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Directors: Max Lang & Jan Lachauer
Release Date:
December 25, 2012
Rating:
 ★★★½
Review:

One of the most interesting series to emerge in the 21st century were the BBC half hour specials based on children’s books by Julia Donaldson and Axel Scheffler. This series was produced by Magic Light Pictures and mostly animated by Studio Soi in Germany.

Starting with the extraordinarily succesful ‘The Gruffalo’ (2009) these films prove not only to be very faithful to the source material, but to bring an unsurpassed plasticity to the computer animation, giving the characters the solidity of stop-motion. This is partly done by the animation itself, which practically never goes beyond what’s possible with stop motion puppets (for example there’s practically no squashing and stretching), and partly by giving them a clay-like texture.

But the makers’ secret ingredient is their use of real sets, thus placing the computer-created characters in fitting stop-motion worlds. This is so well-done you keep on wondering whether what you see is stop-motion or computer animated. This unique blend gives the film their specific and utterly charming character.

‘Room on the Broom’, the third entry in the series, is an excellent example. The story tells about a friendly witch who flies on a broom with her cat, but at times she drops something on the ground. This is then found by an animal who asks for a place on the broom. The repetition and rhyme no doubt work excellently for small children, but elder viewers will delight in the cat’s wordless reactions to his mistress’s enthusiastic invitations. His body language and facial expressions form the pinnacle of pantomime animation, but there are touches of wordless comedy on all the characters.In the end a ‘Town Musicians of Bremen’-like story twitch is introduced.

Even if ‘Room on the Broom’ isn’t the undisputed classic ‘The Gruffalo’ certainly is, it’s still a delightful film, able to enchant both the young and old alike.

Watch the trailer for ‘Room on the Broom’ yourself and tell me what you think:

‘Room on the Broom’ is avalaible on DVD

Director: Joel Simon
Release Date:
July 5, 2012
Rating:
 ★★★★
Review:

‘Macropolis’ was commissioned by the ‘Unlimited Programme’, part of the London 2012 Cultural Olympiad, and dedicated to deaf and disabled arts and culture.

The short stars a toy cat, who’s rejected from the factory because he’s only got one eye. He teams up with a little toy dog with only one leg. The cat gives the dog a leg prosthesis, the dog gives the cat an eye patch and together they try to catch the truck which delivers all the other toys to the toy store.

‘Macropolis’ is a gentle little film which succeeds in moving the audience without any dialogue. The stop motion is mixed with pixillation and live action, and filmed partly outdoors. A nice touch is that the film makers don’t hide the fact that stop motion takes a lot of time, and the background is buzzing with movement as the two little animals wander the streets.

Watch ‘Macropolis’ yourself and tell me what you think:

‘Macropolis’ is available on the Belgian DVD ‘Haas & Hert en andere verhaaltjes’

Director: Earl Hurd
Release Date:
August 26, 1922
Stars: Bobby Bumps & Fido
Rating:
 ★★★★½
Review:

Earl Hurd left Paramount for Educational Pictures, and with this move his style changed from pure cartooning to a very inventive and entertaining blend of live action and animation, starring his own little son as a live action director directing the cartoon stars Bobby and Fido.

‘Fresh Fish’ is a perfect example. The opening title card is already promising, reading “Bobby Bumps Film co. Feetures & Comydies. No admitence. Aplie at Offis.” Inside, we watch Hurd jr. filming Bobby and Fido, who are on a fishing boat. First the cartoon concentrates on the cartoon gags, e.g. with Fido pitying the poor fish, before the fish tantalizes the poor dog. This sequence ends when a live action cat catches the fish and runs away with it.

But then Bobby accidentally stands on the water, a fact Hurd jr. has to point out to him. At this point Bobby falls into the water after all. The idea that gravity only works when one is aware it should work is of course a familiar cartoon trope, but this is the oldest instance of this gag type I know of.

After the fall, Bobby blames the poor scenery, which, indeed, hardly indicates the presence of water. Thus, the young director places the scenery in a tub. At first Bobby and Fido are very pleased with the added realism, but they almost drown in it.

This cartoon features quite some very effective special effects, making us easily believe the cartoon Bobby and Fido are in the same room as the cat and the director. Especially the water splashing when Bobby and Fido jump into the tub is very convincing. The result is no less than delightful, and ‘Fresh Fish’ should be regarded as one of the highlights from the silent cartoon era.

‘Fresh Fish’ is available on the Blu-Ray/DVD-combo ‘Cartoon Roots: Bobby Bumps and Fido’

Director: Ian Sachs
Release Date: 1995
Rating: ★
Review:

‘Scat, the Stringalong Cat’ is a short children’s film clearly inspired by Osvaldo Cavandoli’s great La Linea series.

Like La Linea ‘Scat, the Stringalong Cat’ takes place on a single line in a monochrome background (this time blue). However, unlike La Linea, Scat consists partly of body parts not belonging to the line. Scat has visible eyes, red nose and whiskers that are completely his own.

In this film Scat goes fishing, but he only manages to catch boots.

The 2D computer animation is mediocre, and Sachs’s timing is terrible, with as a result that all his attempts at gags fall flat. What certainly doesn’t help is the ugly electronic soundtrack. In short, ‘Scat, the Stringalong Cat’ fails completely, where La Linea succeeds: in making us laugh.

‘Scat, the Stringalong Cat’ is available on the DVD ‘The Best of British Animation Awards 1’

Director: Władysław Nehrebecki
Release Date: 1958
Rating: ★★★★★
Review:

Myszka i kotek © Studio Filmów Rysunkowych‘Myszka i kotek’ is a very beautiful example of the cartoon modern style of the 1950s.

The film is a very playful tale of a real mouse chased by a line drawing kitten, which has jumped from a postcard. During the chase the cat repeatedly dissolves into a line only, and the animators play with the fact that the animal is outline only.

Both cat and mouse are pleasantly designed and very well animated, but it’s the gorgeous background art that draws the main attention. Every single panel is a beauty, depicting a nightly room in bold designs, verging on the abstract. The main background color is black, and the light blue outline of the kitten reads very well against the background art.

In short, ‘Myszka i kotek’ is a Polish little gem that deserves to be better known.

Watch ‘Myszka i kotek’ yourself and tell me what you think:

‘Myszka i kotek’ is available on the DVD set ‘Anthology of Polish Children’s Animation’

Director: Robert McKimson
Release Date: August 20, 1960
Stars: The Honey-Mousers
Rating:
Review:

Mice Follies © Warner Bros.Not to be confused with the delightful Tom & Jerry short of the same name ‘Mice Follies’ marks the third appearance of the Honey-Mousers, McKimson’s parody of the television sitcom The Honeymooners.

The short opens with Ralph and Ned departing way too late from a night out. Somehow, we’ll never know why, Ned taunts a cat on the way. The cat follows the boys home, and they mistake the ferocious feline for their wives when they arrive home. The two men flee the house. Then the wives arrive themselves, only to get the same treatment from the cat. In the end we watch the four going asleep on a tiny park bench.

It’s hard to say anything positive about ‘Mice Follies’, The story just makes no sense, none of the dialogue is remotely interesting, little to nothing is done with the parody element, and the few gags present all fall flat. And so, the Honey-Mousers wouldn’t return after this unsuccessful entry.

Watch ‘Mice Follies’ yourself and tell me what you think:

‘Mice Follies’ is available on the Blu-Ray-set ‘Looney Tunes Mouse Chronicles: The Chuck Jones Collection’

Director: Walter Lantz
Release Date: November 24, 1941
Stars: Woody Woodpecker
Rating:  ★★★★½
Review:

what's cookin' © walter lantzThis short opens with a groundhog warning for a terrific cold wave and urging all birds to go South at once.

All birds (drawn in cute 1930s fashion) leave the forest at once to take off to Miami. Not Woody Woodpecker, who takes another swim, only to discover that his summer scene changes into harsh winter within a second. Later a whirlwind deprives him of all his food, and Woody is left hungry and miserable. At that point an equally hungry cat drops by, and both characters try to eat each other, in what must be the grimmest and most violent cartoon of the sound era thus far.

The idea of characters trying to each other was revisited later by other film makers, e.g. Chuck Jones in ‘Wackiki Wabbit‘, Tex Avery in ‘What’s Buzzin’ Buzzard’ (both 1943), and James Culhane in ‘Fair Weather Friends’ (1946), which also stars Woody Woodpecker. Woody Woodpecker’s search for food would become a recurring theme in his films, e.g. ‘Ski for Two’ (1944), ‘Chew-Chew Baby’ (1945) and ‘Banquet Busters’ (1948).

Watch ‘What’s Cookin’?’ yourself and tell me what you think:

This is Woody Woodpecker cartoon No. 3
To the previous Woody Woodpecker cartoon: The Screwdriver
To the next Woody Woodpecker cartoon: Hollywood Matador

‘What’s Cookin’?’ is available on the DVD-set ‘The Woody Woodpecker and Friends Classic Cartoon Collection’ and on the Thunderbean DVD ‘Lantz Studio Treasures Starring Oswald’

Director: Chuck Jones
Release Date: April 12, 1941
Stars: Sniffles
Rating: ★★
Review:

Toy Trouble © Warner Bros.‘Toy Trouble’ marks the return of Sniffles’s friend the bookworm, from ‘Sniffles and the Bookworm’ (1939) and ‘The Egg Collector’ (1940).

This time the two friends snoop around in the toy collection of a department store. All goes well until the duo encounters a cat.

Like Sniffles himself, the bookworm is more cute than funny, and like most Sniffles cartoons this short suffers from a terrible slowness. The result is a rather tiresome watch. Nevertheless, it contains a nice scene in which Sniffles hides in a row of Porky Pig dolls, predating a similar scene in the Tom & Jerry cartoon ‘The Night Before Christmas’ by eight months. There’s also a mechanical duck, which accounts for some gags that look all the way forward to the elaborate gags of Chuck Jones’s Roadrunner and Tom & Jerry cartoons.

Watch ‘Toy Trouble’ yourself and tell me what you think:

‘Toy Trouble’ is available on the Blu-Ray set ‘Looney Tunes Mouse Chronicles: The Chuck Jones Collection’

Director: Chuck Jones
Release Date: February 1, 1941
Stars: Sniffles
Rating: ★★★½
Review:

Sniffles Bells the Cat © Warner Bros.In the seventh of twelve Sniffles cartoons Sniffles suddenly has a number of lookalikes, who are as annoying as the title character himself.

In the opening scene we watch them all fleeing from a cat. When Sniffles wishes out loud that the cat should have a bell, the others immediately put him on the job.

Like other Sniffles cartoons, ‘Sniffles Bells the Cat’ is slow and pretty unfunny. Yet the chase scenes show some beautiful background art, emphasizing the vastness of the house for a little mouse like Sniffles. Moreover, Carl Stalling’s music is extraordinarily beautiful in this cartoon.

However, the cartoon is most important in the development of Jones’s mature style. Like in ‘Bedtime for Sniffles’ Jones excels in giving the cute little character a surprisingly broad range of emotions, especially when Sniffles realizes he has to tie the bell to the cat himself. This scene is the undisputed highlight of the cartoon and shows that even at this early stage Jones knew hardly an equal in handling facial expressions. The cat, too, is animated delightfully when he performs the old shell game with considerable deftness. These two scenes contain the seeds of more to come, and make the cartoon one of Sniffles’s best, despite its slugged pace.

Watch ‘Sniffles Bells the Cat’ yourself and tell me what you think:

‘Sniffles Bells the Cat’ is available on the Blu-Ray set ‘Looney Tunes Mouse Chronicles: The Chuck Jones Collection’

Director: Bob Clampett
Release Date: November 2, 1940
Stars: Porky Pig
Rating:  ★★★
Review:

The Sour Puss © Warner Bros.When Porky reads in the paper that fishing season will open the day after, he goes out fishing with his cat next day.

At the pond they encounter a flying fish (actually a marine species), which soon turns out to be as loony as Daffy Duck. The fish has the last laugh, imitating comedian Lew Lehr, saying “pussycats is the craziest people”.

‘The Sour Puss’ is a pretty run of the mill cartoon, and over before you know it. Porky has a modest role in a cartoon that’s actually devoted to his cat. Most interesting is the convincing animation of Porky in his rocking chair: one can see his body shift to move the chair. Also noteworthy are a bizarre shot in which Porky imitates a fish, a mussel with Popeye-like arms, and the cat’s over-joyous reaction to Porky’s promise of a fish dinner: he even kisses a mouse, which prompts a canary on committing suicide, saying ‘Now I’ve seen everything’. This last gag was repeated by a Pete Lorre-like fish in ‘Horton Hatches the Egg‘ (1942), while the Lew Lehr line reappeared in ‘Scaredy Cat‘ (1948).

Watch ‘The Sour Puss’ yourself and tell me what you think:

This is Porky Pig cartoon no. 79
To the previous Porky Pig cartoon: Prehistoric Porky
To the next Porky Pig cartoon: Porky’s Hired Hand

‘The Sour Puss’ is available on the DVD sets ‘Looney Tunes Golden Collection Volume Four’ and ‘Porky Pig 101’.

Director: Chuck Jones
Release Date: May 20, 1939
Stars: Sniffles
Rating: ★★★
Review:

Naughty But Mice © Warner Bros.‘Naughty But Mice’ introduces Chuck Jones’s very first regular cartoon star, the infamous mouse Sniffles.

Sniffles’ first appearance immediately explains his name, for he has a cold, and visits a drug store for medicine. He finds one with a lot of alcohol, and is drunk almost immediately. Then follows a rather curious scene in which Sniffles talks and even sings with a humanized electric razor, in an all too slow scene. After this strange scene the second act starts, in which Sniffles is threatened by a cat, and rescued by the razor.

Like many of Jones’s earliest cartoons, ‘Naughty But Mice’ is a clear attempt to emulate Walt Disney. Sniffles even vaguely resembles the country mouse from ‘The Country Cousin‘ (1936), which also gets drunk. The result is a slow and cute cartoon. The short is saved, however, by gorgeous art deco-inspired background paintings and by Carl Stalling’s beautiful score.

Sniffles is far from an interesting character, and out of league with Daffy or even Porky. Nevertheless, the little mouse would star ten more cartoons, lasting even until 1946.

Watch ‘Naughty But Mice’ yourself and tell me what you think:

‘Naughty But Mice’ is available on the Blu-Ray set ‘Looney Tunes Mouse Chronicles: The Chuck Jones Collection’

Director: Dave Fleischer
Release Date: August 12, 1938
Stars: Betty Boop, Pudgy
Rating:
Review:

Pudgy the Watchman © Max Fleischer

‘Pudgy the Watchman’ opens with an alley cat driving a mouse-like car in a beautiful 3D landscape, conceived with Max Fleischer’s unique tabletop technique.

This cat, called Al E. Katz, stops at Betty Boop’s house, and tricks Betty to hire him as a ‘mouse eradicator’ by using a toy mouse. Meanwhile we watch Pudgy playing with the little critters in the cellar. The cat disturbs this peaceful scene by catching the mice in no time and playing darts using them. But one escapes and sets them all free, while the cat gets drunk from Betty’s wine cellar. With help from Pudgy the mice chase the cat out of the house.

‘Pudgy the Watchman’ has a straightforward story, but that’s the best one can say about this cartoon. The makers forgot to provide it with anything resembling a gag. The result is an utterly forgettable cartoon, and certainly one of the most boring entries even in Pudgy’s already mediocre catalog.

Watch ‘Pudgy the Watchman’ yourself and tell me what you think:

This is Betty Boop cartoon No. 75
To the previous Betty Boop cartoon: The Swing School
To the next Betty Boop cartoon: Sally Swing

‘Pudgy the Watchman’ is available on the Blu-Ray ‘Betty Boop: The Essential Collection, Vol. 4’ and the French DVD Box Set ‘Betty Boop Coffret Collector’

Sleepy Time Down South © Max FleischerDirector: Dave Fleischer
Release Date: November 11, 1932
Stars: The Boswell Sisters
Rating: ★★★★
Review:

‘Sleepy Time Down South’ is a Screen Song featuring the Boswell Sisters, the most famous close harmony trio of its time, but later eclipsed by the similar Andrews Sisters.

The animated part of the short tells about a cat, who’s in the fire brigade, and who with his fellow firemen rushes to a burning house. This part contains nice cartoon versions of the three sisters singing help. When they get rescued they throw down the piano first, which falls apart, but which the three sisters reassemble in an instant. Cut to the live action Boswell Sisters, with lead singer Connee Boswell starting the title song ‘When It’s Sleepy Time Down South’, which had been a hit for Louis Armstrong in 1931. In the end the animation returns, and the three sisters lend their voices to three flames following the cat.

Because of the sisters’ subtle harmonies the song is very hard to sing along, so one wonders whether the cartoon was a success in the theaters. Yet, the combination of the Fleischer’s imaginative images and the Boswell Sisters’ intoxicating performance makes ‘Sleepy Time South’ a joy to watch.

Watch ‘Sleepy Time Down South’ yourself and tell me what you think:

http://www.criticalcommons.org/Members/sammondn/clips/when-its-sleepy-time-down-south-1932

‘Sleepy Time Down South’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’

Director: Rudolf Ising
Release Date:
 May 14, 1932
Rating: ★★★
Review:

It's Got Me Again © Warner Bros.‘It’s Got Me Again!’ finds Harman and Ising at their most Disney-like. This Merrie Melodie is very similar to contemporary Silly Symphonies.

The short features a mouse entering a musical instrument shop at night. The music starts when the mouse accidentally starts the title song on a gramophone. This invites several other mice to join in. After four minutes of musical frolicking a mean cat appears who gets one mouse cornered, prompting the rodent to sing the title track. The other mice, however, come to the rescue and together they get rid of the cat.

The story of ‘It’s Got Me Again!’ is very similar to that of contemporary Disney shorts ‘The Spider and the Fly‘ or ‘The Bird Store‘, but the short’s premise is most akin to the Van Beuren short ‘Toy Time‘ from four months earlier. ‘It’s Got Me Again!’ is much more sophisticated than the Van Beuren short, though. The animation, by Friz Freleng and Tom McKimson, is excellent throughout, and second only to the Disney studio itself.

The mice are Mickey Mouse but in size, only, and the musical routine involves a French Apache dance, as can also be found in ‘Mickey’s Follies‘ (1929) and the later ‘Woodland Cafe‘ (1937). Harman & Ising’s mimicking paid off, as ‘It’s Got Me Again!’ was among the three very first animated shorts to get an Academy Award nomination. Yet, it’s no surprise it lost to Walt Disney’s landmark cartoon ‘Flowers and Trees‘.

Watch ‘It’s Got Me Again!’ yourself and tell me what you think:

‘It’s Got Me Again!’ is available on the Blu-Ray ‘Looney Tunes Platinum Collection: Volume 2’ and the DVD ‘Looney Tunes Golden Collection Volume Three’

Director: Wilfred Jackson
Release Date:
 January 5, 1932
Rating: ★★★
Review:

The Bird Store © Walt Disney‘The Bird Store’ follows earlier Mickey Mouse films and Silly Symphonies in presenting half a song-and-dance routine and half a story.

This short starts quite boringly with endless bird song routines, but after 4 minutes of this a cat enters, which leads to a small story when the cat captures a small canary and all other birds free the canary and chase the cat away to a city dog pound.

The bird designs are still pretty primitive, and much more akin to those in ‘Birds of a Feather‘ from one year earlier than to ‘Birds in the Spring‘ from one year later. Most birds are clearly drawn from fantasy, and make no sense at all. The provisional realism of the canary in ‘Mickey Steps Out‘ hardly gets any follow-up here. A small highlight form the four ‘Marx Birds’, which mark the earliest instance of Hollywood caricatures in a Disney film.

Watch ‘The Bird Store’ yourself and tell me what you think:

This is Silly Symphony No. 26
To the previous Silly Symphony: The Ugly Duckling
To the next Silly Symphony: The Bears and the Bees

‘The Bird Store’ is available on the DVD ‘Walt Disney Treasures: More Silly Symphonies’

Directors: John Foster & Mannie Davis
Release Date:
 March 26, 1932
Rating: ★★
Review:

The Cat's Canary © Van BeurenIn ‘The Cat’s Canary’ we watch a cat swallowing a bird. Surprisingly the bird remains alive, and makes the cat produce chirping sounds.

The cat goes to a doctor, to no avail, he then joins a quartet of alley cats serenading a kitten. He joins in chirping. But when he gets hit with a cage, the bird escapes. The bird takes revenge on the cat with help from some fellow birds, including a pelican.

After watching such ambitious films by Van Beuren as ‘The Family Shoe‘, ‘Toy Time‘ and ‘Fly Frolic‘, the Aesop Fable ‘The Cat’s Canary’ feels pretty backward. The designs of the cat are highly inconsistent and primitive, looking back to the Waffles and Don films from 1930. The complete short lacks the Silly Symphony-like quality of the preceding Aesop Fables. Moreover, it’s storytelling is weak and inconsistent: there’s a complete throwaway scene, in which the cat is visited by sympathizing birds, and although the cat is the main protagonist throughout the whole film, he suddenly changes into a villain in the end.

The final scene is clearly inspired by the finale of Disney’s ‘Birds of a Feather‘ (1931), and perhaps ‘The Bird Store‘ (1932), but it adds nothing of its own.

Watch ‘The Cat’s Canary’ yourself and tell me what you think:

‘The Cat’s Canary’ is available on the DVD ‘Aesop’s Fables – Cartoon Classics from the Van Beuren Studio’

Directors: John Foster & Harry Bailey
Release Date:
 January 27, 1932
Rating: ★★★½
Review:

Toy Time © Van Beuren‘Toy Time’ is another typical Silly Symphony-like short by Van Beuren, trying to beat Disney at his own game.

The cartoon features two mice, Oscar and his girlfriend, who resemble Mickey and Minnie less than Van Beuren’s ill-fated stars Milton and Rita had done (see e.g. ‘Circus Capers‘ and ‘The Office Boy‘).

In fact, the two are portrayed as real mice, having fun in the toy shop at night. This premise comes directly from the Silly Symphony ‘Midnight in a Toy Shop‘, but the Van Beuren studio adds some drama, when a cat appears, and the two mice battle him with help of several toys. Strangely enough the cartoon doesn’t end at that point, but also features a scene in which Oscar serenades his girlfriend on the piano. Only then he earns his sweetheart’s kiss.

Like ‘The Family Shoe‘ (1931), ‘Toy Time’ is highly ambitious. For example, it features a splendid score by Gene Rodemich, and elaborate and quite beautifully painted backgrounds. Unfortunately, the animation is still pretty awkward, and the designs of the two mice primitive and bland. Nevertheless, it shows that the Van Beuren Studio was trying very hard.

Four months later, Warner Bros. would cover similar grounds in ‘It’s Got Me Again!‘, but with much more satisfying results.

Watch ‘Toy Time’ yourself and tell me what you think:

‘Toy Time’ is available on the DVD ‘Aesop’s Fables – Cartoon Classics from the Van Beuren Studio’

Director: Dave Fleischer
Release Date:
 April 16, 1931
Rating: ★★★½
Review:

Any Little Girl That's A Nice Little Girl © Max Fleischer‘Any Little Girl That’s A Nice Little Girl’ is a Screen Song about a cat who’s dating several girls at the same time.

First we watch him dating his girls through the telephone, then he goes through a bunch of photographs and chooses to visits hot Lulu Belle. When he tries to sneak out, Lulu Belle hits him with the couch. Enter the Screen Song, which is accompanied with images of e.g. a naked woman in a bath(!) and a picture of Betty Boop, who otherwise does not appear in this cartoon.

Only the first scene features lip-synch, and the scene with Lulu Belle also features an excerpt from the 1929 hit song ‘What Wouldn’t I Do for That Man’, popularized by Annette Hanshaw and Ruth Etting. This excerpt is much more interesting than the 1910 vaudeville title song. The last chorus features some nice interplay between the words and the animated characters, typical for the Screen Songs of this era.

Watch ‘Any Little Girl That’s A Nice Little Girl’ yourself and tell me what you think:

‘Any Little Girl That’s A Nice Little Girl’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’

Director: Wilfred Jackson
Release Date:
July 28, 1931
Rating: ★★★½
Review:

The Cat's Out © Walt DisneyA cat is put out. When he tries to catch a bird, he falls down and gets knocked unconscious by a wind-flower.

Enter a nightmarish sequence, in which the cat imagines his lives are fleeing him, and that he’s being attacked by giant birds, hooting owls, bats, giant spiders and hollow trees. Luckily, in the morning it all appears to have been a dream.

‘The Cat’s Out’ is not devoid of dance routines (there are two dance scenes featuring scarecrows and a bat), but it has a surprisingly clear story, unmatched by earlier Silly Symphonies. It is arguably the first Silly Symphony with such a clear story, anticipating the straightforward storytelling of ‘The Ugly Duckling‘ of the end of the same year. This makes the short one of the most interesting Silly Symphonies of 1931.

Watch ‘The Cat’s Out’ yourself and tell me what you think:

This is Silly Symphony No. 20
To the previous Silly Symphony: The Busy Beavers
To the next Silly Symphony: Egyptian Melodies

‘The Cat’s Out’ is available on the DVD ‘Walt Disney Treasures: More Silly Symphonies’

Director: Priit Pärn
Release Date: 1984
Rating: ★★★★
Review:

Time Out © Priit Pärn‘Time Out’ is Priit Pärn’s fifth film, but the first to gain a widespread attention, and to win a number of international prizes.

It shows the filmmaker’s idiosyncratic style and unique surrealism, without the dark side, often present in his other films. The film is filled with child-like wonder, and a happy atmosphere, enhanced by the joyful reggae music by composer Olav Ehala.

The film opens with a room in which a very stressed out cat lives. The cat is in a constant need to check his alarm clock, which is on a shelf too high for him. When he finally reaches the clock, he discovers he can’t read it without his glasses, so he has to find them first, etc. Pärn shows this pointless ritual in several variations over and over again, following the cat running around in his room.

At one point, however, the alarm clock breaks, and time stands still. At this point of the film the cat finds himself in a fantastic world where everything can happen. This part is extremely rich in visual tricks, which go all the way back to Émile Cohl’s ‘Fantasmagorie‘ (1908). Nothing is what it seems, and metamorphosis runs freely. Unfortunately, in the end, time is restored, and the cat has to face his former stressful life once again.

‘Time Out’ certainly shows Priit Pärn’s mastery, and excellent timing. His fantasy is extraordinary, and the film shows the power of animation like few other films do. It’s also a reminder that we should snap out of the daily routine, and let our mind wander, and be really creative. When one takes time, everything may be possible!

Watch ‘Time Out’ yourself and tell me what you think:

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