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Director: Frank Tashlin
Release Date: December 16, 1938
Rating: ★★★
Review:

Cracked Ice © Warner Bros.‘Cracked Ice’ looks like Frank Tashlin’s answer to Walt Disney’s ‘On Ice‘ (1935).

However, the familiar scene of animals skating is enhanced by the presence of a pig, who is an excellent caricature of W.C. Fields, both in voice and design. When he discovers the liquor storage of a phlegmatic St. Bernard, the pig goes at lengths to retrieve the alcohol. His best scene is in which he tries to get the drinks by talking to the dog, in real W.C. Fields style. In another great scene the pig goes into discussion with someone in the audience. The cartoon ends with an elaborate magnet gag, but it’s the man in the audience, who has the last laugh.

‘Cracked Ice’ is an entertaining film, if not a too spectacular one. It was Frank Tashlin’s last film at Warner Bros. for the time being, and his unit was taken over by Chuck Jones. Tashlin left Warner Bros. for Walt Disney, where he worked on films like ‘Donald’s Vacation’ and ‘Mr. Mouse Takes A Trip’ (both 1940). However, the Disney studio was not his style, and he interchanged it for Columbia in 1941, working on the ‘Fox and Crow’ series. By June 1942 he was back at Warner Bros. where he would direct some superb films, like ‘Plane Daffy‘ and ‘The Stupid Cupid’ (both 1944).

Watch ‘Cracked Ice’ yourself and tell me what you think:

‘Cracked Ice’ is available on the DVD-set ‘Looney Tunes Golden Collection: Volume 4’

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Director: Frank Tashlin
Release Date: November 5, 1938
Rating: ★★½
Review:

You're an Education © Warner Bros.With ‘You’re an Education’ Frank Tashlin rounds up his trio of contributions to the Warner Bros. books-come-to-life-cartoons.

As with the earlier ‘Speaking of the Weather’ (1937) and ‘Have You Got Any Castles?‘ (1938) the cartoon consists of a bunch of musical routines, followed by an embryonic story of all characters trying to catch a criminal. This time the setting is a travel agency, and all gags and puns come from countries, cities and other places around the world.

‘You’re an Education’ is less lush than ‘Have You Got Any Castles?’ was, and feels like a repetition of the former film. However, the film moves at an incredible speed. The opening sequence, in particular, is rich in events, with the music changing quickly, forming a dazzling medley. The title song is sung by three fat black ladies, while the criminal is a guy from Bagdad stealing from the Transvaal Kimberly Diamond Mines. The film ends with the Bagdad criminal joining the Lone Ranger, a popular fictional radio star that had come to the movie screen in February 1938.

Watch ‘You’re an Education’ yourself and tell me what you think:

‘You’re an Education’ is available on the DVD-set ‘Looney Tunes Golden Collection: Volume 4’

Director: Frank Tashlin
Release Date: October 8, 1938
Rating:
Review:

Little Pancho Vanilla © Warner Bros.‘Little Pancho Vanilla’ is one of Frank Tashlin’s particularly Silly Symphony-like Merrie Melodies. Indeed, the short’s star, Little Pancho Vanilla, looks like a grumpy cousin of Disney’s Little Hiawatha (1937).

Pancho dreams of becoming a bullfighter, especially when his three sisters admire a Clark Gable-like toreador. To prove his worth Little Pancho Vanilla rushes off to the arena, trying to join a group of amateur toreadors, to no avail. However, he accidentally lands inside, crashing the bull by falling on it, twice, and thus becoming a success.

There’s little to enjoy in ‘Little Pancho Vanilla’, the main hero is far from sympathetic, and the bullfight scenes are hardly interesting. The best gag is when the bull kicks all amateurs in all corners as if they were billiard balls. The end gag, however, only depicts these Mexicans as ignorant people.

At best Warner Bros. produced Silly Symphonies-lookalikes like this cartoon were better than Fleischer’s attempts in the same field, but it was a good thing Warner Bros. soon moved away from them, and embraced their own unique cartoon style wholeheartedly.

Watch ‘Little Pancho Vanilla’ yourself and tell me what you think:

‘Little Pancho Vanilla’ is available on the DVD-set ‘Looney Tunes Golden Collection: Volume 4’

Director: Frank Tashlin
Release Date: May 14, 1938
Rating: ★★
Review:

Now That Summer Is Gone © Warner Bros.While Tex Avery and Bob Clampett were experimenting with a cartoon style totally different from Disney, Frank Tashlin made some Merrie Melodies that were still surprisingly Silly Symphonies-like.

‘Now That Summer Is Gone’ is one of the most conspicuous of them all, opening with autumn images of numerous squirrels collecting nuts for the winter. The industrious ways in which the squirrels collect nuts hark all the way back to early Silly Symphonies like ‘Autumn‘ (1930), ‘The Busy Beavers‘ (1931) and ‘Father Noah’s Ark‘ (1933). In any case these opening sequences feature complex scenes and lush production values.

This setting gives way to a story about a young squirrel who’s addicted to gambling. When his father orders him to collect nuts at the ‘First Nutional Bank’ he loses it all to a mustached stranger. In the end, it turns out to be the father himself, who gives the lying little brat a big spanking.

This humorless and cloying morality tale places ‘Now That Summer Is Gone’ deeply in the second half of the 1930s. Nevertheless, it’s still enjoyable to watch Tashlin’s experimental cinematography at play.

Watch ‘Now That Summer Is Gone’ yourself and tell me what you think:

‘Now That Summer Is Gone’ is available on the DVD-set ‘Looney Tunes Golden Collection: Volume 4’

Director: Chuck Jones
Release Date: April 22, 1939
Rating: ★★★
Review:

Daffy Duck and the Dinosaur © Warner Bros.After directing four films with stars of his own, fledgling director Chuck Jones first directed a major Warner Bros. Star in ‘Daffy Duck and the Dinosaur’.

Jones does a fairly good job in trying to capture the wacky spirit of contemporary cartoons by Tex Avery and Bob Clampett, although his animation is more Disney-like than that of his peers.

Daffy’s adversary is a grumpy caveman called Caspar, whose surprisingly elaborate design and voice anticipate Elmer Fudd a little. The dinosaur of the title is called Fido. He is the caveman’s pet, and a large brontosaur. However, the dinosaur hardly comes into action, and most of the comedy is between the duck and the caveman.

There are some nice gags, but highlight is the non-animated gag of an enormous string of billboards leading to a duck dinner. Jones is still uncertain with Daffy as a character, but let’s be fair, so was even Tex Avery himself at this point – and he invented the duck. Jones’s caveman in fact is a better opponent to Daffy than Avery’s Egghead was. However, only with his third Daffy Duck film, ‘My Favorite Duck‘ (1942), Jones directed the character to great comic effect.

Watch ‘Daffy Duck and the Dinosaur’ yourself and tell me what you think:

This is Daffy Duck cartoon No. 6
To the previous Daffy Duck cartoon: Daffy Duck in Hollywood
To the next Daffy Duck cartoon: Scalp Trouble

‘Daffy Duck and the Dinosaur’ is available on the DVD-set ‘Looney Tunes Golden Collection: Volume 3’

 

Director: Tex Avery
Release Date: January 1, 1938
Rating: ★★★
Review:

Daffy Duck and Egghead © Warner Bros.‘Daffy Duck and Egghead’ marks Daffy Duck’s second appearance. The short is the first film carrying Daffy’s name, and his first one in color.

The cartoon uses exactly the same premise as the first one, ‘Porky’s Duck Hunt’ (1937), but now with Egghead as the hapless hunter. Egghead never was much of a character, and Avery deliberately changed him for this cartoon, giving him a Moe-Howard-like hairdo, but otherwise making him less loony than before, and more of a straight man. Daffy Duck, on the other hand, is completely wild in this cartoon, and sings about himself on the melody of ‘The Merry-Go-Round Broke Down’, an idea that was copied in the feature film ‘Who Framed Roger Rabbit?‘ from 1988.

Avery and story man Ben Hardaway tell some great gags here: for example, Egghead shooting down a man in the audience who won’t sit down, and a random turtle suddenly breaking in and ordering the duo to duel. This colorful short surely couldn’t be hardly be more removed from Disney for a 1938 cartoon. The Warner Bros. cartoon studio clearly was on its own course. However, Avery’s timing is still unsteady, wearing down the fun, especially in Egghead’s tiresome slow reactions to the duck’s antics.

Watch ‘Daffy Duck and Egghead’ yourself and tell me what you think:

This is Daffy Duck cartoon No. 2
To the previous Daffy Duck cartoon: Porky’s Duck Hunt
To the next Daffy Duck cartoon: Porky and Daffy

‘Daffy Duck and Egghead’ is available on the DVD-set ‘Looney Tunes Golden Collection: Volume 3’

Director: Frank Tashlin
Release Date: June 25, 1938
Rating: ★★★½
Review:

Have You Got Any Castles © Warner Bros.‘Have You Got any Castles?’ is the second of Frank Tashlin’s three contributions to the Warner Bros. books-come-to-life-cartoons, a type of short unique to this studio. 

The cartoon doesn’t really have any story, but is built around four songs, of which the song ‘Have You Got Any Castles’ , from the film ‘The Varsity Show’ (1937) is the last.

This entry is one of the most Silly Symphony-like of all, starting with a particular lush opening, in which a town crier casts a huge shadow on a library. There’s also some beautiful shading on this character (a caricature of radio man Alexander Walcott) himself.

The Silly Symphony-like lushness notwithstanding, the cartoon is full of gags and caricatures of a.o. Greta Garbo, Cab Calloway (while Heidi sings hi-de-hi), Clark Gable, Charles Laughton and W.C. Fields. The animation is surprisingly mature, and shows how the Warner Bros. studio had improved in only a few years. The human figures are particularly lifelike, highlight being the town crier, and some scarcely dressed black ladies dancing to the swinging score.

The film features best-sellers from the 1920’s and 1930’s like ‘Topper’ (1926) by Thorne Smith, ‘Green Pastures’ (1929) by Marc Connelly, and ‘The Good Earth’ (1932) by Pearl S. Buck, which had been made into a film in 1937. It also revisits and improves on the thin man gag from ‘Speaking of the Weather’ (1937).

When the three musketeers rescue the prisoner of Zenda, the cartoon suddenly bursts into a frantic finale, with all kinds of book characters shooting at the four characters. After this frenzy we return to the town crier, rounding off this wonderful cartoon perfectly.

Watch ‘Have You Got any Castles?’ yourself and tell me what you think:

‘Have You Got any Castles?’ is available on the DVD-set ‘Looney Tunes Golden Collection: Volume 2’

Directors: Cal Howard & Cal Dalton
Release Date: June 11, 1938
Rating: ★★★★
Review:

Katnip Kollege © Warner Bros.At Katnip Kollege, all cool hep cats attend the swingology class. They all sure can swing, except bespectacled Johnny, who has no rhythm at all.

Johnny has to stay in the dunce’s corner, and at night he’s still there, while all other cats are having fun outside. But wait! Suddenly the clock gives Johnny the ‘rhythm bug’ and he rushes to the others to sing that swinging is ‘as easy as rollin’ off a log’ to his surprised girlfriend Claudia Kitty Brite. He also breaks into a hot trumpet solo, Roy Eldridge-style, which earns him kisses from his sweetheart.

‘Katnip Kollege’ is the second of only three films directed by the duo consisting of story man Cal Howard and animator Cal Dalton. The two Cals replaced Friz Freleng when he was lured away by MGM. After these three cartoons their unit was merged with that of Ben Hardaway, until Freleng returned from an all too short stint at the competing studio in 1940. In their films Howard, Hardaway and Dalton displayed not too much talent as directors, and although they produced some fun shorts, their cartoons are inferior to contemporary cartoons by Tex Avery, Bob Clampett, and Frank Tashlin.

‘Katnip Kollege’ is a clear example of their unsure style: the cartoon is low on gags, and the animation is erratic, with a lot of superfluous movement. At times it’s unclear whether the characters’ actions are supposed to be funny. Moreover, the school backgrounds feature incongruous over-sized tins, cans and clothes pins, as if the cat characters are supposed to be as tiny as bugs.

On the other hand, the swing music is genuinely intoxicating, the cartoon simply bursts with color, and the atmosphere is one of sheer joy, resulting in a really enjoyable cartoon. The cartoon easily beats ‘The Swing School‘ by the Fleischer studio, which was released only two weeks earlier, but which covers remarkably similar grounds.

Watch ‘Katnip Kollege’ yourself and tell me what you think:

‘Katnip Kollege’ is available on the DVD-set ‘Looney Tunes Golden Collection: Volume 2’

Director: Tex Avery
Release Date: July 23, 1938
Stars: Egghead
Rating: ★★★½
Review:

Cinderella Meets Fella © Warner Bros.‘Cinderella meets Fella’ is Tex Avery’s second take at a classic fairy tale after ‘Little Red Walking Hood’ (1937).

The cartoon’s opening scenes are one string of nonsensical gags, from the invitation card with which it starts to Cinderella’s arrival at the ball. For example, to get warm, Cinderella just adjusts her candle to get more flames. And when the fairy godmother is late, Cinderella calls the police to look for her. To get mice for the couch, the fairy godmother plays a slot machine, which incomprehensibly is built in the wall. Gags like these were completely unique at the time and could only be found in Warner Bros. films, and in Avery’s films in particular.

Prince Charming turns out to be Egghead, Tex Avery’s second cartoon star, after Daffy Duck. Egghead unfortunately is just too odd and too unsympathetic to carry the rest of the cartoon. So the short deflates a little after his entrance.

But the cartoon is revived by the extraordinary end gag: Egghead finds out that Cinderella got tired of waiting and has gone to a Warner Bros. show. Egghead is heartbroken, until he’s called by his love from the audience. We watch a silhouette standing up, and within seconds she’s back on the screen.

It’s great gags like these that made Tex Avery the undisputed innovator of cartoon comedy. ‘Cinderella meets Fella’ is undoubtedly one of the funnier cartoons of 1938, but when Avery would revisit this particular fairy tale seven years later, with ‘Swing Shift Cinderella’, the results would even be much, much better.

Watch ‘Cinderella Meets Fella’ yourself and tell me what you think:

‘Cinderella Meets Fella’ is available on the DVD-set ‘The Busby Berkeley Collection’

Directors: Ben Hardaway & Cal Dalton
Release Date: July 9, 1938
Rating: ★★½
Review:

Love and Curses © Warner BrosLove and Curses’ is set during the gay nineties and is a spoof of the classic melodrama, complete with mustached villain, a train track and a sawmill.

Unfortunately, the cartoon is hampered by the stiff melodramatic dialogue and the slow timing. Most of the ‘humor’ comes from the invincible hero Harold reciting proverbs all the time, but his appearances are tiresome, not funny. There are also a couple of throwaway gags, but these are mildly amusing at best.

This is one of those rather rare cartoons (not counting Popeye) featuring adult human designs, and the results are pretty unsteady. The animation of the girl singing at the nightclub is the most elaborate, but none of the animation is convincing.

Chuck Jones would visit the same kind of material four years later with ‘The Dover Boys‘, which seems light-years ahead of this cartoon.

Watch ‘Love and Curses’ yourself and tell me what you think:

‘Love and Curses’ is available on the DVD-set ‘The Busby Berkeley Collection’

Director: Friz Freleng
Release Date: February 29, 1938
Rating: ★★½
Review:

Jungle Jitters © Warner Bros.‘Jungle Jitters’ is a cartoon about cannibals.

We watch them drumming, dancing and trying to cook a Goofy-like travelling salesman. Their white, bird-like queen sees a Clark Gable or Robert Taylor in him and wants to marry the salesman, but he prefers the cooking pot.

‘Jungle Jitters’ is an unsure mix of musical gags, spot gags and a rudimentary gag story. The voices of both the salesman and the queen are weak [see Yowp’s comment below for their origin], and the weird mix of human cannibals and these two animal-like characters is very unconvincing. And let’s not get started on the racist aspect of the movie. Besides, the scenes with the salesman are irritatingly slow, and the gags mostly trite. The best gag is when some cannibals dancing around a hut suddenly change into a merry-go-round.

On the positive side, Carl Stalling’s music is superb throughout, and enhances the action, even if it’s not much to look at.

Watch ‘Jungle Jitters’ yourself and tell me what you think:

‘Jungle Jitters’ is available on the DVD ‘Uncensored Animation 2: Cannibals!’

Director: Friz Freleng
Release Date: January 30, 1937
Rating: ★★★
Review:

Pigs is Pigs © Warner Bros.In ‘Pigs is Pigs’ a fat little pig thinks of food all the time.

At night the pig dreams he’s being fed by a machine of an evil scientist with a hic-cough. He eats so much, he explodes. He awakes in a fright, but when his mother invites him to breakfast, it’s clear he hasn’t learned anything.

With its quasi-moralistic tale, its family-setting, its child star, and its Silly Symphony-like backgrounds, ‘Pigs is Pigs’ is still firmly rooted in the goody-goody world of the mid-1930s. However, an early ‘Hold the onions’-gag (the first of a long series), the fast machine-scenes, and the surprisingly non-moralistic finale look forward to a more individual Warner Bros. style.

‘Pigs is Pigs’ is far from a classic, but it’s surprisingly well animated, and shows that by 1937 the Schlesinger studio could use the Disney influence for their own ends.

Watch an excerpt from ‘Pigs is Pigs’ yourself and tell me what you think:

‘Pigs is Pigs’ is available on the DVD-set ‘Looney Tunes Golden Collection Volume Three’

Director: Tom Palmer
Release Date: September 23, 1933
Rating: ★★★
Review:

I've Got to Sing a Torch Song © Warner Bros.‘I’ve Got to Sing a Torch Song’ was the first Merrie Melodie of Leon Schlesinger’s erratic fledgling studio after Harman & Ising quit making cartoons for him.

The short is the second of only two cartoons directed by Tom Palmer, the other being ‘Buddy’s Day Out‘. Like in ‘Buddy’s Day Out’ Palmer is completely at loss as a director, delivering a completely aimless and meandering cartoon. So, soon Schlesinger fired him. Palmer went to Van Beuren where he (co-)directed eighteen more cartoons.

‘Ive Got to Sing a Torch Song’ is a blackout gag cartoon on radio. It features numerous caricatures of radio and movie stars, like Bing Crosby, Ed Wynn, Joan Blondell, James Cagney, and even of Benedetto Mussolini and George Bernard Shaw. The title song only kicks in after five minutes, introduced by the Boswell sisters, and sung by Greta Garbo, Zasu Pitts and Mae West. Garbo even says ‘That’s All Folks!’ at the very end of the cartoon. This last gag undoubtedly is the funniest of the complete short, despite the presence of some typical Warner Bros. gags, like a conductor conducting a phonograph. The complete film makes no sense, but at least it’s well animated, thanks to Jack King, whom Schlesinger had hired away from Walt Disney.

Watch ‘I’ve Got to Sing a Torch Song’ yourself and tell me what you think:

‘I’ve Got to Sing a Torch Song’ is available on the DVD-set ‘Looney Tunes Golden Collection Volume Five’

Director: Rudolf Ising
Release Date: September 24, 1933
Rating:  ★★★★½
Review:

The Dish Ran Away with the Spoon‘The Dish ran Away with the Spoon’ was the last Merrie Melody Harman & Ising made for Leon Schlesinger, before they quit over a dispute on money.

Like other later Merrie Melodies it shows how Harman and Ising could imitate Disney, compete with Disney, but at the same time produce films that Disney somehow would never make. It opens with a very Disneyesque rain scene, which brings us through a window into a kitchen. There we watch kitchen tools frolicking and dancing.

In tune to earlier Silly Symphonies like ‘The Bird Store‘ and ‘Bugs in Love‘ (both 1932) halfway a ‘story’ develops, when a dough monster kidnaps a female dish, but is destroyed by a hero spoon and the rest of the kitchen tools.

The designs in this cartoon are elaborate and elegant, of a high quality and unmistakeably Warner Bros. Of special notice is the convincing animation on the dough villain.

After Harman & Ising’s quit, it would take Schlesinger’s own fledgling studio quite some time to match Harman & Ising’s quality, and only with help from some of their former animators, like Bob Clampett, Robert McKimson and Friz Freleng.

Watch ‘The Dish ran Away with the Spoon’ yourself and tell me what you think:

‘The Dish ran Away with the Spoon’ is available on the DVD-set ‘Looney Tunes Golden Collection Volume Six’

Director: Bernard Brown
Release Date: January 27, 1934
Rating: ★★
Review:

Pettin' in the Park © Warner Bros.Mid-1933 Harman and Ising had quit with Leon Schlesinger after a dispute over money, leaving Schlesinger without a studio.

So Schlesinger quickly set up one at Sunset Boulevard, initially with help from sound engineer Bernard Brown and his friends. Brown even himself directed two cartoons during the studio’s chaotic starting months, of which ‘Pettin’ in the Park’ is the first.

Brown was no animator himself, and judging from this cartoon he was not much of a director, either: ‘Pettin’ in the Park’ just makes no sense. The first half is just an illustration of the song from the Warner Bros. musical ‘Gold Diggers from 1933’, featuring the familiar theme of a cop courting a babysitter (see also Fleischer’s ‘Let Me Call You Sweetheart‘ and Van Beuren’s ‘In the Park‘ (1933). The second half suddenly reports a diving contest and a swimming race between birds. Bridging the action is a cheeky little penguin – what he does in a park no-one will ever know.

There’s a surprising lack of continuity and consistency rarely seen outside the Van Beuren studio output, and the cartoon is of an appalling low quality, especially when compared to the earlier Harman and Ising output. Even worse, few of the gags come off, and none is anything near funny.

Nevertheless, even a terrible film like ‘Pettin’ in the Park’ shows that the typical Warner Bros. animation style, developed at Harman & Ising, had not been lost. It certainly helped that Schlesinger had managed to hire away some crew from his former associates. Bob Clampett, for example, who gets his first billing as an animator here. Clampett and Jack King (hired away from Disney) are clearly trying to put some pepper into the hopeless scenes. Thus despite its story atrocities, even ‘Pettin’in the Park’ displays Warner Bros. own distinct animation style, which, in 1933 was second to Disney only in quality.

Watch ‘Pettin’ in the Park’ yourself and tell me what you think:

‘Pettin’ in the Park’ is available on the DVD-set ‘The Busby Berkeley Collection’

Director: Rudolf Ising
Release Date: August 26, 1933
Rating: ★★★★
Review:

We're in the Money © Warner Bros.‘We’re in the Money’ is entirely built around the catchy opening tune of the Warner Bros. musical ‘Gold Diggers of 1933’.

The joyous song, with its anti-Great Depression theme is entertaining enough to carry the whole cartoon. It is played and sung by toys and dolls in an apartment store at night. Even coins from a cashier join in, singing ‘we are the money’. There’s also a doll doing a Mae West imitation.

Composer Frank Marsales is on the loose here, and plays endless variations on the title song. There’s absolutely no story, whatsoever, but the cheerful mood is captivating, and despite the lack of real action, the cartoon will leave you with a smile.

Watch ‘We’re in the Money’ yourself and tell me what you think:

‘We’re in the Money’ is available on the DVD-set ‘Looney Tunes Golden Collection Volume Six’ and the DVD-set ‘The Busby Berkeley Collection’

Director: Rudolf Ising
Release Date: Jul 8, 1933
Rating: ★★★★★
Review:

Shuffle off to Buffalo © Warner BroEven though Harman and Ising would never surpass Walt Disney, partly because of a lack of vision, partly because of lack of budget, there’s no denying that by 1933 their films had become the best looking cartoons of the era after Disney’s.

‘Shuffle off to Buffalo’ is a prime example. Based on the hit song from the Warner Bros. musical ’42nd Street’ from three months earlier, the short shows how babies are distributed all over the world. It includes a long assembly line sequence with gnomes washing, drying, powdering and feeding babies. This scene resembles a similar one in Disney’s ‘Santa’s Workshop‘ (1932) and can compete with it in its inventiveness and rhythmic action.

The title song is sung by the babies themselves, including a Maurice Chevalier one, and a Joe E. Brown one. Later an Eddie Cantor gnome recaptures the song, and also does an Ed Wynn impersonation. There’s absolutely no story, but there’s constant action, the animation is top notch throughout, and the joyous atmosphere is undeniably catchy.

‘Shuffle off to Buffalo’ is a cartoon of great quality, and shows that the Disney style of animation could be copied quite successfully.

Watch ‘Shuffle off to Buffalo’ yourself and tell me what you think:

‘Shuffle off to Buffalo’ is available on the DVD-set ‘Looney Tunes Golden Collection Volume Six’ and the DVD-set ‘The Busby Berkeley Collection’

Director: Rudolf Ising
Release Date:
 June 10, 1933
Rating: ★★★★
Review:

I Like Mountain Music © Warner BrosIt’s midnight in the magazine shop, and the magazine come to life, starting with a few cowboys singing the title tune.

‘I Like Mountain Music’ is not the first of books-come-to-life cartoons, that was ‘Three’s a Crowd’ from 1932. But ‘I Like Mountain Music’ takes the concept a little further, stuffing the film with many caricatures of Hollywood stars, like Eddie Cantor, Ed Wynn, Edward G. Robinson, Jean Harlow, King Kong (Hollywood’s latest star), and even Benito Mussolini. Also featured is a remarkably realistic skater. I wonder who she is. It’s not likely Sonia Henie, who started her film career only in 1936.

The book-come-to-life concept was unique to Warner Bros. and was reused in many more, and more enjoyable cartoons like ‘Speaking of the Weather’ (1937), ‘Have You Got any Castles?‘ (1938) and ‘Book Revue‘ (1946). This early short proves that the unique Warner Bros. style had a firm root in the Hugh-Harman era, even though it was to Frank Tashlin and Tex Avery to push it to its later heights.

Watch ‘I Like Mountain Music’ yourself and tell me what you think:

‘I Like Mountain Music’ is available on the DVD ‘Looney Tunes Golden Collection: Volume Six’

Director: Rudolf Ising
Release Date:
 May 14, 1932
Rating: ★★★
Review:

It's Got Me Again © Warner Bros.‘It’s Got Me Again!’ finds Harman and Ising at their most Disney-like. This Merrie Melodie is very similar to contemporary Silly Symphonies.

The short features a mouse entering a musical instrument shop at night. The music starts when the mouse accidentally starts the title song on a gramophone. This invites several other mice to join in. After four minutes of musical frolicking a mean cat appears who gets one mouse cornered, prompting the rodent to sing the title track. The other mice, however, come to the rescue and together they get rid of the cat.

The story of ‘It’s Got Me Again!’ is very similar to that of contemporary Disney shorts ‘The Spider and the Fly‘ or ‘The Bird Store‘, but the short’s premise is most akin to the Van Beuren short ‘Toy Time‘ from four months earlier. ‘It’s Got Me Again!’ is much more sophisticated than the Van Beuren short, though. The animation, by Friz Freleng and Tom McKimson, is excellent throughout, and second only to the Disney studio itself.

The mice are Mickey Mouse but in size, only, and the musical routine involves a French Apache dance, as can also be found in ‘Mickey’s Follies‘ (1929) and the later ‘Woodland Cafe‘ (1937). Harman & Ising’s mimicking paid off, as ‘It’s Got Me Again!’ was among the three very first animated shorts to get an Academy Award nomination. Yet, it’s no surprise it lost to Walt Disney’s landmark cartoon ‘Flowers and Trees‘.

Watch ‘It’s Got Me Again!’ yourself and tell me what you think:

‘It’s Got Me Again!’ is available on the Blu-Ray ‘Looney Tunes Platinum Collection: Volume 2’ and the DVD ‘Looney Tunes Golden Collection Volume Three’

Director: Rudolf Ising
Release Date: October 31, 1931
Stars: Piggy, Fluffy
Rating: ★★★★½
Review:

You Don't Know What You're Doin'! © Warner Bros.With Foxy gone, Harman and Ising conceived a new star, Piggy, who, like Foxy is exactly Mickey Mouse (including the trousers), but now in Pig form. As with his predecessor, the plagiarism is most visible in Piggy’s girlfriend Fluffy, who is as Minnie as Piggy is Mickey.

Piggy was even more short-lived than Foxy, lasting only two cartoons, of which this is the first. In it we watch Piggy and Fluffy visiting a theater. At a certain point Piggy hits the stage to perform ‘Silver Threads Among The Gold’, a 1873 hit song that by 1931 had become synonymous with old-fashionedness. No wonder he’s booed away. At that point three drunkards burst into the title song. Piggy gets drunk, too, and leaves the theater and his girlfriend.

Outside he provides his car with some booze, a story idea borrowed from ‘Traffic Troubles‘ (Mickey Mouse) and ‘The New Car’ (Flip the Frog) from earlier that year. Unlike the earlier two films, though, this leads to a wonderfully drunken scene, in which the whole background becomes wobbly. This is one of the most memorable scenes of all early Warner Bros. cartoons, making ‘You Don’t Know What You’re Doin’!’a must-see, despite the rather mediocre scenes preceding it. Moreover, the cartoon features some particularly hot jazz music, provided by Gus Arnheim’s Brunswick Recording Orchestra.

Watch ‘You Don’t Know What You’re Doin’!’ yourself and tell me what you think:

‘You Don’t Know What You’re Doin’!’ is available on the DVD ‘Looney Tunes Golden Collection Volume Six’

 

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