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Director: Lev Atamanov
Release date:
1969
Rating:
 ★★★★
Review:

In ‘Ballerina on the Boat’ a ballerina boards a ship. When she practices her moves, several sailors try to copy her, but only succeed in falling overboard. In the end they all get so angry, the gentle ballerina retreats into her cabin. But that night she rescues the ship from a terrible storm.

‘Ballerina on the Boat’ is a very charming film using stark cartoon modern designs and watercolor backgrounds reminiscent of Raoul Dufy. Even the storm consists of beautifully colored paint strokes. The film thus has a strong 1950s feel, enhanced by the peppered modern music by star composer Alfred Schnittke.

The film uses no dialogue and has a very poetic feel, as the ballerina defies gravity more than once. The ballerina herself is animated beautifully and very convincingly, and indeed, two people are credited for choreography. If the film has one drawback, it’s its length. For, after all, not too much is happening throughout the 17 minute long short.

Watch part 1 of ‘Ballerina on the Boat’ yourself and tell me what you think:

‘Ballerina on the Boat’ is available on the DVD ‘Masters of Russian Animation Volume 2’

Director: Lew Keller
Release Date: February 27, 1958
Stars: Ham and Hattie
Rating: ★★★½
Review:

Sailing and Village Band © UPA‘Sailing and Village Band’ is the second of four ‘Ham and Hattie’ cartoons, virtual video clips to two songs each.

‘Sailing’ is a very nice children’s song by Mel Leven on his ukelele. In this song he sing about sailing, and his lyrics are accompanied by images of little girl Hattie with a toy sail boat in a fountain in a park. This song is more narrative than ‘Trees’ was, and when Mel Leven sing about a sea monster, Hattie’s toy boat encounters a frog in the pool.

For the second song, ‘Village Band’ Ham changes himself into blue dog Roscoe, a tuba player in a very undignified village band in small, but very dignified village. Unlike any other Ham and Hattie episode this is actually a story, using a narrator. This is a typical UPA story of misfits and outcasts getting respect from their environment. Nevertheless, there’s an unwelcome sense of conformism present, for the beatnik-like band gets ‘dignified’ by wearing official costumes, emblem of their incorporation into the system…

Watch ‘Sailing and Village Band’ yourself and tell me what you think:

‘Sailing and Village Band’ is available on the DVD box set ‘UPA – The Jolly Frolics Collection’

Director: Steve Muffati
Release Date: October 6, 1933
Stars: Cubby the Bear
Rating:
Review:

Cubby's Picnic © Van Beuren‘Cubby’s Picnic’ is a cartoon vaguely set in a park. It starts with Cubby, our bland and practically emotionless hero, directing a bandstand, with all members drinking all the time.

Later we watch Cubby and his girlfriend watching a magician at a festival, later we see them in a loving mood, and going on a boat trip. We watch a school of fish singing, then several mosquitoes attacking our heroes. The cartoon, surprisingly, ends with Cubby returning to the bandstand.

‘Cubby’s Picnic’ is remarkably plotless, even for a Van Beuren cartoon. Things are just happening, without any logic or story arc, resulting in probably the worst cartoon of 1933

‘Cubby’s Picnic’ marks Steve Muffati’s debut as a director. Unfortunately, with this cartoon he only proved that he couldn’t direct at all. Nonetheless, Muffati directed five other cartoons for Van Beuren before the studio closed down. Despite his lack of direction talent, Muffati proved to be a talented animator, and he later turned up at the Fleischer studio/Famous Studio, animating for Superman, Popeye and Little Audrey films. He also drew comic strips featuring Famous characters like Little Audrey and Caspar the Friendly Ghost.

Watch ‘Cubby’s Picnic’ yourself and tell me what you think:

‘Cubby’s Picnic’ is available on the Blu-Ray ‘The Complete Animated Adventures of Cubby Bear’ and on the DVD ‘The Complete Adventures of Cubby Bear’

Director: Jack Kinney
Release Date: February 24, 1956
Stars: Donald Duck, Chip ‘n Dale
Rating:  ★★★
Review:

Chips Ahoy © Walt DisneyThis Cinemascope cartoon is one of finals. It was the last screen appearance of Chip ‘n Dale, it was the last non-educational Donald Duck short and it was the last cartoon directed by Goofy director Jack Kinney, whose own Goofy series had stopped three years earlier.

The short features a quite ordinary battle between Chip ‘n Dale and Donald. This time the squirrels steal Donald’s miniature boat to sail to an island full of acorns. Highlights are Donald acting out a thunderstorm and Dale’s deadpan reactions to Donald’s attempts to persuade them into various boats.

By 1956 Jack Kinney, the greatest director of comedy the Disney studio had ever seen, had been out of favor for some time, and on March 13, 1958 he was fired. He continued animating during the dark ages of animation, in which animation was only seen in light of expenses. He worked on UPA’s first feature, ‘1001 Arabian Nights’ and on Popeye films for television, besides several small and often unfinished projects with his own animation company. In 1988 he wrote his highly entertaining and richly illustrated autobiography ‘Walt Disney and Assorted other Characters’. Jack Kinney passed away on February 9, 1992, 82 years old.

Watch ‘Chips Ahoy’ yourself and tell me what you think:

This is Donald Duck cartoon No. 114
To the previous Donald Duck cartoon: Up a Tree
To the next Donald Duck cartoon: How to Have an Accident in the Home

Director: Paul Driessen
Release Date: 1980
Rating: ★★★★
Review:

Ter land, ter zee en in de lucht © Paul DriessenIn this film Paul Driessen experiments with the split screen for the first time.

Here we see three narrow frames: the left frame (Land) depicting a sleeping man, the middle one (Air) a bird, and the right one (Sea) a couple on a boat on the ocean. The story involves several themes explored in all three frames, which at times interact but only come together in the end

Like many of Paul Driessen’s shorts ‘Te land ter zee en in de lucht’ involves morbid humor, including a running gag of an ark sinking several times. The film uses no dialogue and no music, only sound effects with very effective results.

Driessen would take the split screen technique to the max in ‘The End of the World in Four Seasons’ (1995), but the genius of ‘Te land, ter zee en in de lucht’ would only be topped by his melancholy film ‘The Boy Who Saw the Iceberg’ from 2000.

Watch ‘Te land, ter zee en in de lucht’ yourself and tell me what you think:

‘Te land, ter zee en in de lucht’ is available on the DVD ‘The Dutch Films of Paul Driessen’

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