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Director: Oskar Fischinger
Production Date:
 1930-1931
Rating: ★★★★★ ♕
Review:

Studie Nr. 7 © Oskar FischingerIn Fischinger’s study No. 7 , made in 1930-1931, the shapes of Study No. 6 move to the 5th Hungarian dance by Johannes Brahms.

Like Study No. 6 Fischinger made this film with charcoal on paper. In this short the synchronization of music and movement is even better than in Study No. 6. Fischinger uses less diverse shapes than in No. 6, making the film more consistent. Some of them look like fluttering and folding pieces of paper.

According to William Moritz this particular film prompted four film makers into animation: Norman McLaren, Alexandre Alexeieff, Claire Parker and Len Lye. These four all became major players in avant-garde animation. This fact makes Study No. 7 one of the most important animation films in history.

Watch ‘Studie nr. 7’ yourself and tell me what you think:

‘Studie nr. 7′ is available on the DVD ‘Oskar Fischinger: Ten Films’

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Director: Alexandre Alexeieff
Release Date: 1933
Rating: ★★★½
Review:

Une nuit sur le mont chauve © Alexandre AlexeieffPredating Disney’s film to the same classical piece by seven years, this ‘video clip’ to the music of ‘Night on Bald Mountain’ by Modest Mussorgsky is an impressive mood piece.

The Russian-French artist Alexeieff animated ‘Une nuit sur le mont chauve’ on a so-called pinscreen, a device he invented himself , and which consists of a screen with numerous pins, which can be pushed further in or out, to produce a shadowy image together. This technique is highly original, and the images produced are totally unique.The film’s imagery has more in common with surreal paintings from the era than with any other animation film from the 1930s. ‘Une nuit sur le mont chauve’ was Alexeieff’s first film on the pinscreen. Together with his wife Claire Parker he would animate five more, of which ‘The Nose’ (1963) is arguably the best.

The film does not tell a story, but shows us a string of expressionistic images of animal and human forms, floating through air, and morphing into disturbing creatures. The animation is sometimes excellent (with a human figure circling through the air as a particular standout), but at times primitive, too, and the film suffers a little from the crude montage. Both shortcomings are a direct result of the limitations of the pinscreen. However, Alexeieff’s vision overcomes the film’s drawbacks, and ‘Une nuit sur le mont chauve’ is rightly considered an animation classic.

Watch ‘Une nuit sur le mont chauve’ yourself and tell me what you think:

‘Une nuit sur le mont chauve’ is available on the DVD ‘Alexeïeff – le cinéma épinglé’

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