided cartoons by himself, Tex Avery and Friz Freleng. Bugs Bunny certainly is much more himself and in any of the previous cartoons. In any case, he would meet Willoughby again in the dog’s very last cartoon, ‘Hare Force’ (1944), directed by Bob Clampett.

Watch ‘The Heckling Hare’ yourself and tell me what you think:

This is Bugs Bunny cartoon No. 5
To the previous Bugs Bunny cartoon: Hiawatha’s Rabbit Hunt
To the next Bugs Bunny cartoon: All This and Rabbit Stew

Director: Friz Freleng
Release Date: May 23, 1942
Rating:
Review:

Light Fantastic © Warner Bros.From the early 1930s to the early 1940s Warner Bros. released several cartoons in which books, magazines etc. come to life. Of all these cartoons, ‘Lights Fantastic’ is probably the most extreme and the most dated.

It opens with a real life shot of Times Square in New York, and all sequences after that supposedly take place in neon billboards on this square. This results in little movement, a few gags on Chinese and no laughs.

Present day viewers like me don’t even have a clue how many of these billboards were based on real and familiar ones. I personally could only recognize Mr. Peanut (from Planters). No doubt most of the fun disappeared with the familiarity of the pictured advertising. However, I seriously doubt whether this cartoon has ever been a winner, for its few gags are lame, and don’t build up to a finale, at all.

Watch an excerpt from ‘Lights Fantastic’ yourself and tell me what you think:

Director: Bob Clampett
Release Date: April 11, 1942
Rating: ★★★★★ ♕
Review:

Horton Hatches the Egg © Warner Bros.

‘Horton Hatches The Egg’ is a unique film within Bob Clampett’s oeuvre, and indeed the complete Warner Bros. canon: it’s the studio’s only book adaptation, it lacks sex and violence, and there is nothing of the zany and extreme animation so typical of Clampett’s unit.

Instead, we’re treated on a surprisingly faithful adaptation of Dr. Seuss’s children’s book to the screen. The cartoon uses most of Dr. Seuss’s rhymes, with adding only a little dialogue of its own, which is easily identifiable because of the lack of rhyme. Dr. Seuss’s designs, too, are wonderfully transferred to the animated screen. Especially Horton and the other forest animals have a distinctive Dr. Seuss character.

The Warner Bros. team departs from Dr. Seuss’s drawings, however, in the human designs. The three hunters are rather bland in Dr. Seuss’s children’s book, but Clampett made them a very funny trio in the cartoon. Moreover, some of the wild Warner Brothers humor has crept into the cartoon, most typically two movie star references, which, unfortunately, date the film a little: Lazy Mayzie imitates Katharine Hepburn, and there’s a fish with Peter Lorre’s features, who, after seeing Horton on a ship, shoots itself, exclaiming “Now I’ve seen everything!”.

Today, a gag like this is regarded inappropriate for children, and it might be this gag that is responsible for the little screen time the cartoon gets today. This is very unfortunate, because this animated adaptation of a Dr. Seuss book is not only the first of all, it is also one of the best, being second only to Chuck Jones’s ‘How The Grinch Stole Christmas‘ from 1966.

Watch ‘Horton Hatches the Egg’ yourself and tell me what you think:

http://www.metatube.com/en/videos/195775/Horton-Hatches-the-Egg-Cartoon-1942/

Director: Bob Clampett
Release Date: September 25, 1943
Stars: Bugs Bunny, Porky Pig, Elmer Fudd, Daffy Duck?
Rating: ★★★★★ ♕
Review:

A Corny Concerto © Warner Bros.‘A Corny Concerto’ is a two part spoof on Disney’s most ambitious feature, ‘Fantasia’ (1940), using two waltzes by Johann Strauss jr.

The cartoon features a very Fantasia-like opening, with Elmer Fudd as a clear caricature of Deems Taylor. He announces ‘Tales from the Woods’, which tells about Porky Pig and a dog hunting Bugs Bunny. Porky fills the role of Elmer Fudd in this sequence, and it’s the only cartoon in we can watch him hunting Bugs Bunny. This first part is a classic Bugs Bunny routine, complete with death scene, but now timed to music and acted in pantomime. With its overt mix of high culture and silliness this part is a direct ancestor to Chuck Jones’s later ‘What’s Opera, Doc?‘ (1957).

The second part is a story on ‘The Blue Danube’. It opens with flowers dropping on water, just like in the Nutcracker Suite sequence in Fantasia. This part tells about a little black duck, an infant version of Daffy Duck, trying to join a family of swans, and finally saving them from a vulture by destroying him with TNT. As this story is some kind of inverse of ‘The Ugly Duckling‘ (another acclaimed Disney masterpiece), this could be considered to be a parody within a parody.

Apart from Elmer Fudd’s speeches, the cartoon is completely pantomimed, and full of the wild and zany animation so typical of Bob Clampett’s unit. The backgrounds are lush and colorful, and reminiscent of the the Pastoral Symphony sequence in the original Fantasia. Their designs become overtly ridiculous in ‘The Blue Danube’, with Greek columns placed randomly in the water.

The result is a highly original mix of style and nonsense, and a great testimony of what Leon Schlesinger’s studio could do on a limited budget. In all, the cartoon is an undisputed classic, and very enjoyable, even if you don’t know its topic of parody.

Watch ‘A Corny Concerto’ yourself and tell me what you think:

This is Bugs Bunny cartoon No. 19
To the previous Bugs Bunny cartoon: Wackiki Wabbit
To the next Bugs Bunny cartoon: Falling Hare

This is Porky Pig cartoon No. 101
To the previous Porky Pig cartoon: Porky’s Pig’s Feat
To the next Porky Pig cartoon: Tom Turk and Daffy

Director: Chuck Jones
Release Date: November 17, 1951
Stars: Daffy Duck, Porky Pig
Rating: ★★★★★
Review:

Drip-Along Daffy © Warner BrosFollowing the premise of ‘The Scarlet Pumpernickel’ (1950), Chuck Jones launched a series of cartoons starring Daffy as a misguided hero and Porky as his calm side-kick. ‘Drip-along Daffy’ is the first of this excellent series, with the others being ‘Duck Dodgers in the 24 1/2th Century‘ (1953), ‘My Little Duckaroo’ (1954), ‘Rocket Squad’ (1956), ‘Deduce You Say’ (1956) and ‘Robin Hood Daffy‘ (1958).

In ‘Drip-along Daffy’ Daffy is a typical Western hero, clad in white, riding a well-groomed horse, with an unshaven (!) Porky as ‘comic relief’, riding a donkey. Daffy wants to clean up ‘Lawless Western Town’, which lawlessness is depicted in a series of Tex Averyan gags. However, Daffy finds a heavy adversary in the villain Nasty Canasta…

‘Drip-along Daffy’ is a delightful and gag-rich cartoon, highlight being the strong drink scene, an elaboration on a gag Avery had made in ‘The Shooting of Dan McGoo‘ (1945). Also noteworthy is the high noon scene, in which Jones and his team indulge in numerous camera angles depicting Daffy and Canasta approaching each other. Such original and devoted cinematography was rarely been seen since the Frank Tashlin days.

Nasty Canasta who would return in two more cartoons: ‘My Little Duckaroo’ from 1954 and ‘Barbary Coast Bunny’ from 1956.

Watch ‘Drip-along Daffy’ yourself and tell me what you think:

This is Porky Pig cartoon no. 135
To the previous Porky Pig cartoon: The Wearing of the Grin
To the next Porky Pig cartoon: Dog Collared

Director: Friz Freleng
Release Date: August 5, 1950
Stars: Daffy Duck, Porky Pig
Rating: ★★
Review:

Golden Yeggs © Warner Bros.1950 was a transitional year for Daffy Duck: director Robert McKimson still retained Daffy’s old loony self in ‘Boobs in the Woods‘, but Chuck Jones introduced a new version of the character, as the anti-hero in ‘The Scarlet Pumpernickel‘.

However, two other shorts from the same year, ‘Golden Yeggs’ and ‘The Ducksters‘, show that the directors were uncertain where to go with the character. In Friz Freleng’s ‘Golden Yeggs’ a goose lays a golden egg (24 karat solid gold) at Porky’s poultry farm, but she blames Daffy for doing it. Daffy plays along, but the news soon attracts a gang of gangsters, led by Rocky, in his debut*. The gangsters kidnap Daffy, forcing him to lay more eggs.

Daffy Duck is quite an empty character in this cartoon, more a victim than in control. He has lost his loony character traits completely, but his later greed and foul play haven’t entered, yet, leaving the character pretty much in limbo. The result is an erratic cartoon, weak in its comedy, and uncertain in its delivery, despite some great gags, like Daffy opening a ‘door’ which consists of a gangster.

Watch ‘Golden Yeggs’ yourself and tell me what you think:

Golden Yeggs

‘Golden Yeggs’ is available on the DVD set ‘Looney Tunes Golden Collection, Vol. 1’

This is Porky Pig cartoon no. 132
To the previous Porky Pig cartoon: An Egg Scramble
To the next Porky Pig cartoon: The Ducksters

* The Rocky in ‘Racketeer Rabbit’ (1946) was a different character, being a caricature of Edward G. Robinson)

Director: Friz Freleng
Release Date: April 22, 1950
Stars: Bugs Bunny, Yosemite Sam
Rating: ★★★★★
Review:

Big House Bunny © Warner Bros.To escape some hunters, Bugs Bunny hides inside a prison, where Sam Schultz (Yosemite Sam) is a prison guard.

What follows is a great series of prison gags, including two morbid ones resulting in Sam hanging on the gallows and being electrified in an electric chair. Throughout the cartoon the warden keeps calling for Schultz, not unlike the Nazi officer in the Ernst Lubitsch feature ‘To Be Or Not To Be’ (1942).

‘Big House Bunny’ is full of excellent gags and Freleng’s timing is superb throughout, making ‘Big House Bunny’ one of those little known masterpieces.

Watch ‘Big House Bunny’ yourself and tell me what you think:

‘Big House Bunny’ is available on the DVD set ‘Looney Tunes Golden Collection, Vol. 1’

This is Bugs Bunny cartoon No. 71
To the previous Bugs Bunny cartoon: Homeless Hare
To the next Bugs Bunny cartoon: What’s Up, Doc?

Director: Robert McKimson
Release Date: November 19, 1949
Stars: Sylvester, Hippety Hopper
Rating: ★★
Review:

Hippety Hopper © Warner Bros‘Hippety Hopper’ introduces the kangaroo of the same name, and its only function during its entire career: being mistaken for a mouse.

The cartoon starts gloomily enough, with a misty harbor scene, where a mouse is trying to commit suicide. He’s rescued by Hippety Hopper, however, and together they face the mouse’s terror: Sylvester the cat. The mouse makes Sylvester think he can grow tall, and lets Hippety Hopper beat him out of the house. The best comedy comes from a bulldog who keeps pushing Sylvester back inside.

Hippety Hopper himself is a silent character with a friendly smile and absolutely no personality. He’s easily the least funny recurring star in the Warner Brothers cartoon catalog before the 1960s. Even in this first cartoon his appearance is tiresome. Nevertheless, he would star in twelve other cartoons, lasting even till 1964. The mouse, on the other hand, would disappear after this cartoon. No wonder: he’s designed and animated rather uglily.

Watch ‘Hippety Hopper’ yourself and tell me what you think:

Director: Friz Freleng
Release date: October 13, 1956
Stars: Sylvester, Elmer Fudd
Rating: ★★★
Review:

Yankee Dood It © Warner Brothers‘Yankee Dood It’ was the last of three propaganda cartoons Friz Freleng directed for the Alfred P. Sloan Foundation, following the earlier ‘By Word of Mouse‘ (1954) and ‘Heir-Conditioned‘ (1955).

This cartoon is an original take on the famous fable of the shoemaker and the elves. Elve company W is missing, and elven king (Elmer Fudd but smaller and wih pointed ears) is wondering where they are. They turn out to be still helping the old shoemaker.

In order to get the elves back, a little elf and the king tell the old shoemaker how companies work, thus telling the short’s propagandistic message. Unfortunately, the shoemaker’s exclamations of ‘Dear Jehosapath’ turn the elves into mice, much to delight of the cat Sylvester (who appears in all three of these shorts).

‘Yankee Dood It’ is a nice, if rather slow propaganda short that only sees advantages of the capitalistic system: lower prices and higher wages. Possible drawbacks like poverty, monopolization, unemployment and pollution are, of course, wisely left out.

Watch ‘Yankee Dood It’ yourself and tell me what you think:

Director: Chuck Jones
Release date: August 8, 1955
Stars: Porky Pig, Sylvester
Rating: ★★★★
Review:

Jumpin' Jupiter © Warner Brothers‘Jumpin’ Jupiter’ was the last of three cartoons in which director Chuck Jones employed Porky Pig, and Sylvester as his frightened cat.

This time they’re camping out when they’re visited by a bird-like alien. The alien takes their complete camping site to outer space. As in the former cartoons, Porky remains completely unaware of what’s happening, while Sylvester sees it all, much to his horror. In the end we see them drive off into the horizon on a strange, strange planet.

‘Jumpin’ Jupiter’ is a beautiful and well animated cartoon, and arguably the most enjoyable of the Porky-Sylvester pairings. The action is helped by Carl Stalling’s particularly inspired music, which matches the science fiction setting perfectly.

Watch ‘Jumpin’ Jupiter’ yourself and tell me what you think:

This is Porky Pig cartoon no. 144
To the previous Porky Pig cartoon: My Little Duckaroo
To the next Porky Pig cartoon: Dime to Retire

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