posters | Dr. Grob's Animation Review

Director: Osamu Tezuka
Release date: November 1962
Rating: ★★★
Review:

‘Tales of a Street Corner’ was Osamu Tezuka’s first animated film, and the first production of his company Mushi productions, which Tezuka founded in 1961, after his contract ended at Toei Animations, Japan’s most important animation studio of that time.

The film immediately shows Tezuka’s high ambitions. First, ‘Tales of a Street Corner’ is of considerable length, clocking 39 minutes. Second, its designs echo the cartoon modern style of Europe, unlike anything previous in Japan. Third, Tezuka’s storytelling is highly poetical, reminiscent of Paul Grimault, avoiding tried story cliches. Fourth, the film has a strong anti-militaristic and pacificist tone, and is more than just mere entertainment.

It’s striking to note that, unlike Tezuka’s Astro Boy television series from a year later, ‘Tales of a Street Corner’ lacks any Japanese character. Instead, the film feels very European, both in its looks and in its music. Even the town in which the story takes place is clearly European, as are the poster violinist and pianist. These two characters form the heart of a romantic tale that Tezuka spins, with other protagonists being a little mouse, a moth, and even a broken lantern and a tree.

The whole tale is set in motion when a little girl drops her teddy bear in a gutter, but Tezuka’s story is anything but straightforward, and allows for some poetic moments, as well two series of silly gags involving numerous posters. The animation ranges from full animation to zooming into still images, with everything in between, and it is quite possible that Tezuka’s choices in the complexity of animation were motivated not only by its artistic value, but also by cost reduction.

‘Tales of a Street Corner’ is certainly charming, but as would later be more often the case with Tezuka, the director wants too much within one short. In fact, the short is overlong, and it’s unclear what he wanted the resulting film to be: a children’s film? A romance? A comedy? An anti-war statement? Now, the film is all this and thus none of that at the same time. Nevertheless, ‘Tales of a Street Corner’ remains a delight to look at throughout, and with this film Japan surely entered a new phase in animation, even if the film is still copying its European models.

Watch ‘Tales of a Street Corner’ yourself and tell me what you think: