In ‘The One with Lisa Kudrow in a Small Role’ Duckman wants to be alone, so he sends his son Ajax out on the street. Ajax gets abducted by hillbilly aliens from the planet Betamax, and revered as a prophet by the backward planet. But everything goes wrong when Ajax plays them the tape his father gave him, and the planet takes the word of ‘Dod’ literally.
‘The One with Lisa Kudrow in a Small Role’ is violently anti-religion, connecting dogmatism with violence and destruction. The satire is rather blunt and in your face, and therefore actually fails to hit its mark. Meanwhile this is one of those many Duckman episodes tiringly playing with Duckman’s complete ignorance of his own offspring. The result is rather exhausting.
Most enjoyable are Ajax’s semi-profound remarks and the rather Dr. Seuss-like background art of planet Betamax.
Watch ‘The One with Lisa Kudrow in a Small Role’ yourself and tell me what you think:
Director: Peter Avanzino Airing Date: April 13, 1996 Stars: Duckman Rating: ★★★★★ Review:
This episode starts with a simple promise by Duckman to attend the recital by the tuba-playing Mambo and Charles. But then Ajax accidentally creates a hole in the space-time continuum, which allows Duckman to gets a visit from his future self who tells him what will happen if he does go to the recital…
Before soon we’re right in the middle of a surprisingly sophisticated, even complicated episode on destiny and the consequences of one’s actions, involving multiple future selfs of Duckman, one even more outlandish than the other. At one point their appearances creates a scene of mayhem that’s got to be seen to be believed.
In short, ‘The Once and Future Duck’ is one of the best written and best directed of all Duckman episodes, relying less on wise-cracking asides, and more on the development of the inner logic of its own absurdist premises. The result is as profoundly philosophical as it is hilariously zany.
Watch ‘The Once and Future Duck’ yourself and tell me what you think:
Director: Genndy Tartakovsky Airing Date: April 14, 1996 & May 26, 1996 Stars: Dexter, Dee Dee Rating: ★★½ Review:
‘Dimwit Dexter’ is the last of four pilot episodes of ‘Dexter’s Laboratory’, airing less than two weeks before the full series started. The episode returned a little later as the third part of the fifth episode.
This episode starts with images of Dexter frantically practicing science. This causes a meltdown inside his head, which is depicted as a nuclear reactor, rendering the boy completely imbecile. Dee Dee takes advantage of the situation and dresses him up like a girl. But it’s the idiotic Dexter himself who does the most harm to himself when he runs out on the street in only his underpants, and doing all kinds of stupid tricks, like kissing the butt of a duck, making him the laughing stock of the whole neighborhood.
In showing actions of stupidity ‘Dimwit Dexter’ clearly owes a lot to ‘Ren and Stimpy’, and the scenes of Dexter humiliating himself without knowing are fun to watch, but the episode ends abruptly and without a proper conclusion, rendering it flat. Nevertheless, these abrupt and inconclusive endings would become a typical characteristic of the series.
Watch an excerpt from ‘Dimwit Dexter’ yourself and tell me what you think:
‘Dimwit Dexter’ is available on the DVD ‘Dexter’s Laboratory Season One: All 13 Episodes’
Directors: Craig McCracken & Genndy Tartakovsky Airing Date: March 24, 1996 & May 12, 1996 Stars: Dexter, Dee Dee Rating: ★★★★ Review:
‘Old Man Dexter’ is the third of four pilot episodes of ‘Dexter’s Laboratory’. It would later return as the third part of the third episode.
‘Old Man Dexter’ plays with the idea that Dexter is still a little boy. In this episode Dexter is too young to stay awake for the 20:00 h ‘late early movie’. Dexter’s solution is to make himself older, but then Dee Dee messes with his experiment…
‘Old Man Dexter’ is a funny little gem. Especially the sequence in which Dexter descends the stairs is hilarious. The sound effects accompanying his shaky arms are priceless. Parts from this episode would return in the end titles of the official series.
Watch an excerpt from ‘Old Man Dexter’ yourself and tell me what you think:
‘Old Man Dexter’ is available on the DVD ‘Dexter’s Laboratory Season One: All 13 Episodes’
Director: Genndy Tartakovsky Airing Date: March 10, 1996 & June 2, 1996 Stars: Dexter, Dee Dee Rating: ★★★½ Review:
‘The Big Sister’ is the second of four pilot episodes of ‘Dexter’s Laboratory’ that appeared on Cartoon Network before the official series was launched. ‘The Big Sister’ then would reappear as the third part of the sixth episode.
This sequence starts with the zoom into Dexter’s lab that was later reused to start the end titles. In these we follow a smell that turns out to be from chocolate chip cookies made by Dexter for his laboratory rats. Of course, Dee Dee wants one, too, but the cookies contain secret formula X27, which turns Dee Dee into a giantess, rampaging the city. It’s up to Dexter to save the world!
This episode contains nice references to both King Kong and Japanese mecha films. The episode clearly borrows from the mecha anime visual style, something that would permeate the complete Dexter’s Laboratory series, blending surprisingly well with the 1950s cartoon modern style to create something new and fresh. Nevertheless, highlight of this episode is when Dexter’s fantasy runs away with him.
Watch ‘The Big Sister’ yourself and tell me what you think:
Director: Genndy Tartakovsky Airing Date: February 26, 1995 & May 19, 1996 Stars: Dexter, Dee Dee Rating: ★★★★ Review:
‘Changes’ is the very first Dexter’s Laboratory episode. The short first appeared on Cartoon Network’s ‘World Premiere Toons’ on February 26, 1995, although it would reappear as the third part of the fourth episode.
‘Changes’ already contains all elements that make Dexter’s Laboratory such a striking and refreshing addition to animated television: first a strong 1950s influence in design, particularly emulating the work of UPA and John Hubley’s early Storyboard studio work, with the bold line work and highly stylized characters, emphasizing primary forms, like triangles and ovals. Second, the equally stylized animation, with its often unnatural movement, strong emphasis on poses, and striking alterations between fast and slow actions. This, too, harks back to the cartoon modern era (a third element, a cinematic approach with elements of anime, would appear in the second installment, ‘The Big Sister‘). Fourth, the unnatural sound effects, often accompanying silent action, like eye movement or stretching arms. Fifth, the musical soundtrack, which follows the action closely, and remains interesting throughout.
The premise is that Dexter is a hyper-intelligent kid who somehow has an enormous secret lab somehow stowed away in his room, while his big and not so bright sister Dee Dee is a pest to him. ‘Changes’ contains some material that would return in the opening credits, as the episode opens with Dexter finishing his latest invention, which looks like a remote control with only one red button. Of course, Dee Dee grabs the remote and it turns out it changes the other into an animal. Both children turn into a wide range of animals, one more outlandish than the other, in a fast sequence of events. However, highlight may be Dee Dee’s expressions upon entering her brother’s forbidden room.
With ‘Dexter’s Laboratory’ both Hanna-Barbera and Cartoon Network joined the American animation renaissance. The network contributed greatly to the revival, with beautifully stylized and idiosyncratic series like ‘Cow and Chicken’ (1997-1999), ‘The Powerpuff Girls’ (by Craig McCracken, who also worked on Dexter’s Laboratory, 1998-2005) and ‘Samurai Jack’ (again by Tartakovsky, 2001-2004), and to a lesser extent ‘Ed, Edd & Eddy’ (1999-2009) and ‘Courage the Cowardly Dog’ (1999-2001).
Watch ‘Changes’ yourself and tell me what you think:
‘Changes’ is available on the DVD ‘Dexter’s Laboratory Season One: All 13 Episodes’
Director: Jeff McGrath Airing Date: April 6, 1996 Stars: Duckman Rating: ★★★½ Review:
‘Pig Amok’ starts at a funeral, where Duckman gives a highly inappropriate speech. But this is topped by the late-arriving Cornfed, whose behavior is puzzling, to say the least. More or less forced by his family Duckman sets out to help his friend…
For animation lovers ‘Pig Amok’ has much to offer: this episode contains some wild takes on Cornfed when he bursts into wild convulsions, as well as a beautiful piece of surprisingly independent looking metamorphosis animation when Cornfed swoons. Also entertaining is ‘Cornfed’s Problem’, the documentary Cornfed shows on VHS, which shows his ancestors inserted in black and white photographs.
Watch ‘Pig Amok’ yourself and tell me what you think:
Director: Tyron Montgomery Release Date: April 1996 Rating: ★★½ Review:
A sand man lies in the desert with his water bottle, empty. When he hears the sound of water he starts digging and before soon falls into another world…
Made by Tyron Montgomery (direction, photography & screenplay) and Thomas Stellmach (production, animation & story) at the University of Kassel, Germany, ‘Quest’ is a gloomy stop-motion film, depicting worlds of sand, paper, stone and metal. Especially the metal world is well-done, both frightening and fascinating.
There are some comic elements in the acting of the sand man, but the film is neither as funny nor as disturbing as it could be. Part of the problem is the mediocre acting: the sand man’s feelings and thoughts are acted out schematically, more like Fritz the Cat than like post-Disney character animation.
‘Quest’ certainly is interesting, and a very accomplished film for a student film, but in the end Montgomery’s and Stellmach’s tale is too shallow to become a real classic. But that’s only my opinion, because this German short won many prizes, including the Academy Award for best animated short in 1997.
Watch ‘Quest’ yourself and tell me what you think:
‘Quest’ is available on the The Animation Show of Shows Box Set 5
Director: Peter Shin Airing Date: March 16, 1996 Stars: Duckman Rating: ★★★ Review:
With a title as ‘The Mallardian Candidate’ (a nudge to the 1962 film ‘The Manchurian Candidate’) one needn’t wonder that this episode is about conspiracies.
This episode starts with the comedian Iggy Catalpa (see ‘Joking the Chicken‘ and ‘Color of Naught‘) asking Duckman for help in solving a conspiracy theory. Duckman is as clueless as ever, failing to identify criminals even when they surround them dropping clues all over the place. Soon he gets brainwashed and is turned into an automaton with a single killing purpose…
‘The Mallardian Candidate’ fails to play out the conspiracy concept very well. The best parts are Catalpa’s explanation of how his world domination organization works, and the very end of the episode, which in a few seconds shows what’s fundamentally wrong with the concept of conspiracy theories in the first place.
But mostly, the episode plays on Duckman’s mindlessness and uselessness. The parts involving his family are especially painful in that respect. In ‘The Mallardian Candidate’ Duckman is just a caricature, not the more complex persona he can be in other, better episodes.
Watch ‘The Mallardian Candidate’ yourself and tell me what you think:
‘The Girls of Route Canal’ finally reveals how Duckman met Beatrice, the mother of Ajax, Mambo and Charles.
It’s the latter two who prompt Duckman to reminisce about how he found the love of his life. They have girl problems of their own, wanting to woe Amanda and Alexis, who are taken by two bullies.
‘The Girls of Route Canal’ is certainly not devoid of comedy, far from it; priceless, for example, is Mambo’s and Charles’ wondering why they like Amanda and Alexis so much. Also great is Cornfed’s short cameo. But overall this is a gentle and surprisingly genuinely romantic episode. This makes ‘The Girls of Route Canal’ one of those scarce episodes in which Duckman is actually more than a completely ignorant, selfish beast. This makes ‘The Girls of Route Canal’ a welcome diversion from more one-dimensional episodes like ‘Apocalypse Not‘ and ‘Clear and Presidente Danger‘.
Watch ‘The Girls of Route Canal’ yourself and tell me what you think:
Director: John Eng Airing Date: March 2, 1996 Stars: Duckman Rating: ★★★★ Review:
This episode starts with Duckman blackmailing an employee of the ‘McJaggers’ fastfood chain, so he gets to win a vacation to some third world paradise, called Puerto Guano.
This turns out to be quite a hell-hole (there’s even a reference to the Exxon Valdez oil spill from 1989), and Duckman’s rant about it starts no small revolution, turning him into the country’s dictator. As Duckman himself says, when he gets unlimited power, what can possibly go wrong?
‘Clear and Presidente Danger’ does little with the characters’ personalities, and works better as a satire than as a Duckman episode per se. Much more fun than Duckman’s rather predictable government style is the depiction of Cornfed as some sort of Rambo-like rebel. The sequence in which he trains his rebel group is accompanied by some nice steel drum music, while Ajax provides the comedy. Cornfed’s moralistic end speech is also a delight, but the episode’s sting lies in its depiction of the United States as helper of South American dictators.
Watch ‘Clear and Presidente Danger’ yourself and tell me what you think:
‘Apocalypse Not’ is an obvious spoof of disaster and monster movies.
When the whole town goes for an emergency drill led by Aunt Bernice, Duckman remains the only person behind, thinking he is the sole survivor of some apocalyptic event.
Many movie tropes can be found in this episode, including the killing of auxiliary personas and Duckman spraining his ankle. Unfortunately, on the way Duckman’s persona becomes practically a caricature of itself, behaving rather over-the-top. And thus the episode’s highlight remains it opening credits, in which something big causes havoc in the city…
Watch ‘Apocalypse Not’ yourself and tell me what you think:
Director: Peter Avanzino Airing Date: February 17, 1996 Stars: Duckman Rating: ★★★½ Review:
In ‘A Room with a Bellevue’ Duckman suffers from the daily annoyances, like traffic jams and unhelpful services, making this episode akin to the live action feature ‘Falling Down’ from 1993. But instead of going rampant, Duckman ends up in an asylum, which turns out to be an oasis of peace and relaxation for him.
‘A Room with a Bellevue’ is a particularly talkative Duckman episode, containing two very long rants by Duckman himself. However, there’s also a rare occasion of an animated background when Duckman wanders through the asylum. Highlight, however, are Cornfed’s bizarre escape plan and Duckman’s transformation after electroshock treatment.
Watch ‘A Room with a Bellevue’ yourself and tell me what you think:
Director: Jeff McGrath Airing Date: February 10, 1996 Stars: Duckman Rating: ★★★½ Review:
‘Sperms of Endearment’ is one of the deeper Duckman episodes, this time revolving around Aunt Bernice, instead of Duckman. Cornfed’s presence is even reduced to just a short cameo, and only because, as he tells us, it says in his contract he should appear in every episode.
In ‘Sperms of Endearment’ a little girl triggers Aunt Bernice’s child wish, and after some bad dating experiences, she turns to a sperm bank, run by Terry Duke Tetzloff, the sleezy salesman from ‘Cellar Beware‘ and ‘Grandma-ma’s Flatulent Adventure‘. But with whose sperm will she be inseminated?
Highlights of this episode include little Suzie, Tezloff’s supposed daughter, and Aunt Bernice’s romantic daydreams of her with the insemination tube.
Watch ‘Sperms of Endearment’ yourself and tell me what you think:
Director: John Eng Airing Date: January 27, 1996 Stars: Duckman Rating: ★★ Review:
‘Color of Naught’ is one of those episodes revolving around an evil plot by Duckman’s arch nemesis King Chicken. These don’t belong to the series’ best, and ‘Color of Naught’ suffers from sloppy story telling, with its rather random plot twists, and obligatory finale.
Iggy Catalpa (from ‘Joking the Chicken‘) returns for a short cameo, but more interestingly is the return of Angela, Duckman’s love interest from ‘About Face‘. Her interactions with Duckman install some interesting moments in an otherwise disappointing episode. The cameo of three guys from the ‘Weird Sciene’ television show (1994-1998) has aged less well, as this series has fallen into oblivion.
‘Color of Naught’ is noteworthy for the outlandish animation on the Beautex Salesman, and for King Chicken’s rather original way of destroying Duckman’s world, reducing characters and background art to black and white sketches, before turning into nothingness.
Watch ‘Color of Naught’ yourself and tell me what you think:
‘Grandma-ma’s Flatulent Adventure’ for once centers on grandma-ma, the only taciturn member of the family.
After Duckman’s doomed day of caring duty for her, the family decides to take her to a nursing room. Duckman is taking her, but loses his car, with grandma-ma in it, on the way…
‘Grandma-ma’s Flatulent Adventure’ isn’t a very focused episode, and ties different story ideas rather loosely together. It seems to want to say something about our treatment of the elderly, but this is immediately diluted by the rather random nonsense filling the episode. In that respect Grandma-ma’s own adventure is a particular series of nonsensical events.
Highlight, however, is the brief episode in which the family visits three nursing homes, one all too conspicuously called ‘Soylent Green’. Nevertheless, the episode is more interesting for its outlandish staging, with its extreme camera angles and close-ups than for its content. All who are more interested in Duckman’s personal life are treated on some images of his wedding day with the currently deceased Beatrice.
Watch ‘Grandma-ma’s Flatulent Adventure’ yourself and tell me what you think:
This is Duckman episode no. 25 To the previous Duckman episode: Forbidden Fruit To the next Duckman episode: Color of Naught
‘Grandma-ma’s Flatulent Adventure’ is available on the DVD-box ‘Duckman – The Complete Series’
Director: Paul Demeyer Airing Date: January 13, 1996 Stars: Duckman Rating: ★★★★ Review:
The best Duckman episodes contain an element of satire, and the best satire still rings today. And this certainly applies to the ‘Forbidden Fruit’ episode.
This episode starts with a VHS tape of a school psychiatrist recommending a tutor for Ajax, Charles and Mambo. After some mishaps (e.g. Michael Jackson) a sexy young French nanny called Régine Poulet applies. Bernice forbids Duckman to make one single sexual remark to the girl, but he gets sued for sexual harassment nonetheless. At this point the episode spoofs an all too sensitive reaction to an otherwise condemnable crime, and political correctness carried too far, complete with changing of names, like Hebrew to Webrew.
This episode’s satire can easily translate to the #metoo movement and to the cancel culture of this day and age. However, highlight of the episode is Duckman’s visit to Fluffy and Uranus’s gingerbread house-like home, which inside is stuffed with cutesy material like rainbows and unicorns.
Watch ‘Forbidden Fruit’ yourself and tell me what you think:
The third season of Duckman opens with an obvious film noir parody filmed in black and white.
It starts with a shot of a drunken Cornfed walking the rainy streets followed by Cornfed’s voice over in a confession to a priest. Cornfed’s voice over alone is full of film noir tropes.
Cornfed’s story involves a Veronica Lake-like “dame” called Tamara La Boinque, who turns the two partners Duckman and Cornfed into rivals. Duckman and Cornfed (in trenchcoats) visit the Casablanca-like nightclub in which she works, where they encounter caricatures of Peter Lorre, Sydney Greenstreet and Humphrey Bogart in their roles in that particular film. When Cornfed unmasks Tamara he throws in references to several other film noir titles.
This episode only features regular stars Duckman and Cornfed. Unfortunately, the comedy relies too heavily on parody, and the episode’s story in itself is hardly interesting. One even gets the feeling the studio could have done more with the film noir theme.
Watch ‘Noir Gang’ yourself and tell me what you think:
This is Duckman episode no. 23 To the previous Duckman episode: Clip Job To the next Duckman episode: Forbidden Fruit
‘Noir Gang’ is available on the DVD-box ‘Duckman – The Complete Series’
Directors: Max Lang & Jan Lachauer Release Date: December 25, 2012 Rating: ★★★½ Review:
One of the most interesting series to emerge in the 21st century were the BBC half hour specials based on children’s books by Julia Donaldson and Axel Scheffler. This series was produced by Magic Light Pictures and mostly animated by Studio Soi in Germany.
Starting with the extraordinarily succesful ‘The Gruffalo’ (2009) these films prove not only to be very faithful to the source material, but to bring an unsurpassed plasticity to the computer animation, giving the characters the solidity of stop-motion. This is partly done by the animation itself, which practically never goes beyond what’s possible with stop motion puppets (for example there’s practically no squashing and stretching), and partly by giving them a clay-like texture.
But the makers’ secret ingredient is their use of real sets, thus placing the computer-created characters in fitting stop-motion worlds. This is so well-done you keep on wondering whether what you see is stop-motion or computer animated. This unique blend gives the film their specific and utterly charming character.
‘Room on the Broom’, the third entry in the series, is an excellent example. The story tells about a friendly witch who flies on a broom with her cat, but at times she drops something on the ground. This is then found by an animal who asks for a place on the broom. The repetition and rhyme no doubt work excellently for small children, but elder viewers will delight in the cat’s wordless reactions to his mistress’s enthusiastic invitations. His body language and facial expressions form the pinnacle of pantomime animation, but there are touches of wordless comedy on all the characters. In the end a ‘Town Musicians of Bremen’-like story twist is introduced.
Even if ‘Room on the Broom’ isn’t the undisputed classic ‘The Gruffalo’ certainly is, it’s still a delightful film, able to enchant both the young and old alike.
Watch the trailer for ‘Room on the Broom’ yourself and tell me what you think:
Director: Brian Larsen Release Date: November 13, 2012 Rating: ★★ Review:
In ‘The Legend of Mor’du’ the witch from ‘Brave‘ tells the viewer the background story of the feature film, and the origin of the bear Mor’du.
The witch is animated in 3D, just like the feature film, but her story is animated in 2D, featuring angular designs, strong color schemes, and very little animation. In fact, the story itself is little more than an animatic. Unfortunately, the story is of little interest, and the attempts of humor only disturb the narrative, instead of enhancing it. ‘Brave’ wasn’t a very strong film to begin with, and ‘The Legend of Mor’du’ only succeeds in proving that many of the feature’s story problems already start at its foundation.
Watch an excerpt from ‘The Legend of Mor’du’ yourself and tell me what you think:
‘The Legend of Mor’du’ is available on the Blu-Ray and DVD of ‘Brave’
Animation Backgrounds
A blog dedicated to background paintings from animation films. Kept until 2016.
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Animation historian Jerry Beck’s animation film news blog.
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Topical blog on animation film, led by animation historian Amid Amidi.
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THE site on classic animation research, hosted by cartoon historian Jerry Beck.
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Frank Beef analyzes classic cartoons. Kept until 2020.
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Michael reviews films of 100 years old and older, roughly in chronological order.
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Jessica Pickens reviews classic Hollywood films, especially musicals.
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Top ex-Disney animator Andreas Deja’s own blog.
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Esteemed Disney historian Didier Ghez on the latest books on Disney history.
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Paul Astell brings us thorough reviews of animated features.
Flickers in Time
Short and to the point reviews of classic films (lately mostly pre-code talkies) by an anonymous retired Foreign Service Officer from California