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Director Tomohiko Itō
Airing of first episode: January 8, 2016
Rating:
 ★★★½
Review:

‘Erased’ (the Japanese title translates as “The Town Where Only I Am Missing”) is an anime miniseries consisting of a mere twelve episodes and telling about young adult Satoru, who’s apparently often transported a few moments back in time to prevent some horrible disaster.

This is a weird concept to start with, especially because it’s never explained nor used consistently during the series. But this is the starting point of the complete series. Anyhow, when a mysterious killer goes rampant, threatening Satoru’s own very existence, he’s suddenly sent back not a few moments back into time, but way back to February 1988, when Satoru was eleven years old. Moreover, Satoru’s transferred to a different place, as well, his childhood hometown of Chiba, near Tokyo.

Satoru, who keeps his adult mind, knows he must do something about his classmate Kayo, a girl who has visible bruises because she’s molested by her mother, but who also is the first victim of a child-abducting serial killer that terrorizes the neighborhood, something Satoru knows beforehand, because he relives the past. He has only a few days to set things right. Will he be able to rescue Kayo and the other children from the clutches of the murderer, this time?

The series thus plays with the wish to go back in time to do things differently than you have had before. Satoru certainly changes the behavior of his eleven-years old self, changing from a rather distant, lonesome child into one who becomes a responsible and valuable friend, discovering the power of friendship along the way.

Now this is the first anime series I’ve seen in its entirety, so to me it’s difficult to assess the series’ value compared to others. In the distant past I’ve seen episodes from ‘Heidi’ (1974), ‘Angie Girl’ (1977-1978), and ‘Candy Candy’ (1975-1979), as well as ‘Battle of the Planet’s (1978-1980), the Americanized version of ‘Gatchaman’, but that’s about it – the only other more recent series I’ve seen is ‘FLCL’ (2000-2001), but I’ve only seen the first couple of episodes, so I cannot judge that series in its entirety.

Nevertheless, ‘Erased’ receives a high rating on IMDb, thus is clearly valued as one of the better series. And I can see why. The series is very good with cliffhangers, and there’s enough suspense to keep you on the edge of your seat most of the time. Moreover, apart from the time travelling and killer plot, there’s a sincere attention to the horrid effects of child abuse. Even better still, the series shows how being open and friendly towards others can make a significant positive change to their lives, as well as to your own. This is a rare and very welcome message, which the series never enforces on the viewer, but shows ‘by example’.

I particularly liked the fact that each episode starts with an intro, which is not an exact recapture of events in the previous episode, but which contains new footage, subtly shedding new light on the events. Nevertheless, ultimately, the thriller plot, which its red herrings, false alarms, and rather unconvincing villain, is less impressive than the subplots on child abuse and friendship.

Indeed, the series’ best parts all play in February-March 1988, not in the present, with the gentle eight episode, ‘Spiral’ forming the series emotional highlight. The creators succeed in giving these school parts an air of nostalgia, as exemplified by the leader of the series, which is intentionally nostalgic, focusing on Satoru’s childhood, before becoming more confused, indicating a lot, without revealing anything. Oddly, the intro is accompanied by neo-alternative guitar rock, suggesting more the early nineties than late 1980s.

Anyhow, when focusing on the relationships between the children the series is at its very best. In fact, I wonder why the creators didn’t make this series without the rather enforced killer plot. In my opinion the series needn’t any, although it certainly accounts for some chilling moments, like when Satoru becomes a victim of child abduction himself…

Unfortunately, the creators of ‘Erased’ are better in building its subplots than ending them. The last three episodes become increasingly unconvincing. They quickly lost me, making me leave the series with a rather sour taste in my mouth. The finale certainly stains the whole series and diminishes its power.

I have difficulties to say something about the design and animation. The animation, typically for television anime, is rather limited, but still looks fine, as does the staging. The character designs and background painting, however, don’t transcend the usual Japanese conventions, and are indeed pretty generic. In that respect, ‘FLCL’, the only other anime series I can say something about, is much more cutting edge.

In all, ‘Erased’ is a gripping series with a very welcome attention to the horrors of child abuse and the benefits of friendship. I’d certainly say it deserves a watch, even if it can turn out a little disappointing one, given the series’ potential.

Watch the trailer for ‘Erased’ and tell me what you think:

‘Erased’ is available on Blu-Ray and DVD

Director: René Laloux
Release Date: January 28, 1988
Rating: ★★½
Review:

Gandahar © René Laloux‘Gandahar’ was to be René Laloux’s last feature, and like his former two feature films, ‘La planète sauvage‘ (1973) and ‘Les maîtres du temps‘ (1982), it’s a science fiction film set on a strange planet.

The film is especially related to ‘Les maîtres du temps’. Not only in visual style, but also with its story line involving mindless oppressors and time travelling. This time we’re on the paradise-like planet Gandahar, which is suddenly attacked by a powerful, yet unknown force. Soldier Sylvain is send away to find out who these enemies are…

‘Gandahar’ is the least successful of Laloux’s features. Its story, based on a 1969 novel by Jean-Pierre Andrevon, is entertaining enough, but the film’s narrative style is terrible. Practically everything that’s happening is explained by the main characters to us, even when we as viewers had come to our own conclusions. This is most preposterous in an early scene in which Sylvain finds his love interest Airelle, who immediately exclaims she’s falling in love with our hero. This must be one of the worst love scenes ever put to the animated screen.

The film’s ultimate villain is rather surprising, as is his downfall, even though he’s killed off ridiculously easily. Strangely enough the creature is given a long death scene, before the film abruptly ends. We don’t even watch Sylvain reunite with his love interest! Not that we did care, anyway, for the film’s main protagonists are as characterless as possible.

It’s a pity, for the film’s aesthetics are quite okay for a 1980s film. The animation, by a North-Korean studio, is fair, if not remarkable, and the designs by French comic book artist Philippe Caza are adequately otherwordly. Sure, he’s no Moebius, let alone a Roland Topor, and he never reaches the strangeness of the latter’s fantastic planet from 1973. In fact the film rarely succeeds in escaping the particularly profane visual style of the 1980s (e.g. ‘Heavy Metal’). Most interesting are the backgrounds, and Gabriel Yared’s musical score, which is inspired and which elevates the film to a higher level.

Watch ‘Gandahar’ yourself and tell me what you think:

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