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Director: Michèle Lemieux
Release Date:
February 15, 2012
Rating:
 ★★★★½
Review:

One of the most original devices for animation is the pinscreen, deviced by Alexandre Alexeïeff and his wife Claire Parker in the 1930s. Already in 1933 Alexeïeff himself demonstrated the power of this instrument with ‘Une nuit sur le mont chauve‘. However, it almost seemed that the use of machine would die with the great master.

Luckily, Canadian animator Jacques Drouin has continued this tradition, and passed it on to Michèle Lemieux. With its soft black and white images the pinscreen is especially fit for poetical images, and Lemieux’s film certainly is very lyrical. The film is subtitled ‘four meditations on space and time’, and consists of four parts, only bridged by the short’s protagonist, a piano playing man, living in a round chamber.

There’s no traditional story and no dialogue, and little music (which can only be heard during one episode and the finale). But the images are very absorbing, and the sound design is superb. The first episode, in which the man watches some strange phenomenons in the sky, is most intriguing, as is the second episode, which makes great use of metamorphosis. The third, however, is rather static, and relies a little too much on the music to evoke mood. Most disturbing is the fourth chapter, ‘The return of Nothingness’, in which a flying object sucks all objects in the man’s room away from him.

Lemieux ends her beautiful, if rather puzzling film with the pinscreen itself, and she cleverly uses the device to depict the man’s transfiguration. In all, Lemieux proves a very capable animator on this intriguing device, and one hopes she’ll make more animation films this way.

Watch an excerpt from ‘Here and the Great Elsewhere’ yourself and tell me what you think:

‘Here and the Great Elsewhere’ is available on The Animation Show of Shows DVD Box Set 8

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